There is a new clarity to her work, a disquieting transparency, even in the midst of the wild thickets of language for which she is known. A poet “at the border of her own allegory,” Brock-Broido searches for a lexicon adequate to the extremities of experience–a quest that is as capricious as it is uncompromising. In the process, she reveals, unsparingly, things as they are. In “Pamphlet on Ravening” she recalls, “I was a hunger artist once, as well. / My bones had shone. / I had had rapture on my side.” The book is laced with sequences: haunted, odd self-portraits; a succession of poems provoked by discarded titles by Wallace Stevens; an intermittent series of fractured and beguiling lyrics that she variously refers to as fragments, leaflets, and apologues.Trouble in Mind is a book that astonishes us afresh at the agility and the uncanny will of language, which Brock-Broido is not afraid to follow where it may lead her: “That the name of bliss is only in the diminishing / (As far as possible) of pain. That I had quit / The quiet velvet cult of it, / Yet trouble came.” Even trouble, in Brock-Broido’s idiom, becomes something resplendent.From the Hardcover edition.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    She left her number, but he never called. Wondering if he somehow missed the note on the back of the receipt, she spent her twenties waiting for this man to walk into her life again. After all this time, will Ella finally discover “the one” she’s been waiting for? Or, after being sent on various blind dates, will she give her heart to someone else?Meanwhile, Matthew Ryan breaks up with his long-time girlfriend. Searching his heart he wonders if there is really a “one” for every person, or if there is simply a good, better, and best. Where does Lydia, the girl who would do anything for him, fit into the story of his life? Confused, Matthew sets out to explore his options and find the love he’s been looking for his entire life. Will he find love before it’s too late or will he lose everything?

    Symptoms include:*Acute embarrassment at the mere notion of making a fuss;*Extreme awkwardness when faced with any social greeting beyond a brisk handshake;*An unhealthy preoccupation with meteorology.Doctors have also reported several cases of unnecessary apologising, an obsessive interest in correct queuing etiquette and dramatic sighing in the presence of loud teenagers on public transport. If you have experienced any of these symptoms, you may be suffering from VERY BRITISH PROBLEMS. VERY BRITISH PROBLEMS are highly contagious. There is no known cure.Rob Temple's hilarious new book reveals all the ways in which we are a nation of socially awkward but well-meaning oddballs, struggling to make it through every day without apologising to an inanimate object. Take comfort in misfortunes of others. You are not alone.

    Ministering to one of the most deprived parts of New York City, the chapel aims at making a difference in the lives of the impoverished immigrants flooding the city. After seeing firsthand the hopelessness of the poor women and orphans, Christine is convinced more can be done to help them.Guy Bedell has been serving at the chapel and pouring his heart out for the people he's grown to care about. When Christine begins to challenge his methods and offers a new vision for reaching out to the community, can he trust that perhaps God has bigger plans in store for him--plans that may include this feisty socialite?

    I don’t believe in that. Because love isn’t about falling for someone’s looks. Though she was beautiful in every single way, from her dark, wavy hair to her gorgeous brown eyes, to the soft curves of her body. But that’s not why I fell so hard for her that summer. She took my breath away for reasons that had nothing to do with her looks. It was the the movies, the conversations, the walks through the small town, the nights on the beach with the waves rolling in, the way I could hold her hand and feel as if the world had simply melted away and we were all that was left. So, there was no love-at-first-sight. That would come later, and if it happened first it would take away all the reasons that stayed with me for the next five years. Even though you’re not supposed to fall for your best friend’s little sister. But that didn't stop me...A prequel novella in the New York Times and USA Today Bestselling Caught Up in Love series.

    Her religious parents try to fix her disturbing fantasies with prayers and scriptures. But Lili isn't suffering from fantasies, and her family isn't going to be able to save her as she fights for her sanity and for her life. The whispers are real, the nightmares are more than what they seem, and The Being waiting in the shadows wants to pull her into the darkness forever.But reality is much more sinister than any of her nightmares. Lili isn't the only one who hears whispers in the dark. Her parents pray to a god who has abandoned them. The demons do not live in the bible, nor do they hide in the shadows any longer. They are in minds of men. Whispering in their ears, a part of their very souls.The whispers become louder, the nightmares bleed into reality, and this presence refuses to be ignored.A twisted and disturbing journey through the dark side of humanity, The Eighth Day (Vol.1) is an epic tale of extreme horror that will terrorize your waking thoughts and haunt your dreams long after you've turned your last page.

    Maybe it’s the day-to-day grind. Maybe it’s that client who never knows what they want, or the guy who always cooks fish in the microwave.But not me. I love every corner of the Longbourne Flower Shop, every flower, every petal, every stem. I love the greenhouse, and I love Mrs. Bennet, my boss. I love creating, and I love being a florist. I don’t hate anything at all.Except for Luke Bennet.The Bennet brothers have come home to help their mom save the flower shop, and Luke is at the helm. His smile tells a tale of lust, loose and easy. He moves with the grace of a predator, feral and wild. A thing unbridled, without rules or constraint. When he comes home to save Longbourne, I almost can’t be mad at him. Almost.He doesn’t remember that night I’ll never forget. That kiss, touched with whiskey and fire. It branded me like a red-hot iron. But it meant nothing to him.Everyone hates part of their job, and I hate Luke Bennet.Because if I don’t, I’ll fall in love with him.

    He opens with the beautiful “Elegy for Miss Brooks,” invoking Gwendolyn Brooks, who died in 2000, and who makes a perfect muse for the volume: “What the devil / are we without you?” he asks. “I tuck your voice, laced / tight, in these brown shoes.” In that spirit of intimate community, Young gives us a saucy ballad of Jim Crow, a poem about Lionel Hampton's last concert in Paris, an “African Elegy,” which addresses the tragic loss of a close friend in conjunction with the first anniversary of 9/11, and a series entitled “Americana,” in which we encounter a clutch of mythical southern towns, such as East Jesus (“The South knows ruin & likes it / thataway—the barns becoming / earth again, leaning in—”) and West Hell (“Sin, thy name is this / wait—this place— / a long ways from Here / to There”). For the Confederate Dead finds Young, more than ever before, in a poetic space that is at once public and personal. In the marvelous “Guernica,” Young’s account of a journey through Spain blends with the news of an American lynching, prompting him to ask, “Precious South, / must I save you, / or myself?” In this surprising book, the poet manages to do a bit of both, embracing the contradictions of our “Confederate” legacy and the troubled nation where that legacy still lingers.

    In whispers, they call me Soul Eater. They’re right. I’m all those things—and more." Kicked out of the underworld and cursed to walk this earth for all eternity, the soul eater known as "Ace Dante" finds solace in helping others avoid the wrath of the gods.But when warrior-bitch, Queen of Cats, and Ace's ex-wife, Bastet, hires him to stop whoever is slaughtering her blessed women, Ace is caught between two of the most powerful deities to have ever existed: Isis and Osiris.The once-revered gods aren’t dead.They’re back.And Ace is in their way.Welcome to a New York where the ancient gods roam.

    This is where I come from. Everyone I love still lives there." Widely known for her performance poetry, author Brenna Twohy offers an intimate portrait of loss, abuse, and the messy ways that we heal. Often funny and always honest, Zig-Zag Girl is about grief, strength, and the magic of holding on.

    The title of the book refers to the forty acres of Montana land Welch?s father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer?s worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch?s poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.

    A womanizer. A fighter. Dangerous. The type of guy most girls do their best to avoid. But Zoe Janes is no saint herself. In fact, she sees in Jet the perfect opportunity to distract herself from her responsibilities at home and the mistakes that keep her trapped there. He’s gorgeous, likes to party, and is clearly only interested in having fun—just like Zoe. The more time they spend together, the harder it is for Zoe to stick to her “fun only” mantra. Jet is getting under her skin, making her believe things could actually be different. She knows they’re both trapped by the sins of their past but Jet is starting to make her think freedom might actually be possible. And that makes him the most dangerous boy of all.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    Part detective, part paranormal exterminator, Ellie operates out of Savannah, Georgia, the most haunted city in the United States.When a family contacts her to deal with a disturbing presence in the old mansion they’ve recently purchased, Ellie first believes it to be a typical, by-the-book specter, a residual haunting by a restless spirit. Instead, she finds herself confronting an evil older and more powerful than she’d ever expected, rooted in the house’s long and sordid history of luxury, sin, and murder. The dangerous entity seems particularly interested in her clients’ ten-year-old daughter.Soon her own life is in danger, and Ellie must find a way to exorcise the darkness of the house before it can kill her, her clients, or their frightened young child.