Thomas secures a place for Anne’s sister, Mary, at the prestigious court of Margaret of Austria, but fate has other plans, and Anne ends up taking her place.At thirteen, Anne yearns for adventure. However, unused to curbing her outspoken tongue and youthful curiosity, she discovers that life at Margaret’s court is not quite how she’d imagined. Experiencing love, loss, jealousy and fear, she soon realises that her future happiness lies in her own hands - and that she must shape her own destiny... The Falcon’s Rise is the first part of a two-part series, beginning the journey with the young Anne Boleyn growing into the woman who captured the heart of a king. Author Interview How did you first become interested in Anne Boleyn? I was always passionate about the history of England, and I first became interested in Anne Boleyn by reading the Tudor books my mother brought from the library. They were always about the six wives of King Henry VIII, but it was Anne Boleyn that captured my imagination when I read ’The King’s Secret Matter,’ by Jean Plaidy’. I was probably about 13 at the time. At the same age, I watched ‘Anne of a Thousand Days’ at the cinema and that was it. I was hooked for life. Of course, in those days, it was Geneviève Bujold, rather than Natalie Dormer in The Tudors, playing Anne. Did you uncover any interesting Tudor facts in your research? It was interesting finding out about people I knew nothing about such as Margaret of Austria and the Emperor. Is there one character in your historical novel that you particularly found interesting? It has to be Margaret of Austria. I knew nothing of her before I started my research, but she comes across as a delightful woman who despite her sorrows, was charming and amusing. I often read her poetry and truly like her. I’m also interested in Charles Brandon, admiring his ability to survive his secret marriage to the king’s sister and escape the Tower of London! What period of Anne Boleyn's life does this fictional history story cover? The book starts in 1497 and ends in 1514. However, I have set Anne's birth in May 1500. What is interesting is that she was born during the reign of the old King Henry VII - founder of the Tudor dynasty - and nine years before his son, Henry, ascended the throne. It had different fashions to how we imagine the later Tudor ones. I think the life-size models of Anne and her nurse in the gallery at Hever Castle illustrate this well. They are still in the medieval style. Is there a more in-depth interview with you and how you researched your books? Yes, its on TheAnneBoleynFiles website, just search for my name - Natalia Richards Any other thoughts? Looking at portraits of Anne Boleyn as a young woman, it is sad to think about the tragic end she came to. But it is not the end of her life that fascinates me, it is the beginning and the many questions it raises. What made her the woman she later became? Why did she attract Henry VIII in the first place and why write about Anne when she has been written about so extensively?

    Culture and Imperialism, by Edward Said, is a collection of thematically related essays that trace the connection between imperialism and culture throughout the 18th, 19th, and 20th centuries.

    They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

    What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

    Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other.This is a book no reader, writer or speaker should be without.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    methodologically innovative... precise and perceptive and conscious... " --Text and Performance QuarterlyWoman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade MohantyThe idea of Trinh T. Minh-ha is as powerful as her films... formidable... " --Village Voice... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --ArtpaperHighly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review

    It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions.The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present.

    Although he died nearly 200 years ago, something about his work continues to haunt the twenty-first century. What is it about Blake that has so endured? In this illuminating essay, John Higgs takes us on a whirlwind tour to prove that far from being the mere New Age counterculture figure that many assume him to be, Blake is now more relevant than ever.

    In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.Discussing expressionism / Ernst BlochRealism in the balance / Georg LukacsAgainst Georg Luckacs / Bertolt BrechtConversations with Brecht / Walter BenjaminLetters to Walter Benjamin / Theodor AdornoReply / Walter BenjaminReconciliation under duress ; Commitment / Theodor AdornoReflections in conclusion / Fredric Jameson

    Arnold seeks to find out what culture really is, what good it can do, and if it is really necessary. He contrasts culture, which he calls the study of perfection, with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England. This edition reproduces the original book version, revealing the immediate historical context and controversy of the piece. The introduction and notes broaden out the interpretative approach to Arnold's text, elaborating on the complexities of the religious context. The book also reinforces the continued importance of Arnold's ideas its influences in the face of the challenges of multi-culturalism and post-modernism.

    Yet such an interpretation, as Desmond Seward shows in this powerfully-argued book, suggests a refusal to face the facts of history. Evenin the king’s lifetime there were rumors about his involvement in the murders of Henry VI and of his nephews, the "Princes in the Tower," while his reign was considered by many to be a nightmare, not least for the king himself. The real Richard III was both a chilling and compelling monarch, a peculiarly grim young English precursor of Machiavelli’s Prince.  Sweeping aside sentimental fantasy, this is a colorful, authoritative biography that offers a definitive picture of both the age and the man.

    All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels.Some of our books may have slightly worn corners, and minor creases to the covers. Please note the cover may sometimes be different to the one shown.

    Such interest is set to expand even more in this centenary year of the war's outbreak.In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman.Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams.The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.