When her two-year-old son finally falls asleep, Marta and Victor retreat to the bedroom. Undressing, she suddenly feels ill; and in his arms, inexplicably, she dies.What should Victor do? Remove the compromising tape from the phone machine? Leave food for the child, for breakfast? These are just his first steps, but he soon takes matters further; unable to bear the shadows and the unknowing, Victor plunges into dark waters. And Javier Marías, Europe's master of secrets, of what lies reveal and truth may conceal, is on sure ground in this profound, quirky, and marvelous novel.

    In the summer of 710, a small force under the command of a Berber named Taî f ibn Mâ lik landed to the west of Gibraltar. The Islamic armies that followed in its wake succeeded in conquering large areas of Spain within a short span of years. The conquerors gave the country the name of "al-andalus." Thus began a period of cultural permeation that was to last for almost 800 years. In spite of intolerance and animosity, there developed between Muslims, Christians, and Jews a shared cultural environment that proved the basis for great achievements. Moorish-Andalusian art and architecture combine elements of various traditions into a new, autonomous style. Among the outstanding architectural witnesses to this achievement are the Great Mosque in Cordova and the Alhambra in Granada, recognized and admired as part of the world's heitage right up to the present day. They are described in detail in this book. The main centres of Hispano-Islamic art and architecture, the cities of Cordova, Seville and Granada, are discussed within the chronological framework of developments, both political and cultural, from 710 to 1492.

    Illustrated introduction sets the paintings into context. 10 3/4" x 13". Color illus.

    Franz Rosenzweig (1886-1929) is widely recognized as one of the greatest Jewish philosophers of the modern period and his Star of Redemption is considered one of the most important twentieth-century contributions to Jewish--and Christian--theology.Rosenzweig's original and brilliant commentaries open a window into the final developments of his own thought: his debates with Protestant theology, his reservations regarding modern science and culture, and his progressive appreciation for the wisdom of the Jewish tradition. They are a testament not only to the profound vision of Judaism embedded in the poetry of Yehuda Halevi, but to the ever vibrant and deepening sagacity of Franz Rosenzweig himself.

    Now, for the fist time, we have a comprehensive, objective, and deeply researched account of the brigade's experience in Spain and what happened to the survivors when they returned to the United States. (About one-third of the volunteers died in Spain). The book is largely based on previously unused sources, including the newly opened Russian archives, and more than 100 oral histories.The author charts the volunteers' motivations for enlisting in the fight against Spanish fascism and places their actions in the context of the Depression era. The battleground experiences of the brigade have never before been depicted in such vivid detail, and such battles as Jarama, Belchite, and the Ebro come alive in the participants' words. The author uses the military aspects of the war to illuminate such related issues as the influence of political ideology on military events and the psychology of a volunteer army. He also closely examines the role of the Communist party in the conduct of the war, including the "Orwell question"—allegations of a Communist reign of terror in Spain—and investigates the alleged racial problems within the brigade, the first fully integrated military unit in American history.The book continues the saga of the brigade by relating the problems of the surviving volunteers with the U.S. Army during World War II; their opposition to the Cold War, the Vietnam war, and U.S. intervention in Central America; the persecution during the Red Scare of the 1950s; and their involvement with the civil rights movement.

    Writers include Joseph de Maistre, HonorT de Balzac, and Juan Donoso CortTs. Originally published in 1952 as Catholic Poli

    Applying this metaphor to modern culture, economic systems, and the history of the New World, Véliz provides an original and lively approach to understanding the development of English and Spanish America over the past 500 years.According to Véliz, the dominant cultural achievements of Europe's English- and Spanish-speaking peoples have been the Industrial Revolution and the Counter-Reformation, respectively. These overwhelming cultural constructions have strongly influenced the subsequent historical developments of their great cultural outposts in North and South America. The British brought to the New World a stubborn ability to thrive on diversity and change that was entirely consistent with their vernacular Gothic style. The Iberians, by contrast, brought a cultural tradition shaped like a vast baroque dome, a monument to their successful attempt to arrest the changes that threatened their imperial moment.Véliz writes with erudition and wit, using a multitude of sources—historians and classical sociologists, Greek philosophers, today's newspaper sports pages, and modern literature—to support a novel explanation of the prosperity and expanding cultural influence of the gothic fox and the economic and cultural decline endured by the baroque hedgehog.

    Focusing on the army of Francisco Mina, Tone offers new insights into the origins, motives, and successes of these first guerrilla forces by interpreting the conflict from the long-ignored perspective of the guerrillas themselves.