Gore Vidal's Introduction to this large collection remarks "His stories are among the best ever written by an American".

    It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes−in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, searing acute, STATE OF GRACE bears the inimitable stamp of one of our fines and most provocative writers.

    The stories of these three men are narrated by Pan Viadomsky, an anti-Semitic Polish scholar who claims to have discovered the lost Fifth Gospel, containing the life of Christ according to his betrayer, Judas Iscariot. With unparalleled historical immediacy, Asch's inspired work presents a sweeping panorama of the Holy Land nearly two thousand years ago.

    This brilliant American dramatist creates what The New Yorker dubbed "Shepard Country"--a landscape of the imagination, a unique theatrical experience that captures our culture and consciouness, our fears and fantasies.FOOL FOR LOVE * ANGEL CITY * GEOGRAPHY OF A HORSE DREAMER * ACTION * COWBOY MOUTH * MELODRAMA PLAY * SEDUCED * SUICIDE IN BbWith an Introduction by Ross Wetzsteon"Sam Shepard is phenomenal...the best practicing American playwright." --The New Republic "Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage." --Marsha Norman"The most ruthlessly experimental and uncompromising of today's young writers." --John Lahr"Sam Shepard fills the role of professional playwright as a good ballet dancer or acrobat fulfills his role in performance. That is, he always delivers, he executes feats of dexterity and technical difficulty that an untrained person could not, and makes them seem easy." --Michael Feingold, The Village Voice "One of the most original, prolific, and gifted dramatists at work today." --The New Yorker "Increasingly recognized as one of the more significant dramatists in the English-speaking world." --Charles R. Bachman, Modern Drama

    Yet only Stone's Dog Soldiers is still remembered today. That oversight is startling when considering the literary impact of The Hair of Harold Roux. A dazzlingly crafted novel-within-a-novel hailed as a masterpiece, it deserves a new generation of readers. In The Hair of Harold Roux, we are introduced to Aaron Benham: college professor, writer, husband, and father. Aaron-when he can focus-is at work on a novel, The Hair of Harold Roux, a thinly disguised autobiographical account of his college days. In Aaron's novel, his alter ego, Allard Benson, courts a young woman, despite the efforts of his rival, the earnest and balding Harold Roux-a GI recently returned from World War II with an unfortunate hairpiece. What unfolds through Aaron's mind, his past and present, and his nested narratives is a fascinating exploration of sex and friendship, responsibility and regret, youth and middle age, and the essential fictions that see us through.

    Curley, portrays its Irish-American political boss as a demagogue and a rogue who nonetheless deeply understands his constituents. The book was later made into a John Ford film staring Spencer Tracy.

    As the festivities unfold (and the cash bar opens), everyone has an opinion and a lively prediction about April and Caleb's union, each the reflection of a different marital experience.Meanwhile, at the nearby Hideaway Lodge, a domestic quarrel ends in tragedy. As April and Caleb's life together begins, death parts another man and woman in angry violence—and as the two stories gradually intersect, their juxtaposition explores the tangled roots of vulnerability and desire.By the time the last polka has been danced and the bouquet tossed, Midnight Champagne has cast an extraordinary spell. From the novel's opening epigraph from Chekhov—"If you fear loneliness, then marriage is not for you"—to its final moments in the honeymoon suite, A. Manette Ansay weaves tenderness and fury, passion and wonder into a startling tapestry of love in all its paradox and power.

    But before she found her calling, Harlan had been a minor rock star's manager and, before that, a beautician. Harlan retraces her story to the beginning, when she once had a fling with the rock star's ex-husband and found herself infatuated with an Afro-German horse dealer. Along the way she's somehow lost her own husband, a medical anthropologist now traveling with a medicine woman across eastern Africa. Harlan draws us deeper into her world and the mystery at the heart of her tale: the story of her first healing.The Healing is a lyrical and at times humorous exploration of the struggle to let go of pain, anger, and even love. Slipping seamlessly back through Harlan's memories in a language rich with the textured cadences of unfiltered dialogue, Gayl Jones weaves her story to its dramatic--and unexpected--beginning.

    But when events force him to act as if he cares, he begins to find people who - against all expectation - help him through his private labyrinth.

    Originally available only in limited-edition hardcover, these tales run the gamut from devilish fantasy to twisted courtroom drama to vampire-robot western. Each story has an introduction in which the author relates the background of and inspiration for the story, whether it was drawn from history, literature, or pure imagination. The title story, about a serial killer in Texas in the 1930s, won the 1999 Bram Stoker Horror Award for long fiction.

    Bryan, author of "Friendly Fire"" "The 13th Valley" is dynamite! This is the most sensuously honest interpretation of the Vietnam experience I've ever read." --Al Santoli, author of "Everything We Had"

    When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret. In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice - one of hope. Employing her extraordinary literary powers - finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect - Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

    Etched on all three gravestones is the same date of death: May 28, 1939. Home from the Hill is the story of that tragic day and the dramatic events leading up to it. The biggest landowner in the county, Captain Wade Hunnicutt was a charismatic war hero whose legendary hunting skills extended to the wives of his friends and neighbors. Humiliated by her husband’s philandering, Hannah grew to despise Captain Wade but was too proud to ask for a divorce; instead, she devoted herself to her only child. Torn between his mother’s adoration and an overwhelming need to win his father’s approval, Theron tried to become his own man. And he might have succeeded if he hadn’t fallen in love with the beautiful and innocent Libby Halstead.

    The novel fully confirmed Mailer's stature as one of the most important figures in contemporary American literature. Now, a new edition of this exceptional work serves as further affirmation of its timeless quality.Narrated by Ranald ("D.J.") Jethroe, Texas's most precocious teenager, on the eve of his departure to fight in Vietnam, this story of a hunting trip in Alaska is both brilliantly entertaining and profoundly thoughtful.

    It follows the interwoven destinies of families of Indians, lordly Dutch patrons, and yeomen.