So begins the age-old tale of a kind-hearted young woman, her jealous stepmother, two hateful stepsisters, and a young man in search of a wife. The young man, Javier, falls madly in love with beautiful Adelita, but she disappears from his fiesta at midnight, leaving him with only one clue to her hidden identity?a beautiful rebozo? shawl. With the rebozo in place of a glass slipper, this favorite fairy tale takes a delightful twist. Tomie dePaola?s exquisite paintings, filled with the folk art of Mexico, make this a Cinderella story like no other.

    To find the killer, rookie detective Callum Pederson has gone undercover where the Princes hold court. He’s found enough secrets among the bros to bring them in for questioning—but he could very well get lost in the games the Princes play.

    She hates her shadow, and thinks her shadow must hate her too. But one cold, dark night, when bandits surprise her in the woods, Hortense discovers that her shadow is the very thing she needs most.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    Matthew Cordell’s clever and playful line art lightheartedly captures the spirit of the poetry. This is the perfect book for anyone who’s ever apologized . . . and not really meant it.

    Instead, Nor uses it for a con—to convince villagers to buy straw that can be transformed into gold. Her trick works a little too well, attracting the suspicion of Prince Casper, who hates nobody more than a liar. Intent on punishing Nor, he demands that she spin a room of straw into gold and as her reward, he will marry her. Should she refuse or fail, the consequences will be dire.

    “Once upon a time, there lived a poor woodcutter with his wife and two children, Hansel and Gretel . . .” and so begins the thrilling story of two children relying on their wits to survive in a hostile world. Sybille Schenker’s evocative and exquisite illustrations bring a unique beauty and graphic excellence to a timeless favorite.

    Includes a black, velvet-like drawstring bag to hold the cards.

    Through richly detailed full-color paintings and line drawings, magical kingdoms emerge from a sea of dreams. Cassandra Aisling, who is nine years and eleven months old, doesn't care “a jot” about what sensible people think. She likes strange, mysterious, and magical things. So when her world gets tumbled upside down, she boards the H.M.S. Basset, ready to explore the landscape of her imagination. Pledging allegiance to the Basset's motto, “Credendo do Vides...Believing is Seeing,” Cassandra, her skeptical older sister Miranda, and their father, Professor Algernon Aisling, set out in search of the ancient legends. From the flickering flight of fairies and the mermaids' siren songs to a labyrinth-bound Minotaur and a fire-breathing dragon, the Aisling family witnesses firsthand the wonder of mythological worlds. In this lavishly illustrated edition, Cassandra's adventures intertwine with her father's scientific scribblings to present both new tales and the essence of classical myths. From the two voices, readers learn the power of imagination, the importance of believing in oneself, the value of family, and the need for creative, cooperative problem-solving. The story of a magical journey and the exquisite fantasy artwork will appeal to young and old alike.

    In this penetrating book, Joan Gould brings to the surface the hidden meanings in fairy tales and myths, and illuminates what they can tell you about the stages in your own life. As Gould explores the transformations that women go through from youth to old age–leaving home and mother, the first experience of sexuality, the surprising ambivalence of marriage, the spiritual work required by menopause and aging–her keen observations will enrich your awareness of your inner life.Full of archetypal figures known to us all, Spinning Straw into Gold also includes stories from the lives of ordinary women that clarify the insights to be gained from the beloved tales that have been handed down from one generation to the next.

    Angel-like Blengins with butterfly wings, natural catastrophes, innocent girls, and murderous soldiers all appear in Darger's scenes, which are reproduced in this book in double-page and gatefold spreads. In the volume's introductory essay, Klaus Biesenbach examines the radical originality of Darger's art, including his use of collage, incorporation of religious themes and iconography, and frequent juxtaposition of innocence with violence. An essay by Brooke Davis Anderson illuminates Darger's source materials and techniques. Michael Bonesteel puts Darger's life in the context of his work and selects key texts to accompany the illustrations. The book also includes for the first time the text of Darger's History of My Life, A" the artist's autobiography. The only book of its kind, Henry Darger offers an authoritative, balanced, and insightful look at an American master

    A princess sleeps. This is no fairy tale.It all started with the burning of the spindles.No.It all started with a curse…Half sisters Isabelle and Aurora are polar opposites: Isabelle is the king’s headstrong illegitimate daughter, whose sight was tithed by faeries; Aurora, beautiful and sheltered, was tithed her sense of touch and her voice on the same day. Despite their differences, the sisters have always been extremely close.And then everything changes, with a single drop of Aurora’s blood—and a sleep so deep it cannot be broken.As the faerie queen and her army of Vultures prepare to march, Isabelle must race to find a prince who can awaken her sister with the kiss of true love and seal their two kingdoms in an alliance against the queen.Isabelle crosses land and sea; unearthly, thorny vines rise up the palace walls; and whispers of revolt travel in the ashes on the wind. The kingdom falls to ruin under layers of snow. Meanwhile, Aurora wakes up in a strange and enchanted world, where a mysterious hunter may be the secret to her escape…or the reason for her to stay.

    A miniature pig splashing in a bowl of soup; a duck leading a wheelbarrow down a country lane; a woman gently stroking her daughter's face with a rabbit: take a trip into Sowa's brilliant and darkly comic imagination, where a menagerie of creatures adopt strange personae and pop up in the most unexpected places. In the same realm as Chris Van Allsburg and Maurice Sendak, Sowa's paintings take on the other-worldly look of a whacked-out fairy tale—each work full of irony, a wry Brothers Grimm for grown-ups. These witty and satirical images—a cross between Magritte and The Far Side—are sure to attract a well-deserved and passionate following in the States.

    . . Those words conjure up the aura of timeless children's stories, the kind of tales told in our comprehensive line of Children's Classics. Accompanied with exquisite illustrations specially commissioned for this line, each book is a hardcover, elegant little treasure with a deluxe four-color bronzed jacket. At $6.95, they are an affordable answer for first-class gift giving and collecting. And to make them even more attractive to your customers, we offer a variety of assortment and display options.

    Among the volume's charming novelty elements are:—Dr. Drake's own school report card— A pullout official ID card from the Secret & Ancient Society ofDragonologists—Four sheets of stickers featuring dragons, gems, vintage ads and posters — and more!