It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

    It is a tour through a now unrecognizable city of abysmal poverty and habitual violence cobbled, as Luc Sante has written, "from legend, memory, police records, the self-aggrandizements of aging crooks, popular journalism, and solid historical research." Asbury presents the definitive work on this subject, an illumination of the gangs of old New York that ultimately gave rise to the modern Mafia and its depiction in films like The Godfather.

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

    These luminous stories portray the contemporary lives of the children of Holocaust victims and perpetrators as they struggle with the legacy of their parents -- their questions of identity, family, and faith. "Awake in the Dark" is peopled by characters embarking on journeys of self-discovery; they unearth the past and the secrets that shaped them. In "The House on Kronenstrasse," a woman returns to Germany to find her childhood home; in "The Porcelain Monkey," the shocking origins of an Orthodox Jewish woman's faith are revealed; in "The Lamp," the harrowing experiences of a young woman leave her with the perfect daughter and a strange light; and in "Dark Urgings of the Blood," a patient is convinced that she shares a disturbing history with her psychiatrist.Rendered in clear, unaffected prose, Shira Nayman's powerful and heartbreaking collection explores the burden of history. "Awake in the Dark" is an illuminating and startling book about the disguises we don, the secrets we keep, and the consequences of our silences.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    Let the carriage to a royal ball wait. There is a story to be told: of a starless night, a mother and her sick son, and a mortal who falls in love with the snow god, and will do anything to have her...

    . .The day was as hot as the pond was inviting. It's not as if anyone in Little Huffington was going to happen upon a secluded vale on the Duke of Greycliffe's lands. And Venus Collingswood didn't want to get her shift all wet. It was the perfect setting in which to plan her lovely bookworm of a sister's betrothal to the mysterious new duke arriving seven days hence. If only she had a suitable accomplice. . .Andrew Valentine, Duke of Greycliffe, never thought arriving at his own household a week early would cause so much trouble. The housekeeper thinks he's his own cousin. Actually, the chance to not be the duke for a while is a pleasant opportunity indeed. It might even help him interrogate the delectable little nymph he's discovered swimming in his pond--if he can manage to get a word in edgewise. . .Praise for the Novels of Sally MacKenzie"Naked, noble and irresistible!" --Eloisa James"The romance equivalent of chocolate cake. . .every page is an irresistible delight!" --Lisa Kleypas"A perfect night's read."--Romantic Times "Great fun."--Publishers Weekly31,000 Words

    Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these stories are a mixture of fantastic allegory, slightly skewed fables, and affecting romantic tales. Revealing the wide range of Dazai's imaginative powers, they also give a glimpse of his humane and idealistic side. From the title story, about an impoverished, henpecked scholar who is transformed by the love of a voluptuous bird, to "The Chrysanthemum Spirit," about a passionate gardener who meets a brother and sister with extraordinary powers, Dazai creates a world of fantasy and romance that is infused with his own psychological concerns. Many readers may recall the poignancy of Oscar Wilde's The Happy Prince or Han Christian Andersen. The collection is capped by two delightful stories-within-a-story, in which the assorted members of a quirky family compose alternate episodes of a slightly gothic romance with hints of Poe and Saki (in "On Love and Beauty") and a wildly elaborate retelling of Rapunzel that is engaging, horrifying, and touching by turns (in "Lanterns of Romance"). All in all, these warm, inventive, and life-affirming stories will strike a deep, satisfying chord in many readers.

    With Patriotism, Mishima was able to give his heartwrenching patriotic idealism an immortal vessel. A lieutenant in the Japanese army comes home to his wife and informs her that his closest friends have become mutineers. He and his beautiful loyal wife decide to end their lives together. In unwavering detail Mishima describes Shinji and Reiko making love for the last time and the couple’s seppuku that follows.

    Sir Nigel Anstruthers crosses the Atlantic to look for a rich wife and returns with the daughter of an American millionaire, Rosalie Vanderpoel. He turns out to be a bully, a miser and a philanderer and virtually imprisons his wife in the house. Only when Rosalie's sister Bettina is grown up does it occur to her and her father that some sort of rescue expedition should take place. And the beautiful, kind and dynamic Bettina leaves for Europe to try and find out why Rosalie has, inexplicably, chosen to lose touch with her family. In the process she engages in a psychological war with Sir Nigel; meets and falls in love with another Englishman; and starts to use the Vanderpoel money to modernize ‘Stornham Court’.The book’s title refers to ships shuttling back and forth over the Atlantic (Frances Hodgson Burnett herself traveled between the two countries thirty-three times, something very unusual then).

    A dozen stories deal with a heartbroken widower, hunters, farmers and truck drivers living in Minnesota.

    Hamilton Beckett, the catch of the season. The only problem? She's never actually met Hamilton. Fortunately, one of her oldest and dearest friends, Mr. Henry St. James—who has returned to New York after a two-year absence—does know Hamilton. Much to Henry's chagrin, Charlotte immediately ropes him into helping her meet Hamilton. However, none of her plans to catch Hamilton's eye go as she expected, and she is even more confused when her old feelings for Henry begin to resurrect themselves. In the midst of the mayhem Charlotte always seems to cause, she wonders if the gentleman of her dreams might be an entirely different man than she thought.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    It's been years since they've seen each other, but Clara's love for Brendon hasn't diminished. Will Brendon recognize Clara and admit his feelings for the woman before Lord Desmond comes calling, claiming Clara for his own?Meant For MeFor years Cynthia Shaw has replied to Gabriel Baston's letters, pretending to be his fiancé, Cynthia's wretched cousin Helen. When Gabriel appears at a masked ball and mistakes Cynthia for Helen, she can't help herself and gives her innocence to the man she has loved for years. Will Lord Kennwick realize Cynthia was meant for him before it's too late? This anthology is approximately 30,000 words and is appropriate only for adults! If you enjoy these short stories, you might also enjoy Lori's other historical romances: Wild Heart, Wild Desire and A Night of Secrets. To find out more about Lori, go to www.LoriBrighton.com

    Fortunately I had my spectacles with me so I could see it was really a nose.'With this pair of absurd, comic stories Gogol indulges his imagination and delights readers.Contains 'The Nose' and 'The Carriage'.