Much of this importance can be traced back to Freud's extraordinary essay of 1919, 'The Uncanny' (Das Unheimliche). As a ghostly feeling and concept, however, the uncanny has a complex history going back to at least the Enlightenment. Royle offers a detailed account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on literature, teaching, psychoanalysis, deconstruction, film, the death drive, deja vu, silence, solitude and darkness, the fear of being buried alive, the double, ghosts, cannibalism, telepathy, madness and religion.

    The work considers the relationship between author, text, and reader; concluding that:“The Author is a certain functional principle by which, in our culture, one limits, excludes and chooses: (…) The author is therefore the ideological figure by which one marks the manner in which we fear the proliferation of meaning.”For many, Foucault's lecture mirrors much of Roland Barthes' essay Death of the Author.

    The blast from a powerful handgun brings a halt to proceedings.Three days and two hundred miles separate the finding of a mutilated corpse in a Staffordshire beauty spot – there seems no connection.Interesting police work and pathology establish a shocking and unexpected history to the corpse and then another body is discovered. Detective inspector Doug Taylor knows that plenty of long days lie ahead.Sinister characters from different walks of life emerge as tales of rape, murder, corruption and horrific torture develop.A vigilante chase crosses the North Sea. Peril and intrigue loiter at every corner as the struggle to determine the criminal mastermind’s objectives intensifies with terrifying events in two different countries.Matters become all the more curious when a bizarre secret held by a cathedral and a church appear pivotal to the core of the affair – it is a secret surrounded by lies, a secret which stretches back decades and one which the main players will go to any lengths to obtain.Go to the interactive website www.cathedraloflies.com – when you have read the book you can open the secret pages and discover the truth of the real unsolved crime behind the book.

    Posing such anti-questions as "Must we put information on a diet?" Baudrillard cuts across historical and contemporary space with profound observations on American corporations, arms build-up, hostage-taking, transgression, truth, and the fate of theory itself. Not only an important map of Baudrillard's continuing examination of evil, this essay is also a profound critique of 1980s American politics at the time when the author was beginning to have his incalculable effect on a generation of this country's artists and theorists.

    Lynda touched many lives in her memoir, There's Something I've Been Dying to Tell You, and in My Lynda, Michael tells his side of the story. He talks movingly about their ten years together and describes how, in the past year, he has struggled to cope. He shares candidly his experience of grief, offering hope and support to others who have lost partners and loved ones. His is a book to comfort those who loved Lynda, to tell the missing pieces of their life together, to write about how they both confronted the news of her illness, and how he managed to continue since that moment of hearing that she had a teminal illness.

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    It includes critical reflections on Lacanian psychoanalysis, structuralism, information theory, postmodernism, and the thought of Heidegger, Bakhtin, Barthes, and others.

    His ‘natural supernaturalism’, personal mythology and vision can leave readers dazzled by the intensity and passion of his verse. In this outstanding work, Chesterton goes right to the heart of the matter and addresses the question of whether Blake’s genius was tainted by madness or whether his peculiar outlook on the world was the key to his success. With a detailed exposition of Blake’s life, and by weaving lucid explanations of his philosophy and religion into a discourse on his poetry, Chesterton has produced a remarkable and sensitive biography.

    Then, in performing posthumanist readings of such diverse works as Temple Grandin's writings, Wallace Stevens's poetry, Lars von Trier's Dancer in the Dark, the architecture of Diller+Scofidio, and David Byrne and Brian Eno's My Life in the Bush of Ghosts, he shows how this philosophical sensibility can transform art and culture.For Wolfe, a vibrant, rigorous posthumanism is vital for addressing questions of ethics and justice, language and trans-species communication, social systems and their inclusions and exclusions, and the intellectual aspirations of interdisciplinarity. In What Is Posthumanism? he carefully distinguishes posthumanism from transhumanism (the biotechnological enhancement of human beings) and narrow definitions of the posthuman as the hoped-for transcendence of materiality. In doing so, Wolfe reveals that it is humanism, not the human in all its embodied and prosthetic complexity, that is left behind in posthumanist thought.

    Tally Jr. explores differing aspects of the spatial in literary studies today, providing:An overview of the spatial turn across literary theory, from historicism and postmodernism to postcolonialism and globalization Introductions to the major theorists of spatiality, including Michel Foucault, David Harvey, Edward Soja, Erich Auerbach, Georg Lukacs, and Fredric Jameson Analysis of critical perspectives on spatiality, such as the writer as map-maker, literature of the city and urban space, and the concepts of literary geography, cartographics and geocriticism.This clear and engaging study presents readers with a thought provoking and illuminating guide to the literature and criticism of 'space'.

    From "Accuracy" to "Wound," "Adam" to "Void," "Babel" to "Silence," these cross-referential, highly associative entries comprise an utterly singular work of art. A Whaler’s Dictionary is the mesmerizing product of a total immersion into one of the greatest novels in the English language.

    The purpose of adaptation of this book is to make the learning experience more complete and help students develop a thought process about a given concept and build an aptitude to apply the same to solve a problem. The adaptation adds the distilled teaching expertise of the author to the original text, supplementing it with additional concepts and solved problems at appropriate places based on his experience of learning pattern of the students and obstacles in their learning curve.

    because once this killer has you in his sights, he doesn't stop until you're dead. Talia is chasing a shadow of a terrorist who has haunted her international family for years across Europe to rescue her kidnapped daughter. The shadow is her long dead husband. Its a wild chase to the ultimate decision. Does she kill him or walk away?

    His dream is to be admitted to the elite detective bureau of Amsterdam’s police force, but he knows he needs to prove himself as a uniformed officer first.That is, until he is sent to interview witnesses of an audacious kidnapping in the city centre: Alfred Heineken, head of the brewery corporation, has been snatched by shadowy assailants and driven at speed from the scene. Is this really just about a ransom or is there any truth to the rumour that West German terrorists are involved? The case is far beyond van der Pol’s rank but his instincts tell him to do everything in his modest power to solve it—even if it means putting his own life at risk.From the bestselling author of The Harbour Master, Initiation introduces Daniel Pembrey’s beloved detective as a green young officer at the very start of his career, determined to outwit criminals and his superiors alike, in a first case that could well have been his last.

    But incorporating historical events and figures into a shapely narrative is no simple task. The acclaimed novelist Christopher Bram examines how writers as disparate as Gabriel García Márquez, David McCullough, Toni Morrison, Leo Tolstoy, and many others have employed history in their work.Unique among the "Art Of" series, The Art of History engages with both fiction and narrative nonfiction to reveal varied strategies of incorporating and dramatizing historical detail. Bram challenges popular notions about historical narratives as he examines both successful and flawed passages to illustrate how authors from different genres treat subjects that loom large in American history, such as slavery and the Civil War. And he delves deep into the reasons why War and Peace endures as a classic of historical fiction. Bram's keen insight and close reading of a wide array of authors make The Art of History an essential volume for any lover of historical narrative.