He leaves his family in Crete and sets off on a year-long journey round Greece with his donkey, Melissa; and wherever he goes he tells his favourite myths to anyone who'll listen.The 100 myths include all the favourites, such as the wanderings of Odysseus, the labours of Heracles, the stories of King Midas, Daedalus and Icarus, and Theseus and the Minotaur. Atticus's journey takes the reader to all the sites of the myths and gives a captivating glimpse of how life was lived in Ancient Greece.This is an unparalleled introduction to the Greek myths for younger children, excitingly told, wonderful to read aloud, and illustrated on every opening with lively, engaging, colourful pictures full of authentic detail. In Orion's tradition of extra-large great-value story books, this is an outstandingly good resource for every family.

    In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus.Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages.""Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal"Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy"In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas"Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College"For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition"The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

    In observers from Lord Byron to Sigmund Freud to Virginia Woolf it met with astonishment, rapture, poetry, even tears--and, always, recognition. Twenty-five hundred years after it first rose above Athens, the Parthenon remains one of the wonders of the world, its beginnings and strange turns of fortune over millennia a perpetual source of curiosity, controversy, and intrigue.At once an entrancing cultural history and a congenial guide for tourists, armchair travelers, and amateur archaeologists alike, this book conducts readers through the storied past and towering presence of the most famous building in the world. Who built the Parthenon, and for what purpose? How are we to understand its sculpture? Why is it such a compelling monument? The classicist and historian Mary Beard takes us back to the fifth century B.C. to consider the Parthenon in its original guise--as the flagship temple of imperial Athens, housing an enormous gold and ivory statue of the city's patron goddess attended by an enigmatic assembly of sculptures. Just as fascinating is the monument's far longer life as cathedral church of Our Lady of Athens, as "the finest mosque in the world," and, finally, as an inspirational ruin and icon. Beard also takes a cool look at the bitter arguments that continue to surround the "Elgin Marbles," the sculptures from the Parthenon now in the British Museum. Her book constitutes the ultimate tour of the marvelous history and present state of this glory of the Acropolis, and of the world.

    Stand in the shadow of the Acropolis, compare sunsets and beaches as you hop from island to island, or sample the freshest flavours and most succulent seafood; all with your trusted travel companion. Get to the heart of Greece and begin your journey now! Inside Lonely Planet’s Greece Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, art, literature, music, architecture, landscapes, wildlife, cuisine, and the Greek way of life Covers Athens, Peloponnese, Central Greece, Northern Greece, Saronic Gulf Islands, Cyclades, Crete, Dodecanese, Aegean Islands, Evia, the Sporades, Ionian Islands, and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Greece, our most comprehensive guide to Greece, is perfect for both exploring top sights and taking roads less travelled. Looking for a guide focused on just the islands? Check out Lonely Planet’s Greek Islands or Crete guides for a comprehensive look at all the islands have to offer; or Pocket Athens, a handy-sized guide focused on the can’t-miss sights for a quick trip. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves.Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.

    Included is an essay on how to look at Greek vases and another on the conservation of ancient ceramics. These essays provide succinct explanations of the terms most frequently encountered by museum-goers. The concise definitions are divided into two sections, one on potters and painters and another on vase shapes and technical terms relating to the construction and decoration of the vases. Featuring numerous color illustrations of Greek vases, many from the Getty Museum's collection, Understanding Greek Vases is an indispensable guide for anyone wishing to obtain a greater understanding and enjoyment of Greek ceramics.

    Distinguished Greek journalist Takis Michas covered the war in the Balkans during the 1990s and saw at first hand the effects of Greek support for Serbia. In this account, he follows Greek-Serbian relations and tackles the difficult question of how the Greek people could ignore Serbian aggression and war crimes.The pro-Serbian stance taken by Athens shocked many who assumed that all members of NATO would follow the lead of the United States and the United Nations. Instead, Greece supported Serbia from the outbreak of war in the former Yugoslavia in 1991 through the NATO bombing and occupation of Kosovo eight years later. Michas combines journalistic accounts with anecdotes and personal interviews to show a pattern of Greek support for Milosevic and Radovan Karadzic that implicates Greek politicians from all parties, as well as the Greek Orthodox Church, the Greek media, and ultimately the Greek people themselves.The evidence and conclusions presented will disturb those who believe that a new liberal order replaced the ideological standoff of the Cold War, but they will not surprise those who suspect that older allegiances have now claimed the loyalties of many of the world's peoples.

    It includes end-of-chapter problems and emphasizes applications.An Introduction to Stochastic Processes in Physics builds directly upon early-twentieth-century explanations of the "peculiar character in the motions of the particles of pollen in water" as described, in the early nineteenth century, by the biologist Robert Brown. Lemons has adopted Paul Langevin's 1908 approach of applying Newton's second law to a "Brownian particle on which the total force included a random component" to explain Brownian motion. This method builds on Newtonian dynamics and provides an accessible explanation to anyone approaching the subject for the first time. Students will find this book a useful aid to learning the unfamiliar mathematical aspects of stochastic processes while applying them to physical processes that he or she has already encountered.

    

    That is the unexpected finding of this meticulous study, one with interesting implications for the origins of Western civilisation. The Greeks, popularly (and rightly) credited with the invention of civic openness, are revealed as also part of a more Eastern tradition of seclusion. Llewellyn-Jones' work proceeds from literary and, notably, from iconographic evidence. In sculpture and vase painting it demonstrates the presence of the veil, often covering the head, but also more unobtrusively folded back onto the shoulders. This discreet fashion not only gave a priviledged view of the face to the ancient art consumer, but also, incidentally, allowed the veil to escape the notice of traditional modern scholarship. From Greek literary sources, the author shows that full veiling of the head and face was commonplace. He analyses the elaborate Greek vocabulary for veiling and explores what the veil meant to achieve. He shows that the veil was a conscious extension of the house and was often referred to as `tegidion', literally `a little roof'. Veiling was thus an ingeneous compromise; it allowed women to circulate in public while mainting the ideal of a house-bound existence. Alert to the different types of veil used, the author uses Greek and more modern evidence (mostly from the Arab world) to show how women could exploit and subvert the veil as a means of eloquent, sometimes emotional, communication. First published in 2003 and reissued as a paperback in 2010, Llewellyn-Jones' book has established itself as a central - and inspiring - text for the study of ancient women.

    In addition to their pervasiveness, these stories show an astonishing longevity; many such tales are found in classical antiquity. Ariadne's Thread is an encyclopedia of more than a hundred such international oral tales, all present in the literature of ancient Greece and Rome.It takes into account writings, including early Jewish and Christian literature, recorded in or translated into Greek or Latin by writers of any nationality. As a result, it will be invaluable not only to classicists and folklorists but also to a wide range of other readers who are interested in stories and storytelling. William Hansen presents the familiar form of each tale and discusses the similar ancient story or stories, examining how each corresponds with and differs from that form. He then gives principal sources and, where appropriate, comments on the cultural factors affecting the shape and content of the ancient story, the context of transmission, and issues raised in the secondary literature.Finally, he provides a bibliography of scholarly studies and the pertinent reference in the standard folk-narrative index, The Types of the Folktale by Antti Aarne and Stith Thompson. Again and again, Hansen demonstrates how ancient narratives are often best understood in the context of the larger tradition. He forces us to rethink the nature of Greek mythology by encouraging an appreciation of the extent to which Greek myths and legends parallel international stories. By virtue of their durability, he says, these orally transmitted stories rank among the world's most successful artistic creations.

    In presenting a full up-to-date account of the site and placing it in its geographical and historical setting, the author concentrates on the great buildings of the citadel—the Lion Gate, the Cult Centre, and the Palace Complex—which flourished during the palatial Period in the 14th and 13th centuries BC. But she also investigates the legends associated with Mycenae and examines the evidence for the pre-palatial and post-palatial periods. Additionally, she is able to incorporate new information on the town and tombs outside the citadel.

    Go island hopping with the Stoelties and discover the best of Greece's hidden treats, such as the hilltop summer house of Robert Browning, descendant of the English poet, in Hydra, or the romantic home of Onassis's ex-pilot basile Touloumtzoglou and his wife Tilly.

    Arranged chronologically to provide an historical framework, the 43 entries analyze the ideas of key philosophers, historians, art historians, art critics, artists and social scientists, including Plato, Aquinas, Alberti, Michelangelo, de Piles, Burke, Schiller, Winckelmann, Kant, Hegel, Burckhardt, Marx, Tolstoy, Taine, Baudelaire, Nietzsche, Ruskin, Pater, W�lfflin and Riegl.Each entry includes: * a critical essay* a short biography* a bibliography listing both primary and secondary textsUnique in its range and accessibly written, this book, together with its companion volume Key Writers on Art: The Twentieth Century, provides an invaluable guide for students as well as general readers with an interest in art history, aesthetics and visual culture.

    The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land, and that the body of 'Hellenes' as known to us from the historical period was a deliberate self-creation.

    Arthur Evans discovered what he believed was the palace of King Minos, with its notorious labyrinth, home of the Minotaur. As a result, Evans became obsessed with one of the epic intellectual stories of the modern era: the search for the meaning of Linear B, the mysterious script found on clay tablets in the ruined palace.Evans died without achieving his objective, and it was left to the enigmatic Michael Ventris to crack the code in 1952. This is the first book to tell not just the story of Linear B but also that of the young man who deciphered it. Based on hundreds of unpublished letters, interviews with survivors, and other primary sources, Andrew Robinson’s riveting account takes the reader through the life of this intriguing and contradictory man. Stage by stage, we see how Ventris finally achieved the breakthrough that revealed Linear B as the earliest comprehensible European writing system.

    Because of the tiny size of ancient Greek cities, contemporary theory and ideology could conceive of entire communities based on desire. A recurrent aspiration was to transform the polity into one great household that would bind the citizens together through ties of mutual affection. In this study, Ludwig evaluates sexuality, love, and civic friendship as sources of political attachment and as bonds of political association.

    Ancient athletics were closely connected with religion, the formation of young men and women in their genderroles, and the construction of sexuality. Eros was, from one perspective, a major god of the gymnasium where homoerotic liaisons reinforced the traditional hierarchies of Greek culture. But Eros in the athletic sphere was also a symbol of life-affirming friendship and even of political freedom inthe face of tyranny. Greek athletic culture was not so much a field of dreams as a field of desire, where fervent competition for honor was balanced by cooperation for common social goals.Eros and Greek Athletics is the first in-depth study of Greek body culture as manifest in its athletics, sexuality, and gender formation. In this comprehensive overview, Thomas F. Scanlon explores when and how athletics was linked with religion, upbringing, gender, sexuality, and social values in anevolution from Homer until the Roman period. Scanlon shows that males and females made different uses of the same contests, that pederasty and athletic nudity were fostered by an athletic revolution beginning in the late seventh century B.C., and that public athletic festivals may be seen asquasi-dramatic performances of the human tension between desire and death. Accessibly written and full of insights that will challenge long-held assumptions about ancient sport, Eros and Greek Athletics will appeal to readers interested in ancient and modern sports, religion, sexuality, and genderstudies.

    This Elibron Classics book is a facsimile reprint of a 1896 edition by the Clarendon Press, Oxford.

    The Athenian philosopher Xenophon finds himself with an army of Greeks marching to what is now Turkey. Their mission: to aid the Persian pretender Cyrus in a war against his brother Artaxerxes. At a great battle, Cyrus is killed & his army destroyed—except for the Greeks holding his right flank. Xenophon & the Greeks are now stranded in the heart of the Persian Empire, outnumbered a hundred to one. The story of Xenophon's march to escape the Persian noose is an intensely personal & human tale, replete with clashes of arms & desperate hardships. It's also the tale of two civilizations at mortal odds with each other. With their turbulent mix of anarchy & democracy, Xenophon's men resembled a mobile Greek city, cutting both a military & a cultural slash through the Persian Empire. Tho Xenophon's journey would end badly, his experience in the East would prove invaluable for those who followed, for 60 years later, the Greeks would return to Persia under Alexander. John Prevas brings this epoch-shaping story to life with a compelling narrative vivified by his personal retracing of much of the route trod by Xenophon & his men in one of history's great adventures.

    Pantelis Michelakis asserts that dramatists persistently appropriated Achilles to address concerns ranging from heroism and education to individualism and gender. The book considers the complete corpus of extant Greek tragedy, with particular attention paid to Aeschylus' Myrmidons and Euripides' Hecuba and Iphigenia at Aulis.