Piano duet arrangements of eight beautiful favorites from Les Mis: Bring Him Home * Castle on a Cloud * Do You Hear the People Sing? * A Heart Full of Love * I Dreamed a Dream * In My Life * On My Own * Stars.

    California Cooper writes with a transparent clarity and such exuberant energy that her characters leap off the page, bursting with stories they've got to tell--stories of simple people, stories of families and fate, of love and marriage, of death and the triumph of the human spirit.

    This souvenir folio features full-color photos from the stunning production as well as piano/vocal arrangements of 9 songs, including: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again.

    This is the lavishly illustrated, definitive account of The Phantom of the Opera, tracing the Phantom legend from its origins in historical fact through Gaston Leroux's heartrending classic novel and other artistic incarnations to the present day and Andrew Lloyd Webber's incredibly successful musical.

    Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie, that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer's patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible-and that times and circumstances would ever allow them to publicly admit.

    Henry III, Time

    To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans despised. Their only hope for escape lay in a dangerous underground that would not take her child.

    The Complete Unexpurgated Scripts of the Original TV Series (Except for the Animation Bits)

    Its eleven "exhibits" undermine black stereotypes old and new, and return to the facts of what being black means. " Mr. Wolfe is the kind of satirist who takes no prisoners. The shackles of the past have been defied by Mr. Wolfe's fearless humor, and it's a most liberating revolt!" - Frank Rich, The New York Times; "Brings forth a bold new voice that is bound to shake up blacks and whites with separate-but-equal impartiality. True satire." - Jack Kroll, Newsweek.

    But before her father dies, he leaves a puzzling clue to her heritage: she has come from the gods and has a special destiny to fulfill.In the coming years, Selene studies the primitive healing arts with Mera, the healer-woman who adopts her. She learns how to lower fevers by brewing Hecate's Cure from the willow tree, how to apply green mold to an open wound to prevent infection, and most importantly, how to calm a patient by summoning the inner power of the "soul flame."But on her sixteenth birthday, Selene falls in love with Andreas, a passionate and troubled surgeon. When fate cruelly separates them, Selene's search for Andreas takes her to the great centers of civilization in the ancient world-Egypt, Babylon, and Rome. Desperate to find Andreas, Selene is torn between love and her dreams of healing when a revolutionary vision brings her to the fulfillment of her destiny-and the dawn of modern medicine.

    Such a one was Nancy Ann Hazel, the young and high-spirited daughter of a country parson. He was a good man and she loved him dearly, but his Sunday sermons could seem long indeed when beyond the church door the sunshine beckoned her into the fields of this pleasant corner of County Durham.Two older brothers had taught Nancy Ann how to look after herself, so that she could, when necessary, hold her own with the roughest of the village children, eventhough such escapades might not be considered altogether fitting in a daughter of the vicarage; but they foreshadowed the courage and fortitude she would soon enough have to muster when the greater challenges of a controversial marriage thrust her into womanhood, and when conflict and tragedy alike had to be faced and overcome.THE PARSON'S DAUGHTER is a major novel spanning the last quarter of the nineteenth century and introduces one of Catherine Cookson's most memorable heroines. Its strong and vibrant narrative will captivate this great storyteller's readers throughout the world.

    She changed her name. Her looks. Her life. All to escape the most dangerous man she ever met: her husband.

    Photographs.

    A revised and expanded edition of the classic volume of Yeats' work, including the play The Death of Cuchulain.

    Jamie MacLeod: Pondering the mystery of her father's death, watching the emotional pain of another's rejection, stretching for the elusive dreams that led her on, discovering the chance for love--all of this is JAMIE MACLEOD.

    TITLE: FREE TO BE A FAMILY By MARLO THOMAS & FRIENDS 1987 First Edition AUTHOR: MARLO THOMAS & FRIENDS PUBLISHER - (LOCATION) / COPYRIGHT: BANTAM BOOKS, Toronto, NY 1987 EDITION: First Edition with '0 9 8 7 6 5 4 3 2 1' CATEGORY: Coffee Table, First Edition BINDING/COVER: Hardback with dust jacket COLOR: BLUE

    Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. This is Toporkov's account of this learning process, offering an insight into Stanislavski's legendary "system" and his method of rehearsal that became known as the method of physical action. Spanning ten years - from 1928 to 1938 - Toporkov charts the last crucial years of Stanislavski's work as a director. Toporkov reveals Stanislavski as a multi-faceted personality - funny, furious, kind, ruthless, encouraging, exacting - waging war against clich�s and quick answers, inspiring his actors and driving to despair in his pursuit of artistic perfection. Jean Benedetti's new translation of Toporkov's invaluable record restores to us the vitality and insight of Stanislavski's mature thoughts on acting.

    In his "mini-manual for actors," Fo lays bare the tools of his craft. With the assistance of his wife, playwright Franca Rame, he explains how text, song, humor, mime and political intelligence can be fused into brilliant "popular theatre."

    In addition to revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and a dozen new quotations about the experience of playgoing. Second Edition Hb (1996): 0-521-58014-5 Second Edition Pb (1996): 0-521-57449-8

    Subtitled "a play with poetic myths," it evolves around a modern-day Helen (associated with Inanna, the Sumerian Queen of Heaven and Earth) who descends to an underworld complete with a lesbian bar and a chorus of punning crow-dykes who put her through various trials designed to release her powers. The play is followed by two poems, connected thematically and imagistically, and exhaustive notes explaining the mythic allusions.

    In particular, it centers around the fulcrum of the practice of niyoga, the practice, prevalent at the time, of legal adultery, of an infertile husband allowing his wife to beget progeny from another man. Through a host of plots and subplots, it tells the reader how the practice came to an end. In fact, the novel is listed one among the all-time best works of creative fiction in Kannada. This book is translated into all the 14 Indian languages by Sahitya Akademi.

    Paperback edition of the beautifully produced clothbound edition published by BOA Editions ifn 1987. This book reproduces OPERAS & PLAYS as published in the 1932 Plain Edition. The theater of Gertrude Stein is as radical today as it was seventy years ago. These theatrical exercises developed into a dramaturgy stripped bare of the essentials: plot, character development, scenery, stage directions.... Among the modernist writers, Stein remains the last outpost of industrious textual explication -- James R. Mellow (Introduction). Think they are waiting for the approach of their hope that they will be welcome welcomed by a dog and the hope that they will be very welcome when they come. They will be very welcome when they come. They do delight in being welcome. (Say It With Flowers). This book is a necessity for every library, public and private. Among the most important and influential of modern experimental writers of prose and poetry, Gertrude Stein was born in Allegheny, Pennsylvania in 1874, raised in Oakland

    Shakespeare's Ghost Writers is an examination of the authorship controversy surrounding Shakespeare: the claim made repeatedly that the plays were ghost written. Ghosts take the form of absences, erasures, even forgeries and signatures — metaphors extended to include Shakespeare himself and his haunting of us, and in particular theorists such Derrida, Marx, Nietzsche, and Freud — the figure of Shakespeare constantly made and remade by contemporary culture. Marjorie Garber, one of the most eminent Shakespearean theorists writing today, asks what is at stake in the imputation that "Shakespeare" did not write the plays, and shows that the plays themselves both thematize and theorize that controversy.This Routledge Classics edition contains a new preface and new chapter by the author.

    Language itself proves to be the source of Othello's power and its eclipse.

    Sugar Isn't Everything is Wilo Davis Roberts' much-needed resource guide for young diabetics.A detailed description of juvenile-onset diabetes (Type I) using a fictional form in which eleven-year-old Amy discovers that she has the disease, learns to treat it and to deal with her anger, and finally accepts that she CAN live with it.

    Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based on the games and dances of village communities ad the more sophisticated sex and war games of the nobility. The section on commerce shows how the development of the drama was intimately related to questions of funding and management which led, during the sixteenth century, to the substitution of a professional for an amateur theatre, and to a growing emphasis on stage spectacle. For this third edition the author has added a substantial section on monastic reform and its effect on Biblical translation and the use of allegory; a final chapter charts the transition in different European countries from this medieval Gothic theatre to the neoclassical methods of play construction and representation which flourished for the next two hundred years. The book gorges a coherent pattern through a very large and complicated subject. It is an excellent introduction to medieval theatre for undergraduates and to the growing number of theatregoers who enjoy contemporary revivals of medieval plays. A large plate section gives a pictorial version of the story, using photographs of contemporary manuscript illuminations, mosaics, frescoes, paintings and sculptures.

    

    The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.

    

    In England his plays were championed by Peter Brook. Antigone is a response to the German occupation of France and established his popularity in 1944 (the Germans ironically, thought that it was a pro-Nazi in its portrayal of King Creon and thus allowed its production); Poor Bitos, Anouilh's angriest play explores the act of judicial murder and The Lark is a version of the Joan of Arc story. All three plays show his fondness for reworking myth, history and legend. Meanwhile Leocadia, about an opera singer who dies after a three day love affair with a prince and The Waltz of the Toreadors, about a general whose mistress attempts to prove his wife's infidelity, represent another talent - for ironic, modern comedy.

    J. Czerwinski.

    A collection of essays on Webster's tragic drama "The Duchess of Malfi" arranged in chronological order of publication.