Athleticism of a different sort is on display throughout these four magnificent novels—the athleticism of an imagination possessed of the ability to lay bare, with a seemingly effortless animal grace, the enchantments and disenchantments of life. Updike revisited his hero toward the end of each of the following decades in the second half of this American century; and in each of the subsequent novels, as Rabbit, his wife, Janice, his son, Nelson, and the people around them grow, these characters take on the lineaments of our common existence. In prose that is one of the glories of contemporary literature, Updike has chronicled the frustrations and ambiguous triumphs, the longuers, the loves and frenzies, the betrayals and reconciliations of our era. He has given us our representative American story. This Rabbit Angstrom volume is composed of the following novels: Rabbit, Run; Rabbit Redux; Rabbit is Rich; and Rabbit at Rest.

    In 1948 six-year-old Austen Kittredge III leaves his widowed father to live with his paternal grandparents on their farm in the township of Lost Nation. Escapades at the county fair, doings at the annual family reunion and Shakespeare performance, and conflicts at the one-room schoolhouse are all recounted lovingly in this enchanting coming-of-age story filled with luminous memories and the deepest of childhood secrets, as a boy is molded into a man.

    Joining up with three other concerned residents, Angela fights the project, reconnecting with her ancestral roots as she does so. Harrowing, lyrical, and boldly incisive, Solar Storms is a powerful examination of the clashes between cultures and traumatic repercussions that have shaped American history.

    When her two-year-old son finally falls asleep, Marta and Victor retreat to the bedroom. Undressing, she suddenly feels ill; and in his arms, inexplicably, she dies.What should Victor do? Remove the compromising tape from the phone machine? Leave food for the child, for breakfast? These are just his first steps, but he soon takes matters further; unable to bear the shadows and the unknowing, Victor plunges into dark waters. And Javier Marías, Europe's master of secrets, of what lies reveal and truth may conceal, is on sure ground in this profound, quirky, and marvelous novel.

    He travels back in time to Viking adventures at the court of the Byzantine Emperor in Constantinople. Part of the 1995 Scottish Book Fortnight promotion.

    There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new novelists, a writer who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.

    Nicholas and Lally were the children of the great house, set in the bleak and magical Fen country; Thomasine was the unconventional niece of two genteel maiden aunts in the village; Daniel was the son of the local blacksmith, a fiercely independent, ambitious boy who longed to break away from the stifling confines of his East Anglian upbringing. As the drums of war sounded in the distance, the Firedrake, a mysterious and ancient Blythe family heirloom disappeared, setting off an uncontrollable chain of events.The Great War changed everything, and both Nicholas and Daniel returned from the front damaged by their experiences. Thomasine, freed from the narrow disciplines of her childhood, and enjoying the new hedonism which the twenties brought, thought that she could escape from the ties that bound her to both Nicholas and Daniel. But the passions and enmities of their youth had intensified in the passing years, and the four friends had to experience tragedy and betrayal before the Firedrake made its reappearance and, with it, a new hope for the future.

    Unexpected and volatile, The Thought Gang is the hilarious and thought-provoking story of their travails.In his eagerly awaited follow-up to Under the Frog, Tibor Fischer offers another hilarious chronicle of an unusual dynamic duo in The Thought Gang-this time chasing after something quite different-and the London papers are even more enthusiastic.

    A first collection.Brian Evenson has added an O. Henry Award–winning short story, "Two Brothers," to this controversial book and a new afterword, in which he describes the troubling aftermath of the book's publication in 1994.

    An ordinary man with many regrets, Aljaz rises to an uncharacteristic heroism, and offers his own life in trade. Trapped under a rapid and drowning, Aljaz is beset with visions both horrible and fabulous. He sees Couta Ho, the beautiful, spirited woman he loved, and witnesses his uncle Reg having his teeth pulled and sold to pay for a ripple-iron house. He sees cities grow from the wild rain forest and a tree burst into flower in midwinter over his grandfather's forest grave. As the entirety of Tasmanian life—flora and fauna—sings him home, Aljaz arrives at a world where dreaming reasserts its power over thinking, where his family tree branches into stories of all human families, stories that ground him in the land and reveal the soul history of his country.

    But in 1954 a local fisherman is found suspiciously drowned, and a Japanese American named Kabuo Miyamoto is charged with his murder. In the course of the ensuing trial, it becomes clear that what is at stake is more than a man's guilt. For on San Pedro, memories of a charmed love affair between a white boy and the Japanese girl who grew up to become Kabuo's wife; memories of land desired, paid for, and lost. Above all, San Piedro is haunted by the memory of what happened to its Japanese residents during World War II, when an entire community was sent into exile while its neighbors watched.

    Picasso, as she calls herself, is a young artist who has been sexually abused by her brother but whose family thinks she is at fault for her dark moods. Sappho is, indeed, Sappho, the lesbian poet of ancient Greece, who here proclaims herself a sensualist and then proceeds to dissect "the union of language and lust." The three converge in a place that may be England in a not-too-distant future made ugly by pollution and even uglier by greed. This is not a novel but an extended rift on art, sex, religion, social repression, the dangers of patriarchy, and everything that is wrong with the contemporary drift to the right. As such, it will be hard going for most readers, but those with some patience will discover exceptionally evocative writing and a vivifying review of some much-discussed contemporary issues.

    Becky thought she'd escaped the grim poverty of her childhood when she married up, but her husband was soon planning to trade her in for a newer model. And that's just what happened to Mary Burke, whose middle-class life ended with her divorce. Now Leila's housecleaner, Mary has a secret: she is homeless.They are three very different women who share the same longings: to be seen for who they are, to be valued and loved, but most of all, to have a physical and emotional home that can't be taken away....

    Now, appearing simultaneously with his first new novel in six years, Drury's debut is back in print.Welcome to Grouse County — a fictional Midwest that is at once familiar and amusingly eccentric — where a thief vacuums the church before stealing the chalice, a lonely woman paints her toenails in a drafty farmhouse, and a sleepless man watches his restless bride scatter their bills beneath the stars. At the heart of The End of Vandalism is an unforgettable love triangle set off by a crime: Sheriff Dan Norman arrests Tiny Darling for vandalizing an anti–vandalism dance and then marries the culprit's ex-wife Louise. So Tiny loses Louise, Louise loses her sense of self, and the three find themselves on an epic journey.At turns hilarious and heart-breaking, The End of Vandalism is a radiant novel about the beauty and ache of modern life.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Set into motion by a single act of abandonment-Catherine's lover of ten years has left her-she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment Catherine pursues her own destruction. Forcing the boundaries of identity and the limits of her eroticism, she enters a series of blinding sexual encounters with a poet, a fascist, a young Arlesian woman, a fireman, and three thieves. Eerily she splits herself in two so that she is both the one who watches and the one who is watched, creator and creation, author and character, as she observes herself from afar "And I would like to help her, " the one who watches says, "but I can't." Finally she meets Lucien, the solitary, cynical, beautiful man with long hair who looks as though he has "stepped out of an unmade film by the dead Truffaut, " and through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline through the redemptive act of story-telling. She begins to invent the story of their lives, telling it to him half in English, half in French, joining their solitudes for a moment before losing forever her belief that the shapely, hopeful prospects of narrative make sense of expenence. "She notices how everything is given up or taken away" as she loses the power of the imagination or memory or the body to console, and finally of language to convey meaning. This mesmerizing drama of sex, betrayal, and dissolution with its shattering inevitable conclusion is played out against the dazzling backdrop of the beautiful, indifferent Cote d'Azur in summer. Written in a dwindling lexicon with a simple, warped musicality, The American Woman in the Chinese Hat is a dark, uncompromising, seductive work of art.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.

    It's 1871, and he's lost his farm, his wife, and his dog to a band of marauding hooligans. With nothing to live on but a desire to recover what is rightfully his, Marder is forced to enlist the help of the best tracker in the West: a black man named Bubba.

    Sea of Tranquillity, possibly his most ambitious and rewarding novel, traces a disintegrating nuclear family across two tumultuous decades of American life - from the early '60s to the '80s - and is told in a quartet of voices: astronaut Allen Cloud, his wife, their gay son, Jonathan, and his friend/lover. Ranging in time and emotion from the optimism of the first moon shot to the dark landscape of the age of AIDS, Sea of Tranquillity is an extraordinary and compelling novel.

    . . [Ethan Canin is] a writer of enormous talent and charm.”–The Washington Post“Character is destiny,” wrote Heraclitus–and in this collection of four unforgettable stories, we meet people struggling to understand themselves and the unexpected turns their lives have taken. In “Accountant,” a quintessential company man becomes obsessed with the phenomenal success of a reckless childhood friend. “Batorsag and Szerelem” tells the story of a boy’s fascination with the mysterious life and invented language of his brother, a math prodigy. In “City of Broken Hearts,” a divorced father tries to fathom the patterns of modern relationships. And in “The Palace Thief,” a history teacher at an exclusive boarding school reflects on the vicissitudes of a lifetime connection with a student scoundrel. A remarkable achievement by one of America’s finest writers, this brilliant volume reveals the moments of insight that illuminate everyday lives.“Captivating . . . a heartening tribute to the form . . . an exquisite performance.”–The Boston Sunday Globe“A model of wit, wisdom, and empathy. Chekhov would have appreciated its frank renderings and quirky ironies.”–Chicago Tribune

    In this memoir, Philip Levine celebrates the poets who were his teachers--particularly John Berryman and Yvor Winters, writers whose lives and work, he believes, have been misunderstood and misinterpreted. In the process of writing this account of his childhood and young manhood in Detroit and of his middle and later years in California and Spain, Levine came to realize that he was also engaged in a quest, striving to discover "how I am." The resulting work provides a double-edged revelation of the way writers grow. Witty and elegantly rendered in a prose that is as characteristically Levine's as his verse, this is superb--and essential--reading for anyone interested in contemporary poetry and poets. Philip Levine has received many awards for his books of poems, most recently the National Book Award for What Work Is in 1991 and the Pulitzer Prize in Poetry for The Simple Truth in 1995. Levine recently retired from the University of California, Fresno.

    Lawrence and his German wife hiding out in Cornwall during the First World War. Spring, 1917, and war haunts the Cornish coastal village of Zennor: ships are being sunk by U-boats, strangers are treated with suspicion, and newspapers are full of spy stories. Into this turmoil come D. H Lawrence and his German wife, Frieda hoping to escape the war-fever that grips London. They befriend Clare Coyne, a young artist struggling to console her beloved cousin, John William, who is on leave from the trenches and suffering from shell-shock. Yet the dark tide of gossip and innuendo means that Zennor is neither a place of recovery nor of escape . . . 'Helen Dunmore mesmerizes you with her magical pen' Daily Mail 'A beautiful and inspired novel' John le Carré 'Secrets, unspoken words, lies that have the truth wrapped up in them somewhere make Dunmore's stories ripple with menace and suspense' Sunday Times Helen Dunmore has published eleven novels with Penguin: Zennor in Darkness, which won the McKitterick Prize; Burning Bright; A Spell of Winter, which won the Orange Prize; Talking to the Dead; Your Blue-Eyed Boy; With Your Crooked Heart; The Siege, which was shortlisted for the 2001 Whitbread Novel of the Year Award and for the Orange Prize for Fiction 2002; Mourning Ruby; House of Orphans; Counting the Stars and The Betrayal , which was longlisted for the Man Booker Prize 2010. She is also a poet, children's novelist and short-story writer.

    Its narrator, Fabian Vas is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime—a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women.The Bird Artist is a 1994 National Book Award Finalist for Fiction.

      The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

    A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island’s inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing. Where else can a dead circus elephant, a long-dead Viking, the discovery of uranium, a raven-haired castaway who may be psychic, an anarchist turned politician, and refugees fleeing from the United States all be part of everyday life? Where else is eccentricity embraced with such open arms? In this new readers’ guide edition, complete with an afterword by Neil Peart, Lesley Choyce’s novel about resilience, independence, and anarchy comes alive, leading readers to discover once again that everything is nothing and nothing is everything.

    But whenever Noy Holland went to read aloud from her work, there was an audience who heard her begin, "At night, we kept watch for turtles," and who, as if transfixed by an enchantress, would not leave their seats until - seventy-nine pages later! - they had heard Holland say, crooning in the manner of one who must give herself to song to keep herself from weeping, "We sat for the men with our hands in our laps with all that was ours in the parlor." To these ravished audiences, and to those to whom they hurried to send word of the amazement they had had the great good luck to be present for, it was "Orbit" - the name of one of the children whose mother's fantastic dying is central to the story's dreamy, rapturous motion - that came to identify for these persons an event unique, and inexpressibly strange, in their experience of literature. For literature, very literature, the heart's inmost speech in all its unexampled difference, is the thing this new young writer has been making, and, along with it, well before the publication of her first book, a name for herself as a force - indeed, as a divergenceto be given every close notice. Nine adventures in the magic of narration, including the audience-retitled "Orbit," The Spectacle of the Body enacts a debut of the first importance and an invitation to feelings not felt in the absence of art.

    

    Gleaned from her experiences as a child and young adult in America's Deep South and her life as an activist, lover, mother and teacher, this resonant collection showcases three decades of the work from one of the most gifted writers of our time.

    . . that unlocks its secrets like a Chinese box, each hidden compartment opening to reveal yet another, until at the end we stand aghast at the complexity that lies before us” (Richmond Times-Dispatch). This is the heartbreaking story of the Eagen's, an New Orleans family of “mixed blood,” as recalled by three unforgettable narrators, each intimately entangled in the family’s small tragedies and betrayals.Years ago, when his daughter Meredith was young, Dr. Thomas Eagen abruptly left his wife and children in an incident that still haunts Meredith well into adulthood. She longs to discover the truth behind her father's disappearance, as well as the reasons why Thomas's mother, a proud black woman, abandoned his devout Catholic father.

    So will The Longest Memory, the powerful, beautifully crafted, internationally acclaimed fictional debut of prizewinning Guyanese poet Fred D'Aguiar. In language extraordinary for its tautness and resonance, The Longest Memory tells the story of a rebellious, fiercely intelligent young slave, who in 1810 attempts to flee a Virginia plantation - and of his father who inadvertently betrays him. The young slave's love for a white girl who slakes his forbidden thirst for learning and his painful relationship with his father are hauntingly evoked in this novel of astonishing lyrical simplicity. It is a measure of D'Aguiar's achievement and bravery that The Longest Memory is informed not only by the complicities between black slave and white master but also by the tensions among slaves themselves - between stoic survivalists and passionate rebels. Remarkable for its keenness of observation, subtlety, and restraint, The Longest Memory heralds the arrival of a major new voice in the contemporary literature of the African diaspora.

    Nicholson has a wonderful ear for the unintentionally funny cliches of modern speech and manners.” –Sunday Telegraph

    But the drugs don’t make him forget his past, and the glittering parties offer him no redemption . . . Searingly funny and deeply humane, Patrick Melrose Volume 1 contains the first three novels in the Patrick Melrose series, Never Mind, Bad News and Some Hope. Patrick Melrose Volume 2 is also available, containing the final two novels in the series, Mother’s Milk and At Last.

    Anna possesses an extraordinary empathy that draws to her a marvelous collection of lovelorn souls, who form a mischievous chorus in the novel and play matchmaker between Anna and a lonely widower. Their meddling takes Anna's life in a direction she could never have imagined, one filled with magic and uncertainty. While Anna is rediscovering passion, Mariela is encountering it for the first time. Anna wishes to protect Mariela from all worldy disapointments, but she cannot. The cadence of their daily lives is interrupted by loss, ungovernable and haunting, as Anna finds herself torn between the man who wants her badly and the daughter who needs her more. "The Unfastened Heart" is a novel about the succor of true friendship and the marvel of true love.

    The smoke-spewing, banshee-wailing, fearsome black thing hisses like a thousand cobras... and the villagers declare that this Thing is an Iron Demon—a yakada yaka.The Burghers who drive these Iron Demons have a penchant for challenging authority and courting trouble, sometimes just to liven things up in the railway outposts... and so it is that Sonnaboy and Meerwald chase a large group of villagers all across Anuradhapura, mother-naked but not much bothered by it, Ben Godlieb conjures up a corpse in his cowcatcher, Dickie Byrd single-handedly demolishes a Pentecostal Mission and is hailed as the messiah of the Railway fraternity, and Basil Van der Smaght filches a human heart and feeds it to the Nawalapitiya railway staff ...and to cap it all, Sonnaboy takes French Leave to act in The Bridge on the River Kwai!

    But more than that, she is afraid of not being alone. Ever since her mother and Native American grandmother died together when she was a child, dancing cheek-to-cheek in a saloon in the middle of a violent storm, Sadie hasn't let anyone get too close. Not even Carlos, a passionate Cuban who sees the rich soul that Sadie tries to hide from herself.Cynical and loveless, she becomes obsessed with learning more about her unacknowledged identity, torn apart by tragic family legends she can't quite believe. And although she tries to fight it, she half suspects that with Carlos's help, she could find the truth of the past, and it could set her free...."A fluid, fun read--a story of self-discovery told by a woman haunted by female forebears while struggling to learn love....A work of accomplished introspection."--The Philadelphia Inquirer

    Six years after their divorce and forty years after their first wedding, the parents of the four grown Link children are remarrying. Lynnie Link, the youngest sibling, travels with her wastrel brother to Montana for the event, and in the family's gathering their essential fragility becomes all too apparent. "Family terrorism" is the tactic that undermines them - those small acts of emotional blackmail that keep old antagonisms alive. Its consequences are sometimes poignant, often hilarious, always devastating. With its vibrant prose and deft insight, the novella displays the full range of Antonya Nelson's remarkable talent. It caps a collection that also includes seven superb short stories, each a variation on the theme of family terrorism. Three of the stories have appeared in The New Yorker; one of these, "Naked Ladies, " was included in The Best American Short Stories 1993, and another, "Dirty Words, " appeared in Prize Stories: The O. Henry Awards the same year. All of them offer vivid evidence of Antonya Nelson's generous, rapidly maturing gift.

    From her council flat in Galleon Heights on the edge of Newcastle, riding high above the desolate urban landscapes of post -Thatcherite Britain, she discovers to her surprise a warm community and a living history that help her come to terms with the tragedy of her past. Fiona Cooper boldly incorporates elements of fairy tale and legend into her portrayal of Britain in the 90s to produce a novel that is complex as well as comic, savage but full of sympathy.

    The Crying for a Vision: A novel is at once a dramatic account of the rise and fall of the Lakota Indians, and an absorbing allegorical saga of the Lakota orphan Waskn-Mani--Moves Walking.

    This collection of popular fiction by the author of The Rhineland Inheritance and Promises to Keep includes Florian's Gate, The Amber Room, and Winter Palace.

    Sex and Despair. In this critically acclaimed collection of seventeen short stories, Joel Lane examines the means and the cost of survival.

    Then, to everyone's surprise, she married Francis Lake, a mild, midwestern seminarian, who has devoted his life to taking care of his charismatic wife. Now, Magda's grave illness puts their marriage to its ultimate test. Though facing her "Final Examination," Magda continues to arouse her visitors with compelling thoughts and questions. Into this provocative atmosphere comes Alice Henry, retreating from family tragedy and a crumbling marriage to novelist Hugo Henry. But is it the incandescence of Magda's ideas that draws Alice, or the secret of "the good marriage" that she is desperate to discover? For Alice, Hugo, Francis, and Magda will learn that the most ideal relationship--even a perfect marriage--doesn't come without a price...."COMPELLING WRITING...REMARKABLY SKILLFUL...Gail Godwin shows herself to be at the height of her considerable power as a storyteller and a writer."--The Boston Globe"ONE OF HER FINEST BOOKS...It is not only a well-written story, but a mature and wise one, affirmative in its vision of love, unblinking in its portrayal of tragic loss."--Atlanta Journal & Constitution"FASCINATING...�A� BIG SUMPTUOUS BOOK...HER BEST NOVEL."--Entertainment Weekly"A BRILLIANTLY CRAFTED NOVEL, full of fun and mischief and resonating with wisdom and moral depth."--New WomanA Featured Selection of the Book-of-the-Month Club "From the Trade Paperback edition.

    

    A fresh new look at the finest works of world literature at incredible prices! Complete and unabridged.

    Slowly, she begins to suspect that Kai's plans for her have little to do with love. 'Be careful,' warns Enid, the elderly sitting tenant in the house, who knows all about survival and secrets. And when Nadine discovers Kai's true intentions, Enid's warning takes on a terrible and prophetic quality.