Women love him, men admire him, and it seems there is nothing he can’t do, whether it’s seducing a society wife or winning a carriage race. Little does Society suspect that the name means nothing to him, the fortune is in his father’s controlling hands, and he has no interest in his wife except a very distant friendship. Society bores him, and he takes dares because he only feels alive when he’s dancing on the edge... until his wife’s brother comes home from the wars. Decorated war hero Major Charles Mountjoy jerks Tris out of his despair by inspiring feelings of passion Tris had never suspected himself capable of. Almost as terrifying as those feelings for Charles are the signs Charles might return his affection—or, even worse, that Charles sees the man Tristan has been trying so valiantly to hide from the world.

    In each chapter, titled after a letter of the alphabet, an anonymous narrator details his experiences, travelling to cruising grounds and sex clubs, exploring the boundaries of sex, desire, pleasure, and the body, while reflecting on the limits of language and the act of writing.In the tradition of Georges Bataille, Kathy Acker and Jean Genet, these pieces take us to places language doesn't often go. Kemp powerfully stages a series of anonymous encounters, describing the relentless pursuit of sexual pleasure with luminous intensity, while at the same time facing the impossibility of capturing the moments he describes. This is a bold and challenging work, unashamedly sensual and searching. Kemp beautifully counterpoises explicit description with a searing interrogation of the extreme measures taken in the quest for sexual fulfillment.

    There’s just one catch: Gennady’s abusive boss wants him to honeytrap his American partner. Gennady doesn't want to seduce his new American friend for blackmail purposes… but nonetheless, he can’t stop thinking about kissing Daniel.FBI agent Daniel Hawthorne is delighted to get to know an agent from the mysterious Soviet Union… and determined not to repeat his past mistake of becoming romantically involved with a coworker. But soon, Daniel finds himself falling for Gennady. Can their love survive their countries’ enmity?

    Accompanying the images are the photographers' accounts of the techniques they used and their adventures in the field -- sometimes humorous, sometimes terrifying, and always vividly compelling. National Geographic The Photographs also includes an introductory chapter that chronicles the evolution of the photographic principles that have kept National Geographic at the forefront of the field and presents the visionaries who believed that photography had the power to tell important truths.ContentsForewordThen and nowFaraway placesIn the wildUnderwaterThe SciencesIn the U.S.A.Index

    Screenplays for Pink Flamingos and Desperate Living, and the unmade sequel Flamingos Forever.

    Cartier-Bresson’s concept of the “decisive moment” ― a split second that reveals the larger truth of a situation ― shaped modern street photography and set the stage for hundreds of photojournalists to bring the world into living rooms through magazines.

    Friedman photos and a new C.R. Stecyk III postscript.In the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually nonexistent. In the DogTown area of west Los Angeles, a group of young surfers known as the Zephyr Team (Z-Boys) was experimenting with new and radical moves and styles in the water, which they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. DogTown: The Legend of the Z-Boys is a truly fascinating case study of how an underground sport ascended in the world. These are the stories and images of a time that not only inspired a generation but changed the face of the sport forever.This volume has been described as “the DogTown textbook” and an indispensable companion piece to the Sony Pictures Classics film Dogtown and Z-Boys. Now spanning 1975–1985 and beyond, the first section of the book includes the best of the DogTown articles written and photographed by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles hundreds of skate images from the archives of Glen E. Friedman—many of which appear in the movie. (Stecyk and Friedman acted as executive producers and advisors for the film.)The bigger, newly designed edition of the book includes many never-before-seen Friedman photos, along with a new postscript by Stecyk.

    Lesy has collected and arranged photographs taken between 1890 and 1910 by a Black River Falls photographer, Charles Van Schaik.

    Their conversation, one of the most illuminating and insightful looks into MirO's philosophy and creative process, was first published in a limited edition of seventy five copies in 1964. Though long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of MirO's ideas on art." This beautiful new edition presents an updated English translation of MirO's invaluable text in an elegant and striking package. In addition to Taillandier's original foreword, a new preface by preeminent MirO scholar Robert Lubar provides wider context and insight. An appendix includes the original French text in its entirety. Joan MirO I Work Like a Gardener brings to life the words and work of one of the most beloved and influential artists of the twentieth century.

    The end of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological war against which, despite all odds, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same." Robb's masterful biography "re-creates the mirror Cravaggio held up to nature," as Hilary Spurling wrote in The New York Times Book Review, "with singular delicacy as well as passion and panache."

    Now one of these characters, Major Lord John Grey, opens the door to his own part of this world — eighteenth-century London, a seething anthill of nobility and rabble peopled by soldiers and spies, whores and dukes. Great Britain is battling France for supremacy on three continents — and life is good for a soldier.The year is 1757. On a clear morning in mid-June, Lord John Grey emerges from London’s Beefsteak Club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty’s Army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: the Crown appoints him to investigate the brutal murder of a comrade in arms, who may have been a traitor.Obliged to pursue two inquiries at once, Major Grey finds himself ensnared in a web of treachery and betrayal that touches every stratum of English society — and threatens all he holds dear. From the bawdy houses of London’s night-world to the stately drawing rooms of the nobility, and from the blood of a murdered corpse to the thundering seas ruled by the majestic fleet of the East India Company, Lord John pursues the elusive trails of a vanishing footman and a woman in green velvet, who may hold the key to everything — or nothing.The early days of the Seven Years War come brilliantly to life in this historical mystery by an author whose unique and compelling storytelling has engrossed millions of readers worldwide.

    Elsken focuses on the Left Bank of Paris in the 1950s—a time when it was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. With its unconventional, gritty, snapshot-like technique the work has been acclaimed as expanding the boundaries of documentary photography.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    Massive: Gay Erotic Manga and the Men Who Make It is the first English-language anthology of its kind: an in-depth introduction to nine of the most exciting comic artists making work for a gay male audience in Japan. Jiraiya, Seizoh Ebisubashi, and Kazuhide Ichikawa are three of the irresistibly seductive, internationally renowned artists featured in Massive, as well as Gengoroh Tagame, the subject of The Passion of Gengoroh Tagame: Master of Gay Erotic Manga. Get to know each of these artists intimately, through candid interviews, photography, context-providing essays, illustrations, and manga. Massive also includes the groundbreaking, titillating work of gay manga luminaries Takeshi Matsu, Fumi Miyabi, Inu Yoshi, Gai Mizuki, and comic essayist Kumada Poohsuke.

    But when he saves an enemy soldier using clockwork parts, he’s well aware he risks hanging for treason. That doesn’t worry him half as much, however, as the realization he’s falling for his patient.Johann Berger never expected to survive his regiment’s suicide attack on Calais, much less wake up with mechanical parts. To avoid discovery, he’s forced to hide in plain sight as Cornelius’s lover—a role Johann finds himself taking to surprisingly well.When a threat is made on Cornelius’s life, Johann learns the secret of the device implanted in his chest—a mythical weapon both warring countries would kill to obtain. Caught up in a political frenzy, in league with pirates, dodging rogue spies, mobsters and princesses with deadly parasols, Cornelius and Johann have no time to contemplate how they ended up in this mess. All they know is, the only way out is together—or not at all.Warning: Contains tinkers, excessive clockwork appendages, and a cloud-sweeping tour of Europe. A little absinthe, a little theft, a little exhibitionism. Men who love men, women who love women, and some who aren’t particular.