Three of her four daughters, however, had different ideas. Rosemary rejected it; Jess was destroyed by it; Celia found it eluded her. Only Emily pursued her mother's ideal, with disastrous results. Penelope begins to record their family story as it unfolds. But when Rosemary discovers these private papers she is enraged by her mother's distortions of the truth and proceeds to tell the story from her perspective. From D-Day on into the turbulent post-war years, a picture emerges not only of a single family in all its complexities, but also of the changing world that shaped their lives.

    Emerging out oa a life in shich, the poet's words, "each day was the only day", Menasches work has a mysterious simplicity, a religious intensity, and a lingering emotional force.

    Written in Lallan Scots, it is a most exciting piece of poetic drama.

    As always, she is a poet of dark hilarity and telling social comment. Shifting between poetic and vulgar registers, the surreal imagery of her early work is re-deployed to venture into the badlands of the human psyche. Her poems hold their subjects in an unflinching grip, addressing faces behind the veneer, asking what it is that keeps us alive. These days of prohibition are days of intoxication and inebriation, rehab in a desert and adultery for atheists, until finally Bird edges us out of danger, ‘revving on a wish’.

    From the author of Fugitive Pieces, this work provides a collection of poems, meditations on how love changes in order to survive and how we move from obsolete science to new perceptions.

    ATALANTA IN CALYDON is a drama in classical Greek form, which revealed Swinburne's metrical skills and brought him celebrity. POEMS AND BALLADS brought him notoriety and demonstrates his preoccupation with de Sade, masochism, and femmes fatales. Also reproduced here is 'Notes on Poems and Reviews', a pamphlet Swinburne published in 1866 in response to hostile reviews of POEMS AND BALLADS.

    Her new poems explore what it means to have roots, specifically roots in different cultures - with old Scots and modern Scots alongside poems inspired by Ibo dialect, and poems inspired by African and European art.

    The poems take us back to the womb, and from there on to childhood, to a searing sexual awakening, to the shock of childbirth, to the wonder and humor of parenthood--and, finally, to the depths of adult love.Always bold, musical, honest, these poems plunge us into the essence of experience. This is a highly charged, beautifully organized collection from one of the finest poets writing today.

    Chapters focus on the supernatural elements of the work, as well as the author´s treatment of the physical self.

    Volume 1 (this book) is a reprint of the original 1910 edition (published by Luzac & Co., London) of Sun Tzu on the Art of War: The Oldest Military Treatise in the World by Lionel Giles. The Chinese text, Giles' English translation, as well as his extensive notes are all faithfully reproduced. A Wade-Giles to Pinyin conversion table has been added to make the original classic more useful for the modern student. Volume 2, available separately, includes each chapter in Chinese traditional characters, the pinyin transcription, as well as the English translation.

    When unleashed, it leaves total destruction in its wake, and cannot be subdued by normal human methods, but only by the power of God. The Cold War saw “Leviathan” snarling at his gate, salivating to be let loose, when humanity was treading ever closer to nuclear holocaust. During this period, American servicemen went into the breech to stand against whatever form “Leviathan” took, and like the American warriors of past years they held strong to their faith in God to see them through. Such a warrior is Daniel O’Kean, a World War II UDT/OSS veteran and commissioned naval officer, turned covert deep-penetration maritime CIA specialist, who has only his faith to see him through his own encounters with “Leviathan.” His first test is a pre-invasion, reconnaissance mission behind the lines of Inchon Korea, where the threat of capture by North Korean invaders is around every corner. Later he leads an assignment into Latvia with near disastrous consequences. Then called upon again, into the steaming jungles near Haiphong Vietnam, while attempting to retrieve evidence of active Soviet intervention in the war, he uncovers an unusual and vital turn of events that leads to a twisted plot in the streets of London England. With each step he takes he sees God’s hand guiding him closer to a fate he does not fully understand, but follows faithfully. While O’Kean is battling an evil he cannot see, the captain of the nuclear submarine USS Seadragon, LCDR Renzo MacKenna has his own faith challenged in another form of “Leviathan” as he and CDR David Heidleman of the USS Permit coordinate to foil a Soviet plot to end America’s involvement in Vietnam. One wrong move by them and “Leviathan’s” bite could go nuclear.

    Which leaves him free to fall in love with Poopy herself.A widow and a divorcee tipsily discuss the inadequacy of men in general and their husbands in particular, deciding that women have much more to offer each other by way of variety in sexual love.A wife holidays alone in Jamaica’s cheap season idly hoping for excitement but finding the only man she can have an affair with is far too old and frightened of the dark.Affairs, obsessions, grand passions and tiny ardours . . . this collection contains some of Greene’s saddest observations on the hilarity of sex.ISBN 0140030301

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. You'll be kept in suspense with these four Edgar Allan Poe short stories! The Pit and the Pendulum, The Fall of the House of Usher, The Cask of Amontillado, The Murders in the Rue Morgue.

    Le Guin's.”  —Grace Paley  Late in the Day, Ursula K. Le Guin’s new collection of poems (2010–2014) seeks meaning in an ever-connected world. In part evocative of Neruda’s Odes to Common Things and Mary Oliver’s poetic guides to the natural world, Le Guin’s latest give voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. As Le Guin herself states, “science explicates, poetry implicates.” Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation both to dive deep and to step outside of ourselves and our common narratives. The poems are bookended with two short essays, “Deep in Admiration” and “Some Thoughts on Form, Free Form, Free Verse.”

    Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for years. Plotted around the central role of one of Coward's best loved characters, a medium Madame Arcati (originally played by Margaret Rutherford). Coward's play is a spirited charade about a man with 2 wives, one dead and another alive.