Best of
Theatre

1984

Seven Plays


Sam Shepard - 1984
    Brilliant, prolific, uniquely American, Pulitzer prizewinning playwright Sam Separd is a major voice in contemporary theatre. And here are seven of his very best. "One of the most original, prolific and gifted dramatists at work today."--"The New Yorker" "The greatest American playwright of his generation...the most inventive in language and revolutionary in craft, [he] is the writer whose work most accurately maps the interior and exterior landscapes of his society."--"New York Magazine" "If plays were put in time capsules, future generations would get a sharp-toothed profile of life in the U.S. in the past decade and a half from the works of Sam Shepard."--"Time " "Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage."--Marsha Norman, Pulitzer prizewinning author of "'Night, Mother. " "One of our best and most challenging playwrights...his plays are a form of exorcism: magical, sometimes surreal rituals that grapple with the demonic forces in the American landscape."--"Newsweek" "His plays are stunning in thier originality, defiant and inscrutable."--"Esquire" "Sam Shepard is phenomenal..the best practicing American playwright."--"The New Republic"

Collected Shorter Plays


Samuel Beckett - 1984
    This complete and definitive collection of twenty-five plays and "playlets" includes Beckett's celebrated Krapp's Last Tape, Embers, Cascando, Play, Eh Joe, and Footfalls, as well as his mimes, all his radio and television plays, his screenplay for Film, his adaptiation of Robert Pinget's The Old Tune, and the more recent Catastrophe, What Where, Quad, and Night and Dreams."Beckett reduces life, perception, and writing to barest minimums: a few dimly seen, struggling torsos; a hopeless intelligence compulsively seeking to come to terms, in rudimentary yet endlessly varied language, with the human condition they represent. Within these extraordinary limitations, Beckett's verbal ability nonetheless generates great intensity." - Library Journal"Beckett stalks after men on their way out... His plays (Endgame, Krapp's Last Tape) and novels (Molloy, Murphy) are metaphors for modern man's spiritual bafflement... In spite of the hits of movement... all is really paralytic stasis - except for the voices, the indomitable voices." - Time

Fool for Love and Other Plays


Sam Shepard - 1984
    This brilliant American dramatist creates what The New Yorker dubbed "Shepard Country"--a landscape of the imagination, a unique theatrical experience that captures our culture and consciouness, our fears and fantasies.FOOL FOR LOVE * ANGEL CITY * GEOGRAPHY OF A HORSE DREAMER * ACTION * COWBOY MOUTH * MELODRAMA PLAY * SEDUCED * SUICIDE IN BbWith an Introduction by Ross Wetzsteon"Sam Shepard is phenomenal...the best practicing American playwright." --The New Republic "Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage." --Marsha Norman"The most ruthlessly experimental and uncompromising of today's young writers." --John Lahr"Sam Shepard fills the role of professional playwright as a good ballet dancer or acrobat fulfills his role in performance. That is, he always delivers, he executes feats of dexterity and technical difficulty that an untrained person could not, and makes them seem easy." --Michael Feingold, The Village Voice "One of the most original, prolific, and gifted dramatists at work today." --The New Yorker "Increasingly recognized as one of the more significant dramatists in the English-speaking world." --Charles R. Bachman, Modern Drama

Playing Shakespeare: An Actor's Guide


John Barton - 1984
    The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.

Sense of Direction: Some Observations on the Art of Directing


William Ball - 1984
    Founder and long-time general director of the acclaimed American Conservatory Theatre, Bill Ball engages his audience in a wide-ranging discussion of the director's process from first reading through opening night. Speaking as a director's director, Ball offers a candid, personal account of his method of working including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques. Throughout, his discovering and insights guide the director in building the world of the play and bringing it to life.

One Flew Over the Cuckoo's Nest


Peter Fish - 1984
    Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.

Broadway Musicals - Show by Show


Stanley Green - 1984
    Chronologically arranged beginning with The Black Crook in 1866, this edition includes show entries up through the latest hits (Rent, Sunset Boulevard, Kiss of the Spider Woman, Victor/Victoria, Passion) and all the latest big revivals (Show Boat, How to Succeed in Business Without Really Trying, The King and I). Features a wealth of statistics, inside information, critical reception, cast lists, and pithy commentary about each show. Includes seven completely revised, cross-referenced indexes and over 200 photographs.

United States


Laurie Anderson - 1984
    

Being An Actor


Simon Callow - 1984
    Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002.Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

Experimental Theatre: From Stanislavsky to Peter Brook


James Roose-Evans - 1984
    Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr

Danny and the Deep Blue Sea: An Apache Dance


John Patrick Shanley - 1984
    He is a brooding, self-loathing young man who resorts more to violence than reason; she is a divorced, guilt-ridden young woman whose troubled teenage son is now being cared for by her parents. Danny, whose fellow truck drivers call him "the animal," seems incapable of tender emotion, while Roberta, who is still haunted by the memory of an ugly sexual incident involving her father, is distrustful of men in general. And yet, as their initial reserve begins to melt, and they decide to spend the night together, the possibility of a genuine and meaningful relationship begins to emerge-the first for both of them. In the end there are no facile, easy answers, but thanks to the playwright's skill and compassion, both characters are able to probe within themselves to find an exorcism and forgiveness that, while painfully achieved, offers the hope of a future touched, at last, with more than the bitterness and loneliness that had been their lot before their fateful meeting.

Acting One


Robert Cohen - 1984
    It covers basic skills, such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.

Slings and Arrows: Theater in My Life


Robert Lewis - 1984
    This vivid, entertaining book is also one of the most penetrating works to be written about the theater." - Publishers Weekly

The Actor's Eye


Morris Carnovsky - 1984