Learning Magazine Teacher's Choice Award National Gold Ink Awards Silver Award Children's Books Endorsed by astronaut Edgar Mitchell, Nobel prize winner Leon Lederman, cosmologist Brian Swimme, and others.

    David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged.Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.

    Kec’s dream tells her that her clan is in jeopardy, and Mother Earth expects her to do something to save her people. A magic child will be sent to help her.Far away, Strong Branch, a powerful Shaman of his people, has his own dream. The Great Spirit sends him a warning about a future of conflict and killing.Kec’s people are very simple, but they are strong and powerful enough to have survived the ice ages of Pleistocene Europe, by force, for over one-hundred-thousand years. Strong Branch’s people are late comers from an alien world far to the South. They bring an advanced technology that allows them to utilize the environment to ways Kec’s people never could.As the population of the aliens has grown over a period of more than twenty-thousand years, the stress on the environment has become critical. Kec and Strong Branch must play their parts in a microcosm of the greater struggle for survival. The conclusion of their struggle will establish a new story and a new history for each of their peoples.

    Illustrations.

    Enjoy illustrated descriptions of the animals from the Pleistocene time and learn why so many of these animals are now extinct.

    David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.

    This ancient relative of the elephant inhabited a frozen Ice Age world. It ranged from Africa to Alaska, and everywhere in between. Then ten thousand years ago, the mammoth disappeared, leaving only its bones. But those bones have been able to tell us so much! Discover the fascinating facts and intriguing beliefs about the mammoth--one of the largest animals that ever lived.

    This new synthesis begins with the early hunters and gatherers, and concludes with the early states, with particular reference to Angkor. It reflects the new maturity of our understanding of Southeast Asia's past, moving well beyond the claims of extraordinary early agriculture, bronze and iron that bedevilled the discipline in the 1970s. New ideas and interpretations abound. The hunter-gatherer sequence now stretched back over 10,000 years, and continues to the present day. Where formerly the transition to rice cultivation was sought locally, it is now documented first in the Yangzi Valley whence, the author suggests, farming communities expanded southwards along the major river valleys into a new, tropical world. The first knowledge of copper and bronze casting is seen as the southward extension of a process of diffusion that began in the Near East. Crossing the steppes, metallurgy came to Gansu and the Yellow River Valley before spreading into Southeast Asia. In conjunction with his own excavations in Northeast Thailand, Higham has reviewed the widespread evidence for deep-seated cultural changes with the Iron Age that heralded the transition to early states. This allows for a deeper understanding of the strong local cultural currents found in the civilizations of Angkor, Champa and Dvaravati. This book stands as the only up to date systhesis of the early cultures of a huge area. Richly illustrated with many previously unpublished color images, it is a unique compendium essential for all those interested in this region.

    Using the theoretical premises of cognitive archaeology and a careful examination of rock art worldwide, Pearson is able to dismiss other theories of why ancient peoples produced art_totemism, art-for-art's sake, structuralism, hunting magic. Then examining both ethnographic and neuropsychological evidence, he makes a strong case for the use of shamanistic ritual and hallucinogenic substances as the genesis of much prehistoric art. Bolstered with examples from contemporary cultures and archaeological sites around the world, Pearson's thesis should be of interest not only to archaeologists, but art historians, psychologists, cultural anthropologist, and the general public.

    The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land, and that the body of 'Hellenes' as known to us from the historical period was a deliberate self-creation.

    Dinosaurs of the Air synthesizes the growing body of evidence which suggests that modern-day birds have evolved from theropod dinosaurs of prehistoric times. Paul argues provocatively for the idea that the ancestor-descendant relationship between the dinosaurs and birds can on occasion be reversed, and that many dinosaurs were secondarily flightless descendants of creatures we would regard as birds.Controversial and comprehensive, Dinosaurs of the Air also offers new, firsthand interpretations of major fossils; a balanced, rewarding discussion of the ways we think flight may have evolved (comparing "ground up" and "trees down" scenarios); a close look at the famous urvogel Archaeopteryx, discussing what it can and cannot tell us about bird origins; and in-depth analyses of bird and theropod phylogenetics. Full of rich detail for the specialist but accessible to the intelligent lay reader, the book includes the author's own stunning illustrations and a technical appendix which provides information, for example, on body mass/wing dimension relationships and avian/dinosaurian metabolics.