Josseran Sarrazini is chosen to escort the Pope’s emissary on an embassy to the all-conquering Mongol horde in an effort to save all Christendom from destruction. But although he serves as a Templar warrior, Josseran is not all that he appears to be - and he despises the Pope’s man on sight. Now they have to spend nine months in each other’s company on the most dangerous and most inhospitable journey on the earth - across the legendary deserts of Persia, through the horrific black hurricanes of the Taklimakan, along the entire spider's web of the Silk Road to Khubilai Khan’s legendary capital at Xanadu. When he sets out, Josseran cannot know then that he will never see Christendom again. Meanwhile, somewhere near the Roof of the World, a Tatar princess possessing a gift for prophesy, defies her father’s attempts to marry her off to the sons of other tribal chiefs. She does not belong in her world any more than Josseran belongs in his. Now fate will bring their paths on a collision course somewhere on the Silk Road and change the course of her life, and Josseran's, forever. From the Storehouse of Winds to the Palace of Myriad Tranquillities, from the Pamirs and Hindu Kush to the legendary Xanadu and the dazzling court of Khubilai Khan, this is romance and adventure on a breath-taking scale.

    It also includes hundreds of web site addresses for further research.

    After the political turmoil and battles leading up to 1066, we all know William the Conquerer takes England. But Helen Hollick will have readers at the edge of their seats, hoping that just this once, for Harold, the story will have a different ending.

    It tells the story of a family of secret Jews living in Seville on the eve of the Spanish Inquisition.

    Notably, they ignored the advice of Raymond of Tripoli and attacked Saladin. This book challenges that view, arguing that peace with Saladin was not a viable option; and that the young king, despite suffering from lepromatous leprosy, presided over a society that was (contrary to what is often said) vigorous and self-confident.

    He was perhaps the most important philosophical thinker to appear in Latin Christendom between Augustine in the fifth century and Anselm in the eleventh. In this volume, Deirdre Carabine provides a clear and accessible introduction--the only one available in the English language--to the thought of this important figure.In part I, Carabine describes the intellectual revival of the ninth century and situates Eriugena's role within that movement. She looks closely at Eriugena's life and intellectual achievements, including his contribution to the theological controversy on predestination and his roles as teacher and translator of Greek thought. She also examines the Periphyson, undoubtedly Eriugena's most original and important work. In part II, Carabine discusses Eriugena's metaphysics, the structure of reality, the theocentric character of creation, and the role of the trinity and the primordial causes. In particular, she explores Eriugena's employment of negative theology and his understanding of human nature. In conclusion, part III looks at Eriugena's interpretation of the return of all things to their source, including his belief that all people, saints and sinners alike, will return to paradise to the vision of a transcendent God.Revealing the unique and compelling nature of Eriugena's thought, and showing why his work continues to appeal to a modern audience, this volume is required reading for students and scholars of medieval philosophy and theology.

    This book is the first major study of the early history of one of these Latin settlements, the principality of Antioch; it reasserts the significance of Antioch, and challenges the dominant position of the kingdom of Jerusalem in modern crusading historiography. Thomas Asbridge examines the formation of Antioch's political, military and ecclesiastical frameworks and explains how the principality survived in the hostile political environment of the Near East. He also demonstrates that Latin Antioch was shaped by the complex world of the Levant, facing a diverse range of influences and potential threats from the neighbouring forces of Byzantium and Islam. Historians of the Frankish East and of medieval Europe in the eleventh century will find this an important contribution to crusading history; it is also a significant contribution to the study of frontier societies and medieval communities. THOMAS S. ASBRIDGE is lecturer in early medieval history at Queen Mary and Westfield College, University of London.

    Definitive and lively articles focus on the great tales and traditions of the age and includes information on daily and nightly customs andactivities; religious beliefs of the pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastical.While most books on medieval folklore focus primarily on the West, this unique volume brings together an eclectic range of experts to treat the subject from a global perspective. Especially remarkable are the surveys of the major medieval traditions including Arab-Islamic, Baltic, English, Finno-Ugric, French, Hispanic, Hungarian, Irish, Italian, Jewish, Scandinavian, Scottish, Slavic, and Welsh.For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place to look.The contributors:Ulrich Marzolph -- Arab-IslamicThomas A. DuBois -- BalticJohn McNamara & Carl Lindahl -- EnglishThomas A. DuBois -- Finno-UgricFrancesca Canad� Sautman -- FrenchSamuel G. Armistead -- Hispanic�va P�cs -- HungarianJoseph Falaky Nagy -- IrishGiuseppe C. Di Scipio -- ItalianEli Yassif -- JewishStephen A. Mitchell -- ScandinavianJohn McNamara -- ScottishEve Levin -- SlavicElissa R. Henken & Brynley F. Roberts -- Welsh

    Gregory in these 36 lectures on one of the most tumultuous and consequential periods in all of European history. Regardless of whether we ourselves are religious, says Professor Gregory, our modern preference for belief bolstered by doctrine is "a long-term legacy of the efforts to educate, to catechize, to indoctrinate, that began in a widespread way during the 16th century."This course consists of 36 lectures, and is designed to take you inside the minds of those who supported the Reformation and those who resisted it. It treats the three broad religious traditions that endured or arose during these years: •Roman Catholicism, both as it existed on the cusp of the Reformation and as it changed to meet the Protestant challenge.•Protestantism, meaning the forms approved by political authorities, such as Lutheranism, Calvinism, and Anglicanism. •"Radical" Protestantism, meaning the forms often at odds with political authorities, such as Anabaptism.The goal is to understand historically the theological and devotional aspects of each of these three broad traditions on its own terms and to grasp the overall ramifications of religious conflict for the subsequent course of modern Western history.

    Immediately striking are the accounts of the Danish invasions and the unhappiness of Stephen's reign, together with the lyrical poem on the Battle of Brunanburh. Ranging from the start of the Christian era to 1154, the uniqueness of the chronicle as an historical and literary document makes it of compelling interest throughout. The historical, linguistic and literary importance of The Anglo-Saxon Chronicle is without parallel.

    In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the ballads, plays and romances that grew around his fame and impressed him on our fictional and historical imaginations.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    This is despite the fact that by 1360 the English had become the foremost martial nation of Europe; that famous victories had been won at Dupplin Moor, Halidon Hill, Cr�cy, and Poitiers; and David II of Scotland and Jean II of France were Edward's prisoners, and the French, with the Treaty of Br�tigny, had agreed to surrender a third of their kingdom to his sovereign rule in exchange for peace. In 'War Cruel and Sharp', Dr Rogers offers a powerfully argued and thoroughly researched reassessment of the military and political strategies which Edward III and the Black Prince employed to achieve this astounding result. Using a narrative framework, he makes the case that the Plantagenets' ultimate success came from adapting the strategy which Robert Bruce had used to force the 'Shameful Peace' on England in 1328. Unlike previous historians, he argues that the quest for decisive battle underlay Edward's strategy in every campaign he undertook, though the English also utilized sieges and ferocious devastation of the countryside to advance their war efforts. CLIFFORD J. ROGERS is Assistant Professor of History, United States Military Academy, West Point.

    David Crouch covers every aspect of the period - the king and the empress, the aristocracy, the Church, government and the nation at large. He also looks at the wider dimensions of the story, in Scotland, Wales, Normandy and elsewhere. The result (weaving its discussions around a vigorous narrative core) is a a work of major scholarship. A must for specialist and amateur medievalists alike.

    It is published on the occasion of an ambitious exhibition organized to celebrate the bicentenary of the Rijksmuseum in Amsterdam.Paintings, drawings, prints, sculpture, and the decorative arts: more than 200 works of art have been carefully selected from the extensive holdings of the Rijksmuseum and from museums and private collections around the world. The paintings and drawings -- portraits, landscapes, still lifes, genre painting, history painting -- include masterpieces by the renowned painters Hals, Rembrandt, Ruisdael, Steen, and Vermeer. The applied arts are represented by exquisite examples of Delftware, silver by the brothers van Vianen, tapestries by Francois Spiering, and more.The accompanying text describes in detail the development and accomplishments of Dutch art in the seventeenth century. With its wealth of illustrations and extensive reference section, The Golden Age of Dutch Art provides the most comprehensive overview possible of this seminal period in Western art.

    Feminizing Chaucer investigates Chaucer's thinking about women, and re-assesses it in the light of developments in feminist criticism. It explores Chaucer's handling of gender issues, of power roles, of misogynist stereotypes and the writer's responsibility for perpetuating them, and the complex meshing of activity and passivityin human experience. Mann argues that the traditionally 'female' virtues of patience and pity are central to Chaucer's moral ethos, and that this necessitates a reformulation of ideal masculinity.First published [as Geoffrey Chaucer] in the series 'Feminist Readings', this new edition includes a new chapter, 'Wife-Swapping in Medieval Literature'. The references and bibliography have been updated, and a new preface surveys publications in the field over the last decade. JILL MANN is currently Notre Dame Professor of English, University of Notre Dame.

    Once again Lois Burdett has woven her own brand of magic by transforming Shakespeare's complex verse into rhyming couplets. She has created a version of Hamlet especially for children, even as young as seven, and one that readers of all ages will enjoy.At the appropriately named Hamlet Elementary School in Stratford, Ontario, where Burdett has taught for over 20 years, her students have created wonderful drawings of Hamlet to illustrate Burdett's fluid rhymes. The students' interpretations are vivid evidence of Burdett's clever ability to bring Shakespeare's complex characters and intricate plots to life for young people.

    The first series of maps and time lines gives an overview of the major events in all of these five areas at once as well as other pertinent details. Then the atlas focuses on each of the five major areas, in turn, and covers their major events in more detail. At the back, there is a A-Z guide to the people, places, and events that were mentioned in the text.

    The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." — NotesThis treasury of 47 vocal works — edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua — will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley.Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angús Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man."Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII — who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes.

    Lavish, full-color, large-format artwork depicting the rise and fall of the sailing ship, with text by a leading expert on maritime history.

    Kelly analyses a variety of medieval Western European texts - including medical treatises and their Classical antecedents - and historical and legal documents. The main focus is the representation of both male and female virgins in saints' legends and romances. The author also makes a comparative study of examples from contemporary fiction, television and film in which testing virginity is a theme. Performing Virginity and Testing Chastity in the Middle Ages presents a compelling and provocative study of the parodox of bodily and spiritual integrity as both presence and absence.

    They will capture and hold children's interest while developing their reading skills and deepening their appreciation of the world's great stories.Robin Hood (Level 4) Discover the rollicking exploits of Robin and his merry men as they take from the rich and give to the poor.

    The author's object in this study is to lay the material in front of the reader and make some preliminary suggestions about how it can be interpreted, in the hope that future scholars of Scottish witchcraft in particular will be able more easily to construct their theories with the bricks he has provided. He does not claim to have uncovered all the existing material on this subject, for there are certainly caches of papers and further references still to be found, but by using previously unpublished material, he aims to produce a different picture of Scottish witchcraft. The evidence for magic and witchcraft in 16th-century Scotland lies scattered in unpublished manuscripts, 19th- and early 20th-century transcriptions, and passing remarks in the histories of shires and burghs.

    The collection represents a variety of writings produced by the Jewish community of Iran—perhaps the oldest continuous Diaspora community in the world. Vera Basch Moreen has gathered texts written between the eighth and nineteenth centuries, including fragments of early documents, verse renditions of biblical books, prayers, religious poetry, secular poetry, commentaries, and historical chronicles. Most of the translations have been made by Moreen specifically for this anthology. Extensive notes accompany each selection to clarify its meaning in Jewish and Islamic history and legend.Judeo-Persian texts, written in classical Persian but using the Hebrew alphabet, reflect profound Muslim influences as well as the extent of original thought and expression among Jewish-Persian writers. This welcome anthology of their literature provides access to a deeper understanding of the Jewish Diaspora experience, the Persian literary tradition, and Jewish and Islamic history.