This raunchy love story is about Toya, Tershia, and Lauren. They are big beautiful women who are a force to be reckoned with because they stop at nothing when it comes to finding and keeping love. But, Lauren’s love is a little different from the rest. She rather have money than love and sex with wealthy men spells love to her. Toya is hopeless when it comes to love. She is no stranger to heartbreak and her husband is the cause of most of it. So, Toya wonders if her Mr. Right is out there or will she have to settle for a man that’s not worthy of her love. Tershia is married with kids. She is deeply in love with her husband. They have a big house, cars, and own a salon, so she feels that she is the envy of Toya and Lauren. Find out why Big Girls Need Love and how these ladies handle this twisted sensation they call love.

    Internationally famous Czech photographer Jan Saudek is no exception, and equally as uncompromising in pursuit of his own unique vision. For over four decades Saudek has created a parallel photographic universe, a two-dimensional home full of longing, peopled with the most extraordinary characters and colored by desire. The timeless strength of his hand-tinted photographs lies in their poetic compositions and their forceful?at times ribald?pictorial language, with its overtones of medieval genre pictures and Baroque mythology. Rejecting the traditional beauty in his famous nude photographs, Saudek shows the distinctively different: old women, fat women, children; real people in tableaux vivants that remind us of everything from surreal early movies to fin-de-siecle carnival nights. They exist outside time, a uniquely colored and almost mythical theater of dreams. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true "velvet revolution," fertile and unsettling images from the dreams we might still have. The author: Daniela Mr?zkov?, critic and editor of the Czech magazines Revue fotografie and Fotografie-Magaz?n, is the author of sixteen books on photography published in the Czech Republic and abroad, and the curator of around fifty photography exhibitions. She has been a member of international juries, and has authored film and television documentaries on photography and photographers. She hasfollowed Jan Saudek's work since his early years and is the author of Saudek's first Czech monograph, The Theatre of Life.

    It was an astonishing achievement for a British team led by Everest veteran Charles Evans. Drawing on interviews, diaries and unpublished accounts, Mick Conefrey begins his story in 1905 with the first, disastrous attempt on the mountain by a team led by Aleister Crowley, explores the three dramatic German expeditions of the the late 1920s and brings it all to a climax 50 years later with the first ascent by Joe Brown and George Band. The Last Great Mountain is the final instalment of Mick Conefrey's acclaimed high altitude trilogy.

    Polish alpinist, Voytek Kurtyka, termed the practice the "art of suffering." The stories here range from the French climber Elisabeth Revol's solo winter attempt of Makalu, to American Cory Richards and his dramatic effort on Gasherbrum II with famed Italian alpinist Simone Moro and Kazakh hard man Denis Urubko. Award-winning author Bernadette McDonald traveled extensively to interview many of the climbers featured in this book--including Revol, the climbing partner of Tomek Mackiewicz, and Anna Mackiewicz, his widow, meeting them just a few months after Mackiewicz's death on Nanga Parbat. McDonald's many personal relationships with profiled climbers and her ability to tap into emotions and family histories lend Winter 8000 an intimacy too often lacking in mountaineering histories.These accounts prove the point: Nature is not subservient to man.

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    This book is for civil engineers that teach fluid mechanics both within their discipline and as a service course to mechanical engineering students. As with all previous editions this 10th edition is extraordinarily accurate, and its coverage of open channel flow and transport is superior. There is a broader coverage of all topics in this edition of Fluid Mechanics with Engineering Applications. Furthermore, this edition has numerous computer-related problems that can be solved in Matlab and Mathcad.

    Boys come from the Stupid Factory. 2. Boys are pretty much smelly and useless. 3. It is possible to have fun with boys, however..... 4. If you decide to keep a boyfriend, he will need to be housebroken. With a South Park-for-girls edgy freshness, artist and entrepreneur (David & Goliath clothing) Todd Harris Goldman updates the eternal battle of the sexes. And this time the girls win. Packaged in soft, puffy cover (so if you do keep a boyfriend around the house, he won't hurt himself too much when he tries to figure out what it is by putting it in his mouth), this bright, irreverent book is the perfect girlfriend gift .No boys were hurt during the making of this book.

    You know, the kind of guy that won’t take no for an answer.Fortunately, I’ve just met four mysterious brothers at an art gallery that might be the magical answer to my problems. They’re all strong, gorgeous, rich and gifted in their own ways and in love with me. I couldn’t possibly choose and luckily they don’t want me to.Trouble is, my stalker’s not very ordinary himself. My four magical lovers might not be enough to protect me and I can’t stand the thought of losing even one of them, knowing it would be my fault. Desired by Four Falling in love isn’t supposed to be literal.Except if you’re a witch who’s cast a soulmate spell… Turns out love magic isn’t the kind you dabble with…First there’s Dixon with his sweet midwestern twang. Then there’s action-hero-hot Mateo, who literally swooped in and saved my life… plus his three insanely handsome brothers. The universe definitely heard my call and it’s raining men alright.Turns out controlling the magnetic attraction is where it gets tricky, especially if you happened to call upon a magical being, intent on killing you and stealing your power. Whoops.Fortunately I’ve got four hot shifter protectors because I’m gonna need ‘em. Fate of Three A ruthless collector of dark magical artifacts. Three jaguar shifters intent on taking him down, and they’re asking me to be some kind of undercover spy…Saying yes seems like the most dangerous decision I could possibly make.But that’s nothing compared to falling in love with all three of them.They’ve promised me their protection and I’ve rolled the dice. I’m trusting all three with my love and my life. The Descendants is a page-turning paranormal reverse harem collection with explicit scenes and is meant for readers 18+. Publisher’s note: Shared by Four and Desired by Four are reverse harem romances which involves brothers, which may be off-putting to some readers. If this is the case, please check out Jade’s other reverse harem stories or her bear shifter fated mates series, Special Bear Protectors. Review Highlights for The Descendants: I enjoyed each and every story! So hot and titillating, each one. I loved that these shifters found their fated mates and how they found them. I would highly recommend these books to 18+. ★★★★★Every once in awhile you come upon a story that pulls at you and you enjoy the heck out of it. This, in my case is such a story. I cannot recommend this too highly. It is a hoot. ★★★★★I've read each of these incredible stories as individual books, but I would have LOVED to get them all in ONE SET!!!! Overall, a DON'T MISS set of books for total enjoyment!!!!! ★★★★★

     Melanie Roberts is desperate. She needs money fast—and lots of it—or her mother is going to die. Enter Riyad al Tahan, a handsome sheikh who is equally desperate—for an heir. From the moment he sees Melanie, his desire burns him inside out. And he can have her...for a price. For Melanie, the arrangement seems simple...at first. But what begins as business soon becomes a sensual journey for them both. What will happen when the contract is up? With their fates intertwined forever, can either really say "goodbye"? Note: this story features hot, sexy scenes between a powerful sheikh and an innocent female lead.

    In the end, she was forced to leave another country. Five years later, she returned with a pair of beautiful dragon and phoenix treasures! However, on the day of her return, she had offended the handsome CEO. What shocked her even more was that this CEO and her son looked exactly the same! "A pair of cute photos of Gongzi Bao accidentally went viral on the internet. One day, the CEO stepped forward and blocked her path." "Women, let's talk about the right to the care of children!" "Let's not talk about it!" A man placed her against the wall, "Alright, let's not talk about our children. Let's talk about when we can get a marriage certificate!"

    Great feats of the warlike Arapaho arise as Jedidiah Bracket faces obstacles and becomes the great Arapaho Warrior and Lance Bearer, Crow Killer. Eighteen hundred and forty nine, western Nebraska Territory, the crossing of the North Platte was rough. Jedidiah Bracket fell headfirst into the raging waters of the river and survived only to find himself surrounded by hostile Arapaho warriors. One warrior wanted to kill him, but after discovering the mark of the Arapaho Lance on his back, he was taken back to their village. Jed was treated with respect and taught the passage of manhood into the Arapaho Lance Bearers by the one warrior that hated him most, Walking Horse. Taught the language and nursed back to health by Walking Horse's woman, the beautiful Little Antelope, Jed had many trials to overcome.

    But that’s not what happens. He allows us to be troubled. He allows us to be tried, go through storms and face tribulations. He allows us to suffer because He is with us and knows we will come through alright.“Charlena has an awesome way of helping us understand that if we want a “crown” we must carry our “crosses.” No Cross, No Crown. The things that earn us our crowns are the crosses we bear, even in the heat of the day. What strengthens us to carry our crosses is the knowledge that one day we will exchange them for our crowns."Charlena’s writings help to refocus readers on the spiritual gifts that come from bearing your burdens with the promise of the gifts that come as a result of carrying heavy loads. Charlena has the ability to translate her real-life experiences for others and provide a methodology that takes one from a cross to a crown.”Kenneth Alexander, Pastor, Antioch Baptist Church North, Atlanta, GA

    His distillation was described at the time by THE CLIMB co-author, Weston DeWalt, as ‘the clearest exposition of the 1996 disaster I have ever seen’. Now, nine years later, having honed his penmanship within the rigors and deceits of the True Crime genre, Nick van der Leek is taking on the Everest narrative once more but with a fresh approach. Compared to his 2006 article, NEVEREST is a much larger and deeper analysis of the events leading up to ‘the deadliest day on Mount Everest [May 10]. Van der Leek makes no bones about the purpose of this narrative: “We’ll be treating the 1996 disaster as a criminal investigation; and the mountain itself as a crime scene.” From this unique and fascinating vantage point the reader is dragged back into a deadly ‘storm over Everest’, one that brings readers and amateur climbers face to face with something more terrifying than the mountain itself. What are the motives of the men climbing the world’s tallest mountain? What Van der Leek manages to achieve in NEVEREST is to show the naked ambition and base morality of many of the men and women who returned from the dismal heights to a hero’s welcome. What if some of them weren’t heroes? Using the psychology ‘it takes a thief to catch a thief’ professional photojournalist and one time climber of Kilimanjaro, Nick van der Leek demystifies the heroism of climbing. “The question is whether climbing a real mountain is an authentic process towards growing ones symbolic self, and the question is whether climbing the world’s highest mountain means accessing the highest parts of the self.” Would we climb that mountain if there were no picture taken at the top? Would we still push for the summit if it meant coming back and not telling a soul? By following the narrative of the MOUNTAIN MADNESS team, Van der Leek investigates and cross references what Scott Fischer’s mostly American crew and clients did right as opposed to their rivals on Everest: Adventure Consultants [five members of Hall’s team died on the mountain including Rob Hall]. As Van der Leek pursues an explanation to account for this incongruity he finds and then mines the golden thread buried within the great mountain. Were the teams locked in a deadly rivalry, or did they just run out of oxygen and time? Was it the weather or human error or the result of something else? What role did hubris play in Everest’s deadliest day, and what role does it play in your life?