Dea Bala never expected the outpouring of responses that would follow. She was working as a lobbyist when the idea was born: she'd chat up respondents on the phone or at a coffee shop and let them tell her about their lives. Dea Bala soon had to quit her day job to make time for all of the Craigslist sessions. She took notes during each conversation and journaled about the emotional experience to expertly inhabit the voice of each subject. What emerges is a collection of narratives, all in first person, of anonymous people revealing their deepest, darkest secrets; or at least the most poignant moments of their lives. Infidelity, addiction, loss, corruption, the search for unconditional love—reading these carefully, empathetically crafted monologues reveals how suffering is something we all have in common. Each tragedy or triumph is unique, but the intensity of feeling is not.

    What would this reading trajectory say about you? With passion, humor, and insight, the editor of The New York Times Book Review shares the stories that have shaped her life.Pamela Paul has kept a single book by her side for twenty-eight years – carried throughout high school and college, hauled from Paris to London to Thailand, from job to job, safely packed away and then carefully removed from apartment to house to its current perch on a shelf over her desk – reliable if frayed, anonymous-looking yet deeply personal. This book has a name: Bob.Bob is Paul’s Book of Books, a journal that records every book she’s ever read, from Sweet Valley High to Anna Karenina, from Catch-22 to Swimming to Cambodia, a journey in reading that reflects her inner life – her fantasies and hopes, her mistakes and missteps, her dreams and her ideas, both half-baked and wholehearted. Her life, in turn, influences the books she chooses, whether for solace or escape, information or sheer entertainment.But My Life with Bob isn’t really about those books. It’s about the deep and powerful relationship between book and reader. It’s about the way books provide each of us the perspective, courage, companionship, and imperfect self-knowledge to forge our own path. It’s about why we read what we read and how those choices make us who we are. It’s about how we make our own stories.

    A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.

    Monica Wojcik's "The w00t Files," for the chic geek crowd, comes directly from John McPhee's famous Literature of Fact workshop at Princeton, a launching pad for famous young writers. Daniel Nestor, of McSweeney's and Bookslut, explains James Frey, while the very overweight Michael Rosenwald becomes a Popular Science nearly nude centerfold in a quest for knowledge about high-tech diagnostics.

    She gets drugged, does enema shows, and unionizes the club. When she tries to quit and go to graduate school, her mother is diagnosed with terminal cancer. Broke and broken, she returns to sex work, which leads to her arrest and a new resilience. Spent is a memoir about a woman’s journey through the sex industry, but it’s also a story of family, community, and our constant struggle against loneliness.

    Here is Frank Conroy's wry, sad, beautiful tale of life on the road; of odd jobs and lost friendships, brutal schools and first loves; of a father's early death and a son's exhilarating escape into manhood.

    Alyssa Mastromonaco worked for Barack Obama for almost a decade, and long before his run for president. From the then-senator's early days in Congress to his years in the Oval Office, she made Hope and Change happen through blood, sweat, tears, and lots of briefing binders.But for every historic occasion-meeting the queen at Buckingham Palace, bursting in on secret climate talks, or nailing a campaign speech in a hailstorm-there were dozens of less-than-perfect moments when it was up to Alyssa to save the day. Like the time she learned the hard way that there aren't nearly enough bathrooms at the Vatican.Full of hilarious, never-before-told stories, WHO THOUGHT THIS WAS A GOOD IDEA? is an intimate portrait of a president, a book about how to get stuff done, and the story of how one woman challenged, again and again, what a "White House official" is supposed to look like. Here Alyssa shares the strategies that made her successful in politics and beyond, including the importance of confidence, the value of not being a jerk, and why ultimately everything comes down to hard work (and always carrying a spare tampon).Told in a smart, original voice and topped off with a couple of really good cat stories, WHO THOUGHT THIS WAS A GOOD IDEA? is a promising debut from a savvy political star.

    Organized in six parts (Childhood; Youth; Early Marriage and Bachelorhood; Teaching and Work; Fiction; Politics, Religion, Movies, Books, Cities; The Style of Middle Age) Getting Personal tells two stories: the development of Lopate's career as a writer and the story of his life.

    The daughter of a missile scientist and an alcoholic travelling trailer salesman, Gillespie was nine before she realized not everybody's mother made bombs, and thirty before she realized it was possible to live in one place longer than a six–month lease allows. Supporting her are the social outcasts she calls her best friends: Daniel, a talented and eccentric artist; Grant, who makes his living peddling folk art by a denounced nun who paints plywood signs with twisted evangelical sayings; and Lary, who often, out of compassion, offers to shoot her like a lame horse.Hollis's friends help her battle the mess of obstacles that stand in her way–including her warped childhood, in which her parents moved her and her siblings around the country like carnival barkers, chasing missile–building contracts and other whimsies, such as her father's dream to patent and sell door–to–door the world's most wondrous key–chain. A past like this will make you doubt you'll ever have a future, much less roots. Miraculously, though, Gillespie manages to plant exactly that: roots, as wrested and dubious as they are.As Gillespie says, "Life is too damn short to remain trapped in your own Alcatraz." Follow her on this wickedly funny journey as she manages to escape again and again.

     Her story begins in the one-bedroom, Upper East Side apartment she shared with her overly protective mother, where, as a little girl, she passed the time gnawing on strawberry-scented erasers, breaking up arguments between her imaginary friends, and being subjected to cut-throat nursery school applications. Eventually, Wendy broke out on her own - but continued to be admonished by her mother for not having enough quality orgasms. After a stint of door-to-door knife-selling, she began her first (and last) office job, where she formed an unusual relationship with her big-time executive boss - one that involved as much pot smoking and gold glitter as it did mentoring. Now, a comedian living in L.A., Wendy grapples with such grown-up issues as trying to kick her addiction to eating candy in bed, parenting dozens of high-maintenance stuffed animals, and finally learning how to drive. Sure to be loved by fans of David Sedaris and Laurie Notaro, this hilarious, offbeat, and, at times, touching book marks the debut of a fresh, new nonfiction voice, and one that won't soon be forgotten.

    In The New York Times Book Review, Sam Tanenhaus proclaimed it "a masterpiece of American fiction" and lauded its illumination, "through the steady radiance of its author's profound moral intelligence, [of] the world we thought we knew."In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen's implicit promise to conceal nothing. On a trip to China to see first-hand the environmental devastation there, he doesn't omit mention of his excitement and awe at the pace of China's economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

    He has appeared on practically every great sitcom you've ever seen - Everybody Loves Raymond, Friends, and Murphy Brown just to name a few. But he has never been a regular on a series, always the guest star. He longs to find a showbiz home. Instead, he is a television foster child, shuttling from show to show in the vain hope that one will finally agree to keep him. "My Seinfeld Year" tells the hysterical and bittersweet story of what happened when Stoller finally got a shot at the showbiz stability he'd always dreamed of -- as a staff writer on one of the biggest television shows in history.

    New York Times bestselling author, humorist, and newspaper columnist Michael Perry returns with a new collection of bite-sized essays from his Sunday Wisconsin State Journal column, “Roughneck Grace.” Perry’s perspectives on everything from cleaning the chicken coop to sharing a New York City elevator with supermodels will have you snorting with laughter on one page, blinking back tears on the next, and--no matter your zip code--nodding in recognition throughout.

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    This autobiography traces Janet Frame's childhood in a poor but intellectually intense family, life as a student, years of incarceration in mental hospitals and eventual entry into the saving world of writers.