I couldn't put this book down." Donald Heathcote "If you liked the films The Ladykillers or Arsenic and Old Lace, you will love this book!" Damon Martin "Deliciously dark comedy, blacker than the polish on a good inspector's boot." Susan Freeman A hilarious dark comedy about a family who seem to get away with murder Most families have a problem with their freezer at some point or other. So too the Benardinos. Yet their problem is of a very unusual nature. Despite running out of places to store the bodies of previous unwelcome guests, gin-soaked mother Virginia has organised a party to celebrate her fifty-fourth birthday. Will anyone get out alive? BROWN BREAD is a laugh-out-loud light-hearted satirical take on a genre that the whole family can enjoy. Not literally of course! Pete Brassett is also the author of the thrillers KISS THE GIRLS and THE WILDER SIDE OF CHAOS, the murder mystery PRAYER FOR THE DYING, the personal memoir YELLOW MAN and the heart-warming romance CLAM CHOWDER AT LAFAYETTE AND SPRING, all available on kindle.

    Forced to live as a human under the name of Jeremy Clovenhoof, the dark lord not only has to contend with the fact that no one recognises him or gives him the credit he deserves but also has to put up with the bookish wargamer next door and the voracious man-eater upstairs.Heaven, Hell and the city of Birmingham collide in a story that features murder, heavy metal, cannibalism, armed robbers, devious old ladies, Satanists who live with their mums, gentlemen of limited stature, dead vicars, petty archangels, flamethrowers, sex dolls, a blood-soaked school assembly and way too much alcohol.Clovenhoof is outrageous and irreverent (and laugh out loud funny!) but it is also filled with huge warmth and humanity. Written by first-time collaborators Heide Goody and Iain Grant, Clovenhoof will have you rooting for the bad guy like never before.F Paul Wilson: Clovenhoof is a delight. A funny, often hilarious romp with a dethroned Satan as he tries to adjust to modern suburbia. The breezy, ironic prose sets a perfect tone. If you need some laughs, here's the remedy.

    BBC hit Sherlock has brought Conan Doyle's legendary detective to a whole new audience and Sherlock: The Casebook is The Great Game for the next generation. This is no ordinary guide. Each case is brought to life on the page and re-examined through Dr Watson's blog, Inspector Lestrade's police reports, newspaper articles about the crimes, Sherlock's detective notes and any other surviving clues from the cases. Interspersed amongst the evidence are exclusive interviews with the stars of the show, Benedict Cumberbatch, Martin Freeman and Rupert Graves, writers and co-creators Mark Gatiss and Steven Moffat and the production team on everything from writing the scripts and bringing the characters to life on screen to set design and production. This is a multi-dimensional companion to Sherlock and a glorious tribute to the world-famous detective.

    In Thank You for Smoking it was big tobacco and earnest reformers; in God Is My Broker it was business and religion; and in No Way to Treat a First Lady, it's the entire legal profession, not to mention the Washington establishment. The novel opens with the President of the United States returning to the conjugal bed after an illicit Lincoln Bedroom romp with the Streisandesque Babette Van Anka. His wife, the long-suffering Beth McMann, promptly clocks him with a Paul Revere spittoon. Several hours later he dies. "Lady Bethmac," as the First Lady is immediately dubbed by the media, is put on trial, and the resulting media circus gives Buckley lots of opportunity for nicely observed skewerings of legal culture. "Judge Dutch creaked forward in his chair. This is the source of the aura of judges: they have bigger chairs than anyone else. That and the fact that they can sentence people to sit in electrified ones. It's all about chairs." He gets in some neat neologisms--a lawyer performs a "credibilobotomy" on a witness--and sends up the pretensions of law TV: at a roundtable discussion, the guest from Harvard Law is invited "to provide gravitas and to shift uneasily in his seat when the other guests said something provocative." Buckley's Trial of the Millennium is so far-fetched that it seems entirely possible. --Claire Dederer

    And of course she must be able to present herself well in high society. But when he is encouraged to consider Phoebe Marlow as a bride, Sylvester is taken aback by the coltish woman who seems to resent him...The first time Sylvester met Phoebe, he found her dull and insipid. Phoebe, was a hoydenish country miss with literary aspirations. And when she was snubbed by the Duke, and she thought he was insufferably arrogant. In fact, she deemed him the most arrogant rake she'd ever met. In secret, she'd fashioned the villain and a knave in her romance novel unmistakably after Sylvester!Phoebe meets none of Duke's criteria for a fiancee. But when Phoebe ran away, she got his attention and fancy. Intrigued Sylvester decides that if Petruchio could tame Katherine, he had no doubt he could tame Phoebe. And when a series of unforeseen events leads them to be stranded together in a lonely country inn, they are both forced to reassess their hastily formed opinions, and they begin to discover a new-found liking and respect for each other, and they find striking up an unusual friendship.Phoebe discovers that the duke isn't the villian she first thought. And Sylvester stumbles upon something he never dared hope for... But what Sylvester doesn't know is that Phoebe has just published a novel - a novel in which all London will recognize him. But how could she guess her book would be a scandalous success? Or that the man she had cast as a villain would become the heartbreaking hero of her dreams?

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Women have written lewd messages on his body with lipstick, and two guys are using him as a human toilet. Against Kaylee’s wishes, Ivy decides to get involved. She soon learns four things: his name is Bobby; he’s not drunk, but been drugged; he drives a great car; and he’s separated from his wife. Ivy cleans him up, drives him home. When he starts feeling better, they flirt. If you guess she winds up in bed with him, you’re right. But that’s the last thing you’ll guess correctly in this million-mile-an-hour twisting tale! PRELIMINARY COMMENTS Casting Call moves at warp speed! Hilarious! Mind-blowing. Impossible to predict. Locke’s latest has more twists and turns than a Rubik’s Cube! I literally flew through this book. Can’t remember ever turning pages this fast!

    Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    Inspector Wilkins is called in to investigate, but it's going to take some intricate sleuthing to uncover who killed whom and why.

    Although she was acclaimed by John Buchan and by Rebecca West, who hailed her as a genius, and won the Prix Femina of La Vie Heureuse for Precious Bane (1924), she won little respect from the general public. It was only after her death that the Prime Minister of the United Kingdom, Stanley Baldwin, earned her posthumous success through his approbation, referring to her as a neglected genius at a Literary Fund dinner in 1928. Her writing is notable for its descriptions of nature, and of the human heart. She had a deep sympathy for all her characters and was able to see good and truth in all of them. Among her most famous works are: The Golden Arrow (1916), Gone to Earth (1917), and Seven for a Secret (1922).

    Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too.Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan.But strange things have been going on at Swafford.  Miracles, Healings, Phenomena beyond the comprehension of a mud-caked hippopotamus like Ted...

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    Melissa panics, but she needs the cash - and what harm can providing lonely men with stimulating conversation over dinner do? More exciting still, she'll get to wear a disguise...Enter her alter ego: Honey. As flirty and feminine as a Bond girl, as confident and sexy as Mary Poppins in silk stockings, Honey brings out a side to Melissa she never knew she had. A side that will get her into hot water, (and out of it) and that she'll never want to lose...

    They live in a small Dorset town and have been friends since school. On the surface Susan has it all – a lovely house and a long marriage to accountant Barry. Life has not been so kind to Julie, but now, with several failed businesses and bad relationships behind her, she has found stability: living in a council flat and working in an old people’s home. Then Susan’s world is ripped apart when Barry is found dead in a secret flat – or rather, a sex dungeon. It turns out Barry has been leading a double life as a swinger. He’s run up a fortune in debts and now the bank is going to take Susan’s home.Until, under the influence of an octogenarian gangster named Nails, the women decide that, rather than let the bank take everything Susan has, they’re going to take the bank. With the help of Nails and the thrill-crazy, wheelchair-bound Ethel they pull off the daring robbery, but soon find that getting away with it is not so easy.The Sunshine Cruise Company is a sharp satire on friendship, ageing, the English middle classes and the housing bubble from one of Britain's sharpest and funniest writers.Until, under the influence of an octogenarian gangster named Nails, the women decide that, rather than let the bank take the house, they’re going to take the bank. With the help of several thrill-crazy, wheelchair-bound friends they pull off the daring robbery, but soon find that getting away with it is not so easy. Setting off across Europe, the team pick up a teenage hitchhiker, get entangled with Interpol and the Russian Mafia, and discover that, far from winding down, their lives are only just beginning.

    Rain-lashed city streets. A flash of lightning. A scruffy lad sees a girl leap desperately from a horse-drawn carriage in a vain attempt to escape her captors. Can the lad stand by and let her be caught again? Of course not, because he's...Dodger.Seventeen-year-old Dodger may be a street urchin, but he gleans a living from London's sewers, and he knows a jewel when he sees one. He's not about to let anything happen to the unknown girl--not even if her fate impacts some of the most powerful people in England.From Dodger's encounter with the mad barber Sweeney Todd to his meetings with the great writer Charles Dickens and the calculating politician Benjamin Disraeli, history and fantasy intertwine in a breathtaking account of adventure and mystery.Beloved and bestselling author Sir Terry Pratchett combines high comedy with deep wisdom in this tale of an unexpected coming-of-age and one remarkable boy's rise in a complex and fascinating world.