Best of
Memoir

1931

Living My Life


Emma Goldman - 1931
    This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence.First time in Penguin ClassicsCondensed to half the length of Goldman's original work, this edition is accessible to those interested in the activist and her extraordinary era

Living My Life, Vol. 1


Emma Goldman - 1931
    I would tear your heart out and feed it to my dog.” This was one of the less obscene messages received by Emma Goldman (1869-1940), while in jail on suspicion of complicity in the assassination of McKinley. The most notorious woman of her day, she was bitterly hated by millions and equally revered by millions.The strong feelings she aroused are understandable. She was an alien, a practicing anarchist, a labor agitator, a pacifist in World War 1, an advocate of political violence, a feminist, a proponent of free love and birth control, a communist, a street-fighter for justice — all of which she did with strong intellect and boundless passion. Today, of course, many of the issues that she fought over are just as vital as they were then.Emma Goldman came from Russia at the age of 17. After an encounter with the sweatshop and an unfortunate marriage, she plunged into the bewildering intellectual and activist chaos that attended American social evolution around the turn of the twentieth century. She knew practically everyone of importance in radical circles. She dominated many areas of the radical movement, lecturing, writing, haranguing, and publishing to awaken the world to her ideas. After World War I she was deported to Russia, where she soon discovered that anarchists were no better liked than in America, despite Lenin’s first gesture of welcome. She escaped with her life but never was allowed to return to the United States.Emma Goldman was a devastatingly honest woman, who spared herself as little as she spared anyone else. From her account the reader can gain insight into a curious personality type of recurrent interest: a woman who devoted her life to eliminating suffering, yet could make a bomb or assist in staging an assassination. Equally interesting are her comments on other radicals of the period, such as Kropotkin, Berkman, Mooney, Lenin, Trotsky, Haywood, Most, the Haymarket martyrs, and many others. Her autobiography, written with vigor, ranks among the finest in the English language.

Living My Life, Vol. 2


Emma Goldman - 1931
    I would tear your heart out and feed it to my dog.” This was one of the less obscene messages received by Emma Goldman (1869-1940), while in jail on suspicion of complicity in the assassination of McKinley. The most notorious woman of her day, she was bitterly hated by millions and equally revered by millions.The strong feelings she aroused are understandable. She was an alien, a practicing anarchist, a labor agitator, a pacifist in World War 1, an advocate of political violence, a feminist, a proponent of free love and birth control, a communist, a street-fighter for justice — all of which she did with strong intellect and boundless passion. Today, of course, many of the issues that she fought over are just as vital as they were then.Emma Goldman came from Russia at the age of 17. After an encounter with the sweatshop and an unfortunate marriage, she plunged into the bewildering intellectual and activist chaos that attended American social evolution around the turn of the twentieth century. She knew practically everyone of importance in radical circles. She dominated many areas of the radical movement, lecturing, writing, haranguing, and publishing to awaken the world to her ideas. After World War I she was deported to Russia, where she soon discovered that anarchists were no better liked than in America, despite Lenin’s first gesture of welcome. She escaped with her life but never was allowed to return to the United States.Emma Goldman was a devastatingly honest woman, who spared herself as little as she spared anyone else. From her account the reader can gain insight into a curious personality type of recurrent interest: a woman who devoted her life to eliminating suffering, yet could make a bomb or assist in staging an assassination. Equally interesting are her comments on other radicals of the period, such as Kropotkin, Berkman, Mooney, Lenin, Trotsky, Haywood, Most, the Haymarket martyrs, and many others. Her autobiography, written with vigor, ranks among the finest in the English language.

Letters from Africa, 1914-1931


Isak Dinesen - 1931
    Here is a rich new biographical perspective on the brilliant storyteller whose sophisticated romantic fiction...made her an international success and a perpetual candidate for the Nobel Prize for Literature..._these letters+ contain the raw material that was later transformed into her classic memoir Out Of Africa.

Memories: From Moscow to the Black Sea


Teffi - 1931
    She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.

Man Into Woman: The First Sex Change


Lili Elbe - 1931
    Einar Wegener was a leading artist in late 1920's Paris. One day his wife Grete asked him to dress as a woman to model for a portrait. It was a shattering event which began a struggle between his public male persona and emergent female self, Lili. Einar was forced into living a double life; enjoying a secret hedonist life as Lili, with Grete and a few trusted friends, whilst suffering in public as Einar, driven to despair and almost to suicide. Doctors, unable to understand his condition, dismissed him as hysterical. Lili eventually forced Einar to face the truth of his being - he was, in fact, a woman. This bizarre situation took an extraordinary turn when it was discovered that his body contained primitive female sex organs. There followed a series of dangerous experimental operations and a confrontation with the conventions of the age until Lili was eventually liberated from Einar - a freedom that carried the ultimate price. Now with a foreword written by a modern transsexual - the book has not been published in English for decades, and a sensation when it first appeared over seventy years ago - this new edition of Man into Woman, the birth, life and confessions of Lili Elbe, is a story of a marriage and of love and romance that paints a fascinating portrait of a 1930's European artistic community. Compiled fron Lili's own letters and manuscripts, and those of the people who adored her, Man into Woman is the Genesis of the Gender Revolution.

Miraculous Healing: Why Does God Heal Some and Not Others?


Henry Weston Frost - 1931
    Miraculous indicates that healing takes place apart from means. He is anxious to hold all truth in careful equipoise and writes in constant prayer . He presents five cases of healing in which he was involved and parallels them with five cases where the same conditions obtained but healing did not occur. That drove him to bring his belief to the test of the Word of God. He looks carefully at the teaching of those who claim that the wholeness of salvation includes physical healing for all as well as spiritual. He examines the texts they use and points out where they appear to err, weighing up the arguments for inevitable healing. He sees the Epistle of James as being written to an emerging Jewish Christian church, spiritually undeveloped, and the instructions in chapter five permissive rather than mandatory. The post-Resurrection promises apply to the apostles only. Miracles were to provide indisputable evidence that Jesus was the Messiah more than an expression of deep compassion, though they were that as well. Among his general conclusions he makes it clear that Christ heals today but exercises His own loving sovereignty in so doing Christ will choose health, strength and length of days the saint is ever to remain submissive to God?'s will whatever this may mean . The book ends with a moving testimony of healing within his own family."Taken from a review by Evangelism magazine

Out of My Life and Thought (Schweitzer Library)


Albert Schweitzer - 1931
    Eloquent and heartfelt."-- "Los Angeles Times"Of the many highly esteemed books Albert Schweitzer penned in his life, he valued his autobiography the most. He had become a legend and he wanted to remind readers that he was just a man, and a man who had learned from many others. He had been fortunate to be in the right places at the right times, to meet people of thought and sympathy. He wanted to report his debts to them. He wanted to clarify his reasons and methods for his undertakings and to respond to some of his critics. And, he wished to honor something greater than he was--reverence for life. Reverence for Life became his life's motto, and it brought him pain as well as joy as he sought to respect how precious and unique each life is. Schweitzer believed there was a way to live in the world, accept it, take joy from it--and who could know this better than a man who had placed himself so much in it, given so much for it, and had been ready to receive experience as a gift to be thankful for.In addition to a preface by Rhena Schweitzer Miller and Antje Bultmann Lemke, this translation incorporates revisions and additions Schweitzer made for the French translation of 1960 and those he made for thirty years in his own copy of the original German edition."This fascinating volume is the autobiography of the world-famous missionary doctor, organist, philosopher, theologian, and Nobel Peace Prize-winner, newly translated, researched, and corrected on the basis of recently discovered material."-- "Booklist""An authentic twentieth-century classic. Few books in our time have had a greater impact on the life and values of untold numbers of people."--Norman Cousins

Silver Ley


Adrian Bell - 1931
    Describing his first year in farming he finds himself and his community caught up in larger affairs as the signs of the Depression begin to affect the countryside. However, there is still time for play, with field hockey and hunting in winter, dancing and village fetes in summer, not to mention the firm friends he found amongst his neighbors.

Memoirs of a Polyglot: The Autobiography of William Gerhardie


William Gerhardie - 1931
    He joined the Scots Greys in the First World War, and was commissioned and posted to the British Embassy at Petrograd, where he saw the Russian revolution in various stages. At Oxford, he wrote Futility, the first of his novels.In the 1920s and 1930s, Gerhardie was friends with many of the most interesting people of the era, from Lord Beaverbrook to the Sitwells, and he writes brilliantly and amusingly about the literary and political scene of that time. Michael Holroyd notes in his preface that 'The narrative, which contains so many percipient pen portraits, stops for no man, but merely seems to pick them up in its stride'.Memoirs of a Polyglot is illustrated with photographs, many of them from Gerhardie's family albums.'To those of my generation he was the most important new novelist to appear in our young life.' Graham Greene'William Gerhardie is our Gogol's Overcoat. We all came out of him.' Olivia Manning'In my opinion Gerhardie has genius.' Arnold Bennett'He is a comic writer of genius ... but his art is profoundly serious.' C. P. Snow