Like her contemporaries, Maria Edgeworth and Jane Austen, Susan Ferrier adopts an ideal of rational domesticity, illustrating the virtues of a reasonable heroine who learns to act for herself. This new edition features an introduction incorporating recent critical work on national identity and gender, and firmly situating the novel within the context of both Scottish literature and women's writing.

    London, 1931. As growing up looms large in the lives of the Carne sisters, Deirdre, Katrine and young Sheil still share an insatiable appetite for the fantastic. Eldest sister Deirdre is a journalist, Katrine a fledgling actress and young Sheil is still with her governess; together they live a life unchecked by their mother in their bohemian town house. Irrepressibly imaginative, the sisters cannot resist making up stories as they have done since childhood; from their talking nursery toys, Ironface the Doll and Dion Saffyn the pierrot, to their fulsomely-imagined friendship with real high-court Judge Toddington who, since Mrs Carne did jury duty, they affectionately called Toddy. However, when Deirdre meets Toddy's real-life wife at a charity bazaar, the sisters are forced to confront the subject of their imaginings. Will the sisters cast off the fantasies of childhood forever? Will Toddy and his wife, Lady Mildred, accept these charmingly eccentric girls? And when fancy and reality collide, who can tell whether Ironface can really talk, whether Judge Toddington truly wears lavender silk pyjamas or whether the Brontes did indeed go to Woolworths? "The Brontes Went to Woolworths "is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

    It is purely for their own amusement that they create a fictional mutual friend: an elderly lady, Miss Hargreaves... The sexton does not doubt her existence. For him, Miss Hargreaves is as real as you or I. And she gradually assumes a fully-rounded character in the imaginings of the two young men as they while away their holiday in expanding the details of her life: her book of poetry, her parrot Dr Pepusch, her harp, and her hip-bath. It is merely a continuation of their little joke when they write to invite her to visit them back in their cathedral home-town of Cornford. It is something of a surprise when Miss Hargreaves accepts their invitation. And their disbelief turns to confusion and horror as, one evening soon afterwards, her train pulls into Cornford Station . . . As Dr Glen Cavaliero stresses in his introduction, Miss Hargreaves is a brilliantly funny and moving fantasy with an admirable lightness of touch and wonderful characterisation, but for all that it has a dark and frightening undercurrent. A burlesque parable of 'the ways of God with man', the book explores how the creator must live with the consequences of their creation, no matter how uncomfortable. And if they renounce their responsibilities, then there is always the possibility that their power may be turned against them. Miss Hargreaves, first published in 1940 to great acclaim, is a classic novel of the supernatural. Glen Cavaliero is a Fellow of St Catharine's College, Cambridge, and author of The Supernatural and English Fiction (O.U.P., 1995).

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    Pitted against him are the sea, the sun, the night cold, and the terror of his isolation. At the core of this raging tale of physical and psychological violence lies Christopher Martin’s will to live as the sum total of his life.

    His love of women, his fondness for drink, and his loathing for the country prove formidable obstacles on his road to any kind of success. But when he becomes an operative in Operation Kingpin and is charged with monitoring the front runner in Kinjanja’s national elections, Morgan senses an opportunity to achieve real professional recognition and, more importantly, reassignment.After he finds himself being blackmailed, diagnosed with a venereal disease, attempting bribery, and confounded with a dead body, Morgan realizes that very little is going according to plan.

    But the drugs don’t make him forget his past, and the glittering parties offer him no redemption . . . Searingly funny and deeply humane, Patrick Melrose Volume 1 contains the first three novels in the Patrick Melrose series, Never Mind, Bad News and Some Hope. Patrick Melrose Volume 2 is also available, containing the final two novels in the series, Mother’s Milk and At Last.

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    Reminiscent of Alan Bennett’s The Uncommon Reader, this lively, wonderfully inventive romp takes readers into the mind of the grand matriarch of Britain’s Royal Family, bringing us an endearing runaway Queen Elizabeth on the town—and leading us behind the Buckingham Palace walls and into the upstairs/downstairs spaces of England’s monarchy.

    Heroic resistance is old hat. Everything is in short supply, and tempers are even shorter. Overwhelmed by the terrors and rigors of the Blitz, middle-aged Miss Roach has retreated to the relative safety and stupefying boredom of the suburban town of Thames Lockdon, where she rents a room in a boarding house run by Mrs. Payne. There the savvy, sensible, decent, but all-too-meek Miss Roach endures the dinner-table interrogations of Mr. Thwaites and seeks to relieve her solitude by going out drinking and necking with a wayward American lieutenant. Life is almost bearable until Vicki Kugelmann, a seeming friend, moves into the adjacent room. That’s when Miss Roach’s troubles really start to begin.Recounting an epic battle of wills in the claustrophobic confines of the boarding house, Patrick Hamilton’s The Slaves of Solitude, with a delightfully improbable heroine, is one of the finest and funniest books ever written about the trials of a lonely heart.

    If each of five geriatrics relieve a rich relative of a costly trifle, they can turn her house into a hotel for the ton. Her nephew, Duke of Rowcester, is horrified, until he meets hotel chef Miss Harriet James, green-eyed beauty who remembers their waltz - before she lost parents and inherited debts.

    Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    Here, many famous names are mentioned and there is obviously a grave risk that families and friends are going to take offence... Uncle Oswald discovers the electrifying properties of the Sudanese Blister Beetle and the gorgeous Yasmin Howcomely, a girl absolutely soaked in sex, and sets about seducing all the great men of the time for his own wicked, irreverent reasons.

    Muriel, who believes that ‘men do as they like’ whereas women ‘wait to see what they will do’, lives in a town in Yorkshire waiting – for what? She tries to conform to the values of her snobbish, socially ambitious mother; she tries to be ‘attractive’ to men.Throughout the description of life in small-town ‘Marshington’, Winifred Holtby expressed her conviction that young women should be allowed to live away from home, to work, to develop as personalities away from their families, to shake off the ties that many mothers seemed to think it was their prerogative to impose on their daughters.