Considering stoicism, language, games, sexuality, schizophrenia, and literature, Deleuze determines the status of meaning and meaninglessness, and seeks the 'place' where sense and nonsense collide.Written in an innovative form and witty style, The Logic of Sense is an essay in literary and psychoanalytic theory as well as philosophy, and helps to illuminate such works as Anti-Oedipus.

    The Archaeology of Knowledge begins at the level of “things aid” and moves quickly to illuminate the connections between knowledge, language, and action in a style at once profound and personal. A summing up of Foucault’s own methodological assumptions, this book is also a first step toward a genealogy of the way we live now. Challenging, at times infuriating, it is an absolutely indispensable guide to one of the most innovative thinkers of our time.

    In these essays, Benjamin challenges the image of Baudelaire as late-Romantic dreamer, and evokes instead the modern poet caught in a life-or-death struggle with the forces of the urban commodity capitalism that had emerged in Paris around 1850. The Baudelaire who steps forth from these pages is the flAneur who affixes images as he strolls through mercantile Paris, the ragpicker who collects urban detritus only to turn it into poetry, the modern hero willing to be marked by modern life in its contradictions and paradoxes. He is in every instance the modern artist forced to commodify his literary production: "Baudelaire knew how it stood with the poet: as a flAneur he went to the market; to look it over, as he thought, but in reality to find a buyer." Benjamin reveals Baudelaire as a social poet of the very first rank.The introduction to this volume presents each of Benjamin's essays on Baudelaire in chronological order. The introduction, intended for an undergraduate audience, aims to articulate and analyze the major motifs and problems in these essays, and to reveal the relationship between the essays and Benjamin's other central statements on literature, its criticism, and its relation to the society that produces it.

    . . . I would say that never as much as today have I pictured him so far ahead of us.” Jacques Derrida

    Styles of Radical Will, Susan Sontag's second collection of essays, extends the investigations she undertook in Against Interpretation with essays on film, literature, politics, and a groundbreaking study of pornography.

    His writings were edited by his disciple Porphyry, who published them many years after his master's death in six sets of nine treatises each (the Enneads). Plotinus regarded Plato as his master. His own philosophy is an original development of the Platonism of the 1st two centuries of the Christian era & the closely related thought of the Neopythagoreans, with some influences from Aristotle & his followers & the Stoics, whose writings he knew well but used critically. He's a unique combination of mystic & Hellenic rationalist. His thought dominated later Greek philosophy & influenced both Christians & Moslems, & is continues today owing to its union of rationality & intense religious experience. In his edition of Plotinus, Armstrong provides excellent introductions to each treatise. His invaluable notes explain obscure passages & give reference to parallels in Plotinus & others.

    

    So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication, a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences.

    Collected here, this correspondence provides an intimate portrait of their views on history, philosophy, rhetoric, and religion as well as on their writings and professors. Most centrally, Rosenstock-Huessy and Rosenzweig discuss, frankly but respectfully, the differences between Judaism and Chiristianity and the reasons they have chosen their respective faiths. This edition includes a new foreword by Paul Mendes-Flohr, a new preface by Harold Stahmer along with his original introduction, and essays by Dorothy Emmet and Alexander Altmann, who calls this correspondence “one of the most important religious documents of our age” and “the most perfect example of a human approach to the Jewish-Christian problem.”