Boots in the Ashes is the memoir of Cynthia Beebe's groundbreaking career as one of the first women special agents for the Bureau of Alcohol, Tobacco, Firearms and Explosives, (ATF). A smart and independent girl growing up in suburban Chicago, she unexpectedly became one of the first women to hunt down violent criminals for the federal government.As a special agent for 27 years, Beebe gives the reader first-hand knowledge of the human capacity for evil. She tells the story of how, as a young woman, she overcame many obstacles on her journey through the treacherous world of illegal guns, gangs, and bombs. She battled conflicts both on the streets and within ATF. But Beebe learned how to thrive in the ultra-masculine world of violent crime and those whose job it is to stop it.Beebe tells her story through the lens of six major cases that read like crime fiction: four bombings, one arson fire and a massive roundup of the Hell's Angels on the West Coast. She also shares riveting never before revealed trial testimonies, including killers, bombers, arsonists, victims, witnesses and judges.

    Hershl Sperling was one of them. He escaped. Why then, 50 years later, did he jump to his death from a bridge in Scotland? The answer lies in a long-forgotten, published account of the Treblinka death camp, written by Hershl Sperling himself in the months after liberation, discovered in his briefcase after his suicide, and reproduced here for the first time. Including previously unpublished photographs, this book traces the life of a man who survived five concentration camps, and details what he had to do to achieve this. Hershl's story, from his childhood in a small Polish town to the bridge in faraway Scotland, is testament to the lasting torment of those very few who survived the Nazis' most efficient and gruesome death factory. The author personally follows in his subject's footsteps from Klobuck, to Treblinka, to Glasgow.

    The event was surrounded by enigma and intrigue, allegations of poisoning and sexual scandal.

    They drive for hours from all across Texas and beyond, sometimes for just a short weekend of wilderness. They bring everything needed for camping, boating, hiking, birding, and backpacking stuffed into or strapped to their vehicles. Most importantly, this loyal group of visitors brings a strong sense of caring and respect for the park.Most visitors to Big Bend National Park enjoy a wonderful, incident-free vacation and return home with great photos, thrilling memories, and stories of excitement and adventure. But accidents, even catastrophes, can happen. For a rare few Park visitors, a simple mistake, a lack of adequate preparation, or just plain hard luck has lead to deadly or near deadly outcomes. Heat stroke, dehydration, hypothermia, drowning, falls, lightning, and even murder have claimed victims at Big Bend. This book chronicles selected serious injuries, dramatic rescues, and tragic fatalities that have occurred in the Park since the early 1980s.Death In Big Bend contains useful information that could one day save your life.

    Their images can startle, inform, and serve as witness. Mundane and profound, gruesome and compelling, crime photographs are, for better or worse, part of our world.

    In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art.Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story?Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.From the Hardcover edition.

    "I'd rather take a photograph than be one," she declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. But Man Ray turns out to be an egotistical, charismatic force, and as they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever.Lee's journey takes us from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from discovering radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to reconcile romantic desire with artistic ambition-and what she will have to sacrifice to do so.Told in interweaving timelines, this sensuous, richly detailed novel brings Lee Miller-a brilliant and pioneering artist-out of the shadows of a man's legacy and into the light.

    The creeping madness in the heart of Germany will soon stain the entire world. This is the chilling account of one family as they flee for their lives. The Wobsers are prosperous, churchgoing, patriotic Germans living in a small East Prussian town. When Hitler seizes power, their comfortable family life is destroyed by a horrifying Nazi regime. Baptized and confirmed as Lutherans, they are told they are Jewish, a past always respected but rarely considered. This distinction makes a life-and-death difference. Suddenly, it is no longer a matter of faith or religion; their lives are defined by race. It is a matter of bloodlines. And, in Nazi Germany, they have the wrong blood.Written by a second generation Holocaust survivor, this is a compelling refugee story laced with contemporary overtones.In addition to serving as a fascinating piece of history, A Smile in One Eye: A Tear in the Other is a passionate call to arms for organizations and individuals to properly protect and help the world’s refugees.

    He became increasingly reclusive and violent, and Ronnie's life became a constant battle to fend off madness-both his and her own.

    The intelligent action filled with facts and evidence appears to You. It proves that global events did not happen at all like it is generally understood.So, Kennedy wasn't killed by Oswald, who had been framed in advance, but by a woman - a professional sniper who worked on an unusual order. The man who planned and carried out the September 11 attacks in New York was just one kilometer from crumbling skyscrapers. The assassination attempt on Pope John Paul was being prepared to hide billion bank scams, and the pontiff knew about it. These and other significant events of the last 60 years turn out to be interconnected, leaving the trail to a criminal syndicate ... from one person, and from him to the highest establishment and intelligence services of the United States and other countries.In these times already, the "disappeared" archives belonging to those who died because of paying too much attention to the tragic events of September 11 end up with the American journalist of Russian origin Max Malin. Exciting events and mysterious coincidences, which many choose to forget about forever, lead the hero to dark shadows from the past. As a result of a complex and risky investigation, Malin discovers the perpetrators and mandators in the most remembered political assassination of the 20th century, the September 11 terrorist attack in New York, the assassination attempt on John Paul II, and the murder of a world-known banker. The novel is set in our time, and in parallel, it takes place in the days of the above horrific events - in 1963, 1981, 1999, and 2001. The book's ending is entirely unpredictable and shocking.The characters and protagonists of the novel are real and recognizable persons - from great politicians, billionaires, ministers of the Vatican to leaders of national and world crime syndicates. Most are acting under their real names. Of course, there are fantasy characters, but they are the connecting links in the chain of events. Some of the names are encrypted and easy to guess.

    . . .  Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."--The New York Times Book Review"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."--Chicago TribuneNo musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz, editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.          Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.  "The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."--Sunday Times (London)

    This far-reaching discussion considers mortality from the personal and the universal perspective, generously citing past and present poets and physicians from a diverse and telling range of traditions. Mims, who for two decades served as Professor of Microbiology at London's Guys Hospital, brings a humane, inquisitive, and learned sensibility to his topic. "This book is a light-hearted but wide-ranging survey of death, the causes of death, and the disposal of corpses," writes Mims. "It tells why we die and how we die, and what happens to the dead body and its bits and pieces. It describes the ways corpses are dealt with in different religions and in different parts of the world; the methods for preserving bodies; and the ways--fascinating in their diversity--in which corpses or parts of corpses are used and abused." The volume also explores such crucial death-based notions as the afterlife, the soul, and the prospect of immortality. By way of the book's main focus, Mims continues: "We should take a more matter-of-fact view of death [and] accept it and talk about it more than we do--as we have done with the once taboo subject of sex." This is a work that any student of social anthropology will find equally enlightening and essential.

    It is also the most deadly. Since it opened in 1937, more than 1,500 people have died jumping off the bridge, making it the top suicide site on earth. It's also the only international landmark without a suicide barrier. Weaving drama, tragedy, and politics against the backdrop of a world-famous city, The Final Leapis the first book ever written about Golden Gate Bridge suicides. John Bateson leads us on a fascinating journey that uncovers the reasons for the design decision that led to so many deaths, provides insight into the phenomenon of suicide, and examines arguments for and against a suicide barrier. He tells the stories of those who have died, the few who have survived, and those who have been affected--from loving families to the Coast Guard, from the coroner to suicide prevention advocates.

    In less than one year, she transformed herself from pop singer to pop icon, thanks to her talent, drive, and oh yes--her fashion. She's reached a new level of "living the fame" with her collection of extreme, often controversial couture. Lady Gaga: Critical Mass Fashion takes an in-depth look at Gaga's litany of eye-popping leotard, asymmetrical dresses, and fashionably impractical heels.Top designers love the Lady--everyone from Armani to Hussein Chalayan to the late lamented Alexander McQueen has taken her under their wings. On message twenty-four hours a day, Lady Gaga never stops. From the fake eyelashes to the faux nails down to her toes, she's living out her ideas of celebrity to the last detail.Visual explosion on screen, on stage, and on the page: that's Gaga's goal. All the of the 120+ images in this book showcase the gorgeous insanity of her vision.

    A spy. A promise.JOSEON DYNASTY, KOREA.A humid summer storm rages across the Pavilion, the greatest entertainment house in the sprawling city of Hanyang. Within its stifling walls a gisaeng slave girl hides a fugitive in her bed, unexpectedly saving the life of a young man who is not all he seems.Immediately Seorin is thrust into a razor-edged world of conspiracy and spies, doomed rebellion and murky intrigue. For the first time in years, she glimpses an opportunity for change.Yet it is not her freedom Seorin so desperately desires, but something far more precious. She will risk anything, even death, to gain it.A dark and romantic historical adventure set in old Korea.