Found the sun. And became the rainbow…Sam Payne’s debut poetry collection, this boy is a rainbow, tells a touching story of gay love and heartache, healing and empowerment. It is the story of a boy who lost love and thought he would never be whole again. Divided into three chapters, it follows his journey as he endured the storm, found the sun, and became the rainbow.Featuring over two-hundred original poems and illustrations, the collection encourages readers not only to survive the storm, but to thrive in it. And when the storm is over, be ready to let love in again. For love is everywhere, if only you open your heart.thank you
for throwing me
into the bared teethof a treacherous stormif you hadn’t
i wouldn’t be
the rainbow
i am today

    Ballard. Written raw and emotionally, it explores heartbreak, depression, and women empowerment.

    Shaped prose is a form that works the "little edges" of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to comment upon a work of art, or to memorialize a particular moment or person. In Moten's poems, the matter and energy of a singular event or person are transformed by their entrance into the social space that they, in turn, transform. An online reader's companion is available at http: //fredmoten.site.wesleyan.edu.

    . . At what cost? All his life Kabelo Mosala has been the perfect child to his doting absent parents, who show him off every chance they get. Both his parents and his small community look forward to him coming back after medical school and joining his father's practice. They also plan to give him the perfect township wedding. But Kabelo's one wish has always been to get as far away from the township as he possibly can and never come back. A few weeks before he leaves for university, however, he forms a close bond with Sediba, one of his childhood friends, confirming his long-held suspicion that he is gay. Their relationship is thrown into turmoil by social pressures and conflicting desires, and it starts to look as if they can't be together. But against all odds the two young men make their way back to each other, risking scorn from the community that raised them. In her characteristic, beautifully modulated voice, with razor-sharp clarity, Lesego Molope tackles an urgent issue in her country of birth.

    Hilariously ironic and irreverent, in Dirty Birds, Morgan Murray generates a quest novel for the twenty-first century--a coming-of-age, rom-com, crime-farce thriller--where a hero's greatest foe is his own crippling mediocrity as he seeks purpose in art, money, power, crime, and sleeping in all day.

    As an Ahmadi Muslim growing up in Pakistan, she faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From her parents, she internalized the lesson that revealing her identity could put her in grave danger.When her family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, her need for a safe space--in which to grow and nurture her creative, feminist spirit--became dire. The men in her life wanted to police her, the women in her life had only shown her the example of pious obedience, and her body was a problem to be solved.So begins an exploration of faith, art, love, and queer sexuality, a journey that takes her to the far reaches of the globe to uncover a truth that was within her all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

    But when he leads a group of tourists along the cliffs of St. John's harbour, one of them ends up dead. Not only is there a murderer in his tour group, but the cop assigned to the case is sleeping with Sebastian's ex-wife. It seems like things can't get any worse, but as he's enlisted to help flush out the perpetrator, the trail leads deeper than expected, and Sebastian finds himself on the edge.

    Madeleine Thien’s characters in some way want to make amends, to understand the events that have shaped their lives. A young woman searches back in time for the pivotal moment when her family lost faith in itself. Two sisters keep a vigil outside their former house, hoping their long-absent mother will appear one last time. A wife helps her husband grieve for the woman he has loved since childhood. A daughter remembers the simple ritual she once shared with her father and the moment when her unconditional love for him was called into question. Compassionate and revealing, delicate and wise, these stories chart the uneven progress of love and lay bare the heartbreaking truths at the core of our closest bonds.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    The family moved first to Beirut, which suddenly became one of the most dangerous places in the world, then Cairo. After a few peaceful years, even the safe haven of Cairo struggled under a new wave of Islamic extremism that culminated with the assassination of Anwar Sadat in 1981. The family returned to Yemen, a country that was then culturally isolated from the rest of the world.As a gay man living in an intolerant country, Al-Solaylee escaped first to England and eventually to Canada, where he became a prominent journalist and academic. While he was enjoying the cultural and personal freedoms of life in the West, his once-liberal family slowly fell into the hard-line interpretations of Islam that were sweeping large parts of the Arab-Muslim world in the 1980s and 1990s. The differences between his life and theirs were brought into sharp relief by the 2011 revolution in Egypt and the civil war in Yemen.Intolerable is part memoir of an Arab family caught in the turmoil of Middle Eastern politics over six decades, part personal coming-out narrative and part cultural analysis. This is a story of the modern Middle East that we think we know so much about.

    A potpourri of musings assembled with a hint of practical spirituality, to be savoured passably as an oracle of hearts to the many answers, whose questions our minds are yet to comprehend. Ivory Gleam is split into three chapters of learning, longing and loving. Each chapter is a journey traversing a different road to the ultimate destination of self-reflection.

    Originally from India, her family still holds on to many old-world customs and traditions that seem stifling to a young North American woman. She knows that the freedom experienced by others is beyond her reach. But unlike her older sisters, Meena refuses to accept a life dictated by tradition. Against her mother’s wishes, she falls for a young man named Liam who asks her to run away with him. Meena must then make a painful choice—one that will lead to stunning and irrevocable consequences.Heartbreaking and beautiful, Everything Was Good-bye is an unforgettable story about family, love, and loss, and the struggle to live in two different cultural worlds.

    Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards's life. Ana Historic was Daphne Marlatt's first novel, and was originally published by Coach House Press in Canada and The Women's Press in the U.K. The French translation was published by Les Éditions du remue-ménage.

    She mothers everyoneher social work clients, her husband, her twenty-something daughters, and her reclusive sister who lives in the attic. Elsie is committed to taking care of everyone--everyone but herself. So, when crazy Aunt Hildy writes to demand a bedroom in their Halifax home, Elsie cant help but say yes. When Hilda arrives, she enchants and enrages the family with her moxie. That and her proclamation that she has hidden treasure in the house and the kings ransom will go to whoever loved her most. When someone threatens Aunt Hildy, she responds with her trademark sass: Go ahead. Shoot me. I dare you. Whoever it is takes her up on it. Suddenly, the house is turned topsy-turvy as Elsies family searches for a treasure that Elsie doesnt believe even exists, and for a killer that could be any one of them. Shoot Me is a funny and sometimes heart-wrenching story about family, fortune, and figuring out who you are and who you love. In Elsie, Crewe has created a character who speaks with humour and honesty to conflicts that exist in the lives of so many women: between work and home, between loving one man and wanting others, and between feeling fulfilled not only as a wife and a mother, but as a woman.