Continuing his explorations of the art of the Bible, Robert Alter provides an interpretation of the poetry of the Old Testament and an account of how biblical poetry works.

    Metzger's classic work is the most up-to-date manual available for the textual criticism of the New Testament. The Text of the New Testament, Fourth Edition, has been invigorated by the addition of Bart D. Ehrman--author of numerous best-selling books on the New Testament--as a coauthor. This revision brings the discussion of such important matters as the early Greek manuscripts and methods of textual criticism up to date, integrating recent research findings and approaches into the body of the text (as opposed to previous revisions, which compiled new material and notes into appendices). The authors also examine new areas of interest, including the use of computers in the collection and evaluation of manuscript evidence and the effects that social and ideological influences had upon the work of scribes. The standard text for courses in biblical studies and the history of Christianity since its first publication in 1964, The Text of the New Testament is poised to become a definitive resource for a whole new generation of students.

    Between the two poles of uncritical embrace and outright rejection of these conclusions, is there a third way? Can evangelical believers incorporate the insights of biblical criticism while at the same time maintaining a high view of Scripture and a vital faith? In this provocative book, Kenton Sparks argues that the insights from historical and biblical criticism can indeed be valuable to evangelicals and may even yield solutions to difficult issues in biblical studies while avoiding pat answers. This constructive response to biblical criticism includes taking seriously both the divine and the human aspects of the Bible and acknowledging the diversity that exists in the biblical texts.

    This book is a greatly revised and expanded edition of Richard Bauckham's acclaimed God Crucified: Monotheism and Christology in the New Testament (1999), which helped redirect scholarly discussion of early Christology.

    Now in its tenth year of publication, the book remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief.Moving chapter by chapter, Harvard professor James Kugel covers the Bible’s most significant stories—the Creation of the world, Adam and Eve, Cain and Abel, Noah and the flood, Abraham and Sarah, Jacob and his wives, Moses and the exodus, David’s mighty kingdom, plus the writings of Isaiah, Jeremiah, and the other prophets, and on to the Babylonian conquest and the eventual return to Zion.Throughout, Kugel contrasts the way modern scholars understand these events with the way Christians and Jews have traditionally understood them. The latter is not, Kugel shows, a naïve reading; rather, it is the product of a school of sophisticated interpreters who flourished toward the end of the biblical period. These highly ideological readers sought to put their own spin on texts that had been around for centuries, utterly transforming them in the process. Their interpretations became what the Bible meant for centuries and centuries—until modern scholarship came along. The question that this book ultimately asks is: What now? As one reviewer wrote, Kugel’s answer provides “a contemporary model of how to read Sacred Scripture amidst the oppositional pulls of modern scholarship and tradition.”

    Friedman is a fascinating, intellectual, yet highly readable analysis and investigation into the authorship of the Old Testament. The author of Commentary on the Torah, Friedman delves deeply into the history of the Bible in a scholarly work that is as exciting and surprising as a good detective novel. Who Wrote the Bible? is enlightening, riveting, an important contribution to religious literature, and as the Los Angeles Times aptly observed in its rave review, “There is no other book like this one.”

    Sandra Richter gives an overview of the Old Testament, organizing our disorderly knowledge of the Old Testament people, facts and stories into a memorable and manageable story of redemption that climaxes in the New Testament.

    Sanders aims to:Consider methodologically how to compare two (or more) related but different religionsDestroy the view of Rabbinic Judaism which is still prevalent in much, perhaps most, New Testament scholarshipEstablish a different view of Rabbinic JudaismArgue a case concerning Palestinian Judaism as a wholeArgue for a certain understanding of PaulCarry out a comparison of Paul and Palestinian JudaismThis volume makes a contribution not only to the understanding of Paul and his relationship to Judaism, but also to the study of Judaism itself.

    When The Prophets was first published in 1962, it was immediately recognized as a masterpiece of biblical scholarship.The Prophets provides a unique opportunity for readers of the Old Testament, both Christian and Jewish, to gain fresh and deep knowledge of Israel's prophetic movement. The author's profound understanding of the prophets also opens the door to new insight into the philosophy of religion.

    This book equips readers with principles of interpretation, then moves on to apply those principles to specific genres and contexts. This second edition now contains an updated bibliography, a new chapter on inspiration and canon, and new exercises.

    The Bible is accessible. It’s meant to be read and comprehended by everyone from armchair readers to seminary students. A few essential insights into the Bible can clear up a lot of misconceptions and help you grasp the meaning of Scripture and its application to your 21st-century life.More than half a million people have turned to How to Read the Bible for All Its Worth to inform their reading of the Bible. This third edition features substantial revisions that keep pace with current scholarship, resources, and culture. Changes include:•Updated language•A new authors’ preface•Several chapters rewritten for better readability•Updated list of recommended commentaries and resourcesCovering everything from translational concerns to different genres of biblical writing, How to Read the Bible for All Its Worth is used all around the world. In clear, simple language, it helps you accurately understand the different parts of the Bible—their meaning for ancient audiences and their implications for you today—so you can uncover the inexhaustible worth that is in God’s Word.

    Giving increased attention to issues related to gender, race, and class, the book introduces the Old Testament both as a witness of ancient Israel and as a witness to the church and synagogue through the generations of those who have passed these texts on as Scripture.

    Life in first-century Palestine was very different from our world today, and many traditional interpretations of Jesus’ stories ignore this disparity and have often allowed anti-Semitism and misogyny to color their perspectives.In this wise, entertaining, and educational book, Amy-Jill Levine offers a fresh, timely reinterpretation of Jesus’ narratives. In Short Stories by Jesus, she analyzes these “problems with parables,” taking readers back in time to understand how their original Jewish audience understood them. Levine reveals the parables’ connections to first-century economic and agricultural life, social customs and morality, Jewish scriptures and Roman culture. With this revitalized understanding, she interprets these moving stories for the contemporary reader, showing how the parables are not just about Jesus, but are also about us—and when read rightly, still challenge and provoke us two thousand years later.

    Contributors include Eugene Merrill, Walt Kaiser, and Tremper Longman, III.

    "The Drama of Scripture" is an introduction to the basic story line and theology of the Bible. In considering the biblical story, the authors emphasize the unity of the whole, viewing the Bible as a drama in six acts--creation, sin, Israel, Christ, church, and new creation. Two overarching themes tie the biblical story together--covenant in the Old Testament and kingdom in the New Testament. Throughout, the authors suggest, God is revealed through the story and calls us to participate in his drama.