Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts. Exploring 24 great films too painful to watch twice, 14 tragic movie-masturbation scenes, 18 songs about crappy cities, and much more, Inventory combines a massive helping of new lists created especially for the book with a few favorites first seen at avclub.com and in the pages of The A.V. Club's sister publication, The Onion. But wait! There's more: John Hodgman offers a set of minutely detailed (and probably fictional) character actors. Patton Oswalt waxes ecstatic about the "quiet film revolutions" that changed cinema in small but exciting ways. Amy Sedaris lists 50 things that make her laugh. "Weird Al" Yankovic examines the noises of Mad magazine's Don Martin. Plus lists from Paul Thomas Anderson, Robert Ben Garant, Tom Lennon, Andrew W.K., Tim and Eric, Daniel Handler, and Zach Galifianakis -- and an epic foreword from essayist Chuck Klosterman.

    In his own words, and for the first time, Roberto Duran tells his unbelievable story in I Am Duran: The Autobiography of Robert Duran. From the mean streets of Panama to the bright lights of Las Vegas, blazing a trail through the golden decade of boxing, Duran, in unflinching form, dispels myths and lays bare the cost of conquering the world. He also returns to the debacle that entered sporting folklore during his rematch with Sugar Ray Leonard, when he uttered the infamous words 'no mas' - no more.Starting life in abject poverty as the illegitimate son of a serving US soldier, Duran quickly realized that his fists could both protect him on the streets and put food on the table. His reputation in and out of the ring travelled the corridors of boxing power on the day, for a bet, he knocked down a horse with a single punch.From his stunning debut in New York to the glorious defeat of Sugar Ray Leonard, the world titles and the chaos that ensued after the No Mas encounter, Duran's explosive life in the ring was matched only by the volatility outside of it, as he lurched from kingmaker to bankruptcy, before the ultimate ending of a bloody comeback and, finally, redemption.

    His four essays on Heidegger include "Philosophy as Science, as Metaphor and as Politics" and "Heidegger, Kundera, and Dickens;" three essays on Derrida (including "Deconstruction and Circumvention" and "Is Derrida a Transcendental Philosopher?") are followed by a discussion of the uses to which Paul de Man and his followers have put certain Derridean ideas. Rorty's concluding essays broaden outward with an essay on "Freud and Moral Deliberation" and essays discussing the social theories and political attitudes of various contemporary figures--Foucault, Lyotard, Habermas, Unger, and Castoriadis.

    Their book promises to take mid-life by its elasticated waist and give it a brisk going over with a stiff brush. At a time of constant uncertainty, what we all need is the wisdom and experience of two women who haven't got a clue what's happening either.

     Within these pages, you’ll find a treasure trove of myths, legends, folktales, urban legends, historical accounts, and stories about horrors, both ancient and modern, that have been hidden, ignored, or forgotten entirely. “The Monsters We Forgot” is a massive anthology of horror stories by an international team of authors ranging from award-winners and bestsellers to visionary newcomers. These stories draw inspiration from the folklore traditions of countries including Russia, Brazil, Mexico, Japan, Taiwan, Australia, Ireland, Wales, England, Norway, Nigeria, Greece, Poland, the Caribbean, the Middle East, Canada, and the United States, the tales in this three-volume collection range from original folktales and chilling myths to information-age monsters and modern urban legends, and everything in between. Turn on the lights, check the locks, and settle in. You’re about to remember The Monsters We Forgot.

    A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.With the luminous essays in Keeping a Rendezvous, we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are manifold: between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by John Berger's eloquence and courageous moral imagination.

    It's an essential ingredient in pop music and high art. Why do we choose accusations of elitism over open-mindedness? What do our anxieties about "pretending" say about us?Co-editor of frieze, Europe's foremost magazine of contemporary art and culture, Dan Fox has authored over two hundred essays, interviews, and reviews and contributed to numerous catalogues and publications produced by major international art galleries and institutions.

     EVERLONG, Book 1 The most damaged heart can fly with the right pair of wings. Madelyn’s life is far from fairytale perfect. She is second in line for the throne of a corrupt, brutal monarchy. Or at least she was until her dark guardian sacrificed his life to hide her safely in a realm of infinite possibilities. For years she’s lived among a colony of escaped slaves as her guardian’s widow. Even in this simple life, though, nothing is as it seems. Her hero kept a secret—a younger brother named Clayton Delaney. Warrior, winged demon…and the man who now wants to lay claim to her heart. No longer cast in his brother’s shadow, Clayton meets all obstacles head on, including one named Maddie. His infatuation with her reaches the breaking point when she undergoes a royal rite of passage, going into heat and pushing them both over the edge. Just as Maddie learns that some risks are worth taking, she discovers that her guardian may be alive. And she’s forced to make a choice between the man she’d thought she loved, and the demon willing to lend her his wings. Warning: This book contains virginal angst, a hero who’s too nice for his own good, wings, claws, and convenient use of glamour. It contains heartbreaking loss, conversation with a woodland creature, and sweet, sweet demon loving. EVERMINE, Book 2 He can be a slave to his past…or allow her love to free him. There’s such a thing as too much change. Emma’s sister is mated. Revolution is brewing in her home realm. The last straw: her would-be mate is back from the dead and back under her skin—yet when it comes to the last five years, he’s not talking. Desperate for a chance to start her own life, she answers the queen’s call to ensure equality for all of Askara’s newly freed slaves. It’s the perfect opportunity to escape a heartbreak in the making named Harper. Harper loses a piece of his fractured soul when Emma walks away. His lies were meant to protect her from torturous years that drove him to the point of madness. Instead, when he comes to her a year later to help avert a crisis in a freed-slave community, the wedge those lies drove between them is firmly in place. As their new lives collide with old wounds, they race to stop a threat that could not only destroy the queen, but send Harper back to the hell he escaped. Emma must decide if the man she still loves deserves equal rights to her heart. Warning: This title contains torn pants, ripped gowns, and sand in uncomfortable places. It also includes one overcompensating villain, one gnarly priest, and two battered hearts willing to give this thing called love one last chance. EVERSWORN, Book 3 Steal the salt. Bind the grimoire. Escape the male. When an exchange of stolen goods in the Feriana marketplace turns sour, Isabeau stumbles from the encounter bruised and laden with new orders to complete an even larger heist. With her child’s life at stake, there’s no room for error—or allies. Armed with a lethal book of spells, she strikes a dangerous bargain with Roland Bernhard. Steal a shipment of salt from the Feriana colony, and she’ll have her freedom—and her daughter. It’s all she’s ever wanted. At least it was…until she runs into Dillon Preston. Dillon is out of commission after a mine explosion, and itching for a distraction.

    But a youthful Tubby chanced to see it happen, and the tragic event's haunted him throughout his life. Decades later, an established (but not exactly driven) lawyer, yet successful enough to have time on his hands, Tubby decides to conduct his own investigation into the forgotten crime. He quickly stirs up a hornets’ nest of far-reaching political feuds, police corruption, government agents, and old men with secrets to hide.But as in all Tubby Dubonnet novels, the plot takes a backseat to local color, colorful characters, odes to fine food, wry observations, and a whole lot of humor. It's a little like spending a weekend in da Big Easy, dawlin'--complete with three well-chosen meals a day!Vol 2 – FAT MAN BLUES – The NINTH installment in Tony Dunbar’s humorous, hard-boiled Tubby Dubonnet mystery seriesEx-con Angelo Spooner is trying to start a legit business, but he just can’t catch a break. Just as his healing Holy Water, “Angelo’s Elixir” is about to go upscale, the sticky strands of the Big Sleazy’s tangled web of crime and corruption reach out to ensnare him. What’s a law-abiding parolee to do? He can’t get caught with a gun, but maybe that axe in his shed could help him extricate himself. But when low-level creep Frenchy Dufour’s henchman turns up nearly beheaded, Angelo’s fate rests in the capable hands of laid-back lawyer Tubby Dubonnet.Tubby’s been trying hard to lay low, too. As those closest to him are targeted by frightening attacks, he suspects his dealings with the clandestine society of Cuban exiles who’ve plagued him lately are far from over. Tubby would love to have nothing further to do with “that crazy band of geriatric lunatics”. But the old Cuban revolutionaries have taught their sons well. Now their grandchildren, heirs to a substantial cache of weapons and money, burn with a dangerous zeal to prove themselves.Meanwhile … a man’s got to eat! The epicurean counselor does his best thinking when he’s well-fed. Our good luck! –as we vicariously sample our way across New Orleans’ culinary panorama on the hunt for an axe murderer. But sleuth does not live by bread alone—even in a Tony Dunbar legal thriller. Ignoring his own advice to his client to “keep your head on your shoulders”, Tubby’s lost his to the lovely Peggy O’Flarity. It’s about time Tubby had some steamy sex – and maybe a little happiness? But fortune teller Sister Soulace has her doubts.

    In over 30 essays, written over 20 years, one of the world's great story-tellers meditates on story-telling. Warm, funny, generous, entertaining, and above all, deeply considered, they offer thoughts on a wide variety of topic, including the origin and composition of Philip's own stories, the craft of writing and the story-tellers who have meant the most to him. The art of story-telling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and the striking phrases, the resonant anecdotes, the humour and learnedness. Together, they are greater than the sum of their parts.

    The latest by the Nobel Prize-winning author of Disgrace is an utterly contemporary work of fiction that addresses the profound unease of countless people in democracies across the world.

    Le Guin:"I read her nonstop growing up and read her still. What makes her so extraordinary for me is that her commitment to the consequences of our actions, of our all too human frailties, is unflinching and almost without precedent for a writer of such human optimism."—Junot Diaz"A lot of her work is about telling stories, and what it means to tell stories, and what stories look like. She's been extremely influential on me in that area of what I, as a beginning writer, thought a story must look like, and the much more expan-sive view I have now of what a story can be and can do."—Karen Joy Fowler"She was and remains a central figure for me."—Michael ChabonUrsula K. Le Guin is one of our foremost public literary intellectuals and this collection of her recent talks, essays, introductions, and book reviews is the best manual we have for traveling the worlds explored in recent fiction; the most useful guide to the country we're visiting, life.Ursula K. Le Guin was born in Berkeley, California, in 1929. Among her honors are the National Book Foundation's Medal for Distinguished Contribution to American Letters, a National Book Award, the Hugo, Nebula, and Kafka awards, a Pushcart Prize, and the Harold D. Vursell Me-morial Award from the American Academy of Arts and Letters. She lives in Portland, Ore-gon.

    He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.

    health care, patients and doctors are losing. Who Killed Health Care? shows how to win the war. One of the nation's most respected health care analysts, Regina Herzlinger exposes the motives and methods of those who have crippled America's health care system-figures in the insurance, hospital, employment, governmental, and academic sectors. She proves how our current system, which is organized around payers and providers rather than the needs of its users, is dangerously eroding patient welfare and is pushing costs out of the reach of millions.Who Killed Health Care? then outlines Herzlinger's bold new plan for a consumer-driven system that will deliver affordable, high-quality care to everyone. By putting insurance money in the hands of patients, removing the middleman in the doctor-patient relationship, and giving employers cost relief, consumers and physicians will be empowered to make the system work the way it should. Herzlinger describes in precise detail how her innovative program will provideSmaller, disease-focused medical facilities that provide complete care for patientsA national system of medical records that provides privacy with confidential access by approved practitionersMandatory performance evaluations of all hospitals and all other medical organizationsMandatory health insurance with subsidies for those who cannot afford itWho Killed Health Care? is a call to arms that must be answered; the welfare of every American hangs in the balance."A brilliant analysis... A must-read." - Bill George, Professor, Harvard Business School and Former CEO of Medtronic"As it becomes more and more obvious to everyone that our current health care system is unsustainable, this is the book that had to be written." - Daniel H. Johnson, Jr. MD, former president of the American Medical Association"Regina Herzlinger's ideas to tackle the crisis of the U.S. health care system are based on keen knowledge of the system's existing difficulties along with insights that introduce the reader to new streamlined choices that have the potential of getting both quantity and cost under control." - Joseph Kennedy, founder, chairman, and president, Citizens Energy Corporation, CEO, Citizens Health Care, former representative (D-Mass)"Regina Herzlinger... offers a vision of the way things can be, should be, and will be sooner or later. The only question is: how long do we have to wait?" - Greg Scandlen, founder, Consumers for Health Choices "Regi Herzlinger has brilliantly articulated a better way - embracing the principles of competition and innovation that cause every other sector of our economy to thrive. Discharging American health care from the ICU can only happen by putting individual Americans - not politicians and bureaucrats - back in charge of their health care decisioins." - U.S. Senator Tom Coburn (R-Okla), M.D. "Following on the heels of her landmark Market-Driven Health Care, Herzlinger lays it on the line with her expose of what many who work in the health care industry have felt in their gut. Now it is articulated in an entertaining and must-read portrayal, with you and me as the only way out." - Dennis White, executive vice president for strategic development, National Business Coalition on Health "A wonderful Orwellian romp through issues which carry a deadly irony. The killers of health care are, of course, the third parties, each of which has an itchy palm and a commitment to profit or power which exceeds the commitment to service, with each engaging the others within a politically shaped box. Rarely has the case for the public been made with so much force, foresight, and wit, and a better way forward shown so clearly." - James F. Fries, MD, Professor of Medicine, Stanford University School of Medicine "You can practically hear the war chants as Professor Herzlinger sets out her view of what's wrong with the health care system and how to fix it. You'd best read it so you can decide which side you will be on when the battle is joined." - Paul Levy, CEO, Beth Israel Hospital, Boston, MA "Regina Herzlinger, the nation's leading expert on consumer-driven health care, has given us a brilliant analysis of the flaws in our health care system and what it will take to get it back on track. Her latest book is a must-read." - Bill George, Professor of Management Practice, Harvard Business School, Former CEO, Medtronic, and author of Authentic Leadership "You don't have to agree with her diagnosis and prescription for the U.S. health care system, but you do have to read her book. Once again, Professor Herzlinger has put together a well researched, well written, and very provocative blueprint for the future of health care." Peter L. Slavin, MD, President, Massachusetts General Hospital

    As in his earlier acclaimed Shakespeare Our Contemporary, Kott provides startling insights and intuitive leaps which link our world to that of the ancient Greeks. The title refers to the Bacchae of Euripides, that tragedy of lust, revenge, murder, and "the joy of eating raw flesh" which Kott finds paradigmatic in its violence and bloodshed.Jan Kott was born in Warsaw, Poland in 1914. In 1969 he left Poland for the United States. He received the 1985 George Jean Nathan Award for Dramatic Criticism for The Theater of Essence (Northwestern University Press, 1984).