When Brian Doyle died of brain cancer at the age of sixty, he left behind dozens of books -- fiction and nonfiction, as well as hundreds of essays -- and a cult-like following who regarded his writing on spirituality as one of the best-kept secrets of the 21st century. Though Doyle occasionally wrote about Catholic spirituality, his writing is more broadly about the religion of everyday things. He writes with a delightful sense of wonder about the holiness of small things, and about love in all its forms: spiritual love, brotherly love, romantic love, friendly love, love of nature, and even the love of a nine-foot sturgeon. At a time when our world feels darker than ever, Doyle's essays are a balm for the tired soul. He finds beauty in the quotidian: the awe of a child the first time she hears a river, the whiskers a grieving widow misses seeing in her sink every day -- but through his eyes, nothing is ordinary. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to the glories hidden in people, places and creatures of little or no size or renown, and brought inimitably playful or soaring or aching or heartfelt language to his tellings." In a time when wonder seems to be in short supply, One Long River of Song, Doyle and Duncan invite readers to experience it in the most ordinary of moments, and allow themselves joy in the smallest of things.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    At once an elegy to simple beauty (a sunset the same color as the maple tree in his neighbor’s yard, “Nature and nature head-butt”) and an expression of Wright’s restless questing for a reality beyond the one before our eyes (“Between the divine and the divine / lives a lavish shadow. / Do we avoid it or stand in it? / Do we gather the darkness around us, / or do we let it slide by?”), Caribou’s strength is in its quiet, subtle profundity.     “It’s good to be here,” Wright tells us. “It’s good to be where the world’s quiescent, and reminiscent.” And to be here—in the pages of this stirring collection—is more than good; it’s another remarkable gift from the poet around whose influence “the whole world seems to orbit in a kind of meditative, slow circle” (Poetry).

    Robert Bly, James Hillman, and Michael Meade challenge the assumptions of our poetry-deprived society in this powerful collection of more than 400 deeply moving poems from renowned artists including Robert Frost, Emily Dickinson, Langston Hughes, Theodore Roethke, Rainer Maria Rilke, Marianne Moore, Thomas Wolfe, Czeslaw Milosz, and Henry David Thoreau.

    Leaving her children behind in the real world, the busier world, she has chosen to spend her last years alone in the mountains in Kasauli, in a secluded bungalow called Carignano.Until one summer her great-granddaughter Raka is dispatched to Kasauli and everything changes. Nanda is at first dismayed at this break in her preciously acquired solitude. Fiercely taciturn, Raka is, like her, quite untamed. The girl prefers the company of apricot trees and animals to her great-grandmother's, and spends her afternoons rambling over the mountainside. But the two are more alike than they know. Throughout the hot, long summer, Nanda's old, hidden dependencies and wounds come to the surface, ending, inevitably, in tragedy.Marvellous yet restrained, Fire on the Mountain speaks of the past and its unshakable hold over the present.

    Campbell stresses that the borders dividing the Earth have been shattered; that myths and religions have always followed the certain basic archetypes and are no longer exclusive to a single people, region, or religion. He shows how we must recognize their common denominators and allow this knowledge to be of use in fulfilling human potential everywhere.

    For fans stirred by the cerebral lyrics of SOAD albums Hypnotize, Mesmerize, Steal This Album!, Toxicity, and their first, self-titled breakthrough—and for everyone enthusiastic about Serj’s solo album, Imperfect Harmonies—this essential, one-of-a-kind collection of Tankian’s innermost thoughts and feelings is a must-read. Unique illustrations punctuate nearly 70 poems—almost none of which have ever been published before. Glaring through Oblivion is an indispensable find for any true fan.

    All the same, this four-week period leading up to Christmas is making a comeback as growing numbers reject shopping-mall frenzy and examine the deeper meaning of the season. Ecumenical in scope, these fifty devotions invite the reader to contemplate the great themes of Christmas and the significance that the coming of Jesus has for each of us not only during Advent, but every day. Whether dipped into at leisure or used on a daily basis, "Watch for the Light" gives the phrase holiday preparations new depth and meaning. Includes writings by Christoph Friedrich Blumhardt, Sylvia Plath, J. B. Phillips, Friedrich Wilhelm Foerster, Henri Nouwen, Bernard of Clairvaux, Kathleen Norris, Meister Eckhart, St. Thomas Aquinas, Karl Rahner, Isaac Penington, Madeleine L Engle, Alfred Delp, Loretta Ross-Gotta, William Stringfellow, J. Heinrich Arnold, Edith Stein, Philip Britts, Jane Kenyon, John Howard Yoder, Emmy Arnold, Karl Barth, Oscar Romero, William Willimon, Johann Christoph Arnold, Gail Godwin, Leonardo Boff, G. M. Hopkins, Evelyn Underhill, Dorothy Day, Brennan Manning, Dietrich Bonhoeffer, Romano Guardini, Annie Dillard, Martin Luther, St. John Chrysostom, Giovanni Papini, Dorothee Soelle, C. S. Lewis, Gustavo Gutierrez, Philip Yancey, J. T. Clement, Thomas Merton, Eberhard Arnold, Ernesto Cardenal, T. S. Eliot, John Donne, Gian Carlo Menotti and Jurgen Moltmann.

    Inspired by the Prometheus Bound of Aeschylus, Shelley's play serves as a sort of sequel, matching its Greek predecessor in stature and pure poetic power. It depicts its philanthropist hero's ultimate triumph over the superstition and bigotry of the gods. As Shelley himself stated in his Defence of Poetry, Prometheus Unbound awakens and enlarges the mind.

    More intimate and personally revealing than his fiction, and more classical in form than the inventive metafictions that are his hallmark, the sonnets reflect Borges in full maturity, paying homage to many of his literary and philosophical paragons-Cervantes, Milton, Whitman, Emerson, Joyce, Spinoza-while at the same time engaging the mysteries immanent in the quotidian. A distinguished team of translators-Edith Grossman, Willis Barnstone, John Updike, Mark Strand, Robert Fitzgerald, Alastair Reid, Charles Tomlinson, and Stephen Kessler-lend their gifts to these sonnets, many of which appear here in English for the first time, and all of which accompany their Spanish originals on facing pages. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    From falling in love to overcoming adversity, celebrating a new born or learning to live with dignity: here is a book to inspire and to thrill through life's most magical moments. From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.

    This new collection showcases Beckman’s ability, even within the confines of a few brief lines, to suggest and sustain emotions, landscapes, humor and desire.

    It has the richness variety and compactness of true poetry. It is a book to read and remembered. Sexton is an accomplished lyricist. She can combine the straightforwardness of playing on his speech with the saddle with the control, tight formal structure, and brilliantly effective imagery. But she makes her singular claim on our attention by the fact that she has important things to tell us and tells them dramatically.

    Too often ignored or underemphasized in favor of their male warrior counterparts, Native American women have played a more central role in guiding their nations than has ever been understood. Many Native communities were, in fact, organized around women's labor, the sanctity of mothers, and the wisdom of female elders. In this well-researched and deeply felt account of the Ojibwe of Lake Superior and the Mississippi River, Brenda J. Child details the ways in which women have shaped Native American life from the days of early trade with Europeans through the reservation era and beyond.The latest volume in the Penguin Library of American Indian History, "Holding Our World Together" illuminates the lives of women such as Madeleine Cadotte, who became a powerful mediator between her people and European fur traders, and Gertrude Buckanaga, whose postwar community activism in Minneapolis helped bring many Indian families out of poverty. Drawing on these stories and others, Child offers a powerful tribute to the many courageous women who sustained Native communities through the darkest challenges of the last three centuries.

    The Faith is a beautifully written book that truly answers the question, "What is it that you Orthodox believe?" Perfect for inquires and study groups, high school age and up.