Included are theoretical texts, aberrant journalism, and highly-wrought Symbolist poems; a practical guide to building a time machine; and the bizarre dramatic buffoonery that presaged Jarry's invention of his most famous character, Pere Ubu. Andre Breton had to devise his notion of "Black Humor" to adequately describe and account for the arcane absurdity of Jarry's work.

    Over more than three decades Adrienne Rich’s essays have been praised for their lucidity, courage, and range of concerns. In A Human Eye, Rich examines a diverse selection of writings and their place in past and present social disorders and transformations. Beyond literary theories, she explores from many angles how the arts of language have acted on and been shaped by their creators’ worlds. This powerful new collection includes a stirring response to the anthology Iraqi Poetry Today, a critique of three classic socialist manifestos, and a rereading of The Dead Lecturer, an early volume of poems by LeRoi Jones. Rich engages the impulse to make art that both impels toward and interacts with social change, a theme she also traces through the letters of poets Robert Duncan and Denise Levertov, gay and lesbian politics and poetry, and influential texts on Zionism and the Jewish diaspora.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

    The collection will include pre-published essays that have gone viral, like “The White Industrial Savior Complex,” first published in The Atlantic.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.

    The result is a profound vision of how the human drive to create and understand can guide us in every facet of life. Arranged by theme-from everyday existence with others to the exhilarations of love and the experience of loss, from dealing with adversity to the nature of inspiration-here are Rilke's thoughts on how to infuse everyday life with beauty, wonder, and meaning. Intimate, stylistically masterful, brilliantly translated and assembled, and brimming with the passion of Rilke, Letters on Life is a font of wisdom and a perfect book for all occasions.

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    

    YouTube and Facebook dominate the web. In Reality Hunger: A Manifesto, his landmark new book, David Shields (author of the New York Times best seller The Thing About Life Is That One Day You’ll Be Dead) argues that our culture is obsessed with “reality” precisely because we experience hardly any.Most artistic movements are attempts to figure out a way to smuggle more of what the artist thinks is reality into the work of art. So, too, every artistic movement or moment needs a credo, from Horace’s Ars Poetica to Lars von Trier’s “Vow of Chastity.” Shields has written the ars poetica for a burgeoning group of interrelated but unconnected artists in a variety of forms and media who, living in an unbearably manufactured and artificial world, are striving to stay open to the possibility of randomness, accident, serendipity, spontaneity; actively courting reader/listener/viewer participation, artistic risk, emotional urgency; breaking larger and larger chunks of “reality” into their work; and, above all, seeking to erase any distinction between fiction and nonfiction.The questions Reality Hunger explores—the bending of form and genre, the lure and blur of the real—play out constantly all around us. Think of the now endless controversy surrounding the provenance and authenticity of the “real”: A Million Little Pieces, the Obama “Hope” poster, the sequel to The Catcher in the Rye, Robert Capa’s “The Falling Soldier” photograph, the boy who wasn’t in the balloon. Reality Hunger is a rigorous and radical attempt to reframe how we think about “truthiness,” literary license, quotation, appropriation.Drawing on myriad sources, Shields takes an audacious stance on issues that are being fought over now and will be fought over far into the future. People will either love or hate this book. Its converts will see it as a rallying cry; its detractors will view it as an occasion for defending the status quo. It is certain to be one of the most controversial and talked-about books of the year.

    The book's first two parts, "Recollections" and "Interviews," provide autobiographical glimpses of the very private Larkin's childhood, his youth at Oxford, the genesis of his forty-year career as a librarian, and the influences that initially steered his poetry. The second half of the book reflects Larkin's literary standards and opinions in often witty and surprising, always beautifully wrought, essays and reviews. His subjects range from Emily Dickinson (were her first lines her best?) to the contemporary mystery novel. Required Writing concludes with a selection of pieces on jazz music."Larkin is a punctilious, honest critic. He prefers good clear writing to pretentious eyewash; he prefers tunes to discordant wailing; and he prefers home to abroad. Unlike the majority of critics, he is clear-sighted enough to say so." --A. N. Wilson, Sunday Telegraph"I read the collection with growing excitement, agreement and admiration. It is the best contemporary account of the writer's true aims I have encountered." --John Mortimer, Sunday Times (London)"Subtle, supple, craftily at ease, Required Writing is on a par with Larkin's poetry--which is just about as high as praise can go." --Clive James, Observer Philip Larkin was the author of poetry collections, including High Windows, The Whitsun Weddings, and The Less Deceived; a book of essays entitled All What Jazz: A Record Diary; and two novels, Jill, and A Girl in Winter, published early in his career. Required Reading was originally published by Farrar, Straus & Giroux.

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    Here, acclaimed scholar Stephen Greenblatt explores it with profound appreciation for its cultural and psychological power as literature. From the birth of the Hebrew Bible to the awe-inspiring contributions of Augustine, Dürer, and Milton in bringing Adam and Eve to vivid life, Greenblatt unpacks the story’s many interpretations and consequences over time. Rich allegory, vicious misogyny, deep moral insight, narrow literalism, and some of the greatest triumphs of art and literature: all can be counted as children of our “first” parents.

    Scribble grammar has no neighbor. In the name of reason I need to record something because I am a survivor in this ocean.

    Henry, Jack London, and Stephen Crane. Includes multiple stories per author, their most famous short works, along with biographical notes.Complete contents:YOUNG GOODMAN BROWN, by Nathaniel HawthorneTHE CELESTIAL RAILROAD, by Nathaniel HawthorneTHE GREAT STONE FACE, by Nathaniel HawthorneETHAN BRAND, by Nathaniel HawthorneRIP VAN WINKLE, by Washington IrvingTHE LEGEND OF SLEEPY HOLLOW, by Washington IrvingAUTOBIOGRAPHY OF A POCKET-HANDKERCHIEF by James Fenimore CooperTHE DAMNED THING, by Ambrose BierceAN OCCURRENCE AT OWL CREEK, by Ambrose BierceTHE FALL OF THE HOUSE OF USHER, by Edgar Allan PoeTHE CASK OF AMONTILLADO, by Edgar Allan PoeTHE PURLOINED LETTER, by Edgar Allan PoeTHE PIT AND THE PENDULUM, by Edgar Allan PoeTHE PREMATURE BURIAL, by Edgar Allan PoeTHE MURDERS IN THE RUE MORGUE, by Edgar Allan PoeTHE LUCK OF ROARING CAMP, by Bret HarteTHE OUTCASTS OF POKER FLAT, by Bret HartevHANDS, by Sherwood AndersonI’M A FOOL, by Sherwood AndersonTHE MAN THAT CORRUPTED HADLEYBURG, by Mark TwainTHE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY, by Mark TwainTHE GIFT OF THE MAGI, by O. HenryTHE RANSOM OF RED CHIEF, by O. HenryTHE COP AND THE ANTHEM, by O. HenryA RETRIEVED REFORMATION, by O. HenryTHE DUPLICITY OF HARGRAVES, by O. HenryTO BUILD A FIRE, by Jack LondonAN ODYSSEY OF THE NORTH, by Jack LondonLOVE OF LIFE, by Jack LondonTHE HEATHEN, by Jack LondonTHE PEARLS OF PARLAY, by Jack LondonTHE BRIDE COMES TO YELLOW SKY, by Stephen CraneTHE MONSTER, by Stephen CraneTHE BLUE HOTEL, by Stephen CraneAnd don't forget to search your favorite ebook store for Megapack to see the other great entries in this series -- covering science fiction, fantasy, horror, mysteries, westerns, children's literature, and much, much more!

    Together with three other uncollected texts by Barthes, including an earlier journal he kept in Morocco, this remarkable document was published in France after its author's death under the title of Incidents. Richard Howard's translation now makes the volume available to readers of English."I gave him some money, he promised to be at the rendezvous an hour later, and of course never showed up. I asked myself if I was really so mistaken (the received wisdom about giving money to a hustler in advance!) and concluded that since I really didn't want him all that much (nor even to make love), the result was the same: sex or no sex, at eight o'clock I would find myself back at the same point in my life."—from Incidents