It was first published in 1989. The short story outlines the main Jing- Mei Woo’s childhood and the effects of her mother’s high expectations for her life.- from Wikipedia

    We jump into the past as the narrator begins his story about his brother.The narrator is six years old when Doodle is born. Doodle is a sickly child, and everyone but Aunt Nicey thinks he will die. Daddy even buys Doodle a coffin. When Doodle has lived for two months, Mama and Daddy name him William Armstrong. The narrator doesn't think the name suits him, so he nicknames him Doodle.This is a tragic short story following the narrator as he tries to teach his weak younger brother to walk and play like a normal boy. It was first published in The Atlantic Monthly and won the "Atlantic First" award.

    Their numbers make them one of the largest recent immigrant groups in our nation. Today, significant Hmong populations can be found in California, Minnesota, Wisconsin, North Carolina, Michigan, and Colorado, and St. Paul boasts the largest concentration of Hmong residents of any city in the world.In this groundbreaking anthology, first-and second-generation Hmong Americans--the first to write creatively in English--share their perspectives on being Hmong in America. In stories, poetry, essays, and drama, these writers address the common challenges of immigrants adapting to a new homeland: preserving ethnic identity and traditions, assimilating to and battling with the dominant culture, negotiating generational conflicts exacerbated by the clash of cultures, and developing new identities in multiracial America. Many pieces examine Hmong history and culture and the authors' experiences as Americans. Others comment on issues significant to the community: the role of women in a traditionally patriarchal culture, the effects of violence and abuse, the stories of Hmong military action in Laos during the Vietnam War. These writers don't pretend to provide a single story of the Hmong; instead, a multitude of voices emerge, some wrapped up in the past, others looking toward the future, where the notion of "Hmong American" continues to evolve.In her introduction, editor Mai Neng Moua describes her bewilderment when she realized that anthologies of Asian American literature rarely contained even one selection by a Hmong American. In 1994, she launched a Hmong literary journal, Paj Ntaub Voice, and in the first issue asked her readers "Where are the Hmong American voices?" Now this collection--containing selections from the journal as well as new submissions--offers a chorus of voices from a vibrant and creative community of Hmong American writers from across the United States.Contributors: BC, Bee Cha, True Hang, Sharon Her, May Lee, Kou Lor, Pacyinz Lyfoung, Mai Neng Moua, Vayong Moua, Noukou Thao, Bryan Thao Worra, Va-Megn Thoj, Ka Vang, M.S. Vang, Mayli Vang, Soul Choj Vang, Hawj Xiong, Kao Xiong with Dia cha, Pa Xiong, Naly Yang, Peter Yang, Kao Yongvang

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    I wonder if she knows that at least one of her books made a grown woman finally feel like she'd been a normal girl all along. . . ."" -- FROM Everything I Needed to Know About Being a Girl I Learned fromJudy BlumeWhether laughing to tears reading "Otherwise Known as Sheila the Great" or clamoring for more unmistakable "me too!" moments in "Are You There God? It's Me, Margaret," girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from "Tales of a Fourth Grade Nothing" into "Smart Women," these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.

    Sullivan • and Brenna Aubrey, the winner of a story contest hosted by the Republic of Pemberley “My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” If you just heaved a contented sigh at Mr. Darcy’s heartfelt words, then you, dear reader, are in good company. Here is a delightful collection of never-before-published stories inspired by Jane Austen—her novels, her life, her wit, her world. In Lauren Willig’s “A Night at Northanger,” a young woman who doesn’t believe in ghosts meets a familiar specter at the infamous abbey; Jane Odiwe’s “Waiting” captures the exquisite uncertainty of Persuasion’s Wentworth and Anne as they await her family’s approval of their betrothal; Adriana Trigiani’s “Love and Best Wishes, Aunt Jane” imagines a modern-day Austen giving her niece advice upon her engagement; in Diana Birchall’s “Jane Austen’s Cat,” our beloved Jane tells her nieces “cat tales” based on her novels; Laurie Viera Rigler’s “Intolerable Stupidity” finds Mr. Darcy bringing charges against all the writers of Pride and Prejudice sequels, spin-offs, and retellings; in Janet Mullany’s “Jane Austen, Yeah, Yeah, Yeah!” a teacher at an all-girls school invokes the Beatles to help her students understand Sense and Sensibility; and in Jo Beverley’s “Jane and the Mistletoe Kiss,” a widow doesn’t believe she’ll have a second chance at love . . . until a Miss Austen suggests otherwise.Regency or contemporary, romantic or fantastical, each of these marvelous stories reaffirms the incomparable influence of one of history’s most cherished authors.Look for special features inside.Join the Circle for author chats and more.RandomHouseReadersCircle.com

    . .November 11, 1918. After four long, dark years of fighting, the Great War ends at last, and the world is forever changed. For soldiers, loved ones, and survivors, the years ahead stretch with new promise, even as their hearts are marked by all those who have been lost.As families come back together, lovers reunite, and strangers take solace in each other, everyone has a story to tell.In this moving, unforgettable collection, nine top historical fiction authors share stories of love, strength, and renewal as hope takes root in a fall of poppies.Featuring:Jessica BrockmoleHazel GaynorEvangeline HollandMarci JeffersonKate KerriganJennifer RobsonHeather WebbBeatriz WilliamsLauren Willig

    "This is not a novel about prejudice or race relations or brotherhood. It is about parents and children, young people and older people, about love and failure, loss and discovery, coming to terms with ourselves and others. Edgar Allan is a work of art." —The New York Times• An American Library Association (ALA) Notable Book• An Outstanding Book of the Year, The New York Times

    But upon settling at Redwood Apartments, a two-story cinderblock complex just off a highway in Delaware, they discover that Maribel's recovery--the piece of the American Dream on which they've pinned all their hopes--will not be easy. Every task seems to confront them with language, racial, and cultural obstacles.At Redwood also lives Mayor Toro, a high school sophomore whose family arrived from Panamá fifteen years ago. Mayor sees in Maribel something others do not: that beyond her lovely face, and beneath the damage she's sustained, is a gentle, funny, and wise spirit. But as the two grow closer, violence casts a shadow over all their futures in America.Peopled with deeply sympathetic characters, this poignant yet unsentimental tale of young love tells a riveting story of unflinching honesty and humanity that offers a resonant new definition of what it means to be an American. An instant classic is born.

    This groundbreaking anthology includes 170 authors and illustrators of alphabets and animal fables, fairy tales and fantasy, picture books and nursery verse, among many other genres. Here readers will find beloved works by Charles Perrault, Lewis Carroll, J. M. Barrie, L. M. Montgomery, and Dr. Seuss along with historical classics—The New-England Primer and Robert Louis Stevenson's A Child's Garden of Verses—and major voices from the multicultural and global contemporary scene. Over 40 longer complete works and over 400 illustrations, including 60 in color, enhance this comprehensive and visually rich anthology.With introductions that offer fresh insights into the cultural contexts of children's literature and childhood itself over four centuries, author headnotes, annotations, bibliographies, and a timeline, The Norton Anthology of Children's Literature illuminates a literary tradition whose power to instruct and delight is both centuries old and startlingly new.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    Kingsolver’s selections for The Best American Short Stories 2001 showcase a wide variety of new voices and masters, such as Alice Munro, Rick Moody, Dorothy West, and John Updike. “Reading these stories was both a distraction from and an anchor to the complexities of my life — my pleasure, my companionship, my salvation. I hope they will be yours.” — Barbara Kingsolver