S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    A bestseller through six editions, Writing Fiction by novelists Janet Burroway and Elizabeth Stuckey-French explores the elements of fiction, providing practical writing techniques and concrete examples. Written in a tone that is personal and non-prescriptive, the text encourages students to develop proficiency through each step of the writing process, offering an abundance of exercises designed to spur writing and creativity. The text also integrates diverse, contemporary short stories in every chapter in the belief that the reading of inspiring fiction goes hand-in-hand with the writing of fresh and exciting stories.

    Lewis' The Discarded Image paints a lucid picture of the medieval world view, as historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the image discarded by later ages as the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe. This, Lewis' last book, was hailed as the final memorial to the work of a great scholar and teacher and a wise and noble mind.

    Though originally published nearly seventy years ago, the book maintains its relevance today.

    Emphasizing the role of affect, cognition, and behavior in the process of change, the book presents an integrative approach grounded in clien

    This updated edition will benefit a new generation of preachers. Praised by Newsweek magazine and his peers as one of America's most significant preachers, Robinson guides you step-by-step through the fundamentals of preparing and preaching an expository sermon.

    It did so not in a vacuum, but in a setting of times, cultures, and events that both influenced and were influenced by the church. Church History looks closely at the integral link between the history of the world and that of the church. Volume one explores the development of the church from the days of Jesus to the years prior to the Reformation. Filled with maps, charts, and illustrations, it offers overviews of the Roman, Greek, and Jewish worlds; insights into the church s relationship to the Roman empire, with glimpses into pagan attitudes toward Christians; the place of art and architecture, literature and philosophy, both sacred and secular; and much more, spanning the time from the first through the thirteenth centuries. Volume One Content Overview 1. The Setting for the Story s Beginning 2. Jesus and the Beginnings of the Church 3. The Subapostolic Age 4. The Church and the Empire 5. Heresies and Schisms of the Second Century 6. The Defense Against Rival Interpretations 7. The Fathers of the Old Catholic Church and Their Problems 8. Church Life in the Second and Third Centuries 9. Development of the Church During the Third Century 10. Diocletian and Constantine: On the Threshold of the Fourth Century 11. The Church in the Fourth Century: Doctrine, Organization, and Literature 12. The Church in the Fourth and Early Fifth Centuries: Monasticism, Expansion, Life, and Worship 13. Christological Controversies to Chalcedon 14. Augustine, Pelagius, and Semipelagianism 15. Transitions to the Middle Ages: Germanic Migrations, Doctrinal Developments, and the Papacy 16. Eastern and Western Churches in the Fifth and Sixth Centuries 17. The Eastern Church from the Seventh to Eleventh Centuries 18. The Western Church from the Seventh to Ninth Centuries 19. Decline and Renewal of Vitality in the West: The Ninth to Eleventh Centuries 20. The Papal Reform Movement and the First Crusade 21. Intellectual Revival: The Rise of Scholasticism 22. Monastic, Literary, Political, and Cultural Activities in the Twelfth Centuries 23. The Glory of the Western Medieval Church: The Thirteenth Century 24. Portents of Decline"

    Charles C. Ryrie addresses this crucial issue from the perspective of classic dispensationalism. He confronts the views of covenant theology, historical premillennialism, ultradispensationalism, and in this revised edition, the increasingly popular progressive dispensationalism.In his best-selling book, Dispensationalism Today, written more than 50 years ago, Dr. Ryrie made this complex subject more understandable for thousands worldwide. This revised and expanded version of that book will prove to be an invaluable reference tool for your library.

    Using actual unfinished, "working" notes as examples, they illustrate options for composing, reviewing, and working fieldnotes into finished texts. They discuss different organizational and descriptive strategies, including evocation of sensory detail, synthesis of complete scenes, the value of partial versus omniscient perspectives, and of first person versus third person accounts. Of particular interest is the author's discussion of notetaking as a mindset. They show how transforming direct observations into vivid descriptions results not simply from good memory but more crucially from learning to envision scenes as written. A good ethnographer, they demonstrate, must learn to remember dialogue and movement like an actor, to see colors and shapes like a painter, and to sense moods and rhythms like a poet.The authors also emphasize the ethnographer's core interest in presenting the perceptions and meanings which the people studied attach to their own actions. They demonstrate the subtle ways that writers can make the voices of people heard in the texts they produce. Finally, they analyze the "processing" of fieldnotes—the practice of coding notes to identify themes and methods for selecting and weaving together fieldnote excerpts to write a polished ethnography.This book, however, is more than a "how-to" manual. The authors examine writing fieldnotes as an interactive and interpretive process in which the researcher's own commitments and relationships with those in the field inevitably shape the character and content of those fieldnotes. They explore the conscious and unconscious writing choices that produce fieldnote accounts. And they show how the character and content of these fieldnotes inevitably influence the arguments and analyses the ethnographer can make in the final ethnographic tale.This book shows that note-taking is a craft that can be taught. Along with Tales of the Field and George Marcus and Michael Fisher's Anthropology as Cultural Criticism, Writing Ethnographic Fieldnotes is an essential tool for students and social scientists alike.

    The anthology offers more poetry by women (40 new poets), with special attention to early women poets. The book also includes a greater diversity of American poetry, with double the number of poems by African American, Hispanic, native American and Asian American poets. There are 26 new poets representing the Commonwealth literature tradition: now included are more than 37 poets from Australia, New Zealand, Ireland, Scotland, Wales, the Caribbean, South Africa and India.

    Senator S. I. Hayakawa discusses the role of language in human life, the many functions of language, and how language—sometimes without our knowing—shapes our thinking in this engaging and highly respected book. Provocative and erudite, it examines the relationship between language and racial and religious prejudice; the nature and dangers of advertising from a linguistic point of view; and, in an additional chapter called “The Empty Eye,” the content, form, and hidden message of television, from situation comedies to news coverage to political advertising.

    . . and dangerous.Seminary can be thrilling, with the potential to inspire and equip church leaders for a lifetime of faithful ministry. But it's not without its risks. For many who have ignored the perils, seminary has been crippling. But with an extra dose of intentionality, and God's help, this season of preparation can invigorate your affections for Jesus.How to Stay Christian in Seminary takes a refreshingly honest look at the seminarian's often-neglected devotional life, offering real-world advice for students eager to survive seminary with a flourishing faith.

    This book is for students of biblical Greek whose trouble understanding English grammar hampers their ability to learn Greek.

    Even after more than three centuries and the revolutions of Einsteinian relativity and quantum mechanics, Newtonian physics continues to account for many of the phenomena of the observed world, and Newtonian celestial dynamics is used to determine the orbits of our space vehicles.This completely new translation, the first in 270 years, is based on the third (1726) edition, the final revised version approved by Newton; it includes extracts from the earlier editions, corrects errors found in earlier versions, and replaces archaic English with contemporary prose and up-to-date mathematical forms. Newton's principles describe acceleration, deceleration, and inertial movement; fluid dynamics; and the motions of the earth, moon, planets, and comets. A great work in itself, the Principia also revolutionized the methods of scientific investigation. It set forth the fundamental three laws of motion and the law of universal gravity, the physical principles that account for the Copernican system of the world as emended by Kepler, thus effectively ending controversy concerning the Copernican planetary system.The illuminating Guide to the Principia by I. Bernard Cohen, along with his and Anne Whitman's translation, will make this preeminent work truly accessible for today's scientists, scholars, and students.

    But, as Anne E. Greene shows in Writing Science in Plain English,writers from all scientific disciplines can learn to produce clear, concise prose by mastering just a few simple principles.   This short, focused guide presents a dozen such principles based on what readers need in order to understand complex information, including concrete subjects, strong verbs, consistent terms, and organized paragraphs. The author, a biologist and an experienced teacher of scientific writing, illustrates each principle with real-life examples of both good and bad writing and shows how to revise bad writing to make it clearer and more concise. She ends each chapter with practice exercises so that readers can come away with new writing skills after just one sitting.  Writing Science in Plain English can help writers at all levels of their academic and professional careers—undergraduate students working on research reports, established scientists writing articles and grant proposals, or agency employees working to follow the Plain Writing Act. This essential resource is the perfect companion for all who seek to write science effectively.