The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

    Under headings that explore the entire history of bibliomania from "The Invention of Paper" to "Some Horror Writers' Offcial Websites," the entries in Bibliotopia provide the insatiably curious reader a delightfully desultory literary education, the kind one might pick up at a cocktail party on Parnassus.

     Michael Wagner’s lost his hearing and career. Andrew Conagher’s lost his dad, and is struggling to pick up the pieces. All they have is their soldier's support group..and each other. Unexpected love meets helpless angst! If hurt/comfort, arguments, mini-golf, and steamy situations in precarious places is your cup of tea, Falling For His Comrade is the perfect gateway to the hot military men of Buckhorn, Missouri—if you’re willing to let them take control for a little while….

    If you need to extend your verbal eloquence to include vulgarity from 1811, this is the book for you.

    How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and Jane Austen to Samuel Beckett and J. K. Rowling.

    The original structure of the book has been improved and new material has been added, including extracts from the writings of Marx, Freud, and de Beauvoir, and a new section devoted to contemporary critical debates and issues.

    That’s saying a lot, considering how awful the rest of his years had been. He lost the job he went to college for. His fallback career got him shot, which hurled him into a lawsuit against the state which he didn’t want to pursue in the first place, but he felt cornered into it. Not long after that ordeal, his roommate (who he’d been obsessed with for most of his adult life) betrayed him in an unimaginably nightmarish way. His life crumbled around him, and he couldn’t make heads or tails of it anymore. So he left. One cheap acre of land in the middle of nowhere and a second-hand RV later, Randy was off in pursuit of peace and quiet. It seems to be working. The land isn’t the best, but it’ll work for his needs. The RV of course won’t last very long as a primary living space, but he’ll get his house built before winter. That’s the plan, anyway. A small boy sets all of his plans on edge when he lets it slip that his mother is terribly unhappy. Randy, who has never been able to smother his white-knight instinct altogether, checks in on his neighbor for the boy’s sake. He’s relieved to hear that she has family coming, and considers his job done. He returns to his homestead to complete his work. Soon, his neighbor’s home is swarming with her loud, happy family. She invites Randy over to meet them, and he is instantly struck by her brother, Andre. Andre is tall, dark, handsome, and fantastic with his nephews. He makes all those feelings Randy had killed off in the wake of his ex-roommates betrayal come screaming back to life. Suddenly Randy finds himself utterly involved with the big, odd family. But every family has secrets, and Randy can’t outrun his past. A series of coincidences sets him at odds with the family without his knowledge; though soon he has the opportunity to prove his loyalty. Violence and Werewolf Mafia rules descend on the quiet mountain settlement, and all of the peace that Randy had been seeking is stripped from the quiet valley in the claws of resentful werewolves on a mission. The intruding werewolves make Randy an offer. Come back to the city to be king of his own domain; or fight and die beside the family he’d only just come to know? Randy will have to decide what’s more important to him. Money, power, and sex; or the wild, open spaces and honest people he’d been yearning for? ----- This book contains sexually explicit content not suited for those under the age of 18. The book is approximately 50,000 words and does not end in a cliffhanger.

    This book is for civil engineers that teach fluid mechanics both within their discipline and as a service course to mechanical engineering students. As with all previous editions this 10th edition is extraordinarily accurate, and its coverage of open channel flow and transport is superior. There is a broader coverage of all topics in this edition of Fluid Mechanics with Engineering Applications. Furthermore, this edition has numerous computer-related problems that can be solved in Matlab and Mathcad.

    Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century. At the Same Time gathers sixteen essays and addresses written in the last years of Sontag's life, when her work was being honored on the international stage, that reflect on the personally liberating nature of literature, her deepest commitment, and on political activism and resistance to injustice as an ethical duty. She considers the works of writers from the little-known Soviet novelist Leonid Tsypkin, who struggled and eventually succeeded in publishing his only book days before his death; to the greats, such as Nadine Gordimer, who enlarge our capacity for moral judgment. Sontag also fearlessly addresses the dilemmas of post-9/11 America, from the degradation of our political rhetoric to the appalling torture of prisoners in Abu Ghraib.At the Same Time, which includes a foreword by her son, David Rieff, is a passionate, compelling work from an American writer at the height of her powers, who always saw literature "as a passport to enter a larger life, the zone of freedom."

    The core of his argument in this essay (and in those that follow) lies in the old opposition between theoria and aesthesis - terms that embody, on the one hand, a linguistic, specifically rhetorical approach to literature and, on the other, a phenomenological, aesthetic, or hermeneutic approach - and all the implications those two modes carry with them. The resistance to theory, says de Man, is a resistance to the use of language about language; it is a resistance to reading, and a resistance to the rhetorical or figurative dimensions of language. The six related essays in The Resistance to Theory were written by de Man in the few years that preceded his death in December 1983. Undertaken to find out why the theoretical enterprise is blind to, or "resists," the radical nature of reading, the essays share not only a theme but also the pedagogical intent that is central to most of his work. These concerns, implicit in the title essay, are openly argued in "The Return to Philology." Each of the remaining essays is devoted to a specific theorist: Michael Riffaterre, Hans Robert Jauss, Walter Benjamin, and Mikhail Bakhtin. The Resistance to Theory also includes a 1983 interview with de Man conducted for Italian radio, and a complete bibliography of his work. Wlad Godzich's foreword tells how de Man's late work was conceived and organized for publication, and discusses some of the basic terms in his discourse."Indispensable. . . . There is resistance to 'theory' and also confusion about its status with reference to both philosophy and criticism. De Man's defense of theory is subtle but uncompromising, and highly personal in its 'aporetic' conclusion."- Frank Kermode, Columbia UniversityPaul de Man was Sterling Professor of Comparative Literature at Yale University. His books include Blindness and Insight (1971; revised edition, Minnesota, 1983), Allegories of Reading ( 1980), and The Rhetoric of Romanticism (1984).

    She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft. And she offers priceless advice to aspiring authors. As she works her way through one hundred novels–from classics such as the thousand-year-old Tale of Genji to recent fiction by Zadie Smith and Alice Munro–she infects us anew with the passion for reading that is the governing spirit of this gift to book lovers everywhere.

    The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right. Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived. Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.

    Tired of being cast in the role of the girl next door, Emma creates a fake Facebook profile in the hopes of starting an online friendship with Eli, which would hopefully lead to more. Like...way more. From friend request to In a Relationship--it all seemed so completely logical when she'd planned it.Eli can't figure out what Emma is up to. He’s pretty sure she's the one behind the Facebook profile, but then again, why would she do something so drastic instead of just admitting she wants to be more than friends? And who the heck is this new guy he saw her with? Eli starts to think that just maybe...he missed his chance with the girl next door.Two best friends, one outlandish ruse. Their status is about to become way more than It’s Complicated… This Entangled Teen Crush book contains one fake Facebook profile, two best friends who secretly crave each other, and a dreaded sex talk with parents…boy crush in the room included. Pushing a relationship beyond the friend zone has never been so crazy…