Best known for his poetry, he also wrote sparkling prose that revealed his national culture with elegance and understated humour. Here, his gift for portraying the Russian people is fully revealed. "The Tales of Belkin", his first prose masterpiece, presents a series of interlinked stories narrated by a good-hearted Russian squire - among them "The Shot", in which a duel is revisited after many years, and the grotesque "The Undertaker". Elsewhere, works such as the novel-fragment "Roslavlev" and the "Egyptian Nights", the tale of an Italian balladeer seeking an audience in St. Petersberg, demonstrate the wide range of Pushkin's fiction. "A Journey to Arzrum", the final piece in this collection, offers an autobiographical account of Pushkin's own experiences during the 1829 war between Russia and Turkey, and remains one of the greatest of all pieces of journalistic adventure writing.

    Four works by great 19th-century Russian author - "The Nose," a savage satire of Russia's incompetent bureaucrats; "Old-Fashioned Farmers," a pleasant depiction of an elderly couple living in rustic seclusion; "The Tale of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich," one of Gogol's most famous comic stories; and "The Overcoat," widely considered a masterpiece of form.

    Volume 1 includes Evenings on a Farm near Dikanka, the early Ukrainian folktales that first brought Gogol fame, as well as "Nevsky Prospekt" and "Diary of a Madman.""It is good to have a complete collection of Gogol's tales in paperback. . . . Professor Kent has thoroughly revised Mrs. Garnett's conscientious and skillful translation, eliminating the Victorianisms of her style, correcting mistakes and pruderies of diction, and making the whole translation sound much more contemporary and alive. But he has avoided the whimsicality and 'curliness' in which some recent translators indulged, and he has not changed or suppressed anything material. He has also supplied helpful notes which are often the first annotation in English, and he has written an introduction which steers the correct middle course between making Gogol an irresponsible artist of the grotesque and proving him a documentary historian of backward Russia."—René Wellek, Yale University

    After disappearing from the Deputy Inspector's face, his nose shows up around town before returning to its proper place.