A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions.Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev and Richard Nixon arguing in Moscow in 1959 and Marilyn Monroe with the cast of the movie The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the period's finest image-makers.The book is arranged in nine chapters, each with a one-word title: Look, Move, Play, Read, Rest, Touch, Tell, Point, Stand. For Erwitt, whose photography is a study and celebration of life, these are the basic actions of life - the things people do. The photographs are not intended to illustrate the words, but the words act as a means of grouping and organizing, making broad connections and also playing with pun and ambiguity, in keeping with the visual games Erwitt plays.

    Spanning ten historic years, from the discovery of nuclear fission in 1939 to ‘Joe-1’, the first Soviet atomic bomb test in August 1949, Atomic is the first fully realised popular account of the race between Nazi Germany, Britain, America and the Soviet Union to build atomic weapons.Drawing on declassified material such as MI6's Farm Hall transcripts, coded Soviet messages cracked by American cryptographers in the Venona project, and interpretations by Russian scholars of documents from the Soviet archives, Atomic presents a brilliant new account of the race to build humankind's most destructive weapon.Rich in personality, action, confrontation and deception, Jim Baggott’s book tells an epic story of science and technology at the very limits of human understanding.

    Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

    Including interviews with military top brass, from commanding officers to General Petreaus himself, this book reveals the disturbing chasm between official rhetoric and the situation on the ground.Informed by more than 300 hours of firsthand frontline footage with the U.S. Marines, documentary filmmaker Anderson (HBO's "The Battle for Marjah") provides a gripping account of the Afghanistan war in Helmand province.

    Cologne's Museum Ludwig was the first museum of contemporary art to devote a substantial section to international photography. The L. Fritz Gruber collection, from which this book is drawn, is one of the most important in Germany and one of the most representative anywhere in the world, constituting the core of the museum's holdings. This book provides a fascinating insight into the collection's rich diversity; from conceptual art to abstraction to reportage, all of the major movements and genres are represented via a vast selection of the century's most remarkable photographs. From Ansel Adams to Piet Zwart, over 850 works are presented in alphabetical order by photographer, with descriptive texts and photographers' biographical details.

    While nuclear science improves our everyday lives—from medicine to microwave technology—radiation’s invisible powers can trigger cancer and cellular mayhem. Writing with a biographer’s passion, Craig Nelson unlocks one of the great mysteries of the universe in a work that is tragic, triumphant, and above all, fascinating.From the discovery of X-rays in the 1890s, through the birth of nuclear power in an abandoned Chicago football stadium, to the bomb builders of Los Alamos and the apocalyptic Dr. Strangelove era, Nelson illuminates a pageant of fascinating historical figures: Marie and Pierre Curie, Albert Einstein, Niels Bohr, Franklin Roosevelt, J. Robert Oppenheimer, Harry Truman, Curtis LeMay, John F. Kennedy, Robert McNamara, Ronald Reagan, and Mikhail Gorbachev, among others. He reveals how brilliant Jewish scientists fleeing Hitler transformed America from a nation that created lightbulbs and telephones into one that split atoms; how the most grotesque weapon ever invented could realize Alfred Nobel’s lifelong dream of global peace; and how, in our time, emergency workers and low-level utility employees fought to contain run-amok nuclear reactors while wondering if they would live or die. Radiance defies our common-sense views of nature, with its staggering amounts of energy flowing from seemingly inert rock and matter pulsing in half-lives that transforms into other states over the course of decades or in the blink of an eye. Radiation is as scary a word as cancer, but it’s the power that keeps our planet warm, as well as the force behind earthquakes, tsunamis, and volcanic eruptions, and so organic to all life that even our own human bodies are radioactive. By tracing mankind’s complicated relationship with the dangerous energy it discovered and unleashed, Nelson reveals how atomic power and radiation are indivisible from our everyday lives.Brilliantly told and masterfully crafted, The Age of Radiance provides a new understanding of a misunderstood epoch in history and restores to prominence the forgotten heroes and heroines who have changed all of our lives for better and for worse. It confirms Craig Nelson’s position as one of the most lively and skillful popular historians writing today.

    This revised and expanded edition contains a new introduction by Lester Brown, founder and president ofthe Earth Policy Institute, new text and captions by environmental experts, and, best of all, an additional 17 photographs.

    For this collection Joel-Peter Witkin has personally selected from his own archives his finest images, ranging from his early Coney Island "freak show" studies to his most recent work. Witkin's portraits of subjects both living and dead have disturbed countless viewers for their unwavering viewpoint and magically grotesque compositions. The artist's sojourn captured here, with each photograph a station along his path, veers between oblivion and salvation. This book depicts Witkin's journey until now. Texts by the artist and Eugenia Parry.

    The image didn t just bring revered faces together for the first time; it marked the beginning of a new fashion era and a new understanding of female beauty. Coinciding with his major retrospective at the Kunsthal in Rotterdam, the Netherlands, this book gathers more than 400 images from four decades of Lindbergh s photography to celebrate his unique and game-changing storytelling and the new romantic and narrative vision it brought to art and fashion. Whether in striking single portraits or dramatic situations of figure and setting, we trace the photographer s cinematic inflections and his provocative play with female archetypes as subjects adopt the guise of dancers, actresses, heroines, and femmes fatales. Raw and seductive at once, we see how Lindbergh s trademark monochrome pictures also redefined standards of beauty by emphasizing spirit and personality as much as looks, celebrating the elegance and sensuality of older women, and privileging natural and authentic beauty in an era of pervasive retouching. In a testimony to Lindbergh s illustrious status in the fashion world, his images are contextualized by commentaries from collaborators such as Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford, and Anna Wintour, who chose Lindbergh to shoot her first US Vogue cover. Their tributes explain what makes Lindbergh s images so unique and powerful. Exhibition Peter Lindbergh. A Different History of Fashion at Kunsthal, Rotterdam, The Netherlands, September 10, 2016 February 12, 2017Text in English, French, and German"

    senator, in January 2005, and served as the chief official White House photographer for the President's full two terms. Souza was with President Obama more often, and at more crucial moments, than any friend or staff member, or even the First Lady--and he photographed it all. Souza captured nearly 2 million photographs of Obama, in moments ranging from classified to disarmingly candid.This large-format (12"x10"), exquisitely produced book presents more than 300 of Souza's favorite and most iconic images from these historic years; many have never been seen before. This seminal work on the Obama presidency documents moments of national importance--including the historic image of the President and his advisors watching tensely in the Situation Room as the Bin Laden mission unfolded--alongside unguarded moments with the President's family, his many encounters with children, and his time spent interacting with world leaders, members of Congress, White House staff, artists, musicians and more.The photographs are paired with captions and stories providing behind-the-scenes context for each, and offer insight into the special relationship Souza and the President forged during their time together. The result is a stunning record of a landmark era in American history.Souza's work enabled us to feel that we knew the President. This book puts us in the White House with him.

    Russian nuclear bombers almost bump wingtips with American fighter jets over the Pacific coast. North Korea detonates nuclear weapons underground. Iran’s nuclear shroud is penetrated by a computer worm. Al-Qaeda goes on the hunt for Pakistan’s bomb, and Israelis debate the merit of a preemptive nuclear strike. Treaties are signed, but thousands of nuclear weapons are still on hair-trigger alert.This is how the end begins.In this startling new book, bestselling author Ron Rosenbaum gives us a wake-up call about this new age of peril and delivers a provocative analysis of how close—and how often—the world has come to nuclear annihilation and why we are once again on the brink.Rosenbaum tracks down key characters in our new nuclear drama and probes deeply into their war game strategies, fears, and moral agonies. He travels to Omaha’s underground nuclear command center, goes deep into the missile silo complexes beneath the Great Plains, and holds in his hands a set of nuclear launch keys.Along the way, Rosenbaum confronts the missile men as well as the general at the very top of our nation’s nuclear command system with tough questions about the terrifying assumptions underlying it. He reveals disturbing flaws in our nuclear launch control system, suggests remedies for them, shows how the old Cold War system of bipolar deterrence has become dangerously unstable, and examines the new movement for nuclear abolition.Having explored the depths of Hitler’s evil and the intense emotion of Shakespeare’s tragedies, Rosenbaum now has produced a powerful, urgently needed work that challenges us: Can we undream our nightmare?

    Inspirational, inviting, and beautiful, it combines stunning images with entertaining and informative text that captures the essence of being there.

    This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations -- Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.

    First published in French in 1932, this new edition brings one of Brassa's finest works back into print. The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers. "Paris by Night" is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer. 62 photos.

    41 illustrations.