But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    It chronicles their experiences in parallel over the course of six years, unfolding the independent challenges they face while struggling to survive worlds apart from each other. This book club pick inspires readers to see that love, friendship, and faith can survive in spite of the most terrible circumstances.Dani and Keely imagined that life was more magical than others believed. If they had to be summed up, their one plus one would equal three. Together, they became something greater. It was twin sisters against the world. But the world had different plans. The man followed them to their secret tree house that unusually warm day in September. He only came for one, there and gone in the blink of an eye. Satan’s Garden takes you on the six-year journey of two sisters who learn what it means to survive. It’s a story of resiliency, hope, and above all, a bond that cannot be taken away. It teaches us how quickly life can change and yet how much of it we can change ourselves.

    "[Thomas Lynch's] poems . . . are as stark and graceful as geese lifting off backwater. The poems trace from the rural midwest to London and County Clare, a quiet elegy of loss and testament. But then Lynch is by trade a mortician, and by craft a bard."—Amazon.com "[Lynch] evinces a steady wisdom drawn from years of passionate attention to daily experience."—Seattle Weekly

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    From the narratives of army life during World War Two to the domestic and familial scenes of his final book, this selection presents Jarrell's art at its best, comparable in power and variety to that of his contemporaries Robert Lowell and Elizabeth Bishop.

    The book is a compilation of the series of episodes published in tamil magazine 'Chaavi'

    It was nominated for all three major American book awards: the National Book Critics Circle Award, the Pulitzer Prize for Poetry, and the American Book Award.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    Beeswax. Pollinate. Hive. Colony. Work. Dance. Communicate. Industrious. Buzz. Sting. Cooperate.Where would we be without them? Where would we be without one another?In eighty-two poems and paragraphs, Naomi Shihab Nye alights on the essentials of our time—our loved ones, our dense air, our wars, our memories, our planet—and leaves us feeling curiously sweeter and profoundly soothed.

    Her real-life journal recounts two years of homesteading, history hints at the next six decades, and the novel explores the truth. We meet Rosette in 1888 as she revises the wedding-day page of her journal. In lush detail, in the voices of Rosette and others, the novel traces how we both choose and suffer our destiny, how hopes come to naught and sometimes rise from the wreckage. In a style reminiscent of Willa Cather, in a family saga that recalls the work of Marilynne Robinson, this novel brings us enduring themes of human life as Rosette and her friends and family make the most of the American pioneer life first detailed for most of us by Laura Ingalls Wilder. One reviewer says this story "makes an anonymous woman equal to the most celebrated hero of legend." Note that the Kindle version includes only the text of the novel. The paperback version includes 24 charcoal illustrations and highlights in a font created from Rosette's own handwriting. Now available: a companion short story - "Blizzard: A Story of Dakota Territory."

    Of the three, Wang was the consummate master of the short imagistic landscape poem that came to typify classical Chinese poetry. He developed a nature poetry of resounding tranquility wherein deep understanding goes far beyond the words on the page—a poetics that can be traced to his assiduous practice of Ch'an (Zen) Buddhism. But in spite of this philosophical depth, Wang is not a difficult poet. Indeed, he may be the most immediately appealing of China's great poets, and in Hinton's masterful translations he sounds utterly contemporary. Many of his best poems are incredibly concise, composed of only twenty words, and they often turn on the tiniest details: a bird's cry, a splinter of light on moss, an egret's wingbeat. Such imagistic clarity is not surprising since Wang was also one of China's greatest landscape painters. This is a breathtaking poetry, one that in true Zen fashion renders the ten thousand things of this world in such a way that they empty the self even as they shimmer with the clarity of their own self-sufficient identity.

    

    I disagree. We are made up of stories. The stories we hear from our mothers, the ones we tell our daughters. The tales we share with sisters and friends. The ones we never say out loud, but are heavy on our minds and run like a fever in our blood.There are a multitude of great divides between us; race, religion, cultures, the way we dress, the languages we speak, but the stories we tell bridge us together in the universal tongue of smiles, tears, pain and laughter. They remind us that, as women, we’re all chasing similar fairy-tales.This book is a call to celebrate the bridges, delight in our stories and to focus on the joy in our lives right now, rather than racing behind the happily-ever-after. That will come in it’s own time.

    All encased in the usual lavish, beautiful CrimethInc production.