A rapturous guide through five major Ice Age sites” (Archaeology).   The cave art of France’s Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the development of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages.   Over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In Stepping-Stones she combines her expertise in both art and archaeology to convey an intimate understanding of the “cave experience.” Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself.   Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public, this book reveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today.   “Her vivid descriptions help readers visualize the Cro-Magnon man or woman painting the beautiful bison, horses, mammoths, and other symbols. [A] fine reading experience.” —Library Journal

    With hundreds of new examples pulled from everyday life, Junk English 2 shows how our language has become so pliable and flabby that the more we read and hear, the less we know.

    Profiles of Victoria Woodhull, Elizabeth Cady Stanton, and Susan B. Anthony provide insights into the origins of the movement, while reflections from Betty Friedan, Gloria Steinem, Bella Abzug, Geraldine Ferraro, and others reveal the passion and dedication required to maintain progress in the continuing struggle for women’s equality. © 2012 HighBridge Audio

    This book takes an accessible approach to the subject matter, making coverage appropriate for students from a variety of levels.

    Declaring "We can do it and do it better," these women proved that poor mothers are the real experts on poverty. In 1972 they founded Operation Life, which was responsible for many firsts for the poor in Las Vegas-the first library, medical center, daycare center, job training, and senior citizen housing. By the late 1970s, Operation Life was bringing millions of dollars into the community. These women became influential in Washington, DC-respected and listened to by political heavyweights such as Daniel Patrick Moynihan, Ted Kennedy, and Jimmy Carter. Though they lost their funding with the country's move toward conservatism in the 1980s, their struggles and phenomenal triumphs still stand as a critical lesson about what can be achieved when those on welfare chart their own course.

    She charts the struggles between spiritualists and the medical and legal establishments over the issue of female mediumship, and provides new insights into the gendered dynamics of Victorian society.

    Today he's finally ready to be released from a psychiatric hospital. But were the demons really an excuse used by Daniel's parents for their mistreatment? Or were they real, and are they waiting to strike again? As he struggles to adjust to modern life, Daniel begins to see things that shouldn't be there. Mysterious figures stalk his days, and strange presences haunt him at night. Daniel begins to learn that he might have an unusual gift when it comes to communicating with the dead, but does that gift come at a price? And who is the strange man living in the apartment next door? The Haunting of Daniel Bayliss is a psychological horror story about a man who has spent his whole life being chased by demons that might or might not be real.

    Will it prove to be a boon or a curse? Find out in The Magic Pot.What solution will Suppandi come up with to cool down a cup of hot tea? Find out in Instant Coolant.How great it would be to simply dance to get appointed in the king’s court! But there’s a clever plan behind this seemingly simple process. Read The Selection Dance to find out more!

    The object, the “Cradle,” isn’t a mythological container filled with the evils of the world as the Greek poet, Hesiod, once described. Pandora’s Box is, in reality, an advanced energy core mightier than any weapon imaginable.Shortly after the Cradle’s unearthing, its discoverer, Special Forces veteran turned archaeologist, Elliot Oxley, is thrust into a centuries-old war that still rages on within the shadows of the world’s governments. He and a small team are forced to survive attacks by murderous zealots and well-armed mercenaries while also preventing the Cradle from falling into the hands of someone who intends to use it to fulfill a terrible prophecy.Matt James’ CRADLE OF DEATH is Indiana Jones, James Bond, and the X-Files rolled into one. This action-packed adventure is an exciting experience for all audiences, especially those that enjoy the “what if” of ancient history.

    Goldstein challenges much of what we think we know about the "culture of poverty." Drawing on more than a decade of experience in Brazil, Goldstein provides an intimate portrait of everyday life among the women of the favelas, or urban shantytowns. These women have created absurdist and black-humor storytelling practices in the face of trauma and tragedy. Goldstein helps us to understand that such joking and laughter is part of an emotional aesthetic that defines the sense of frustration and anomie endemic to the political and economic desperation of the shantytown.

    In homage to a new generation of tough young feminists, Marge Piercy presents a gathering of poems that reveal the poet as an early 'Grrrl.' Comprising over ninety poems selected from four books now out of print; poems previously published in literary magazines but never before collected and very early poems never published, this volume presents the bold and passionate political verse for which Piercy is well known alongside poems celebrating the sensual pleasures of gardening and cooking and sex; funny poems about New Year's Eve and warring boom boxes; vulnerable poems in which a young working class woman from the Midwest takes stock of herself and the limits of her world. For longtime fans and those new to Piercy's early work, this volume is an indispensable addition to the oeuvre of one of America's best-known and best-selling poets.Marge Piercy is the author of fifteen novels and fifteen books of poetry, most recently The Art of Blessing the Day (Knopf, 1999) a selection of Piercy's Jewish-themed poems. What Are Big Girls Made Of?(Knopf, 1997) was nominated for the Pulitzer Prize and selected as one of their Most Notable Books of the Year by the American Library Association. In October, 1999, she will be a featured poet on the Bill Moyers' PBS-TV poetry specials "Fooling with Words" and "The Sounds of Poetry" and her newest novel, Three Women will be published by William Morrow.TABLE OF CONTENTSPreface, .xiFrom THE TWELVE SPOKED WHEEL FLASHINGThe meaningful exchange, 4 Five thousand miles, 5 The summer invasion, and the fall, 6 Nothing you can have, 9 Archipelago, 12 The first salad of March, 15 Exodus, 16 Ask me for anything else, 18 What is permitted, 20 A gift of light, 22 Short season, 27 Ghosts, 29 The new novel, 31 Women of letters, 32From LIVING IN THE OPENThe token woman, 37 The clearest joy, 39 Make me feel it, 40 Sage and rue, 42 River road, High Toss, 44 Paradise Hollow, 45

    The dagongmei are women in their late teens and early twenties who move from rural areas to urban centers to work in factories. Because of state laws dictating that those born in the countryside cannot permanently leave their villages, and familial pressure for young women to marry by their late twenties, the dagongmei are transient labor. They undertake physically exhausting work in urban factories for an average of four or five years before returning home. The young women are not coerced to work in the factories; they know about the twelve-hour shifts and the hardships of industrial labor. Yet they are still eager to leave home. Made in China is a compelling look at the lives of these women, workers caught between the competing demands of global capitalism, the socialist state, and the patriarchal family.Pun Ngai conducted ethnographic work at an electronics factory in southern China’s Guangdong province, in the Shenzhen special economic zone where foreign-owned factories are proliferating. For eight months she slept in the employee dormitories and worked on the shop floor alongside the women whose lives she chronicles. Pun illuminates the workers’ perspectives and experiences, describing the lure of consumer desire and especially the minutiae of factory life. She looks at acts of resistance and transgression in the workplace, positing that the chronic pains—such as backaches and headaches—that many of the women experience are as indicative of resistance to oppressive working conditions as they are of defeat. Pun suggests that a silent social revolution is underway in China and that these young migrant workers are its agents.

    From belting out off-key renditions of torch songs while washing the dishes to seeing even the most unlikely career opportunity as a chance to spread one’s wings, Chambers shows that a willingness to fall flat on one’s face heightens the joys of everyday life and opens a new, wonderfully liberating perspective on work, motherhood, aging, friendship, failure, and success. With a winning combination of lighthearted anecdotes and heartfelt musings, Chambers encourages readers to follow her example and do the things that tickle their fancies and fire their imaginations—no matter what other people (and that little voice inside) may say. Like Chambers herself, they’ll discover that “what we consider our failures have a surprising ability to charm . . . we are loved for our imperfections—for our funny faces and walks and dances and songs.”

    Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.