His brother, Richard, thinks that could be the basis of a paying business. Reluctantly, Jeff agrees, and their first case is about a child who vanished more than two decades before. Meanwhile, Jeff bumps into an acquaintance whose history is very similar to that of the missing girl. Is it coincidence or is there a pattern that links him to her and his future?

     Twin sisters Tessa and Hayley inherit a Victorian mansion in small-town Louisiana when a beloved aunt passes. The two are at odds about what to do with the once-grand, but now a bit decrepit, pink mansion. Secrets, lies and sinister happenings become the center of Tessa's universe, but she vows to let nothing stop her from getting to the bottom of the murder of the grandparents that she never knew. Surrounded by suspicious characters, Tessa fears for her life, but finds help in the form of a handsome small-town cop, who isn't above using his dimples to open doors. Will Tessa unlock the secrets of her family's past? Or will she be the next in line to die?

    Holl reveals his working methods in this book, part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen of his projects. Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "criss-crossing" at the Kiasma Museum of Contemporary Art in Helsinki, "duration" in the Palazzo del Cinema in Venice, "correlational programming" in the Makuhari housing in Japan. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects. Parallax is designed by Michael Rock of the award-winning design firm 2x4.

    In an impossible search during a bitterly cold Montana blizzard, old cowboy Tuper and his hacker friend Lana's quest blurs into one of insanity and murder. As wounded Tuper fights to stay alive in the bitter cold, Lana searches cyberspace and finds someone is working hard to ensure certain secrets remain secret--especially Mason's true identity.

    Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the Latin of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself.In this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of the orders and the scope of rustication; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the modern architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.

    He leaves the fast-paced life of the city for the Outer Hebrides, where traditional values and beliefs are adhered to and respected. It is a life he neither belongs to nor understands. When she goes he will be the last of the family line and he couldn't care less. Family and history are just bonds to tie him down. Reluctantly, he sets out to do his duty and stumbles across questions that challenge everything he ever knew about himself and the people from whom he came. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep. Mairi, a young widow, knows far more than she is willing to tell. Kate Anna, his aunt's lifelong friend, avoids his questions. And what of Finlay, who lays claim to the house? Cal begins to understand that Aunt Mary was not the woman he knew and the secret she kept hidden for so long means he might not be the person he thought he was. "Last of the Line" is a story that explores the part in all of us that wants to know who we are and where we are from.

    then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think… although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture—Metabolism—that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men… Through sheer hard work, discipline, and the integration of all forms of creativity, their country, Japan, became a shining example... when the oil crisis initiated the end of the West, the architects of Japan spread out over the world to define the contours of a post-Western aesthetic....” —Rem Koolhaas / Hans Ulrich Obrist Between 2005 and 2011, architect Rem Koolhaas and curator Hans Ulrich Obrist interviewed the surviving members of Metabolism—the first non-western avant-garde, launched in Tokyo in 1960, in the midst of Japan’s postwar miracle. Project Japan features hundreds of never-before-seen images—master plans from Manchuria to Tokyo, intimate snapshots of the Metabolists at work and play, architectural models, magazine excerpts, and astonishing sci-fi urban visions—telling the 20th century history of Japan through its architecture, from the tabula rasa of a colonized Manchuria in the 1930s to a devastated Japan after the war, the establishment of Metabolism at the 1960 World Design Conference in Tokoy, to the rise of Kisho Kurokawa as the first celebrity architect, to the apotheosis of Metabolism at Expo ’70 in Osaka and its expansion into the Middle East and Africa in the 1970s. The result is a vivid documentary of the last moment when architecture was a public rather than a private affair.

    Written by J. Jason Horejs, owner of Xanadu Gallery in Scottsdale, AZ, Starving to Successful will give you pragmatic advice and concrete, actionable steps you can begin implementing immediately to become more successful in marketing your work to galleries.Gain insight into what a gallery owner is thinking as he or she reviews your portfolio. Understand why the most common approaches artists make to galleries are largely ineffective. Learn what most artists fail to do in preparing their work for sale.Starving to Successful will change the way you look at the artist/gallery relationship, and will set your art career on a new path.About the AuthorArt flows through Xanadu Gallery owner J. Jason Horejs veins. Second generation in the art business, (Horejs father is a nationally recognized oil painter John Horejs) Horejs life has always been filled with art. Though not interested in pursuing a life as an artist, Horejs fell in love with the business side of art at an early age. At age 12, the future gallery owner was employed by his father building custom canvas stretchers.In 1991, at the age of 17, Horejs began working for Legacy Gallery in Scottsdale, AZ, where he learned the gallery business from the ground up. Horejs handled logistics, shipping and installation, eventually working into a sales position at the western art gallery. Horejs worked in the gallery s Scottsdale and Jackson Hole, WY, locations.In 2001, Jason and his wife, Carrie, opened Xanadu Gallery in Scottsdale. In spite of opening on September 11th into a completely changed art world, Horejs built the gallery into a successful venture, showing dozens of artists and selling to collectors from around the world, including major municipal and private collections.In 2008, Horejs developed a series of art marketing workshops designed to help artists better understand the gallery business and better prepare themselves to approach galleries. This series of workshops has helped hundreds of artists get organized to show and sell their work through galleries."I discovered," says Horejs, "there was very little information out there for the aspiring professional artist regarding the business side of art, especially in terms of the crucial relationship between the artists and the fine art gallery. Even artists who have graduated with master s degrees leave school having never heard a word about how to approach galleries."Horejs observes that artists approaching his gallery are making many of the same mistakes, not because their work isn t gallery-ready, but simply because they don t have a clear idea of how to proceed. Horejs designed his workshops working closely with his parents and other artists who have learned the ropes of working with galleries by trial and error. The clear-headed advice the gallery owner gives is designed to give the artists concrete steps they can take to prepare their work, research galleries and approach galleries for representation.

    In Japan, one goes there to cleanse the soul. Bathing in Japan is about much more than cleanliness: it is about family and community. It is about being alone and contemplative, time to watch the moon rise above the garden.Along with sixty full-color illustrations of the light and airy baths themselves, The Japanese Bath, delves into the aesthetic of bathing Japanese style and the innate beauty of the steps surrounding the process. The authors explain how to create a Japanese bath in your own home. A Zen meditation, the Japanese bath, indeed, cleanses the soul, and one emerges refreshed, renewed, and serene.

    But there’s a problem: it’s locked in a safe in Lidcup’s Jam Factory. Forced to make an audacious attempt to retrieve it, the two old ladies enlist the help of some shady village underworld figures.Will their mission be a success? Or might they land themselves in a sticky situation?

    

    

    In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.LAST CHANCE LASSITERPaul LevineIn this prequel to the “Jake Lassiter” series, the linebacker-turned-lawyer faces overwhelming odds. Fired from his job and dumped by his girlfriend, Lassiter rents a grungy law office in a Miami Beach parking garage. What else could go wrong? Well, he could be disbarred for punching out his own client. As for cases, the down-and-out lawyer has only one. Lassiter represents Cadillac Johnson, an aging rhythm and blues musician who claims his greatest song was stolen by a top-of-the-charts hip-hop artist. The evidence is long gone and chances of winning are slim. Except for one thing. “If your cause is just,” Lassiter says, “no case is impossible.”CLIENTParnell HallStanley Hastings couldn't be happier. He had his first paying client, and the assignment was straight out of a forties noir movie, tailing the man's cheating wife and snapping pictures of her at a motel. If only he hadn't fallen asleep on stakeout. When he wakes up the woman is dead, the murder weapon is in his car, and a small town police force straight out of In the Heat of the Night has him cast in the Sidney Poitier role. To clear his name—and get paid—Stanley will have to figure out who his client is, who killed the woman in the upstate motel, and who was the resultant corpse!RADIO ACTIVITYBill FitzhughFM rock deejay Rick Shannon has just been fired from his latest Classic Rock station. He’s thinking it’s time to get out of radio once and for all. But when a famous deejay disappears in Mississippi, Rick gets a job offer to take over the slot. So he packs his bags and moves back to his home state where he comes across a tape of an illegally recorded phone conversation that might explain the fate of the missing deejay. Rick starts looking into the matter, and before you can say “Stairway to Heaven” he’s uncovered a scheme of blackmail, arson, murder, and a major FCC violation. Based on an illegal recording made by the author (and former FM rock deejay), Radio Activity redefines classic rock.CALABAMA Steve BrewerWhen a speeding Corvette flies over his head, leaving him without a scratch, Eric Newlin decides it's an omen and his life is about to change. He's right. Within days, he's broke, homeless, unemployed and getting divorced. He falls so far that he ends up involved in a kidnapping scheme with hillbilly crimelord Rydell Vance. Leavened with dark humor, CALABAMA takes a wry look at California's rural, redneck interior, a bitter, precarious place where it's easy for an outsider's life to spiral out of control.

    As Ryan takes the team into the deep, dark web of sinister secrets, Winter receives an even more disturbing message from her brother than the last. She can feel him out there...watching, waiting. Lucky for Winter, she isn’t afraid of spiders. She’s only afraid when the spider disappears.Winter’s Storm: The night FBI Special Agent Winter Black took down The Preacher—the man who killed her parents and took her little brother—there was a massacre at the Riverside Mall. Now, the survivors are being murdered one by one. The hit list is long, and when the killer ends up dead, the path to solving the case grows even more twisted. Who is this assassin? Do they intend to finish what The Preacher started as well? And where does Justin, Winter’s baby brother, fit in? Is he the storm, or is he simply caught up in its force?Winter’s End: Sometimes, the beginning is the end. For thirteen years, FBI Special Agent Winter Black has been haunted by a man who performed heinous acts. Murdering her parents. Abducting her baby brother. Leaving her in a coma that changed her life forever. For thirteen years, she’s suffered mentally and physically, often doubting her sanity and ability to achieve her goal of bringing that brutal man down. Thirteen years of regret. Of hope. Of fear. Of hate. But now, the boy she longs for has transformed into a man she fears. She has to face him. Catch him. Maybe even kill him. Even if it means the end of her.