She is excited, exhausted—and about to meet royalty. . . .So begins the unforgettable story of Charlotte Bill, who would care for a generation of royals as their parents never could. Neither Charlotte—LaLa, as her charges dub her—nor anyone else can predict that eldest sons David and Bertie will each one day be king. LaLa knows only that these children, and the four who swiftly follow, need her steadfast loyalty and unconditional affection.But the greatest impact on Charlotte’s life is made by a mere bud on the family tree: a misunderstood soul who will one day be known as the Lost Prince. Young Prince John needs all of Lala’s love—the kind of love his parents won’t…or can’t…show him.From Britain’s old wealth to the glittering excesses of Tsarist Russia; from country cottages to royal yachts, and from nursery to ballroom, Charlotte Bill witnesses history. The Royal Nanny is a seamless blend of fact and fiction—an intensely intimate, yet epic tale spanning decades, continents, and divides that only love can cross.

    When she arrives, her husband-to-be is waiting, but not for her. When he disregards his mail-order bride, Sarah decides to take matters into her own hands. Not one to give up on her dream to live out west, Sarah decides to find a job and start a new life with or without a husband. The timing could not be worse. With hopes of avoiding his mother’s meddling at all costs Robert Fields had planned to get married as soon as his bride arrived. That Sarah and his parents arrived in the same coach was an unfortunate catastrophe. Not wanting to let on that Sarah was there for him, he hustles his parents home with the intent of later explaining to Sarah and going forward with the marriage quickly… and quietly. A compelling American western historical romance

    It is a perfect companion to Patrick Suskind's bestseller Perfume.

    Here, in this compelling history from acclaimed historian Marshall B. Davison, is its story: from prehistory to its conquest by Julius Caesar; from its invasion by the Franks, who gave us the name we use today, to the reign of Charlemagne; from the rule of the Bourbon monarchs, who reached their apex under the Sun King, Louis XIV, to the bloody days of the French Revolution; from the ruthless rise and reign of Napoleon Bonaparte to the brutal Nazi occupation during World War II. This book is a must-read for any Francophile.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    This book brings together these disparate worlds to show one medieval world, stretching from Connacht to Constantinople and from Tynemouth to Timbuktu. This set of reconstructions presents the reader with the future of the medieval past, offering appraisals of the evidence and modern historical writing. Articles are thematically linked in four sections, exploring identities in the medieval world; beliefs, social values and symbolic order; power and power-structures; and elites, organisations and groups. This set of views from multiple perspectives conveys the liveliness of current approaches to studies in the field.

    Here, for the first time, is his remarkable story.A far-from-strapping lad from Tasmania, Dave proved everybody wrong by passing the gruelling selection course to join the SAS. Unsatisfied by the Regiment, he left to take up the cause of the oppressed Karen people of Burma, becoming a seasoned jungle-fighter in the process.On his return to Australia, Dave became every government’s nightmare: a highly skilled special-forces soldier on a crime spree. On a mission to raise funds for the Karen, he kidnapped people from their homes, robbed movie theatres and plotted some of the most audacious crimes ever conceived in Australia. At the height of his infamy every police officer in the country was on the lookout for him, while the tabloid press fuelled the public’s fear of a trained killer gone crazy.Dave was blown-up, shot at, starved, bashed, interrogated, tortured and locked in solitary confinement, but nothing diminished his wild streak. While serving his jail sentence, he had time to reflect. In Shadow Warrior, he tells his story with unflinching honesty and larrikin wit.

    

    

    A mute madwoman named Jennet, she is soon declared indigent and put up for auction. Frayne, stangely compelled to help her, bids for her future. Together, they struggle through the coarse and killing world that closes in on them both.

    He isn't aware of the irregularities in his stables. Later, she foists a stray, starving kitten called Horace on him. But Hermione, his betrothed, hates cats. And Horace hates her. Where will it all end? Will Horace have to go? Will Wilhelmina be able to save the ill-treated horses in London? Will everyone end up with the right partner?This charming Regency story, set against the first Animal Rights Act of 1822, will warm your heart and make you smile. And Horace... well, you'll want to take him home.

    His marriage to the self-assured and supportive Elizabeth Bowes-Lyons and his unexpected accession to the throne in 1936 changed the direction of the young prince’s life for good. Once on the throne, it was he who bore the weighty responsibility for restoring the nation’s confidence in their monarchy following his elder brother’s abdication and for maintaining morale during the darkest days of World War II, when, together with Winston Churchill, his dignified presence functioned as a beacon of reassurance to civilians and military alike. Denis Judd provides a fascinating, if sometimes controversial, reassessment of the man who, quite unexpectedly, came to occupy an extraordinary position in a time of unprecedented change.

    In this, the definitive comprehensive history of Philadelphia, the reader will discover a rich and colorful portrait of one of America's most vital, interesting, and illustrious cities.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    James Ogilvie is the third generation.Pitchforked with mixed feelings into imperial Britain’s elite military academy, Sandhurst, and then into the family regiment, he finds himself in 1894 a subaltern en route to India – a torrid journey out that teaches him the first lessons of military life and the command of men.His initiation is made more difficult by the vindictive attentions of the adjutant, Captain Black, and by the high expectations placed on him by his own irascible father, his Divisional Commander on the North West Frontier of India.Ogilvie gets his first taste of action when the Royal Strathspeys are sent through the Khyber Pass to contain the rebel Ahmed Khan outside Jalalabad. Fighting the border tribesmen brings brushes with death, but also many opportunities for the kind of glory that can forge a distinguished military career. But as the campaign goes on, Ogilvie also starts to doubt the entire Imperial project.‘Drums Along the Khyber’ is a thrilling historical adventure story, rich in period detail. It is the first in the Ogilvie series of novels by Philip McCutchan. ‘The adventure-writer succeeds who makes you read faster than you really can…Drums Along the Khyber has something of this quality’ – The Sunday Times Philip McCutchan (1920-1996) grew up in the naval atmosphere of Portsmouth Dockyard and developed a lifetime's interest in the sea. Military history was an early interest resulting in several fiction books, from amongst his large output, about the British Army and its campaigns, especially in the last 150 years.Endeavour Press is the UK's leading independent publisher of digital books.