In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects.In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.Contents--What We Talk About When We Talk About LoveWhy Don’t You Dance?ViewfinderMr. Coffee and Mr. FixitGazeboI Could See the Smallest ThingsSacksThe BathTell the Women We’re GoingAfter the DenimSo Much Water So Close to HomeThe Third Thing That Killed My Father OffA Serious TalkThe CalmPopular MechanicsEverything Stuck to HimWhat We Talk About When We Talk About LoveOne More ThingStories from FiresThe LieThe CabinHarry’s DeathThe PheasantCathedralFeathersChef’s HousePreservationThe CompartmentA Small, Good ThingVitaminsCarefulWhere I’m Calling FromThe TrainFeverThe BridleCathedralFrom Where I’m Calling FromBoxesWhoever Was Using This BedIntimacyMenudoElephantBlackbird PieErrandOther FictionThe HairThe AficionadosPoseidon and CompanyBright Red ApplesFrom The Augustine NotebooksKindlingWhat Would You Like to See?DreamsVandalsCall If You Need MeSelected EssaysMy Father’s LifeOn WritingFiresAuthor’s Note to Where I’m Calling FromBeginners (The Manuscript Version of What We Talk About When We Talk About Love)Why Don’t You Dance?ViewfinderWhere Is Everyone?GazeboWant to See Something?The FlingA Small, Good ThingTell the Women We’re GoingIf It Please YouSo Much Water So Close to HomeDummyPieThe CalmMineDistanceBeginnersOne More Thing--loa.org

    Unlike much of the current form, full of blood, monsters and melodrama, Aickman's stories achieve a quieter, more subtle and, in several ways, more lasting sense of disquiet. His lucid, finely tuned prose moves imperceptibly from the small crises and celebrations of ordinary life into another sphere. In these 11 stories, the occasion may be a walking tour of Northern England, a birthday present of a Victorian dollhouse or a stay at a Swedish sanatorium for insomniacs, but it simultaneously traps the characters with dread and opens them up to a new awareness of a greater, deeper and more dangerous world. A remarkable collection by an author who deserves to be better known.Copyright 1988 Reed Business Information, Inc.

    The stories originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950 and were then compiled into a book for stand-alone publication by Gnome Press in 1950, in an initial edition of 5,000 copies. The stories are woven together by a framing narrative in which the fictional Dr. Susan Calvin tells each story to a reporter (who serves as the narrator) in the 21st century. Although the stories can be read separately, they share a theme of the interaction of humans, robots, and morality, and when combined they tell a larger story of Asimov's fictional history of robotics.Foundation was originally a series of eight short stories published in Astounding Magazine between May 1942 and January 1950. According to Asimov, the premise was based on ideas set forth in Edward Gibbon's History of the Decline and Fall of the Roman Empire, and was invented spontaneously on his way to meet with editor John W. Campbell, with whom he developed the concepts of the collapse of the Galactic Empire, the civilization-preserving Foundations, and psychohistory.[1] Asimov wrote these early stories in his West Philadelphia apartment when he worked at the Philadelphia Naval Yard.

    world-famous detective who dealt with fact and a prolific crime writer who dealt with fantasy. But their paths crossed six times, and Mrs Oliver was to become one of Poirot's staunchest allies. when they attend a bridge party in which the host is silently murdered in full view of a roomful of guests. old widow is murdered in the parlour of her cottage. into the real thing when Poirot and Mrs Oliver have to face up to their first case of a child murder.The Case of the Discontented Soldier and The Case of the Rich Woman are two bonus stories in which Mrs Oliver makes an appearance alongside the private eye Christopher Parker Pyne.

    Dick Megapack assembles no less than 15 classic science fiction stories by Philip K. Dick. Included are:INTRODUCTION: PHILIP K. DICKEXHIBIT PIECEBEYOND LIES THE WUBTHE DEFENDERSTHE CRYSTAL CRYPTBEYOND THE DOORSECOND VARIETYTHE EYES HAVE ITTHE GUNTHE VARIABLE MANTONY AND THE BEETLESTHE HANGING STRANGERTHE SKULLPIPER IN THE WOODSMR. SPACESHIPSTRANGE EDENAnd don't forget to search this ebook store for "Wildside Megapack" (or just Megapack if Wildside Megapack doesn't work) to see all the entries in the Megapack series -- including volumes of science fiction, fantasy, horror, mystery, westerns, and much, much more!

    In To Walk the Night, Bark Jones and his college buddy Jerry Lister, a science whiz, head back to their alma mater to visit a cherished professor of astronomy. They discover his body, consumed by fire, in his laboratory, and an uncannily beautiful young widow in his house—but nothing compares to the revelation that Jerry and Bark encounter in the deserts of Arizona at the end of the book. In The Edge of Running Water, Julian Blair, a brilliant electrophysicist, has retired to a small town in remotest Maine after the death of his wife. His latest experiments threaten to shake up the town, not to mention the universe itself.

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    S. Lewis’s adult religious books, a repackaged edition of the revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind.From C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—comes a collection of his dazzling short fiction.This collection of futuristic fiction includes a breathtaking science fiction story written early in his career in which Cambridge intellectuals witness the breach of space-time through a chronoscope—a telescope that looks not just into another world, but into another time. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal reading for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.

    But then again, there aren't many writers with such irrepressible genius as John Fante.The John Fante Reader is the important next step in the reintroduction of this influential author to modern audiences. Combining excerpts from his novels and stories, as well as his never-before-published letters, this collection is the perfect primer on the work of a writer -- underappreciated in his time -- who is finally taking his place in the pantheon of twentieth-century American writers.

    1) is a print anthology of 17 short stories previously published via BattleCorps, and an 18th, previously unpublished story (Destiny's Challenge) that continues the story of one of the others.It also includes a Foreword by the editor, Loren L. Coleman, how BattleCorps came into being; an "About the authors" section at the end; and a collection of BattleMech illustrations in the back. StoriesA Race to the End (Loren L. Coleman)Damage Control (Ilsa J. Bick)Eight Nine Three (Steven Mohan Jr.)Isolation's Weight (Randall N. Bills)Destiny's Call (Loren L. Coleman)Poison (Jason M. Hardy)The Immortal Warrior at the Battle of Vorhaven (Kevin Killiany)Ghost of Christmas Present (Michael A. Stackpole)Zeroing In (Robert Thurston)For Want of a Nail (Dan C. Duval)Art of the Deal (Loren L. Coleman)McKenna Station (Kevin Killiany)Echoes in the Void (Randall N. Bills)The Longest Road (Blaine Lee Pardoe)The Back Road (Louisa M. Swann)Commerce Is All (Steven Mohan, Jr.)En Passant (Phaedra M. Weldon)Destiny's Challenge (Loren L. Coleman)

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    The collection contains thirty stories that take us from the islands of the Pacific Ocean to England, France and Spain. They all reveal Maugham's acute and often sardonic observation of human foibles and his particular genius for exposing the bitter reality of human relationships.Somerset Maugham learnt his craft from Maupassant, and these stories display the remarkable talent that made him an unsurpassed storyteller.

    In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.," the spontaneous "Powerhouse" and the insightful voice of women's truths in "Petrified Man." Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

    by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.Swan song --The bear --The proposal --Ivanov --The seagull --A reluctant tragic hero --The wedding reception --The festivities --Uncle Vanya --Three sisters --The dangers of tobacco --The cherry orchard.

    This is a collection of gripping tales of crime, crisis or disaster, in which ordinary people find themselves tested in extraordinary circumstances.