Some inhabitants of a peaceful kingdom cannot tolerate the act of cruelty that underlies its happiness.The story "Omelas" was first published in New Dimensions 3, a hard-cover science fiction anthology edited by Robert Silverberg, in October 1973, and the following year it won Le Guin the prestigious Hugo Award for best short story.It was subsequently printed in her short story collection The Wind's Twelve Quarters in 1975.

    It also illuminates the chaotic life of a nation during the Stalin era.

    From how to behave at school, to sharing, to important safety rules - and featuring bright and fun illustrations - young children will gain an understanding of the right ways to behave in a variety of situations. Now includes a sticker sheet!

    It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." --Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting." --Brooks Atkinson"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." --Library Journal"Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." --Harold Clurman"Uta Hagen's Respect for Acting...is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." --Los Angeles Times"Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." --Fritz Weaver"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How-To" kind I'd give it four curtain calls, and two hollers of "Author, Author --King Features Syndicate

    Trilogy's three long poems rank with T.S. Eliot's "Four Quartets" and Ezra Pound's "Pisan Cantos." The first book of the Trilogy, "The Walls Do Not Fall," published in the midst of the "fifty thousand incidents" of the London blitz, maintains the hope that though "we have no map; / possibly we will reach haven,/ heaven." "Tribute to Angels" describes new life springing from the ruins, and finally, in "The Flowering of the Rod"—with its epigram "...pause to give/ thanks that we rise again from death and live."—faith in love and resurrection is realized in lyric and strongly Biblical imagery.

    Poetry - The poems are drums. And drums are the tools of magicians...Piertri is a very social poet. There are no love poems here, except that every line breathes his love for his people. And his focus is on the misery that his people are force to suffer in a dying, racist/imperialist world..Pietri's strength is outrage...his rage is carefully controlled, and the more threatening for that reason. Pietri, like David Henderson and Allen Ginsberg, effortlessly telescopes vast social problems inot effective image-clusters. The degradation of the oppressed has never been more acidly funny..." Lorenzo Thomas, University Review.

    The result is an analysis of urbanism and social need. This reissue contains a foreword by Ira Katznelson and a new afterword by the author.

    A powerful healer who was forceful, astute, and compassionate, Pretty-shield experienced many changes as her formerly mobile people were forced to come to terms with reservation life in the late nineteenth century. Pretty-shield told her story to Frank Linderman through an interpreter and using sign language. The lives, responsibilities, and aspirations of Crow women are vividly brought to life in these pages as Pretty-shield recounts her life on the Plains of long ago. She speaks of the simple games and dolls of an Indian childhood and the work of the girls and women—setting up the lodges, dressing the skins, picking berries, digging roots, and cooking. Through her eyes we come to understand courtship, marriage, childbirth and the care of babies, medicine-dreams, the care of the sick, and other facets of Crow womanhood. Alma Snell and Becky Matthews provide a new preface to this edition.

    Recounts the voyage of Robin Lee Graham, a California sixteen-year-old, who spent nearly five years sailing alone around the world.Photo Illustrated, many photos of Graham by National Geographic photographers.

    This collection of seventeen Caribbean short studies is compiled for use in secondary schools, and embraces both the old and the new of West Indian writing from the 1930s to the present day.The stories contained in the collection are: "Backfire" by Shirley Tappin; "Paradise Lost" by Ida Ramesar; "Chung Lee" by Undine Guiseppi; "Give and Take" by Robert Henry; "The Kite" by Barnabus J Ramon-Fortuna; "Horace's Luck" by Neville Guiseppi; "Mama's Theme Song" by Joy Moore; "The Teddy Bear" by C Arnold Thomasos; "De Trip" by Joy Clarke; "The Hustlers" by Flora Spencer; "Journey by Night" by Undine Guiseppi; "The New Teacher" by Ninnie Seereeram; "Up the Wind Laka Notoo-Boy" by Ian Robertson; "After the Game" by Barnabus J Ramon-Fortuna; "Ramgoat Salvation" by Ida Ramesar; "Tantie Gertrude" by Oliver Flax; and "The Cousins" by Joy Moore.

    

    DuBois knew that the liberation of the African American people required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, DuBois saw education as fundamentally subversive. This was as much a function of the well-established role of educationfrom Plato forwardas the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education's fundamentally radical nature in view. Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance.

    It is filled with the urgent hope that art, too, can change history.Put together when Vicuña was just twenty-five years old, the poems, paintings, and objects of SABORAMI enact a complex and multidimensional conversation. The meanings of the works (which were created over a seven year period) shifted radically after the events of September 11, 1973. Their meanings continue to shift and resonate in light of political events today.This recreation of the original SABORAMI is published with a new afterword Vicuña wrote especially for this edition.It is a shout of protest, an accident in the cosmos, as was the coup d’etat. Its objective, says the author herself, was to create a magic work, a revolutionary work, and an aesthetic work (in that order). For me the most salient aspect of this text is its value as a testimonial or a chronicle of the announced coup d’etat.–Hugo Méndez-RamírezSABORAMI anticipated over three decades in advance the theory and practice of the fusion between the visual and the verbal, including as well the multimedia convergences of the world-wide-web, that now stand at the forefront of contemporary developments in poetry and the arts.–Jonathan Monroe. . . celebrations and melancholies of something that was and could continue being.–Felipe EhrenbergAbout the author: Cecilia Vicuña is a poet, visual artist, and filmmaker born in Santiago de Chile. The author of twenty books of poetry, she exhibits and performs widely in Europe, Latin America, and the United States. Her multidimensional works begin as a poem, an image or a line that morphs into a film, a song, a sculpture or a collective performance. She calls this impermanent, participatory work "lo precario" (the precarious), transformative acts or "metaphors in space" which bridge the gap between art and life, the ancestral and the avant-garde. Her film/poem Kon Kon Pi was included in the ON LINE exhibition at MoMA in 2010. Soy Yos: Antología, l966- 2006 was published by Lom Ediciones, Chile in 2011. She co-edited The Oxford Book of Latin American Poetry (2009). Her book Chanccani Quipu, a quipu edition of 32 copies, is forthcoming from Granary Books in 2012. Spit Temple: Selected Oral Performances of Cecilia Vicuña is also forthcoming from Ugly Duckling Presse.

    In this first installment of his Pulitzer Prize-winning Freedom from Fear, Kennedy tells how America endured, and eventually prevailed, in the face of that unprecedented calamity. Kennedy vividly demonstrates that the economic crisis of the 1930s was more than a reaction to the excesses of the 1920s. For more than a century before the Crash, America's unbridled industrial revolution had gyrated through repeated boom and bust cycles, consuming capital and inflicting misery on city and countryside alike. Nor was the alleged prosperity of the 1920s as uniformly shared as legend portrays. Countless Americans eked out threadbare lives on the margins of national life. Roosevelt's New Deal wrenched opportunity from the trauma of the 1930s and created a lasting legacy of economic and social reform, but it was afflicted with shortcomings and contradictions as well. With an even hand Kennedy details the New Deal's problems and defeats, as well as its achievements. He also sheds fresh light on its incandescent but enigmatic author, Franklin D. Roosevelt. Marshalling unforgettable narratives that feature prominent leaders as well as lesser-known citizens, The American People in the Great Depression tells the story of a resilient nation finding courage in an unrelenting storm.

    F.

    This third edition has been fully revised and uses a story-telling approach to illustrate how research is done and the results of such research. Each chapter begins with a real-life vignette that epitomizes the social psychological concepts that follow, and experiences and historical events are used to illustrate theories within social psychology.

    This text describes Master Chungliang Al Huang's techniques of Tai Chi.

    

    . . The study is of immense value because it identifies the modern idolatry that views suffering as absurd and devoid of meaning. . . The book is a marvelous exercise in cultural self-analysis that is preliminary to any meaningful exorcism and redirection." --Kenneth Vaux Theology Today "Passionate, imaginative, learned, literary, pithy, and at every point searching, Suffering is a notable achievement, not least because it pricks the heart and conscience, making the reader share in the deep experience of suffering that lies behind its writing." --James A. Carpenter Anglican Theological Review

    Natanson uses Husserl's later work as a clue to the meaning of his entire intellectual career, showing how his earlier methodological work evolved into the search for transcendental roots and developed into a philosophy of the life-world. Phenomenology, for Natanson, emerges as a philosophy of origin, a transcendental discipline concerned with consciousness, history, and world rather than with introspection and traditional metaphysical warfare.

    Theories of human behavior have changed over the years, as interest in approaches that depict behavior as instinctively determined or impelled by drive forces have declined as deficiencies became apparent. Perspectives based on social learning have emerged that increase our understanding of human behavior. In this book, the author has attempted to formulate a social learning theory of aggression, whether individual or collective, personal or institutional sanctioned. The goal is to improve the basis on which we explain, predict, and modify aggression. A sizable portion of this book is devoted to demonstrating how social learning principles can be applied individually and at the social systems level to reduce deleterious forms of aggression. The use of social power as an instrument of change is also addressed. There is a discussion of social labeling and ethics of aggressive action.

    

    Every conceivable spelling of a word is included in this terrific reference that's also a great learning tool. Illustrations.

    Organized to illustrate the major themes of Elliot Aronson's The Social Animal, this collection of classic and contemporary readings explores the most important ideas, issues, and debates in social psychology today.

    From the courtyards of the Sun King to the royal chambers of Charles II, Penn was a "Friend" of kings and princes, scientists and Native Americans. A member of the Royal Society, Penn knew Edmund Halley and Isaac Newton. He met Peter the Great while the Czar was visiting London and introduced him to Quaker ideas. As the founder of Pennsylvania, Penn treated the Native American tribes with dignity and respect and by his integrity established the longest standing peace treaty between European settlers and Native Americans. His commitment to religious freedom became a cornerstone of American democracy. In her inimitable fashion, Foster has brought Penn's story to a new generation of readers. --Rea Berg, Editor 2008

    He points a camera at society and individuals, obscures certain elements of narrative device, and then reveals a twisted, yet recognizable picture.

    They engage in the most remarkable act a human can perform, and, in so doing, unleash God's sustaining power. In No Easy Road, Dick Eastman offers challenge, guidance, and encouragement to help believers on the sometimes difficult, though always rewarding, journey of prayer. This best-selling classic, originally published by Baker in 1971, tracks a Pilgrim's Progress-like progression down the road of prayer. Using stories from biblical times to today, it walks readers through the Peak of Unbelief, the Plateau of Intercession, the Mountain of Self-will, and more. Designed for all believers who seek to revitalize their prayer lives, it is also a pertinent resource for pastors, prayer leaders, missionaries, and others who wish to mobilize others to pray.

    Faustus, Hero and Leander), Donne, and Milton (Comus, Samson Agonistes, and long excerpts from Paradise Lost).

    Arguing that society, institutions, and literature change while the human condition remains the same, David J. Burrows hopes to enable readers to deepen their appreciation of the continuity and tradition of literary heritage.

    This book tells what the leading Americans were really like, as deducted from their letters, diaries, and reminiscences, up to the moment they openly declared revolution - the hearts and minds of those bold men and women of 1776 who won their desperate gamble to be free.

    Detailed illustrations of hundreds of everyday objects are labeled to help preschoolers learn their names.

    He chronicles events leading up to Washington's crossing of the Delaware and the ensuing Battle of Trenton, a turning point in the War of Independence.

    in the late 1960s and early 1970s, but its relevance to other countries of the period and also in today's global economy is evident. When government expenditure constitutes a larger and larger share of total economy theorists who ignore the impact of the state budget do so at their own (and capitalism's) peril. This volume examines how changes in tax rates and tax structure used to regulate private economic activity. O'Connor theorizes that particular expenditures and programs and the budget as a whole can be understood only in terms of power relationships within the private economy. O'Connor's analysis includes an anatomy of American state capitalism, political power and budgetary control in the United States, social capital expenditures, social expenses of production, financing the budget, and the scope and limits of reform. He shows that the simultaneous growth of monopoly power and the state itself generate an increasingly severe social crisis. State monopolies indirectly determine the state budget by generating needs that the state must satisfy. The state administration organizes production as a result of a series of political decisions. Over time, there is a tendency for what O'Connor calls the social expenses of production to rise, and the state is increasingly compelled to socialize these expenses. The state has three ways to finance increased budgetary outlays: create state enterprises that produce social expenditures; issue debt and borrowing against further tax revenues; raise tax rates and introduce new taxes. None of these mechanisms are satisfactory. Neither the development of state enterprise nor the growth of state debt liberates the state from fiscal concerns. Similarly, tax finance is a form of economic exploitation and thus a problem for class analysis. O'Connor contends that the fiscal crisis of the capitalist state is the inevitable consequence of the structural gap between state expenditures and revenues. The state's only way to ameliorate the fiscal crisis is to accelerate the growth of the social-industrial complex. In his new introduction, O'Connor describes The Fiscal Crisis of the State as the product of a unique combination of personal, intellectual, and political experiencesa. He goes on to explain the origins of his theory and the consequences of The Fiscal Crisis of the State. He answers the question is there a fiscal crisis today? and discusses changes in fiscal policy since the '60s and '70s.

    In this dynamic field, Herb Zettl's SIGHT SOUND MOTION/APPLIED MEDIA AESTHETICS FIFTH EDITION is more applicable than ever. This new edition of SIGHT SOUND MOTION continues to be the most comprehensive book on the market, not only describing the major aesthetic image elements--light and color, space, time-motion, and sound-but also presenting in-depth coverage on the creative ways that they are used in television and film. Zettl's thorough coverage of aesthetic theory and the application of that theory place this contemporary and highly relevant text in a class by itself. Richly illustrated, this edition features strong visuals that often draw on traditional art forms, such as painting, sculpture, and dance.

    The skill of the legendary master of the twist ending in short stories is perhaps nowhere better exemplified than in his 'After Twenty Years.'

    An important white leader in the black civil rights struggle, he helped the LBJ White House pass legislation and write crucial civil rights speeches. In the midst of what he described as “the dirtiest fight of my life” struggling to save a federal Mississippi education program, he was viciously murdered in Columbus, Ohio. The murder was never solved. Very little effort went into finding the murderer. The Columbus police and the FBI hinted the unsolved murder was connected to Spike’s undisclosed gay life. During his father's rise in the civil rights movement, Paul Spike lived a life typical of a young man in the 1960s, finding his way through a labyrinth of booze, drugs, and girls. At Columbia University, he was active in the 1968 student rebellion and friends with many SDS radicals. That rootless life ended with his father's murder.

    Joel is as happy as a boy can be, except for one thing. He can't guess Uncle Luke's secret. Why is his uncle taking that big barrel all the way to the gold fields of Colorado? And what in the world is in it? When Joel finally does learn the secret, he has the surprise of his life. And so will you.

    The Creation of Eve, Cain and Abel, Noah's Ark, The Tower of Babel, Abraham and Isaac, and Moses and the Burning Bush are only a few of the 46 stories depicted in this collection.

    Anne Wilson Traces culinary practices and preferences from our earliest prehistoric forbears down to the generation of the Industrial Revolution, and offers an extraordinary taste of the times. She provides a tabletop perspective on class structure, religion, politics, and social custom, generously seasoned with such culinary and cultural tidbits as the importance of salt in English history and the role of romance in England's first taste of the wines of southernmost France. Readers will become acquainted with the sources of many of our current tastes and conventions. Discover "macrows," the prototype of macaroni, and that "whales, porpoises and sturgeon were all royal fish." Meringue, to the Elizabethans, was a "dishful of snow," and rather difficult to whip up before the advent of the fork in the late 17th century. Before the Reformation all buns were "hot cross" in order to ward off evil spirits that might prevent the bread rising. Adventurous readers who wish to dine as their ancestors did may do so; Ms. Wilson includes many authentic recipes—such as 17th century rice pudding—which add flavor of a unique kind. This cornucopia of custom and cuisine provides plenty of food for thought for everyone, and what could be of more interest if we are, indeed, what we eat?