Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels

    

    Nor did she hate him. It was just being married she despised — to have him always there, 'his ugly bare feet — washing them in my tub, befo' my very eyes!' Athénaise flees, but in New Orleans, dwelling . with wise Madame Sylvie, an extraordinary transformation takes place.Heavy with the languor of the deep South, — like her celebrated book Kate Chopin's stories vibrantly depict women's The Awakening instinctive efforts to reconcile their lives and their hearts' desires.--back coverDésirée's Baby 1 Athénaise 9 A Pair of Silk Stockings 53

    Like a real world Kilgore Trout, cult author Carlton Mellick III has been pumping out dozens of the weirdest, trashiest, most imaginative books you've probably never heard of... even though you definitely should. "Hammer Wives" collects six of his most popular novelettes and short stories, including:SIMPLE MACHINES A man discovers that his body is actually a machine run by dozens of miniature clones of himself.RED WORLD A recovering junky must save his 8-year-old brother from a life of prostitution in a surreal version of New York City... a place where street kids mutate into fish-like creatures, the homeless stilt-walk through oceans of insects, and the only colors left visible to the human eye are shades of red.HAMMER WIVES A young man inherits ten eternally youthful wives from an estranged uncle he never knew he had... which wouldn't have been such a bad thing if they didn't have giant hammers for heads or a tendency of bludgeoning people to death for fun, food, or sexual pleasure.LEMON KNIVES 'N' COCKROACHES Cockroach-like children survive the zombie apocalypse by hiding between the walls of on old school building.WAR PIG In a steam-powered underworld, a bloodthirsty pig-man boxer will sacrifice everything to prevent his son from following in his footsteps.THE MAN WITH THE STYROFOAM BRAIN The recently departed reflect on the stupid reasons why they sold their souls to the devil.

    A South American president revisits the scenes of his ruthless rise to power-shortly after his own funeral. A transformed and sparkling city of London sets the scene for a company chairman's nemesis at the hands of his wife. In Andalucia, the spirit of the "duende" inspires an elderly widow to dance a death-defying flamenco. We meet splendacious Mrs. da Silva, sixty-five year old matriarch of Rebel War Band, as she boogies at a carnival. The ghost of Dante's Virgil, leading his pilgrim along perilous paths, is brought to mind as one friend guides another on her final journey.

    http://www.baenebooks.com/chapters/97...

    

    The selected stories--Arthur C. Clarke's "Playback", Frederik Pohl's "Lovemaking", and Thomas M. Disch's "Cephalatron" (later "Fun with Your New Head")--were published in the December 1966 issue. Asimov's story, on the other hand, was rejected, so he submitted it to the Magazine of Fantasy and Science Fiction, where it was published in April 1965. It has since been anthologized several times and was included in Asimov's collection Nightfall and Other Stories (1969).In the very distant future - about a trillion years in the future - humans have long since abandoned physical form and they exist as energy entities spanning space. The results are quite powerful.This is the story of how two of these entities, known only as Ames and Brock, tire of artistic competitions using manipulations of energy and decide to look for a creative way to manipulate mass.

    Fully illustrated, this book includes an Indian song-and-dance version of Dracula; Turkish version of Star Trek and Superman; China's "hopping vampire" films, and much more.

    The volume also contains a group of modern narratives, including the famous, and much-anthologized, Moonlight Sonata. Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety.From PhiloctetesAll the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hallwhere glasses and voices sparkled, and the veilof an unseen dancer rippled silentlylike a diaphanous, whirling wallbetween life and death. This throbbingour childhood nights, lightening the shadows of shieldsetched on white walls by slow moonlight.

    Characters contemplate the meaning of home, love, despair, family, and friendship against the backdrop of brutality. From Cairo to the Gaza Strip, from Benghazi to Budapest, religious men have their faith challenged, and people under the duress of war or traumatic personal memories deal with the feelings that emerge. Often they seem to suppress these feelings . . . but, no, not quite.  Set in countries the author has reported from or lived in, these stories are all told from different perspectives, but always with the individual at the center: the mother, the soldier, the martyr, the religious man, the journalist, and so on. They form a kaleidoscope of miniworlds, of moments, of decisions that together put a face, an emotion, a thought behind humans who confront war and conflict. Although they are fiction, they could have all happened exactly as they are told. Each story leaves a powerful visual image, an unforgettable image you conjure up again and again.  Jászberényi is able to do all this so convincingly, in part, because he himself is not a "helicopter journalist" but rather lives in a residential Cairo neighborhood. He is, moreover, from a corner of Eastern Europe where cynicism almost equates with survival, and yet his writing evinces not only wry humor but great sensitivity and a profound sense of beauty. He speaks Arabic (in addition to English and his native Hungarian) and immerses himself in the society he reports on. But, in doing so, he still remains a reporter, and as such the stories are approached with the clinical, observant eye of an outsider. Whether addressing the contradictions of international humanitarian work or the moral dilemmas faced by those who seek to improve the health and lives of women and girls, he does so in a singularly provocative and yet intelligent manner.

    A rich compendium of looniness!

    La magia y la literatura lo han conseguido, pero pocos privilegiados logran ejercerlas con la suficiente autoridad, y en nuestro tiempo ninguno de modo tan divertido y conmovedor como Alfredo Bryce Echenique. Este libro es una excelente muestra de su reconocido talento para recrear el mundo, nos entrega catorce historias en las que suprime limpiamente las barreras entre las que fue y lo que pudo o debió ser. English Translation: To abolish the border that separates the reality of the fiction has been, from always, one of the most expensive yearnings of the human being. The magic and Literature have obtained it, but few privileged people manage to exert them with the sufficient authority, and in our time no of way so amused and stirring as Alfredo Bryce Echenique. This book is an excellent sample of his recognized talent to recreate the world, it gives fourteen histories to us in which it cleanly suppresses the barriers between which it was and what it could or it had be.

    well... godlike beings? An immense topic! But from a writer's perspective, it presents a problem. One can write stories leading up to the singularity, about all the problems. (Little things like rebellious AI.) But how do you write a tale set AFTER the singularity has happened?Never one to refuse a challenge, that's exactly the topic of "Stones of Significance."

    The wide variety of writing styles includes black humour, satire, and compassionate and realistic observation of the follies and foibles of humankind.This collection contains stories by Evelyn Waugh, Roald Dahl, Somerset Maugham, Saki, Frank Sargeson, Raymond Carver, H.E. Bates, and Susan Hill.