This romantic-comedy memoir tells the true story of how a pack of Hollywood television writers and the denizens of a fabled but cursed Manhattan apartment building helped the author and one of her best friends turn a thirty-two-year almost romance into a real one.Witty and heartfelt, Nancy Balbirer’s sublime memoir proves that love is possible anywhere, anytime, and at any age.

    Cities are walled, and citizens are chained to round the clock jobs in order to keep them controlled and in the place. Change and progress is outlawed.There will come a time...when clockworks wake up, only to find they are not allowed to be awake. They hide in fear, not daring to break there chains of slavery.There will come a time...when freedom is outlawed. When men must scrape a living in the dirt of the parries, or in the skies above them. These hardened men and women fight for there lives and their freedom against beasts of the field, police in the cities, and pirates in the sky. When freedom is outlawed, only the outlaws are free.This time will come, and it was all my fault. Sorry about that.

    I'm even known as the music nerd, but I don't care. I don't care what people think of me. Music is who I am, and no one can change that... Enters Colin Baxter. He is someone I didn't see coming. My complete opposite, star quarterback, the most popular guy at school. Spending his days going from girl to girl until a bet brings him to me. But our story isn't about the bet. Two minutes after having sex with him in a restaurant bathroom, I find out he's going to be my stepbrother. So we decide to end it. But our story doesn't end there... After a few years I become one of the rising stars in the music industry. Everything I've ever dreamed of coming true... But again it would be too easy to say it ends there. My dear old brother is back in my life and not by choice. Life is never simple. Colin isn't going to make things easy for me. A part of me is hoping that he doesn't. This book contains sexual content, mature language with taboo situations. Recommended for 18 and over.

    We were the broken. We were the freaks, the losers and loners hiding in the corners of the world.And then we weren’t. Every morning I had to pick up the jigsaw puzzle of my life and rebuild it into something vaguely resembling a person. A hazy shadow of the happiness I was faking.And then I didn’t. I didn’t become whole. No, there was no glue that could bind me back together. No remedy to fix any of us. We weren’t lost anymore, but we remembered losing our way. We weren’t freaks, but we remembered living on the fringe. We weren’t losers or loners, but we still remembered hiding from the world.We were Auburn. I was Auburn. And this is my story.-Ashley Nimzovitch, lead singer of the punk rock band Auburn* * *Auburn: Outcasts and Underdogs follows self-proclaimed outcast Ashley Nimzovitch through her freshman and sophomore years of high school, as she struggles to gain notoriety with her band and to gain acceptance at her school. This first half of the Auburn duology is slated for release on November 1st, 2015.

    Introducing the Winx Club, bewitchingly beautiful teenage fairies with a passion for fashion and a flair for magic!Based on the first two to three TV episodes, this chapter book includes an 8-page insert spotlighting each girl and as well as a tear out fortuneteller.

    Titled “The Final Reconciliation,” the album was expected to usher in a new renaissance of heavy metal, but it was shelved following a tragic concert that left all but one dead.The sole survivor of that horrific incident was the band’s lead guitarist, Aidan Cross, who’s kept silent about the circumstances leading up to that ill-fated performance—until now.For the first time since the tragedy, Aidan has granted an exclusive interview to finally put rumors to rest and address a question that has haunted the music industry for decades: What happened to The Yellow Kings?The answer will terrify you.Inspired by The King in Yellow mythos first established by Robert W. Chambers, and reminiscent of cosmic horror by H. P. Lovecraft, Laird Barron, and John Langan, comes The Final Reconciliation—a chilling tale of regret, the occult, and heavy metal by Todd Keisling.

    Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly,” Merle Haggard called it “the best country song I've heard in fifteen years.”In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a Tree is an honest and compassionate portrait of the troubled artist and his reluctant muse.

    That’s what it’s like for Georgia, who was orphaned at a young age and tortured beyond belief. She finally obtains a peace in her life, but then finds herself in the middle of a love triangle between a cowboy (who’s her best friend) and the popular quarterback. Prom and graduation are just around the corner. Georgia must decide who she wants to pursue a relationship with but cannot handle the pressure. Senior year gets a little chaotic, and just when Georgia thinks she has found a place safe enough to grow emotionally, things turn to disaster. This year turns out to be more than anyone anticipated and she thinks everything is ok, but is it?

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape we celebrate as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment - not an unaffected idyll - that forged a nation's musical personality, and its dissenting traditions.On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and The Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape.

    The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical (his middle-school rap battle dominance) to the revelatory (his experiences with epilepsy), yet all are delivered with the type of linguistic dexterity and self-awareness that has won Watsky more than 765,000 YouTube subscribers. Alternately ribald and emotionally resonant, How to Ruin Everything announces a versatile writer with a promising career ahead.

    Originally conceived for the Vienna Poetry Festival (1998) and performed to great success and a capacity audience at The Royal Festival Hall, London earlier in 1999, this is a special studio recording. It includes five new and unique recordings of his songs 'West Country Girl', 'People Ain't no Good', 'Sad Waters', 'Love Letter', and 'Far From Me'. The Word Made Flesh is a wholly spoken-word piece, re-recorded, originally conceived and executed for the BBC Religious Services Department in 1996.

    To millions of listeners, Bruce Springsteen’s Born to Run is much more than a rock-and-roll album—it’s a poetic explosion of freedom and frustration. It confirmed Springsteen’s status as a quintessential American performer: the rocker who, more than any other, gives voice to our hopes, fears, and aspirations. Runaway Dream chronicles the making of the album that launched Springsteen and his E Street Band into the firmament of American art, deftly sketching the ambition, history, and personalities that combined to create the enduring Born to Run.Springsteen wanted Born to Run to be the greatest rock record ever made. For a musician with just two modest-selling LPs to his credit, it was an extraordinary ambition, and session by session, track by track, Masur shows just how much grit, as well as genius, went into realizing it. Runaway Dream offers an expert tour of the trials and triumphs of Springsteen’s work. In addition to the story of the album itself, Masur masterfully places Born to Run within American cultural history, showing why the girls, hot rods, and Jersey nights of the album still resonate, even for listeners born years after its release.

    And in the process of building myself back up, I learned that you are allowed to leave some pieces behind-you are allowed to become the person you design yourself to be.'A collection of notes and poetic reflections, journaling how April learned to let go of everything that was holding her back in order to grow into the person she deserved to become.Bloom for Yourself II is a book you can plant in your soul and return to each time you feel ready to let go and grow.April Green's second book in the 'Bloom for Yourself' series gives readers even more help and guidance in overcoming pain and heartache. Her words are shared by thousands of people all over the world, including Jenna Dewan and Shantel Vansanten.The 'Bloom for Yourself' books are written for anyone feeling lost, alone, depressed or unworthy. They are books to be read many times over as you come to experience April's extraordinary gift for helping you understand that you are never truly alone.

    In documenting the singer's decline during the period of his greatest exposure, Stephen Calt challenges the values of blues enthusiasts and calls into question widely accepted beliefs about the blues genre, its history and its exponents.