Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all.

    In Blake Bailey's masterful and entertaining biography, Yates himself serves as the fascinating lens into mid-century America, a world of would-be artists, depressed housewives, addled businessmen, high living, wistful striving, and self-deception. The story of Richard Yates here stands as a singular reminder of what the writer must sacrifice for his craft, the devil's bargain of artistry for happiness, praise for sanity.

    And of a nation that fought a Civil War that freed its slaves, and outlawed segregation and discrimination.This is history shaped by Revolutionary War and Vietnam, Thomas Jefferson and William Jefferson Clinton, Puritanism and Feminism, Booker T. Washington and Martin Luther King, Jamestown and Disneyland, Harpers Ferry and Henry Ford, oil wells and Orson Welles.This is a review of the extraordinary blend of people, ideas, inventions, and events that comprise The History of the United States. In this seven-part, 84-lecture series, three noted historians and lecturers—two of whom teach other popular Teaching Company courses—present the nation's past through their areas of special interest.

    Turning to the present, he maps America's expanding empire of military bases and the vast web of services that supports them. He offers a vivid look at the new caste of professional warriors who have infiltrated multiple branches of government, who classify as "secret" everything they do, and for whom the manipulation of the military budget is of vital interest.Among Johnson's provocative conclusions is that American militarism is putting an end to the age of globalization and bankrupting the United States, even as it creates the conditions for a new century of virulent blowback. The Sorrows of Empire suggests that the former American republic has already crossed its Rubicon—with the Pentagon leading the way.

    In this first novel, his slacker kids ponder life's mundane questions with the seriousness of ancient philosophers: how to get by on no money, where to scam free photocopies, and the finer points of food filching. Through a haze of beer and Top Ramen, they engage in endless debates about the nature of punk rock rage. the tribe of punks and dropouts has never before been so perfectly chronicled as in this oral history made into a written saga. In his autobiographical work, Cometbus offers an eclectic series of connected stories about living on the fringe in Berkeley.

    I said to myself: "Michael Pupin, the most valuable asset which you carried into New York harbor nine years ago was your knowledge of, and profound respect and admiration for, the best traditions of your race...the most valuable assets which you are now taking with you from New York harbor is your knowledge of, and profound respect and admiration for, the best traditions of your adopted country." Michael Pupin's was a genuinely American story, the lifelong journey of a boy from rural Serbia, from a town so tiny it appeared on no maps, who became one of the greatest scientists of the early 20th century, changing the lives of people the world over with his technological innovations-he invented the therapeutic X-ray and made telephone communications practical and inexpensive-and helping to invent the modern world we know today. First published in 1922, Pupin's autobiography won the Pulitzer Prize in 1924, but Pupin's insightful and incisive words are their own greatest recommendation. Also available from Cosimo Classics: Pupin's The New Reformation. American physicist and writer MICHAEL IDVORSKY PUPIN (1858-1935) was born in Serbia and emigrated to the United States as a teenager. As a professor and researcher at Columbia University, he invented sonar and made important discoveries in the fields of X-ray physics and telecommunications.

    The material presented is ground-breaking and revolutionary, leaving viewers amazed and inspired.

    He directs his critique here to what he calls "American orthodoxies" -- that set of beliefs guardians of our culture consider sacrosanct: justifications for war, cynicism about human nature and violence, pride in our economic system, certainty of our freedom of speech, romanticization of representative government, confidence in our system of justice. Those orthodoxies, he believes, have a chilling effect on our capacity to think independently and to become active citizens in the long struggle for peace and justice.

    In the years between the two world wars, the future held more promise than peril, but there was evidence of things unseen that would transfigure our unquestioned trust in a safe future. Fos has returned to Tennessee from the trenches of France. Intrigued with electricity, bioluminescence, and especially x-rays, he believes in science and the future of technology. On a trip to the Outer Banks to study the Perseid meteor shower, he falls in love with Opal, whose father is a glassblower who can spin color out of light.Fos brings his new wife back to Knoxville where he runs a photography studio with his former Army buddy Flash. A witty rogue and a staunch disbeliever in Prohibition, Flash brings tragedy to the couple when his appetite for pleasure runs up against both the law and the Ku Klux Klan. Fos and Opal are forced to move to Opal's mother's farm on the Clinch River, and soon they have a son, Lightfoot. But when the New Deal claims their farm for the TVA, Fos seeks work at the Oak Ridge Laboratory -- Site X in the government's race to build the bomb. And it is there, when Opal falls ill with radiation poisoning, that Fos's great faith in science deserts him. Their lives have traveled with touching inevitability from their innocence and fascination with "things that glow" to the new world of manmade suns. Hypnotic and powerful, Evidence of Things Unseen constructs a heartbreaking arc through twentieth-century American life and belief.

    immigration policy--a process that profoundly shaped ideas and practices about citizenship, race, and state authority in the 20th century.Mae Ngai offers a close reading of the legal regime of restriction that commenced in the 1920s--its statutory architecture, judicial genealogies, administrative enforcement, differential treatment of European and non-European migrants, and long-term effects. In well-drawn historical portraits, Ngai peoples her study with the Filipinos, Mexicans, Japanese, and Chinese who comprised, variously, illegal aliens, alien citizens, colonial subjects, and imported contract workers.She shows that immigration restriction, particularly national-origin and numerical quotas, re-mapped the nation both by creating new categories of racial difference and by emphasizing as never before the nation's contiguous land borders and their patrol. This yielded the illegal alien, a new legal and political subject whose inclusion in the nation was a social reality but a legal impossibility--a subject without rights and excluded from citizenship. Questions of fundamental legal status created new challenges for liberal democratic society and have directly informed the politics of multiculturalism and national belonging in our time.Ngai's analysis is based on extensive archival research, including previously unstudied records of the U.S. Border Patrol and Immigration and Naturalization Service. Contributing to American history, legal history, and ethnic studies, Impossible Subjects is a major reconsideration of U.S. immigration in the 20th century.

    Now comes a brilliant portrait of the American Revolution, one that is compelling in its prose, fascinating in its details, and provocative in its freshinterpretations.In A Leap in the Dark, John Ferling offers a magisterial new history that surges from the first rumblings of colonial protest to the volcanic election of 1800. Ferling's swift-moving narrative teems with fascinating details. We see Benjamin Franklin trying to decide if his loyalty was to GreatBritain or to America, and we meet George Washington when he was a shrewd planter-businessman who discovered personal economic advantages to American independence. We encounter those who supported the war against Great Britain in 1776, but opposed independence because it was a leap in the dark.Following the war, we hear talk in the North of secession from the United States. The author offers a gripping account of the most dramatic events of our history, showing just how closely fought were the struggle for independence, the adoption of the Constitution, and the later battle betweenFederalists and Democratic-Republicans. Yet, without slowing the flow of events, he has also produced a landmark study of leadership and ideas. Here is all the erratic brilliance of Hamilton and Jefferson battling to shape the new nation, and here too is the passion and political shrewdness ofrevolutionaries, such as Samuel Adams and Patrick Henry, and their Loyalist counterparts, Joseph Galloway and Thomas Hutchinson. Here as well are activists who are not so well known today, men like Abraham Yates, who battled for democratic change, and Theodore Sedgwick, who fought to preserve thepolitical and social system of the colonial past. Ferling shows that throughout this period the epic political battles often resembled today's politics and the politicians--the founders--played a political hardball attendant with enmities, selfish motivations, and bitterness. The political stakes, this book demonstrates, were extraordinary: first to secure independence, then to determine the meaning of the American Revolution.John Ferling has shown himself to be an insightful historian of our Revolution, and an unusually skillful writer. A Leap in the Dark is his masterpiece, work that provokes, enlightens, and entertains in full measure.

    In Empires of Light, historian Jill Jonnes portrays this extraordinary trio and their riveting and ruthless world of cutting-edge science, invention, intrigue, money, death, and hard-eyed Wall Street millionaires. At the heart of the story are Thomas Alva Edison, the nation’s most famous and folksy inventor, creator of the incandescent light bulb and mastermind of the world’s first direct current electrical light networks; the Serbian wizard of invention Nikola Tesla, elegant, highly eccentric, a dreamer who revolutionized the generation and delivery of electricity; and the charismatic George Westinghouse, Pittsburgh inventor and tough corporate entrepreneur, an industrial idealist who in the era of gaslight imagined a world powered by cheap and plentiful electricity and worked heart and soul to create it. Edison struggled to introduce his radical new direct current (DC) technology into the hurly-burly of New York City as Tesla and Westinghouse challenged his dominance with their alternating current (AC), thus setting the stage for one of the eeriest feuds in American corporate history, the War of the Electric Currents. The battlegrounds: Wall Street, the 1893 Chicago World’s Fair, Niagara Falls, and, finally, the death chamber - Jonnes takes us on the tense walk down a prison hallway and into the sunlit room where William Kemmler, convicted ax murderer, became the first man to die in the electric chair. Empires of Light is the gripping history of electricity, the “mysterious fluid,” and how the fateful collision of Edison, Tesla, and Westinghouse left the world utterly transformed.

    As Steven Hahn demonstrates, rural African-Americans were central political actors in the great events of disunion, emancipation, and nation-building. At the same time, Hahn asks us to think in more expansive ways about the nature and boundaries of politics and political practice.Emphasizing the importance of kinship, labor, and networks of communication, A Nation under Our Feet explores the political relations and sensibilities that developed under slavery and shows how they set the stage for grassroots mobilization. Hahn introduces us to local leaders, and shows how political communities were built, defended, and rebuilt. He also identifies the quest for self-governance as an essential goal of black politics across the rural South, from contests for local power during Reconstruction, to emigrationism, biracial electoral alliances, social separatism, and, eventually, migration.Hahn suggests that Garveyism and other popular forms of black nationalism absorbed and elaborated these earlier struggles, thus linking the first generation of migrants to the urban North with those who remained in the South. He offers a new framework--looking out from slavery--to understand twentieth-century forms of black political consciousness as well as emerging battles for civil rights. It is a powerful story, told here for the first time, and one that presents both an inspiring and a troubling perspective on American democracy.

    role in undermining Chilean democracy and supporting the advent of General Pinochet’s brutal dictatorship. "Thanks to Peter Kornbluh," Marc Cooper wrote, "we have the first complete, almost day-to-day and fully documented record of this sordid chapter in Cold War American history."Peter Kornbluh led the campaign for the declassification of some 24,000 secret CIA, White House, NSC, and Defense Department records on Chile. The paperback edition includes new information and documents released since the hardcover went to press. This material is incorporated into a powerful retelling of the events that Newsweek magazine calls "a remarkable reconstruction of the secret U.S. foreign policy that transformed Chile into a dictatorship."

    Hers is the story of a woman’s struggle to keep her family whole, to raise her child in a house of laughter and love, and to keep her father from hiding the house keys in his slippers.In this story full of everyday triumphs, first steps, and elderly confusion, Ava, a baby, finds each new picture, each new word, each new song, something to learn greedily, joyfully. Daddy is a man in his twilight years for whom time moves slowly and lessons are not learned but quietly, frustratingly forgotten. Elizabeth, a suddenly single mother with a career and a mortgage and a hamper of laundry, finds her world spiraling out of control yet full of beauty. Faced with mounting disasters, she chooses to confront life head-on. Written in wonderful prose and imbued with an unquenchable spirit, The House on Beartown Road takes us on a journey through the remarkable landscape that is family.

    Growing up happens whether we like it or not, but maturity must be cultivated. Challenged to consider his own sense of maturity while mentoring a group of teenage boys, Fischer began to investigate our preconceptions about what it means to be "an adult" and shows how crucial true maturity is to leading an engaged, fulfilled life. Taking Our Places details the marks of a mature person and shows how these attributes can help alleviate our suffering and enrich our relationships. Discussing such qualities as awareness, responsibility, humour, acceptance, and humility, Fischer brings a fresh and at times surprising new perspective that can turn old ideas on their heads and reinvigorate our understanding of what it means to be mature.

    In a richly comic travelogue, Grant uses these lives and his own to examine the myths and realities of the wandering life, and its contradiction with the sedentary American dream.Along with a personal account, American Nomads traces the history of wandering in the New World, through vividly told stories of frontiersmen, fur trappers and cowboys, Comanche and Apache warriors, all the way back to the first Spanish explorers who crossed the continent. What unites these disparate characters, as they range back and forth across the centuries, is a stubborn conviction that the only true freedom is to roam across the land.

    But within the ranks of the 101st, a sub-unit attained legendary status at the time, its reputation persisting among veterans over the decades. Primarily products of the Dustbowl and the Depression, the Filthy13 grew notorious, even within the ranks of the elite 101st. Never ones to salute an officer, or take a bath, this squad became singular within the Screaming Eagles for its hard drinking, and savage fighting skill--and that was only in training. Just prior to the invasion of Normandy, a "Stars and Stripes" photographer caught U.S. paratroopers with heads shaved into Mohawks, applying war paint to their faces. Unknown to the American public at the time, these men were the Filthy 13. After parachuting behind enemy lines in the dark hours before D-Day, the Germans got a taste of the reckless courage of this unit - except now the men were fighting with Tommy guns and explosives, not just bare knuckles. In its spearhead role, the 13 suffered heavy casualties, some men wounded and others blown to bits. By the end of the war 30 men had passed through the squad. Throughout the war, however, the heart and soul of the Filthy 13 remained a survivor named Jake McNiece, a half-breed Indian from Oklahoma - the toughest man in the squad and the one who formed its character. McNiece made four combat jumps, was in the forefront of every fight in northern Europe, yet somehow never made the rank of PFC. The survivors of the Filthy 13 stayed intact as a unit until the Allies finally conquered Nazi Germany. The book does not draw a new portrait of earnest citizen soldiers. Instead it describes a group of hardscrabble guys whom any respectable person would be loath to meet in a bar or dark alley. But they were an integral part of the U.S. war against Nazi Germany. A brawling bunch of no-goodniks whose only saving grace was that they inflicted more damage on the Germans than on MPs, the English countryside and their own officers, the Filthy 13 remain a legend within the ranks of the 101st Airborne.Over 20,000 copies sold of the hardcover edition.

    / Thus we bow to life as it is. This verse is an important reminder, says Ezra Bayda, of what the spiritual life is truly about: the willingness to open ourselves to whatever life presents—no matter how messy or complicated. And through that willingness to be open, we can discover wisdom, compassion, and the genuine life we all want. In At Home in the Muddy Water , Bayda applies this simple Zen teaching to a range of everyday concerns—including relationships, trust, sexuality, and money—showing that everything we need to practice is right here before us, and that peace and fulfillment is available to everyone, right here, right now, no matter what their circumstances.

    Presents a brief overview of the life of the man who wrote "Green Eggs and Ham" and many other beloved children's books.

    Brilliant innovators, colorful businessmen, and clever eccentrics, as well as the three Ford factories themselves, all become characters in this gripping drama. Douglas Brinkley is a master at crafting compelling historical narratives, and this exemplary history of one of the preeminent American corporations is his finest achievement yet.

    Professor Twombly's introduction and headnotes offer incisive commentary on the texts.

    Americans, Cubans, Soviets, and Africans fought over the future of Angola, where tens of thousands of Cuban soldiers were stationed, and over the decolonization of Namibia, Africa's last colony. Beyond lay the great prize: South Africa. Piero Gleijeses uses archival sources, particularly from the United States, South Africa, and the closed Cuban archives, to provide an unprecedented international history of this important theater of the late Cold War. These sources all point to one conclusion: by humiliating the United States and defying the Soviet Union, Fidel Castro changed the course of history in southern Africa. It was Cuba's victory in Angola in 1988 that forced Pretoria to set Namibia free and helped break the back of apartheid South Africa. In the words of Nelson Mandela, the Cubans destroyed the myth of the invincibility of the white oppressor . . . [and] inspired the fighting masses of South Africa.

    When the Iroquois Theatre opened in Chicago on November 23, 1903, it was considered one of the grandest structures of its day, a monument to modern design and technology, as well as "absolutely fireproof." This was a theatre that would rival any in New York or Paris. Instead it became the funeral pyre for hundreds of victims. Tony Hatch, former CBS reporter and Emmy Award winner, tells the grisly story in meticulous, riveting detail, based on more than forty years of research, including many exclusive interviews with eyewitnesses. In Tinder Box, he tells the Iroquois story as it has never been told before. In a rush to open the theatre on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs and functioning asbestos curtain. Some exists, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward and exterior fire escapes were unfinished. But Chicago officials, the theatre owners and managers, the contractor, stagehands—all looked the other way. Then, on December 30, 1903, disaster struck. The theatre was packed, overcrowded with a standing-room-only audience, mostly women and children who had come to see the popular comedian Eddie Foy perform in the musical fantasy Mr. Bluebeard. A short circuit in a single backstage spotlight touched off a small fire that, in minutes, erupted into an uncontrollable blaze. More than 600 people died. Because of the magnitude of the catastrophe and the obvious corruption that allowed it to happen, building and fire laws were changed to prevent it everhappening again. Tinder Box is a riveting history of a traumatic and costly calamity.

    Radicalism is as American as apple pie. One can scarcely imagine what American society would look like without the abolitionists, feminists, socialists, union organizers, civil-rights workers, gay and lesbian activists, and environmentalists who have fought stubbornly to breathe life into the promises of freedom and equality that lie at the heart of American democracy. The first anthology of its kind, The Radical Reader brings together more than 200 primary documents in a comprehensive collection of the writings of America's native radical tradition. Spanning the time from the colonial period to the twenty-first century, the documents have been drawn from a wealth of sources—speeches, manifestos, newspaper editorials, literature, pamphlets, and private letters. From Thomas Paine's "Common Sense" to Kate Millett's "Sexual Politics," these are the documents that sparked, guided, and distilled the most influential movements in American history. Brief introductory essays by the editors provide a rich biographical and historical context for each selection included. Includes: • Common Sense, Thomas Paine • Second Inaugural Address, Abraham Lincoln • Confession, Nat Turner • Last Speech to the Jury, John Brown • Letters on the Equality of the Sexes, Sarah Grimke • Declaration of Sentiments and Resolutions, Seneca Falls Convention • Life in the Iron Mills, Rebecca Harding Davis • Speech to Striking Coal Miners, Mother Jones • Letter from Birmingham Jail, Martin Luther King, Jr. • The Ballot or the Bullet, Malcolm X • The Feminine Mystique, Betty Friedan • Silent Spring, Rachel Carson

    The one certainty was that any war between the states would be fought in their fields and streets.Edward L. Ayers gives us a different Civil War, built on an intimate scale. He charts the descent into war in the Great Valley spanning Pennsylvania and Virginia. Connected by strong ties of every kind, including the tendrils of slavery, the people of this borderland sought alternatives to secession and war. When none remained, they took up war with startling intensity. As this book relays with a vivid immediacy, it came to their doorsteps in hunger, disease, and measureless death. Ayers's Civil War emerges from the lives of everyday people as well as those who helped shape history—John Brown and Frederick Douglass, Lincoln, Jackson, and Lee. His story ends with the valley ravaged, Lincoln's support fragmenting, and Confederate forces massing for a battle at Gettysburg.

    Matt Donovan does not hesitate to help, despite her unknown past. What happened to this woman? Who is she? Will the man who shot her come riding down the trail after her, shattering peaceful Glenpark, Colorado?When Cristeen wakes, she can remember nothing of her past. Only one thought haunts her day and night: trust no one. Matt fears Cristeen s fierce independence will lead only to tragedy. Can he help Cristeen see the need to trust the Lord before it is too late? Can Cristeen overcome her belief that loving can only bring heartache?Then a madman bent on revenge tracks her down. Matt cannot rescue Cristeen this time. Only the Lord can save her now?if she has enough faith to trust. Can she overcome the past and learn to trust?

    Kennedy (1917-63), the 35th president of the United States. Published to commemorate the 40th anniversary of his assassination in Dallas on 22 November 1963. A collection of the best photographs, many previously unpublished, together with campaign memorabilla and personal notes that tell the behind-the-scenes story of the youngest man to be elected president.Illustrates the glamour and success of his life, from childhood and student days to congress, fatherhood and the presidency, revealing the tragedy of his untimely death. Offers a unique insight into the family man, as well as the world leader who held firm when the country trembled on the brink of nuclear war and whose economic programmes launched America on its longest sustained expansion since World War I. Includes a biography, famous quotes, handwritten documents and correspondence.

    The contributors emphasize the ways in which the social environment, including relationships of childhood, adulthood, and the treatment milieu change aspects of the structure of the brain and ultimately alter the mind.

    But with his foul mouth comes a heart of gold, and he's going to need it to get through the last weekend of summer 1984. Everyone up and down St. Patrick Street, Henry's claustrophobic Irish-Catholic block in Philadelphia -- with its seventy-eight row homes, seventy-eight skinny mile-high lawns, seventy-eight statues of saints, and seventy-eight Mondale-Ferraro signs -- knows that the Toohey family is falling apart. Henry's mailman father is having an affair with a neighbor lady right under his mother's nose. His big brother has been a drunken mess since his girlfriend died. And his little sister is counting on him to keep her laughing through it all. But Henry has a plan to pull the family back together: He'll propose to his chain-smoking fourteen-year-old girlfriend, Grace McClain, at a neighborhood wedding. To prepare, he and his ragtag group of friends pinball around the streets, making elaborate plans for his proposal, riding bikes, rating breasts, bothering the local merchants, talking trash about Mike Schmidt and Bob Seger, and kissing behind the seafood-store dumpster. Gritty, giddy, and bursting with Henry's boundless energy, Green Grass Grace is a heart-thumping rocket ride back to adolescence that is riotously funny and tragic at the same time.

    President Truman decided to recover the gold but to keep its riches secret. These, combined with Japanese treasure recovered during the US occupation, and with recovered Nazi loot, would create a worldwide American political action fund to fight communism. This ‘Black Gold’ gave Washington virtually limitless, unaccountable funds, providing an asset base to reinforce the treasuries of America’s allies, to bribe political and military leaders, and to manipulate elections in foreign countries for more than fifty years.

    African American Studies. "The publication of Amiri Baraka's SOMEBODY BLEW UP AMERICA & OTHER POEMS makes one more mark in the development in modern Black radical & revolutionary cultural reconstruction... Readers of course will want as quick as possible to read for them-self the now controversial title poem..., but check-out, among the others, "In Town"--pure-pure dark post-Plantation molasses..."--Kamau Brathwaite.

    The incident drove him into a ten-year struggle with the psychological aftereffects of trauma. It also drove him and his wife into the California mountains, where he stumbled into a world of unruly cattle, uncertain horses, the timeless routines of ranch life, and the solace of the land.An Accidental Cowboy is the story of what it's like to have one's life go spinning out of control and how it is possible to pick up the pieces and begin again in an entirely different sphere. With stunning, crisp writing, remarkable detail, and a flair for description, it's a captivating story of loss, depression, and the beginnings of hope set against the backdrop of the American Southwest.

    The author’s spontaneous, poetic, and pragmatic teachings—so reminiscent of his spiritual predecessor Shunryu Suzuki (Zen Mind, Beginner’s Mind)—transport us on an exciting journey into the very heart of Zen and its meaningful traditions. Because Kwong-roshi can transmit the most intimate thing in the most accessible way, we learn how to ignite our own vitality, wisdom, and compassion and awaken a feeling of intimacy with the world. It is like having a conversation with our deepest and wisest self.Jakusho Kwong-roshi was originally inspired to study Zen because of zenga, the ancient art of Zen calligraphy. Throughout this book he combines examples of his unique style with less well-known stories from the Zen tradition, personal anecdotes—including moving and humorous stories of his training with Suzuki-roshi—and his own lucid and inspiring teachings to draw all readers into this intimate expression of the enlightening world of Zen: the world of who we are.From the Hardcover edition.

    From the Deep South to the simmering streets of Harlem, his characters embark on surreal and mythic quests armed only with wit, words, and wisdom. Championed by Toni Morrison, Walter Mosley, and Quincy Troupe, -Dumas’s books have long been out of print. All of his short fiction is collected here, for the first time, and includes several previously unpublished stories. Henry Dumas was born in Sweet Home, Arkansas, moved to Harlem, joined the Air Force, attended Rutgers, worked for IBM, and taught at Hiram College in Ohio and Southern Illinois University. In 1968, at the age of thirty-three, he was shot and killed by a New York Transit Authority -policeman.

    Feeling abandoned and alone, Anna turns to her closest companion, her explorer journal filled with drawn maps of her earlier neighborhoods and all the places that she has called home.Anna is determined to become part of a real family, and with the help of a scrawny new friend named Eb, an unconventional biology teacher in cowboy boots, a homeless Vietnam vet, and a motley crew of kids from the neighborhood, Anna discovers a sense of belonging...and her own place in the world.With warmth and humor, award-winning author Adrian Fogelin follows up her critically acclaimed novel Crossing Jordan with the story of a young girl's trials and triumphs as she tries to find a home.

    Sweeping away centuries of misunderstandings and misrepresentations, White returns to original texts, images, and ritual practices to reconstruct the history of South Asian Tantra from the medieval period to the present day.Kiss of the Yoginī focuses on what White identifies as the sole truly distinctive feature of South Asian Tantra: sexualized ritual practices, especially as expressed in the medieval Kaula rites. Such practices centered on the exchange of powerful, transformative sexual fluids between male practitioners and wild female bird and animal spirits known as Yoginis. It was only by "drinking" the sexual fluids of the Yoginis that men could enter the family of the supreme godhead and thereby obtain supernatural powers and transform themselves into gods. By focusing on sexual rituals, White resituates South Asian Tantra, in its precolonial form, at the center of religious, social, and political life, arguing that Tantra was the mainstream, and that in many ways it continues to influence contemporary Hinduism, even if reformist misunderstandings relegate it to a marginal position.Kiss of the Yoginī contains White's own translations from over a dozen Tantras that have never before been translated into any European language. It will prove to be the definitive work for persons seeking to understand Tantra and the crucial role it has played in South Asian history, society, culture, and religion.

    Through his encounters with park rangers, wildlife biologists, outfitters, and intrepid visitors, Ferguson weaves a poignant story of a land under siege. Opinionated first-hand accounts illuminate the dream and the difficulty of preserving the Yellowstone wilderness - America's first national park and a touchstone of all things wild. Ferguson's previous writings on nature have been well received. Publishers Weekly wrote about The Sylvan Path: In prose as inviting and uplifting as a walk in the woods, naturalist Ferguson shares his lifelong passion...with a sense of discovery, humor, and deep reverence for his subject, [he] reclaims the natural world for himself, and for the reader as well. William Kittredge praised Walking Down the Wild as a clear-eyed vision of what's at risk in the battle over wilderness in America. This is a terrific book.

    Studs Terkel's legacy to the younger generation is a chronicle of optimism, determination and activism in 20th-century America, retelling history through the stories of those who stood up and fought for their beliefs in the face of justice or adversity.

    Many aspects of the life and lore of Joe Hill receive their first and only discussion in IWW historian Franklin Rosemont’s opus. In great detail, the issues that Joe Hill raised and grappled with in his life: capitalism, white supremacy, gender, religion, wilderness, law, prison, and industrial unionism are shown in both the context of Hill’s life and for their enduring relevance in the century since his death. Collected too is Joe Hill’s art, plus scores of other images featuring Hill-inspired art by IWW illustrators. As Rosemont suggests in this remarkable book, Joe Hill never really died as he lives in the minds of rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day.

    Beat the Heat gives you a set of easy-to-remember legal tactics for protecting yourself and the people you care about. Written by a criminal defense attorney, this illustrated street law manual teaches you exactly:what to say if you’re pulled over how to read a search warrant what you should know about undercover cops how to handle police questioning what to tell the judge to get your bail reduced how to get the best work out of your lawyer Reading this book is like getting a one-on-one coaching session with your lawyer. It’s written in plain English and comes with sample documents (including warrants and subpoenas), so you can learn how to deal with them before trouble’s at your door. There are special sections for minors and non-U.S. citizens, as well as a chapter on suing the police. The best part is the numerous cartoon sequences, which demonstrate how cops manipulate people they’re questioning or searching—and what techniques you need to win this game.Beat the Heat was scrupulously edited by over a dozen attorneys and law professors, in addition to law enforcement officers and bail bondsmen."This is a book that every American should read before they find themselves in an encounter with a law enforcement agent. Such knowledge can cut back on lawyer fees, possibly reduce jail time, and can help one be an active participant in one’s legal situation rather than sitting on the sidelines in a cloud of confusion during this stressful time." —Johnnie Cochran, Criminal Defense Attorney"It’s extremely well done, in its informative text, and its clear, well-drawn graphics. It’ll be especially helpful for young folks, of the anti-globalist and hip-hop generation, who often have few ways to learn about the pitfalls of the system (other than the unfortunate obvious way)." —Mumia Abu Jamal, Author and Political Prisoner"Beat the Heat is a great urban survival kit: it provides simple, direct tactics for preserving basic constitutional rights on the street, and precise, valid legal information for victims of police abuse." —Tony Serra, Criminal Defense Attorney"Beat the Heat is a crucial resource for communities of color. To fight back against police abuse and discrimination in the courts, people have got to know their legal rights—and that information is in this book." —Van Jones, Executive Director, Ella Baker Center for Human Rights"This book will help keep more of our brothers and sisters in the community, instead of sitting in cages watching the prison industry’s profits grow. Read it, use it, pass it on." —Zack de la Rocha, Singer/Songwriter, Rage Against the Machine

    Award-winning poet Diane Seibert's inventive poems are perfectly paired with Caldecott Honorrecipient Stephen Johnson's compelling imagery. Each turn of the page offers a surprisewhether it's an impressionistic painting of Niagara Falls, a wild collage of Las Vegas, or an evocative tallgrass prairie landscape. Additional facts about each site and a list of art media are provided, making this distinguished volume a gem for the study of literature, art, history, or geography.

    But less known, are his house designs. In total 20 private house plans (not including renovations) were designed by Kahn. Nine of these were realized and are profiled here; interior and exterior serenely pictured in both full page spreads. Also includes 3 extra essays and a fold out with plans of Kahn's buildings.

    For the next eight years, he lived among the native tribes of the Southwest while he journeyed towards the safety of the Spanish settlements in Mexico. He and three companions survived starvation, sickness and slavery thanks to the generosity of native peoples along the way.When Cabeza de Vaca finally reached the Spanish, he was a changed man and led the struggle against the feudal-like exploitation of the New World populations. Stuart Waldman tells the fascinating story of two journeys: one covering 2,500 miles through unexplored territory, the other the transformation of a man's heart.Excerpts from Cabeza de Vaca's journals make the reader's immersion into this mystifying world complete. The gatefold map allows the reader to follow the journey while reading.

    Gathered from the great speeches of the civil rights movement of African Americans, Asian Americans, gays, Hispanic Americans, and women, Ripples of Hope includes voices as diverse as Sister Souljah, Spark Matsui, and Harvey Milk, which, taken as a whole, constitute a unique chronicle of the modern civil rights movement. Featuring a foreword by President Bill Clinton and an afterword by Mary Frances Berry, this collection represents not just a historical first but also an indispensable resource for readers searching for an alternative history of American rhetoric. Edited and with an introduction by former Clinton speechwriter Josh Gottheimer, the stirring speeches that make up this volume provide an important perspective on our nation's development, and will inform the future debate on civil rights.

    This meticulous guide also brings to light never-before-heard stories about Corso, Bob Kaufman, DiPrima, Kyger, Lamantia and other West Coast Beats. A entertaining read as well as a practical walking (and driving) tour that covers the entire Bay Area. With an introduction by Lawrence Ferlinghetti.Bill Morgan is a painter and archival consultant working in New York City. He is the author of The Beat Generation in New York: A Walking Tour of Jack Kerouac’s City.

    Cusick tells how, just before the United States went to war against Great Britain in 1812, an ill-advised invasion of a Spanish colony became a stage on which the young republic clumsily acted out its imperial ambitions and racial fears. With the halfhearted backing of President James Madison and Secretary of State James Monroe, a party of Georgians invaded East Florida, confident that partisans there would help them swiftly wrest the colony away from Spain. The raid was a strategic and political disaster. Few sympathizers materialized, official U.S. support dissolved, and an extended guerrilla war ensued.This was the "other war of 1812," or the Patriot War. Cusick, a lively storyteller as well as a meticulous scholar, conveys the savagery of the borderlands conflict that pitted American adventurers and anti-Spanish partisans against Spanish loyalists and their allies, who included Seminole Indians and escaped slaves. At the same time, Cusick looks at the American motivations behind the invasion, including apprehensions about Florida's growing population of unregulated blacks and geopolitical intrigues involving Spain, Britain, and France.

    His serendipitous beginning as a Buddhist resulted from being a civilian prisoner of the Japanese in the Second World War, where he found R. R. Blythe, the great haiku master, and D.T. Suzuki, the most important and popular chronicler of Zen in English, as fellow detainees. After the war he returned to Japan on several occasions to study in traditional monastic settings. He has been a leader of the contemporary move to establish Zen Buddhism in the West and was a founding member of the Buddhist Peace Fellowship.With material never before collected in book form, The Morning Star includes writings from his first book, A Zen Wave, and from eight collections of essays and poems published over the last three decades. The introduction to this volume offers Robert Aitken’s latest presentation of Zen practice, addressing the Great Matter from a historical and personal perspective.

    The book features both male and female contributors, gay, straight and bisexual, and represents a broad range of cultures and territories, from Inuit and Plains Cree to Spokane and Chickasaw to Samoan and Maori.

    Some evoke hilarity, some horror. Discover singing sand, glowing tombstones, ghostly squirrels, and a musical instrument said to cause madness. Marvel at the most mysterious manuscript in the world. Visit a miniature replica of the Holy Land or climb carved stone steps leading . . . nowhere. Curious New England points the way to all the tantalizing treats and terrifying treasures that remain tucked away in overlooked museums, private collections, and forgotten recesses of this very special region. *A cursed statue in Maine *Ageless American Megaliths *A window embedded in Vermont earth *Titus’s Arch on a New Hampshire hilltop *Artwork made from insect parts With precise directions, hours, and contact information, these fascinating pages reveal each mystery, miracle, and marvel, from world-class weirdness, to minor curiosities, to entertaining distractions. There'll be no more boring Sunday drives when you can visit a spider farm, explore the laboratory of “mad” scientist Wilhelm Reich, view the Hobo Hotel, and observe houses made from paper, wooden crates, mounds of earth—even covered bridges. And New England’s wonders never cease: discover evidence of manned flight a century before the Wright Brothers; visible phantoms manifesting from marble columns; and automobiles emerging from tarmac like dinosaurs from pits of tar. This one-of-a-kind collection spotlights all six New England states, illuminating everything that’s wicked, weird, and wonderful in every hidden corner of a region that rivals Old England in mysteries, miracles, and marvels.

    Wonderfully written biographies and illustrations of Saints Lucy, Monica, Augustine, Benedict, Francis Xavier, Edith Stein, Juan Diego, Katharine Drexel, and many others. Each story highlights a saint or related saints in a short-story format. The stories are organized chronologically and include biographical information and the saints' feast days. Many stories also include wonderful illustrations of the profiled saints. The stories are written in lively, accessible language and each conclude with a summary thought or reflection. Perfect for intermediate readers and school or church libraries. Ages 8-12

    Vivid, lush, and intensely honest, these poems capture the rough edges of the world and force us to pay attention.

    Five men and women – an auto designer, photographer, musical composer, poet/sculptor and mechanic – find themselves drawn together when they begin to suspect that the thing lacking in their lives might be discovered in the other place. Against the tension between idiosyncratic art and mass-marketed taste, each works to bridge the gulf between IN & OZ by using the medium of their trades: light and darkness; sound and silence.IN & OZ is a story as old as the Tower of Babel and as new as global markets: the story of people trying to reach beyond the limits of language and remake the world, or at least their selves.

    At the same time—with fantasies of Lauren Bacall sipping an extra-dry Gibson against a gleaming metal doorway in Palm Springs and Lucy and Desi's madcap Long, Long Trailer trip—they crave the vanished luxury and quirkiness of antique auto trailers. Those simpler, slower days of freedom and security are being recaptured in trailers from all eras, rescued and restored as living, road-ready Americana.Ready to Roll, with more than 300 color photographs, taps into this trend in gloriously illustrated and insightfully chronicled retro style. Here is the complete evolution of the trailer, from the utilitarian Covered Wagon to the aristocratic Airstream and Aerocar Land Yacht to the homemade Hammer Blows of the Depression. Here too are the people who drove these cherished chariots and increasingly lived in them in trailer parks, from the stereotypically seedy to the likes of Bing Crosby's exclusive Blue Skies Trailer Village. The amazing camaraderie of groups like the Tin Can Tourists marks the trailer phenomenon as a major segment of American consciousness and history.

    You usually don't think too much about slavery in the Lone Star State. Although slavery existed in Texas only from the second decade of the 19th century to the close of the Civil War, the majority of early settlers came to Texas from other Southern states. When they moved westward, they brought their slaves with them. When the Federal Writers' Project sent interviewers across Texas to find former slaves and document what their lives were like during slavery, they filed over 590 slave narratives, the largest collection of any state. The 28 selections in I Was Born in Slavery show that Texas slaves had their own distinctive voices, often colored by their Western culture. Lu Lee, who lived in what was then Cook County, describes seeing Indians pass by the house every day, observing droves of wild horses, and watching wolves grab "a big, good-sized calf in small time." James Cape, interviewed in Fort Worth, speaks affectionately about his favorite horse and tells about working as a cowhand for a cattle rustler before escaping to Missouri to work on Jesse James's farm. Sam Jones Washington, a slave on a ranch along the Colorado River, describes how he once diverted a cattle stampede. He ends his description by saying that "if them cattle stamp you to death, Gabriel sho' blow the horn for you then!" Along with descriptions of the frontier, the words of these slaves provide poignant insights into what it was like to live as a slave in this area. Through their voices, we are given a moving glimpse into an important part of American history.Andrew Waters is a writer and former editor. A native North Carolinian, he graduated from the University of North Carolina at Chapel Hill with Honors in Creative Writing and received a graduate degree from the University of North Carolina at Greensboro. He is the executive director of the Spartanburg Area Conservancy in Spartanburg, SC.

     Starbuck was known in his lifetime and is remembered today as a practitioner of verse remarkable for its pathos, intelligence, and wit. A master of American vernacular, sensitive to the rhythms of everyday speech, Starbuck was also a brilliant lyricist, at once erudite and irreverent. He addressed some of the most profound issues of his day with a playful ingenuity and a virtuosity of talent that Glyn Maxwell, poetry editor of the New Republic, writing in The Oxford Companion to Twentieth Century Poetry, calls a "veritable arsenal of strategies against the darkness." Starbuck came to wide critical notice in 1960 with the publication of his first book, Bone Thoughts, which won the Yale Series of Younger Poets prize. He published work regularly in the New Yorker and other major literary journals in the United States. His work was consistently recognized with awards, among them the Prix de Rome, an Ingram-Merrill Fellowship, a Rockefeller Foundation Fellowship, the Beth Hokin Prize, a Notable Book of the Year designation from the New York Times, the Lenore Marshall poetry prize, and an Aiken-Taylor Lifetime Achievement Award. Grouped together by decades, the poems reveal Starbuck's developing genius. His technical agility and his singular voice are evident. As Anthony Hecht declares in his foreword, "I come to this posthumous collection with serene and justified confidence in finding enormous pleasure, astonishment, admiration, and genuine satisfaction. [This book] is a generous sampling of a profound poetic legacy, one for which readers ought to be deeply grateful."

    Meltzer's monumental history of the Federal Reserve System tells the story of one of America's most influential but least understood public institutions. This first volume covers the period from the Federal Reserve's founding in 1913 through the Treasury-Federal Reserve Accord of 1951, which marked the beginning of a larger and greatly changed institution.To understand why the Federal Reserve acted as it did at key points in its history, Meltzer draws on meeting minutes, correspondence, and other internal documents (many made public only during the 1970s) to trace the reasoning behind its policy decisions. He explains, for instance, why the Federal Reserve remained passive throughout most of the economic decline that led to the Great Depression, and how the Board's actions helped to produce the deep recession of 1937 and 1938. He also highlights the impact on the institution of individuals such as Benjamin Strong, governor of the Federal Reserve Bank of New York in the 1920s, who played a key role in the adoption of a more active monetary policy by the Federal Reserve. Meltzer also examines the influence the Federal Reserve has had on international affairs, from attempts to build a new international financial system in the 1920s to the Bretton Woods Agreement of 1944 that established the International Monetary Fund and the World Bank, and the failure of the London Economic Conference of 1933.Written by one of the world's leading economists, this magisterial biography of the Federal Reserve and the people who helped shape it will interest economists, central bankers, historians, political scientists, policymakers, and anyone seeking a deep understanding of the institution that controls America's purse strings. "It was 'an unprecedented orgy of extravagance, a mania for speculation, overextended business in nearly all lines and in every section of the country.' An Alan Greenspan rumination about the irrational exuberance of the late 1990s? Try the 1920 annual report of the board of governors of the Federal Reserve. . . . To understand why the Fed acted as it did—at these critical moments and many others—would require years of study, poring over letters, the minutes of meetings and internal Fed documents. Such a task would naturally deter most scholars of economic history but not, thank goodness, Allan Meltzer."—Wall Street Journal "A seminal work that anyone interested in the inner workings of the U. S. central bank should read. A work that scholars will mine for years to come."—John M. Berry, Washington Post"An exceptionally clear story about why, as the ideas that actually informed policy evolved, things sometimes went well and sometimes went badly. . . . One can only hope that we do not have to wait too long for the second installment."—David Laidler, Journal of Economic Literature "A thorough narrative history of a high order. Meltzer's analysis is persuasive and acute. His work will stand for a generation as the benchmark history of the world's most powerful economic institution. It is an impressive, even awe-inspiring achievement."—Sir Howard Davies, Times Higher Education Supplement

    Hillbilly signifies both rugged individualism and stubborn backwardness, strong family and kin networks but also inbreeding andbloody feuds. Spanning film, literature, and the entire expanse of American popular culture, from D. W. Griffith to hillbilly music to the Internet, Harkins illustrates how the image of the hillbilly has consistently served as both a marker of social derision and regional pride. He traces thecorresponding changes in representations of the hillbilly from late-nineteenth century America, through the great Depression, the mass migrations of Southern Appalachians in the 1940s and 1950s, the War on Poverty in the mid 1960s, and to the present day. Harkins also argues that images ofhillbillies have played a critical role in the construction of whiteness and modernity in twentieth century America. Richly illustrated with dozens of photographs, drawings, and film and television stills, this unique book stands as a testament to the enduring place of the hillbilly in the Americanimagination.Hillbilly received an Honorable Mention, John G. Cawelti Book Award of the American Culture Association.

    Che Guevara , described by Time magazine as “Cuba’s scraggle-bearded economic czar,” condemned the plan as a new strategy to subjugate the continent to U.S. interests.The introduction describes the backstage drama that unfolded when Kennedy’s special envoy Richard Goodwin had a cordial encounter with Che at a late-night party. The book includes never before published material, such as Che’s televised speech in which he outlines the issues posed by the Alliance for Progress.Available in Spanish as Punta del Este (ISBN 1-876175-65-6)

    

    During the early 19th century, the tribes moved into the South Florida interior, living on remote tree islands throughout the Everglades and Big Cypress Swamp. These self-reliant people kept mostly to themselves. Their struggles have included disease, poverty, relocation, and three wars with the U.S. Army. Nevertheless, these resilient tribes survived and have become a vital part of the country's history and a unique and highly popular feature of South Florida tourism. Today, these tribes are busy creating economic opportunity for members, preserving their heritage and culture, and protecting their homeland. The powerful and engaging story of these remarkable people is brought to life in Images of America: Seminole and Miccosukee Tribes of Southern Florida. Captivating images from the Seminole / Miccosukee Photographic Archive highlight and preserve their story for future generations. Readers will appreciate this up-close and personal look at their way of life. The descendants of famed Native Americans such as Osceola, Jumper, Micanopy, and Sam Jones are seen in this distinct photo perspective working, resting, playing, and celebrating their customs.

    ALIVE IN HARD COUNTRY: POEMS by Richard Hague