Hunter also explains the sources of certain songs and describes the evolution of others over years of performance. Complete discography.

    But the heated debate at City Hall has obscured a bigger, decade-long narrative of Toronto's ascending as a mature global city. It raises questions: What role does a mayor play in a city's temperament and self-confidence? Can a terrible mayor make a city better by forcing its citizens to engage? What place is there in our new decentralized, global, open-source world for an autocrat?Edward Keenan serves as senior editor and lead columnist at The Grid magazine in Toronto, Ontario. An eight-time finalist at the National Magazine Awards, he has written for and edited at Eye Weekly, Spacing magazine, and The Walrus.

    As a child, he endured the intergenerational trauma that resulted from his family attending residential school. Growing up Cree in downtown Winnipeg, Canada, Clayton faced systemic racism and violence in school and on the streets, which led him to use his fists to defend himself and earn his livelihood. He escaped the hold that drugs and alcohol had on his life by reconnecting with his Cree heritage. For twenty years, he has been a campaigner with organizations including the Indigenous Environmental Network and 350.org, on the front lines of stopping the assault of industry on Indigenous peoples' lands. Using a nonlinear, oral storytelling style, Life in the City of Dirty Water offers the reflections of a man in midlife, telling his inner child, "I'm here now and I'm going to keep you safe."

    A vibrant and transcendent journey about growth and healing. Ancestry and honoring one’s roots. Expatriation and rising up to find a home within yourself.Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of lifesaid my motheras she held me in her arms as i wept think of those flowers you plantin the garden each year they will teach youthat people toomust wiltfallrootrisein order to bloom

    Five months earlier, logger-turned-activist Grant Hadwin had plunged naked into a river in British Columbia's Queen Charlotte Islands, towing a chainsaw. When his night's work was done, a unique Sitka spruce, 165 feet tall and covered with luminous golden needles, teetered on its stump. Two days later it fell.As vividly as John Krakauer puts readers on Everest, John Vaillant takes us into the heart of North America's last great forest.

    It had been the hideout of a fugitive known as the Bushman—real name John Bjornstrom—who had been arrested the previous winter after raiding cabins in the area for supplies.Shortly after the cave was discovered, and before it was imploded by local authorities, author Paul McKendrick was able to explore the nine-hundred-square-foot bachelor pad. Its elaborate construction left the impression that the occupant was more than just a common thief with a preference for uncommon living arrangements.Nearly two decades later, McKendrick set out to better understand what led the Bushman to the cave. The Bushman’s Lair is the culmination of numerous interviews, reviews of RCMP and court transcripts, declassified us government files and McKendrick’s own adventures in the Shuswap. The resulting book follows Bjornstrom’s circuitous path: a child of Romani refugees raised by nature lovers from Norway; a bizarre, top-secret us government program that recruited individuals with supposed psychic abilities; an investigation into the infamous Bre-X mining scandal that led to an alleged hit list; and an ardent mission to safeguard vulnerable youth from abuse.While some mysteries remain unsolved, McKendrick’s exploration of Bjornstrom’s story is an unexpectedly moving and unforgettable account of a man who decided to pursue a quest with boundless commitment.

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity.

    Most strange things do.'Five mysterious, spine-tingling stories follow journeys into (and out of?) the eerie abyss.These chilling tales spring from the macabre imagination of acclaimed and award-winning comic creator Emily Carroll.Come take a walk in the woods and see what awaits you there...

    It began as a series of reports from the civic drama of the 2014 elections. But beyond the municipal circus, writer and commentator Shawn Micallef discovered the much bigger story of a city emerging into greatness. He walked and talked with candidates from all over Greater Toronto, and observed how they energized their communities, never shying away from the problems that exist within them -- poverty, violence, racism, and drugs -- but advocating solutions that bring people together. Shawn Micallef introduces us to those fighting for a more inclusive vision of Toronto and reveals the promise and potential for a city that has been suffering through a severe identity crisis but is now on a steep upturn. Toronto, he says, is set fair to be a new urban model for cities all over the world. Micallef reveals Toronto in all its rich variety. It is hard, he says, to grasp the vast size and scope of Toronto until you spend a few hours walking through unfamiliar neighbourhoods. Each reveals another adjacent to it, and then another, and another. The city goes on and on, into unheralded ravines and oblique views of the downtown skyline. Hiding in all that geography is not only great beauty, but a force for change that's been building for decades as people arrived here from every corner of the globe. Frontier City is a revelatory view of the Toronto of today and an inspiring vision of the Toronto of the near future.From the Hardcover edition.

    In The Way We Are Margaret Visser, a self-described "anthropologist of everyday life," identifies and dissects the whos, whats, whys, and wherefores of how we live. Tapping in to our fascination with our own origins, eccentricities, and foibles, she makes ordinary objects - like restaurant menus and bathing suits - and typical habits - like showering or forgetting someone's name - yield up what they have to tell us about the way we are and how we became this way. What constitutes an initiation rite in our society? Why are we so squeamish about eating offal? What are the unsavory implications of Santa Claus? This is writing that bears Margaret Visser's distinctive, unmistakable stamp. She leaves us with a rich and fascinating portrait of ourselves and forces us to think about what exactly it means to live in the modern world.

    The trial and its outcome are a matter of public record. What you are about to read about the tour of duty that inspired this book is not.What you are about to read is an emotionally draining and mind-snapping firsthand account of war on the ground in Afghanistan. It’s raw and explosive. Names have been changed to protect the brave and not so brave alike. What you are about to read is an account of soldiers who live, fight and die in a moonscape of a country where it’s sometimes hard to tell your friend from your enemy. It’s about trying to hold it together when a mortar attack is ripping your friends and allies apart, and your world unravels before your eyes.Rob Semrau wrote this book to tell us about the sheer hell that is the Stan, but also to recognize the incredible courage and compassion he witnessed in the heat of battle. The soldiers you are about to meet and the events that befall them will linger on in your mind long after you have closed these pages.

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    Taking her own experience of translating Roland Barthes’s lecture notes as a starting point, the author threads various stories together to give us this portrait of translation as a compelling, complex and intensely relational activity. She recounts the story of Helen Lowe-Porter’s translations of Thomas Mann, and their posthumous vilification. She writes about the loving relationship between André Gide and his translator Dorothy Bussy. She recalls how Robinson Crusoe laboriously made a table, for him for the first time, on an undeserted island. With This Little Art, a beautifully layered account of a subjective translating experience, Kate Briggs emerges as a truly remarkable writer: distinctive, wise, frank, funny and utterly original.

    A great reading experience for those who like serious and innovative poetry." --Library JournalDrawing upon Navajo history and enduring tradition, Sherwin Bitsui leads us on a treacherous, otherworldly passage through the American Southwest. Fluidly shape-shifting and captured by language that functions like a moving camera, Dissolve is urban and rural, past and present in the haze of the reservation. Bitsui proves himself to be one of this century's most haunting, raw, and uncompromising voices.From "(Untitled)" . . . Jeweled with houseflies, leather rattles, foil-wrapped, ferment in beaked masks on the shores of evaporating lakes.This plot, now a hotel garden, its fountain gushing forth--the slashed wrists of the Colorado River.Sherwin Bitsui was raised in White Cone, Arizona, on the Navajo Reservation. He is the author of two other books of poetry, among them Flood Song, which won an American Book Award. He currently lives in Arizona where he has serves on the faculty of the Institute of American Indian Arts.