The pages of this book contain stories of every bachelor who fell in love, did stupid things and discussed India's foreign policy at the neighbourhood tea stall.'Bakar Puran' is the past, present and the future of those bachelors which will always be the same. The language and style has the realism of a bachelor pad. Here, there is no garb of elitism in expression. Whatever it is, it just is.

    Mathai, Nehru's Special Assistant and alter ego between 1946 and 1959, was reputed to be the most powerful man after the Prime Minister during the years that he served Nehru.Mathai was the only one to know everything about Nehru, most especially the first Prime Minister's private thoughts about Politics, Congress leaders, Bureaucrats, Money, Women, Sex, Alchohol along with much else that attracted his attention off and on.The author reveals all with much candor and sincerity, and says "Before I started writing this book, I suspended from my mind all personal loyalties of a conventional nature; only my obligation to history remained."Mathai writes about Nehru's style, Krishna Menon's personal habits, Vijaya Lakshmi Pandit's extravagance, Feroze Gandhi's ambitions and Mountbatten's weakness for titles and honors. This work is a major contribution to modern Indian history as it gives and insider's view of how the powerful often tried to manipulate Nehru for purposes that were not always conductive to nation-building

    This, and the discovery that Guru Nanak spent a large part of his life in Pakistan, inspired Khalid to undertake a journey that he hoped would help him learn more about the revered founder of Sikhism. In this wonderful paean to Guru Nanak, Khalid describes his travels across the length and breadth of Pakistan as he visits the many gurdwaras and other locales associated with the saint, delving into their history and musing about their place and significance in a Muslim country. But this book is not merely a story about gurdwaras, it is also a re-telling of the story of Nanak the son, the poet, the wanderer, the father, the friend. Sifting through the stories of his miracles and poetry, we emerge with a picture of Nanak, the man. Also exploring the histories of all the subsequent Gurus after Nanak, the book traces the story of how an unorganized spiritual movement evolved into the institutionalized Khalsa of Guru Gobind Singh. Through the journeys of all the Gurus, the book describes how Nanak the poet became Guru Nanak the saint.

    Mikhail Bulgakov was flung into the depths of freezing rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (or fails to cope) with the new and often appalling responsibilities of a lone doctor in a vast country practice — on the eve of Revolution — is described in Bulgakov's delightful blend of candid realism and imaginative exuberance.

    A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people. To him, mythology was the "song of the universe, the music of the spheres." With Bill Moyers, one of America's most prominent journalists, as his thoughtful and engaging interviewer, The Power Of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

    Two years later, fed up with soap-eating rats, stolen human hearts and the creepy colonel across the road, they returned to England with a bitter taste in their mouths. Twenty years later, Monisha came back. Taking a page out of Jules Verne's classic tale, Around the World in 80 Days, she embarked on a 40,000km adventure around India in 80 trains. Travelling a distance equivalent to the circumference of the Earth, she lifted the veil on a country that had become a stranger to her.As one of the largest civilian employers in the world, featuring luxury trains, toy trains, Mumbai's infamous commuter trains and even a hospital on wheels, Indian Railways had more than a few stories to tell. On the way, Monisha met a colourful cast of characters with epic stories of their own. But with a self-confessed militant atheist as her photographer, Monisha's personal journey around a country built on religion was not quite what she bargained for...Around India in 80 Trains is a story of adventure and drama infused with sparkling wit and humour.

    The narrator of this story, a precocious nine-year old child, is sent to visit an aunt. This aunt, ignored by a husband whose only interest seems to lie in entertaining slim-waisted young boys, suffers from a relentless bodily itch, an itch, her niece discovers, no doctor can cure and only her maidservant can relieve. Frank and often wickedly comic, Chughtai's stories were the imaginative core of her life's work, drawn from memories of the sprawling Muslim household of her childhood. With her mastery of the spoken language, economy of form, and her fine eye for the details of the intricate and hidden world of women's experience, Chughtai captured the evolving conflicts of Muslim India. Her exploration of the myriad and subtle tyrannies of middle-class gentility, and, equally, of those unexpected moments of sexual liberation and spirit, is unrivalled in contemporary Urdu literature.

    Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.

    Hari and Lila were born and raised in the village, but now their family is falling into despair: the father to alcohol while the mother is seriously ill. As for money, that there is not even enough to meet the most basic needs between.

    Jha argues against the historical sanctity of the cow in India, in an illuminating response to the prevailing attitudes about beef that have been fiercely supported by the current Hindu right-wing government and the fundamentalist groups backing it.

    . . InactionUnwittingly known as Alia Bhatt’s older sister, screenwriter and fame-child Shaheen Bhatt has been a powerhouse of quiet restraint—until now. In a sweeping act of courage, she now invites you into her head. Shaheen was diagnosed with depression at eighteen, after five years of already living with it. In this emotionally arresting memoir, she reveals the daily experiences and debilitating big picture of one of the most critically misinterpreted mental illnesses in the twenty-first century. Equal parts conundrum and enlightenment, Shaheen takes us through the personal pendulum of understanding and living with depression in her privileged circumstances. With honesty and a profound self-awareness, Shaheen lays claim to her sadness, finding it a home in the universal fabric of the human condition.In this multi-dimensional, philosophical tell-all, Shaheen acknowledges, accepts and overcomes the peculiarities of this way of being alive. A topic of massive interest to anyone living with mental health disorders, I’ve Never Been (un)Happier stretches out its hand to gently provide solace and solidarity.

    At eighteen she witnessed the civil unrest of the 1979 Iranian revolution and continued to live in the Islamic Republic during its most volatile times, including the Iran-Iraq War. In a deeply intimate and personal story, Saper recounts her privileged childhood in pre-revolutionary Iran and how she gradually became aware of the paradoxes in her life and community—primarily the disparate religions and cultures.In 1979 under the Ayatollah regime, Iran became increasingly unfamiliar and hostile to Saper. Seemingly overnight she went from living a carefree life of wearing miniskirts and attending high school to listening to fanatic diatribes, a Jewish girl forced to veil her body as the rest of the country, and hiding in the basement as bombs fell all over the city. She fled to the United States in 1987 with her husband and children after witnessing her six-year-old daughter’s indoctrination into radical politics at school. At the heart of Saper’s story is a harrowing and instructive tale of how extremist ideologies seized a Westernized, affluent country and transformed it into a fundamentalist society.

    But for many years Maeve was a journalist, writing for The Irish Times.From 'The Student Train' to 'Plane Bores', 'Bathroom Joggers' to 'When Beckett met Binchy', these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve's first and last ever piece of writing for The Irish Times, the columns also give a fascinating insight into the author herself.With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

    Tower A is a relic from a co-operative housing society established in the 1950s. When a property developer offers to buy out the residents for eye-watering sums, the principled yet arrogant teacher is the only one to refuse the offer, determined not to surrender his sentimental attachment to his home and his right to live in it, in the name of greed. His neighbours gradually relinquish any similar qualms they might have and, in a typically blunt satirical premise take matters into their own hands, determined to seize their slice of the new Mumbai as it transforms from stinky slum to silvery skyscrapers at dizzying, almost gravity-defying speed.

    . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction