The document was approved by a vote of 2,307 to 75 of the bishops assembled at the council, and was promulgated by Pope Paul VI on December 7, 1965, the day the council ended. As is customary with Catholic documents, the title is from the first sentence and means "Joy and Hope" in Latin. The document was not drafted before the council met, but arose from the floor of the council and was one of the last to be promulgated. This document alone embodies the spirit that arose from the bishops, who for the first time saw people at the heart of the church. The previous Vatican Council in 1869-1870 had tried to defend the role of the church in an increasingly secular world. This council sought the church to embrace this world and praised many of the good things in the world outside. One of the cardinals, Leo Joseph Suenens of Belgium urged the council to take on social responsibility for Third World suffering, International peace and war, and the poor. Pope John XXIII, who was deathly ill at the time, was forced to watch the proceedings on closed circuit television. He was too sick to attend, and died within months. He is said to have accepted that finally the fathers understood what this council was for. Contents - The numbers given correspond to section numbers within the text. Gaudium et Spes was promulgated by Pope Paul VI Preface (1-3) Introduction: The Situation of Men in the Modern World (4-10) Part 1: The Church and Man's Calling (11-45) The Dignity of the Human Person (12-22) The Community of Mankind (23-32) Man's Activity Throughout the World (33-39) The Role of the Church in the Modern World (40-45) Part 2: Some Problems of Special Urgency (46-93) Fostering the Nobility of Marriage and the Family (47-52) The Proper Development of Culture (53-62) The Circumstan

    His theories, which the French press has termed "l'hypothèse girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor--documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder.Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence--a demystification Girard now extends to mythology.Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed.

    Marty, who regards this book as one of the most vital books of our time, as well as an introduction by the author never before included in the book, and a new preface by James Gustafson, the premier Christian ethicist who is considered Niebuhr’s contemporary successor, poses the challenge of being true to Christ in a materialistic age to an entirely new generation of Christian readers.

    Suspicious of the current idea that all creative work is intellectual property, Lewis Hyde turns to America's Founding Fathers--men like Adams, Madison, and Jefferson--in search of other ways to imagine the fruits of human wit and imagination. What he discovers is a rich tradition in which knowledge was assumed to be a commonwealth, not a private preserve. For the founders, democratic self-governance itself demanded open and easy access to ideas. So did the growth of creative communities such as that of eighteenth-century science. And so did the flourishing of public persons, the very actors whose civic virtue brought the nation into being. In this lively, carefully argued, and well-documented book, Hyde brings the past to bear on present matters, shedding fresh light on everything from the Human Genome Project to Bob Dylan's musical roots. Common as Air allows us to stand on the shoulders of America's revolutionary giants and thus to see beyond today's narrow debates over cultural ownership. What it reveals is nothing less than a vision of how to reclaim the commonwealth of art and ideas that we were meant to inherit.

    Galli pays special attention to themes and topics of concern for contemporary evangelicals, who may need Barth’s acute critique as much as early-twentieth-century liberals did—and for surprisingly similar reasons.

    Yet the Roman cross was first and foremost an instrument of cruel, shameful and violent execution. Early Christians quickly recognized the atoning significance of the cross of Christ, and it resonated deeply with their experience of salvation. But the cross remained a blessing framed by scandal, an epochal and yet mysterious event irreducible to a single formulation. As Joel Green and Mark Baker demonstrate, the New Testament displays a rich array of interpretations of the cross. These were shaped by the church in mission as it rooted the saving story of a scandalous cross in the language of everyday realities and relationships. But for many Christians today, not only has the true scandal of the cross been obscured, the variety of its New Testament interpretations have been reduced to subpoints in a single, controlling view of the atonement. Tragically, the way in which the atonement is frequently and popularly expressed now poses a new scandal, one that is foreign to the New Testament and poses needless obstacles to twenty-first century peoples and cultures. At the heart of this book is a challenge for us to view afresh the variety of contextual understandings of the death of Christ in the New Testament and to reconsider how we can faithfully communicate with fresh models the atoning significance of the cross for specific contexts today. The authors explore how the atonement has been understood within a variety of contemporary contexts--both Western and non-Western--and show how we can enter into the thoroughly Christian mission of restating the saving scandal of the cross in our multicultural world of the twenty-first century.

    There is no one like you on the planet. But your life has a common thread that is true of all people: you are wired for worship. Not just any worship, but for that of your Creator! That’s what this book is about—discovering your purpose and learning how to fulfill it. Geared for teenagers and college students, Wired is designed with pages that teach, challenge, and connect as you dig into Scripture and learn about your created purpose. This interactive student edition of The Air I Breathe includes a thirty-day worship experience as a guided personal journey that discloses the depth of God’s character and how to know Him more intimately. Ideal for use in small groups, an accompanying leader’s guide is also available. Story Behind the Book“I love teenagers. In fact, while writing this, I’m on my way to spend four days with more than 1500 of them at camp! My passion to see young people awaken to a lifestyle of worship that goes far beyond singing songs, coupled with the need for small-group material, stimulated the idea for Wired. I want to equip youth workers with a resource that can be used in small groups, large Bible studies, or Sunday school classes. I pray that Wired will encourage teens everywhere to a lifestyle that reflects God’s greatness to the world.” —Louie Giglio

    The rare bird's tragic extinction in the early 1900s represents a shot to the heart of Aotearoa and is a potent metaphor for a country's conflicted history. Using the story of the untimely extinction of the huia, Jay Ruka offers a fresh perspective on the narrative of Aotearoa; a tale of two cultures, warring worldviews, and the things we lost in translation. Revisiting the early missionaries, the transformative message of the gospel and the cultural missteps of the Treaty of Waitangi, Huia Come Home invites us to reconnect with the unique story offered by the indigenous Maori lens. In relearning the history that lies in the soil of Aotearoa, we might just find a shared hope for the future and a recovery of national treasures once thought to be extinct.

    Our culture once rewarded independence; now it rewards victimhood. Parents once taught their kids how to fend for themselves; now, any parent who tries may get a visit from the police.In Not a Day Care, Dr. Everett Piper, president of Oklahoma Wesleyan University and author of the viral essay, "This Is Not a Day Care. It's a University!," takes a hard look at what's happening around the country--including the demand for "safe spaces" and trigger warnings at universities like Yale, Brandeis, and Oberlin--and digs in his heels against the sad and dangerous infantilization of the American spirit.

    Wolters spells out the structure of a reformational worldview and its significance for those who seek to follow the Scriptures. Wolters begins by defining the nature and scope of a worldview, distinguishing it from philosophy or theology, and noting that the Christian community has advanced a variety of worldviews. He then outlines a Reformed analysis of the three fundamental turning points in human history – Creation, the Fall, and Redemption – concluding that while the Fall might reach into every corner of the world, Christians are called to participate in Christ's redemption of all creation.

    Specifically, we don’t understand evil—what it is, how it works, and why it so routinely and effortlessly ruins our lives.In How Evil Works , veteran newsman and bestselling author David Kupelian takes a fresh and insightful look at this ancient subject. Diving into the most electrifying news stories of the day—from terrorism and school violence to high-profile sex scandals and dysfunctional Hollywood celebrities—Kupelian explores the secret world of seduction, corruption, and daily temptations in everyday life, demonstrating his uncanny knack for breaking down complex, elusive, and intimidating topics.Kupelian shows that once we really understand “how evil works”—not just in the headline-making disasters and crimes that dominate the news, but also in our own lives—evil loses much of its power, and the way out becomes more clear. And that’s precisely why this book bears a powerful message of genuine hope.