J. Cronin. The story is set in 1879, in the fictional town of Levenford, on the Firth of Clyde. The plot revolves around many characters and has many subplots, all of which relate to the life of the hatter, James Brodie, whose narcissism and cruelty gradually destroy his family and life.

    It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    Different people draw different words from me."Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf's masterpiece. It begins with six children-three boys and three girls-playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.

    Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.

    His masterpiece was the 1931 book-length epic Altazor, a Machine Age paean to flight that sends its hero (Altazor, the "antipoet") hurtling through Einsteinian space at light speed. Perhaps the fastest-reading long poem of the century, and certainly the wildest, Altazor rushes through the universe in a lyrical babble of bird-languages, rose-languages, puns, neologisms, and pages of identical rhymes, finally ending in the pure sound of the language of the future. Universally considered untranslatable until the appearance of Eliot Weinberger's celebrated version in 1988, Altazor appears again in an extensively revised translation with an expanded introduction.

    For centuries, the Cherrell sons have left their home of Condaford Grange to serve the state as soldiers, clergymen and administrators, but the 1930s bring uncertainty in a world of rapidly altering morals and unemployment. Galsworthy’s portrayal of the effect of political change on individuals show him as a great social novelist as well as the author of one of the most gripping family sagas ever written.

    "Up to the author's highest standard in a literary form that was most congenial to her" (Times Literary Supplement (London)). "Exquisitely written" (New Yorker); "The riches of this book are overwhelming" (Christian Science Monitor). Editorial Note by Leonard Woolf.

    These three plays exemplify Eugene O'Neil's ability to explore the limits of the human predicament, even as he sounds the depths of his audiences' hearts.

    The family’s only regret is leaving their garden where, we can imagine, because it is September the dahlias are at their fiery best: as they flash past in the train they get a glimpse of their back garden, where ‘a shaft of sunlight fell through the side passage and lit up the clump of white asters by the apple tree.’ This was what the First World War soldiers longed for; this, he imagined, was what he was fighting for and would return to (as in fact Sherriff did).He had had the idea for his novel at Bognor Regis: watching the crowds go by, and wondering what their lives were like at home, he ‘began to feel the itch to take one of those families at random and build up an imaginary story of their annual holiday by the sea...I wanted to write about simple, uncomplicated people doing normal things.’

    It is a brilliant work of critical insight that also tells us much about its author's own thinking and preoccupations. In its own right it is a masterpiece of literary and philosophical creative writing. This edition was published in 1999 - ten years after the writer's death. The volume also contains the equally celebrated dialogues with the art critic Georges Duthuit - written to record their different points of view after the discussions took place. Beckett always let Duthuit win, but his very unusual and often opposite point of view on the nature and purpose of art is all the more forceful and memorable on that account.

    She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.

    Traven wrote an epic of the birth of the Mexican revolution in what have become known as the "Jungle Novels." Government is the first of the six novels that comprise the series. Depicting the political corruption that infected even the smallest villages in Mexico, the novel tells the story of Don Gabriel, a minor government functionary who has a virtual license to steal from the Indian village where he is secretary—except that the Indians have nothing to steal. By chance he finds an opportunity in the labor agent business, shanghaiing luckless Indians into debt-slavery so that he can ship them off to work in the great mahogany plantations owned by foreign capital. The novel reaches a moving climax in a clash of cultures between the simple dignity of the illiterate Indians and the cynicism and corruption of the politicians and petty bureaucrats.

    Scott Fitzgerald was at the height of his creative powers, these ten lyric tales represent some of the author's finest fiction. In them, Fitzgerald creates vivid, timeless characters -- a dissatisfied southern belle seeking adventure in the north; the tragic hero of the title story who lost more than money in the stock market; giddy and dissipated young men and women of the interwar period. From the lazy town of Tarleton, Georgia, to the glittering cosmopolitan centers of New York and Paris, Fitzgerald brings the society of the "Lost Generation" to life in these masterfully crafted gems, showcasing the many gifts of one of our most popular writers.

    A returning victor, General Ezra Mannon (Agamemnon), is poisoned by his unfaithful wife Christine (Clytemnestra) and then avenged by his son Orin (Orestes) and daughter (Lavinia). With Orin's subsequent suicide, Lavinia (the Electra of the title) becomes a fatalistic recluse in the Mannon mansion.

    E. Cummings' most experimental poems as well as some of his most memorable. The volume includes such no-famous celebrations as "i sing of Olaf glad and big" and "if there are any heavens my mother will (all be herself) have," along with such favorites as "Space being (don't forget to remember) Curved," "a clown's smirk in the skull of a baboon," and "somewhere I have never traveled, gladly beyond."

    The story of a prostitute and her child, victim of her passions, her selfishness, and her ill-fame -- and of their attempt to find a place for themselves in a new community which is unfriendly, critical, and unforgiving. Chiefly the story of the daughter -- her obsessions with and revulsions from sex, and her relations with two men, the one by morbid fascination and hate and love of a queer sort -- the other by appeal to her better nature. Glimpses of effects of industrial unrest in a distant part of the world. A difficult style -- not easy reading. (Kirkus review)

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    There she could manage a restaurant and make ends meet. Just as her future looked darkest, two charming men entered her life. Scott Mallory, the handsome, internationally-famous lawyer, offered to act as her legal advisor. And dashing Philip Carr helped her keep her finances limping along, with his ingenious architectural plans. Slowly, gratitude began to give way to love... Then disaster struck. Only after a harrowing courtroom drama, and the revelations that ensued, could Pam truly understand her feelings for Scott and Philip, and know which man would share her future.

    This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.

    O'Connor is concerned with the way in which war imposes a false and cruel ethic on people, ruthlessly destroying human relationships. The title story has been widely acknowledged as one of the masterpieces of the short story form.This short story collection includes:"Guests of the Nation""Attack""Jumbo's Wife""Nightpiece with Figures""September Dawn""Machinegun Corps in Action""Laughter""Jo""Alec""Soiree Chez une Belle Jeune Fille""The Patriarch""After Fourteen Years""The Late Henry Conran""The Sisters""The Procession of Life"

    Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I, when the flames of revolution suddenly erupt in Russia and Spain. Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it. Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.

    Originally published in 1931, Only Yesterday has an exuberance and proximity to its subject—the Roaring Twenties in all its scandal and glory—that uniquely captures the feel of the era.

    Eloquent and heartfelt."-- "Los Angeles Times"Of the many highly esteemed books Albert Schweitzer penned in his life, he valued his autobiography the most. He had become a legend and he wanted to remind readers that he was just a man, and a man who had learned from many others. He had been fortunate to be in the right places at the right times, to meet people of thought and sympathy. He wanted to report his debts to them. He wanted to clarify his reasons and methods for his undertakings and to respond to some of his critics. And, he wished to honor something greater than he was--reverence for life. Reverence for Life became his life's motto, and it brought him pain as well as joy as he sought to respect how precious and unique each life is. Schweitzer believed there was a way to live in the world, accept it, take joy from it--and who could know this better than a man who had placed himself so much in it, given so much for it, and had been ready to receive experience as a gift to be thankful for.In addition to a preface by Rhena Schweitzer Miller and Antje Bultmann Lemke, this translation incorporates revisions and additions Schweitzer made for the French translation of 1960 and those he made for thirty years in his own copy of the original German edition."This fascinating volume is the autobiography of the world-famous missionary doctor, organist, philosopher, theologian, and Nobel Peace Prize-winner, newly translated, researched, and corrected on the basis of recently discovered material."-- "Booklist""An authentic twentieth-century classic. Few books in our time have had a greater impact on the life and values of untold numbers of people."--Norman Cousins

    Of Jennifer's adventures with cottages and clergymen and clergymen's maiden sisters Elizabeth weaves a romance that is pointed with tenderly malicious satire and flooded with the intoxicating golden sunshine that was the delight of The Enchanted April.

    So an ill-tempered minor god, tired of their bickering, worked a modest miracle......and Sally Willows, no occupying her husband's body, experienced the full horrors of the Nationwide Advertising Agency, while Tim, now outwardly Sally, dealt with the amourous advances of a local Lothario.It was a toss-up whether Sally/Tim's well-earned dismissal or Tim/Sally's bizarre attempt at murder was more spectacular - but both seemed insignificant when Tim found he was pregnant!

    He saw at once that Mr. Wynter was beyond mortal aid.Gregory Wynter is shot dead through the window of his dressing room. There is no apparent motive for the crime, and it seems impossible for the murderer to have escaped before the police arrive. The dead man's brother, Austin, enlists the help of Christopher and Vivienne Perrins, a brother-and-sister team of private investigators.In this classic puzzler, the Perrins piece together the complex relationships within the Wynter household and beyond. What they discover leads surprisingly to romance, not to mention the unravelling of an "impossible" murder which also involves a box of poisoned chocolates . . .Murder at Monk's Barn was originally published in 1931. This new edition features an introduction by crime fiction historian Tony Medawar.

    It is written in her usual experimental style, yet it is not difficult to understand, and even traditionalists will find that it has many things to say to them.Her experimental style includes such elements as disconnectedness, a love of refrain and rhyme, a search for rhythm and balance, a dislike of punctuation (especially the comma), a dismissal of the conventional significance of words, and a repetition of words and phrases. Her approach to writing is impossible to summarize, but many critics see a strain of American humor in her work, borne out immediately by some of the chapter titles: “Saving the Sentence,” “Arthur a Grammar,” “Regular Regularly in Narrative,” and “Finally George a Vocabulary.”Readers who have not encountered Gertrude Stein or who have had difficulty with her other work will find this book useful as an entry into her writing. It is also in itself a unique, exhilarating experience.

    Set over two thousand years ago on the clam and fertile shores of the Black Sea, Naomi Mitchison's The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik's power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest - a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen.

    Describing his first year in farming he finds himself and his community caught up in larger affairs as the signs of the Depression begin to affect the countryside. However, there is still time for play, with field hockey and hunting in winter, dancing and village fetes in summer, not to mention the firm friends he found amongst his neighbors.

    Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

    The short story itself

    Even the youngsters, Richard and Cecile, admit that their grandmother is young enough to understand their problems. Indeed, young Mrs Meigs is the conclusive proof that no woman need ever grow old, if she possesses the charm and humour which are the secrets of eternal youth. And young Mrs Meigs has been created for us by the sympathy and the artistry of Miss Elizabeth Corbett."

    Osip Mandelstam visited Armenia in 1930, and during the eight months of his stay, he rediscovered his poetic voice and was inspired to write an experimental meditation on the country and its ancient culture.

    Written in his characteristic narrative to simplicity it details his negotiation with the central government of Nan king and aims to increase the archaeological and geographical knowledge of these now desolate areas that were once the hub of Buddhist religion and enterprise. Hedin, in this account traverses a part of the route the Marco Polo tread on, and was performed at the time when China was declared a republic. Translated from the Swedish by Elizabeth Sprigge and Claude Napier 20th century - Twentieth century Subject : Central Asia , China-Description and Travel Region : China; Mongolia;; Asia; North-Asia. Period : 1901-2000 AD