From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

    It is the genre that stands in opposition to literary modernism." So says David G. Hartwell in his introduction to The Science Fiction Century, an anthology spanning a hundred years of science fiction, from its birth in the 1890s to the future it predicted.David G. Hartwell is a World Fantasy Award-winning editor and anthologist who has twice before redefined a genre--first the horror field with The Dark Descent, then the subgenre of hard science fiction with The Ascent of Wonder, coedited with Kathryn Cramer. Now, Hartwell has compiled the mother of all definitive anthologies, guaranteed to change not only the way the science fiction field views itself but also the way the rest of literature views the field.Contents 17 • Introduction (The Science Fiction Century) • (1997) • essay by David G. Hartwell 21 • Beam Us Home • (1969) • shortstory by James Tiptree, Jr. 31 • Ministering Angels • (1955) • shortstory by C. S. Lewis 39 • The Music Master of Babylon • (1954) • novelette by Edgar Pangborn 57 • A Story of the Days to Come • (1899) • novella by H. G. Wells 112 • Hot Planet • (1963) • shortstory by Hal Clement 127 • A Work of Art • (1956) • novelette by James Blish 139 • The Machine Stops • (1909) • novelette by E. M. Forster 161 • Brightness Falls from the Air • (1951) • shortstory by Margaret St. Clair 166 • 2066: Election Day • (1956) • shortstory by Michael Shaara 177 • The Rose • (1953) • novella by Charles L. Harness [as by Charles Harness ] 232 • The Hounds of Tindalos • (1929) • shortstory by Frank Belknap Long 242 • The Angel of Violence • (1978) • shortstory by Adam Wisniewski-Snerg 252 • Nobody Bothers Gus • [Gus] • (1955) • shortstory by Algis Budrys 261 • The Time Machine • (1954) • shortstory by Dino Buzzati 265 • Mother • (1953) • novelette by Philip José Farmer 285 • As Easy as A.B.C. • (1912) • novelette by Rudyard Kipling 304 • Ginungagap • (1980) • novelette by Michael Swanwick 327 • Minister Without Portfolio • (1952) • shortstory by Mildred Clingerman 333 • Time in Advance • (1956) • novelette by William Tenn 352 • Good Night, Sophie • (1973) • novelette by Lino Aldani (aka Buonanotte Sofia 1963 ) 369 • Veritas • (1987) • novelette by James Morrow 382 • Enchanted Village • (1950) • shortstory by A. E. van Vogt 393 • The King and the Dollmaker • (1970) • novella by Wolfgang Jeschke (aka Der König und der Puppenmacher 1961 ) 435 • Fire Watch • [Time Travel] • (1982) • novelette by Connie Willis 462 • Goat Song • (1972) • novelette by Poul Anderson 486 • The Scarlet Plague • (1912) • novella by Jack London 518 • Drunkboat • [The Instrumentality of Mankind] • (1963) • novelette by Cordwainer Smith 539 • Another World • (1962) • novelette by J. H. Rosny aîné (aka Un Autre Monde 1895 ) 558 • If the Stars Are Gods • [Bradley Reynolds] • (1974) • novelette by Gordon Eklund and Gregory Benford 585 • I Still Call Australia Home • (1990) • shortstory by George Turner 598 • Liquid Sunshine • (1982) • novelette by Alexander Kuprin (aka Zhidkoe solntse 1913 ) 632 • Great Work of Time • (1989) • novella by John Crowley 683 • Sundance • (1969) • shortstory by Robert Silverberg 694 • Greenslaves • (1965) • novelette by Frank Herbert 716 • Rumfuddle • (1973) • novella by Jack Vance 754 • The Dimple in Draco • (1967) • shortstory by R. S. Richardson [as by Philip Latham ] 765 • Consider Her Ways • (1956) • novella by John Wyndham 805 • Something Ending • (1973) • shortstory by Eddy C. Bertin 812 • He Who Shapes • (1965) • novella by Roger Zelazny 869 • Swarm • [Shaper/Mechanist] • (1982) • novelette by Bruce Sterling 886 • Beggars in Spain • [Sleepless] • (1991) • novella by Nancy Kress 939 • Johnny Mnemonic • (1981) • shortstory by William Gibson 952 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 961 • Blood's a Rover • (1952) • novella by Chad Oliver 993 • Sail the Tide of Mourning • [Bentfin Boomers] • (1975) • shortstory by Richard A. LupoffThe story The Angel of Violence by Adam_Wiśniewski-Snerg was translated from Polish to English by Thomasz Mirkowicz for this anthology.The story Good Night, Sophie by Lino Aldani was translated from Italian to English by L. K. Conrad.The story Liquid Sunshine by Alexander Kuprin was translated from Russian to English by Leland Fetzer.

    Informative and readable, Pringle's choices focus on landmarks by Ray Bradbury, Alfred Bester, and J. G. Ballard, unearth such lesser-known talents as Ian Watson, Octavia Butler, and Joanna Russ, and highlight breakthrough novels by William Gibson and Philip K. Dick.

    Now The Road to Dune is a companion work comparable to The Silmarillion, shedding light on and following the remarkable development of the bestselling science fiction novel of all time.In this fascinating volume, the world's millions of Dune fans can read--at long last--the unpublished chapters and scenes from Dune and Dune Messiah. The Road to Dune also includes some of the original correspondence between Frank Herbert and famed editor John W. Campbell, Jr., along with other correspondence during Herbert's years-long struggle to get his innovative work published, and the article "They Stopped the Moving Sands," Herbert's original inspiration for Dune.The Road to Dune also features newly discovered papers and manuscripts of Frank Herbert, and Spice Planet, an original novel by Brian Herbert and Kevin J. Anderson, based on a detailed outline left by Frank Herbert.The Road to Dune is a treasure trove of essays, articles, and fiction that every reader of Dune will want to add to their shelf.

    Don DeLillo’s “Human Moments in World War III” follows the strange detachment of two astronauts who are orbiting in a skylab while a third world war rages on earth. “The Ziggurat” by Gene Wolfe traverses a dissolving marriage, a custody dispute, and the visit of time travelers from the future. T. C. Boyle’s “Descent of Man” is the subversively funny tale of a man who suspects that his primatologist lover is having an affair with one of her charges. In “Schwarzschild Radius,” Connie Willis draws an allegorical parallel between the horrors of trench warfare and the speculative physics of black holes. Artfully crafted and offering a wealth of esteemed authors—from writers within the genre to those normally associated with mainstream fiction, as well as those with a crossover reputation—this volume aptly demonstrates that great science fiction appears in many guises.ContentsIntroduction by James Patrick Kelly & John Kessel“Angouleme” by Thomas M. Disch “The Ones Who Walk Away From Omelas” by Ursula K. Le Guin “Ladies and Gentlemen, This Is Your Crisis” by Kate Wilhelm “Descent of Man” by T. C. Boyle “Human Moments in World War III” by Don DeLillo “Homelanding” by Margaret Atwood “The Nine Billion Names of God” by Carter Scholz “Interlocking Pieces” by Molly Gloss “Salvador” by Lucius Shepard “Schwarzschild Radius” by Connie Willis “Buddha Nostril Bird” by John Kessel “The Ziggurat” by Gene Wolfe “The Hardened Criminals” by Jonathan Lethem “Standing Room Only” by Karen Joy Fowler “10^16 to 1” by James Patrick Kelly “93990” by George Saunders “The Martian Agent, A Planetary Romance” by Michael Chabon “Frankenstein’s Daughter” by Maureen F. McHugh “The Wizard of West Orange” by Steven Millhauser

    In an uncompromising, often irreverent survey of the genre from Edgar Allan Poe to Philip K. Dick to Star Trek, Thomas M. Disch analyzes science fiction's impact on technological innovation, fashion, lifestyle, military strategy, the media, and much more. An illuminating look at the art of science fiction (with a practitioner's insight into craft), as well as a work of pointed literary and cultural criticism, The Dreams Our Stuff Is Made Of reveals how this "pulp genre" has captured the popular imagination while transforming the physical and social world in which we live.

    Non-fiction.

    "Wired" magazine sent him to Singapore to report on one of the world's most buttoned-up states. "The New York Times Magazine" asked him to describe what was wrong with the Internet. Rolling Stone published his essay on the ways our lives are all "soundtracked" by the music and the culture around us. And in a speech at the 2010 Book Expo, he memorably described the interactive relationship between writer and reader.These essays and articles have never been collected-until now. Some have never appeared in print at all. In addition, "Distrust That Particular Flavor" includes journalism from small publishers, online sources, and magazines no longer in existence. This volume will be essential reading for any lover of William Gibson's novels. "Distrust That Particular Flavor" offers readers a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture.

    In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.With the insight and good humor his fans appreciated in On Writing, Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.

    In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement.

    The Borealis Legends line is a tribute to the creators of the science fiction, fantasy and horror genres as we know them today.

    Zhivago, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys The Odyssey contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible and wise. Why Read the Classics? firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.

    His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book

    An indignant, outrageous, witty, deeply felt collection of reviews, essays, and speeches, this is a window not only into Vonnegut’s mind but also into his heart.

    Tolkien written by Lin Carter. It was 1st published in paper by Ballantine in 3/69 & went thru numerous additional printings. It was among the earliest full-length critical works devoted to Tolkien's fantasies, the 1st to set his writings in their proper context in the history of fantasy. It was the earliest of three studies by Carter devoted to fantasy/horror writers & the history of fantasy, being followed by Lovecraft: A Look Behind the Cthulhu Mythos ('72) & Imaginary Worlds: The Art of Fantasy ('73), establishing him as an authority on the genre, indirectly leading to his editorial guidance of the Ballantine Adult Fantasy series. Gollancz published a cloth edition updated by Adam Roberts in 8/03. The study serves as an introduction for those unfamiliar with Tolkien's work. An introduction briefly reviews the publishing phenomenon of The Lord of the Rings & its popularity in the wake of the 1st paper editions in the '60s, after which he devotes three chapters to a short biography of the author thru the late '60s, including an account of how it was written. Four chapters explaining Middle-earth & summarizing the stories of The Hobbit & the three volumes of The Lord of the Rings follow, for the benefit of readers who may not have actually read the works. Carter next turns to the question of what the works are, a point of some confusion at the time. The then-current vogue for realistic fiction provided critics with few tools for evaluating an out-&-out fantasy on its own terms. Attempts to deconstruct it as a satire or allegory were rife. Carter firmly debunks these efforts, supporting his argument by drawing on Tolkien's own published ruminations on fantasy's functions & purposes. He then contextualizes the works by sketching the history of written fantasy from its earliest appearance in the epic poetry of the ancient world thru the heroic poetry of the Dark & the prose romances of the Middle Ages, down to the fairy tales, ghost stories & gothic novels of the early modern era & the rediscovery of the genre by writers of the 19-20th centuries prior to & contemporary with Tolkien. The origins of the modern genre are discovered in the writings of Wm Morris, Lord Dunsany & E.R. Eddison & followed thru the works of authors they influenced, including H.P. Lovecraft, Fletcher Pratt, L. Sprague de Camp & Mervyn Peake. Carter next highlights some of Tolkien's particular debts to his predecessors, tracing the motifs & names he utilizes back to their beginnings in Norse mythology & highlighting other echoes in his work deriving from legend & history. Finally noted is Tolkien's influence on contemporary fantasy, which was just beginning to make itself felt, primarily in the juvenile fantasies of Carol Kendall, Alan Garner & Lloyd Alexander.