This new edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South — their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

    In this essential classic the Archbishop offers counsel on ordination and ministry in the life of the church.

    This is the last of Bakhtin's extant manuscripts published in the Soviet Union. All but one of these essays (the one on the Bildungsroman) were written in Bakhtin's later years and thus they bear the stamp of a thinker who has accumulated a huge storehouse of factual material, to which he has devoted a lifetime of analysis, reflection, and reconsideration.

    Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess.

    Part sweet songs of unseen birds and part cautionary tales, this abecedarium fully lives up to the epithet "eclectic."

    The fact that a great deal has been written about the journey to this point means that many people have come this far. But what, we might ask, comes next? Looking ahead we see no path; even in the literature there seems to be nothing beyond an abiding awareness of oneness with God. Had this path been mapped in the literature, then at least we would have known that one existed; but where no such account exists, we assume there is no path and that union of self and God is the final goal to be achieved.The main purpose of The Path to No-Self is to correct this assumption. It verifies that a path beyond union does indeed exist, that the eventual falling away of the unitive state happens as the culmination of a long experiential journey beyond the state. The author shows that a path exists between the transcendence of the ego (self-center), which begins the unitive state, and the later falling away of all self (the true self), which ends the unitive state.As a first hand account, The Path to No-Self will be of interest to those with similar experiences, or those searching for a better understanding of their own spiritual journey. Since the journey is concerned with the effects of grace on human consciousness, the book will be of interest to those psychologists concerned with the transformational process.

    Collins includes the Latin of Jerome's Bible, of canon law, of the liturgy and papal bulls, of scholastic philosophers, and of the Ambrosian hymns, providing a survey of texts from the fourth century through the Middle Ages.An "Answer Key" to this edition is now available. Please see An Answer Key to A Primer of Ecclesiastical Latin, prepared by John Dunlap.

    It confronts the basic premise underlying the scientific tradition that all questions can be answered by employing empirical, testable, replicable research techniques. The authors maintain that there are scientific facts that existing paradigms cannot explain, and argue against traditional positivistic inquiry. They suggest an alternative approach supporting the use of the naturalistic paradigm.

    

    It is an extension of notes on the theater and theatergoing that have been accumulating for some time. It does not have an argument, or set out to prove a thesis, and it will not be one of those useful books one reads for the fruits of its research. Rather, it is a form of critical description that is phenomenological in the sense that it focuses on the activity of theater making itself out of its essential materials: speech, sound, movement, scenery, text, etc. Like most phenomenological description, it will succeed to the extent that it awakens the reader's memory of his own perceptual encounters with theater. If the book fails in this it will be about as interesting to read as an anthology of someone else's dreams. In any case, this book is less concerned with the scientific purity of my perspective and method than with retrieving something from the theater experience that seems to me worthy of our critical admiration.

    But how and why did advertising become a determiner of our self-image? Advertising the American Dream looks carefully at the two decades when advertising discovered striking new ways to play on our anxieties and to promise solace for the masses. As American society became more urban, more complex, and more dominated by massive bureaucracies, the old American Dream seemed threatened. Advertisers may only have dimly perceived the profound transformations America was experiencing. However, the advertising they created is a wonderfully graphic record of the underlying assumptions and changing values in American culture. With extensive reference to the popular media—radio broadcasts, confession magazines, and tabloid newspapers—Professor Marchand describes how advertisers manipulated modern art and photography to promote an enduring "consumption ethic."

    Winner of the Christian Gauss Award of Phi Beta Kappa and the Robert Kirsch Award of the Los Angeles Times.The noted Yale scholar and critic offers a complete biography of the great eighteenth-century poet, elucidating his skills as a doubly disadvantaged individual and his triumphs as a poet and spokesman for his times.

    This unusual book is a complete account of the closely linked natural and human history of the Sangre de Cristo Mountains of northern New Mexico, a region unique in its rich combination of ecological and cultural diversity.

    Thirty-one leading architects are represented in this updated Third Edition in examinations of more than 100 structures assessed through a diagrammatic technique that is applicable to any structure. This impressive collection includes sixteen new buildings and eight innovative architects distinguished by the strength, quality, and interest of their designs. Readers will find valuable guidance in analyzing architectural history as an evolutionary process by exploring the commonality of design ideas reflected in a broad range of structures by internationally renowned architects. Both novices and seasoned professionals will find Precedents in Architecture, Third Edition a very useful tool for enriching their design vocabulary and for the ongoing assessment of buildings found in today's evolving landscape.

    This guide gives advice on selecting a play, auditioning a cast, and creating a stage space, shows how to conduct acting workshops, and demonstrates rehearsal techniques.

    The Vermilion Bird attempts to recover the actual character of the monsoon realms of T'ang-a scattering of palisaded garrisons, isolated monasteries, and commercial towns, all surrounded by dark, haunted woods. Professor Schafer examines the thoughts, emotions, imaginations, and daily lives of the men of that era, through the medium of their literature, for evidence of the changes inspired by this new environment, and especially for signs of the transformation of the ancient symbol of the South, the sacred vermilion bird. The Journal of Asian Studies called this book: A work of immense and devoted scholarship, a mine of fascinating information, a delight to read, and an indispensable work of reference on Medieval China.

    It presents an absorbing and careful ac- count of several impressive themes. First is the review and assessment of Fanon's life. Second is a theory of psychology, by the author, which will aug- ment and prove useful to theorists and practitioners who focus on Third World people. And lastly there is a broad and systematic integration of many areas of scholarship including philosophy, anthropology, political science, history, so- ciology, mythology, public health, and economics. Bulhan's writing is lucid, creative, and persuasive. It demonstrates that all these scholarly areas must be handled with erudition in order to build a baseline for understanding both Fanon and the psychology of oppression. Readers of Fanon will be familiar with the psychology of oppression which he presented so forcefully. How life events and experiences led to the formula- tion of this psychology is the chief emphasis of the author. Yet the book also gives scintillating clinical proof that Fanon made many other significant con- tributions to his field. He was an outstanding and dedicated physician as well as a philosopher and political activist.

    Extensively reorganized & revised, the eagerly awaited 2nd edition contains new sections & updated guidelines on citing electronic works-including sources from the Internet.Foreword by Herbert LindenbergerAcknowledgementsScholarly PublishingLegal Issues in Scholarly PublishingBasics of Scholarly WritingPreparation of Scholarly ManuscriptsPreparation of Theses & DissertationsDocumentation: Preparing the List of Work CitedDocumentation: Citing Sources in the TextAbbreviationsOther Systems of DocumentationSources of ExamplesIndex

    In this completely revised version of an Upper Room best-selling classic, Mulholland invites readers to embrace scripture in a new and more fulfilling way, letting the biblical text form our spiritual life. Mulholland's biggest hope is that people will begin to open themselves so they may regularly encounter God in reading the Bible.Dr. Mulholland examines the obstacles often encountered in spiritual reading. These obstacles include the attitudes that we bring to reading the Bible -- our view of self, our view of the Bible, our relationships with others. As Mulholland writes about these obstacles, he offers a gentle pastoral voice that guides the reader to meet God anew. Readers will grow spiritually as they read and digest Mulholland's insights into the ways we meet God in scripture.

    Bravo has produced work of exceptional quality throughout his long career: formal experiments of the 1920s were followed by modernists works inspired by such international trends as Surrealism, and the early 30s saw him develop a gifted personal style that suggested specific Mexican customs and rituals. The majority of this volume's 175 tritone plates were made from rare vintage prints assembled from private collections or furnished by the artist; many have never before been published and some have not been seen or exhibited since the 1930s. This volume was published in conjunction with a 1997 exhibition at The Museum of Modern Art, New York.

    The first considers the relations between an artist’s life and work; the second focuses on the work of art itself; and the third encompasses the intricate relations between a work of art and its audience or beholders. To illustrate her theoretical discussion, Spitz draws on a variety of art forms, including painting, sculpture, literature, music, and dance. “No one who is concerned with the psychoanalytic study of art can afford to neglect [this book]; no one who cares about the art of psychoanalysis should ignore it.”—Aaron H. Esman, M.D., Journal of the American Psychoanalytic Association “This book … should prove fascinating to all who are concerned with works of art as expressions of the human mind and heart.”—Shehira Davezac, Hospital and Community Psychiatry “This book is highly recommended to all who enjoy the multiple applications of analytic thought to extend our senses.”—Jay Lefer, Journal of the American Academy of Psychoanalysis Ellen Handler Spitz holds degrees in art history, aesthetics, and education from Barnard College, Harvard University, and Columbia University. She was trained as a special candidate at the Center for Psychoanalytic Training and Research, Columbia University.

    Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.

    Providing a complete course of study, the Handbook includes the following units: Basic Issues and Approaches; Perspectives on Inquiry; Fundamental Units; Processes and Functions; and Interpersonal Contexts.

    The reader will learn how to recognize common problems of writing. The reader will learn how to recognize words and phrases that should be cut; how to shorten cumbersome sentences; how to arrange the elements of pairs, series, and compound subjects and predicates; how to recognize and rectify mismanaged participles; and how to be on the lookout for the better word.The second part of the book consists of more than 1500 recommendations for cuts, changes, and comparisons that editors make to produce writing that is concise and effective.

    Alan Jones distills the elements that made this fully orthodox way of inner transformation a unique and important part of the early church. Refreshingly readable and filled with rich insights, Soul Making draws together the spirituality of modern literature and elements of psychology. Jones shows how the desert way can become for any spiritual seeker a soul-stretching means of experiencing the "wonder, mystery, and awe" at the heart of the Christian faith.

    The texts the author examines are viewed not as works of art embodying enduring themes, but as attempts to redefine the social order.

    She attended Wellesley for two years, until her family’s circumstances made it impossible for her to continue. Virginia’s sister Josephine married Hugo Black; and in 1926 Virginia married a young lawyer named Clifford Durr. The Durrs moved to Washington shortly after Roosevelt’s inauguration, and Clifford was one of the “bright young lawyers” whom the new president relied upon to draft the legislation establishing the New Deal. After World War II the Durrs moved to Denver, then to Montgomery, where Clifford became one of the few white lawyers to represent blacks in civil rights cases. During the Durrs’ Washington years Virginia had been active in the movement to abolish the poll tax and in to her liberal causes; and back in Montgomery, she shared Clifford’s commitment to the civil rights movement and served as an inspiration to liberals of both races. Virginia Durr has succeeded in articulating the pleasures and the difficulties of growing up female in the vigorous young city of Birmingham; the broadening (and in some ways also restricting) of young women’s intellectual horizons and social life at Wellesley; and the excitement of the courtship and marriage of a proper young Southern girl of good family and poor circumstance. She brings to life the social and political climate of Washington during the New Deal and war years, where her close connection to Justice Black gave the Durrs access to people whom they might not have come to know otherwise. A victim of McCarthyism, Clifford returned with Virginia to Montgomery with no job and few prospects. Their decision to become engaged in the civil rights struggle was consistent with their lifelong commitment to follow their consciences, regardless of the social and economic consequences. “Virginia Durr said it: there were three ways for a well brought-up young Southern white woman to go. She could be the actress, playing out the stereotype of the Southern belle. Gracious to ‘the colored help,’ flirtatious to her powerful father-in-law, and offering a sweet, winning smile to the world. In short, going with the wind. If she had a spark of independence or worse, creativity, she could go crazy—on the dark, shadowy street traveled by more than one Southern belle. Or she could be the rebel. She could step outside the magic circle, abandon privilege, and challenge this way of life. Ostracism, bruised of all sorts, and defamation would be her lot. Her reward would be a truly examined life. And a world she would otherwise never have known.” — from the Foreword by Studs Terkel

    Featuring personalities and characters to be found in the China of those times, and told with Lao She's usual wit, satire, insight and sympathy. They create a panorama of Chinese society.

    Starting with a critical examination of current approaches to state and society by institutional, social Annales, and Marxist historians, the author calls for a new class analysis based on the findings of all these schools.

    He argues that the use of such records reveals not only the nature of sexual behaviour that was considered criminal, but also what society established as the norm. Through this examination of illicit sexuality, Ruggiero sheds light on the institutions, languages, social life and values not only of this shadow-culture, but also of Venetian society and, ultimately, the Renaissance itself.

    Many new ideas and methods;many not widely known before. Excellentmethodological resource for researchworkers.

    Examines how the sounds around us affect our bodies, minds, and spirits, and suggests ways to use sounds and music to help promote a healthy life

    Methods are developed to describe, analyze and interpret the discourse. Additionally, a ctitique and review of previous research in this area is included. In the course of the work, a critique of more traditional methods, studies, and interpretations of medical interviews is presented.

    Drawing on the evidence of public art, especially sculpture, and painting, poetry, and classical mythology, she ranges over the allegorical presence of the woman in the Western tradition with a sharply observant eye and a piquant and engaging style.

    H. Richardson's Romanesque buildings, the Imperial manner reflected in Widener Library, as well as the work of such esteemed architects as Charles McKim, Gropius, and Le Corbusier--and it shows us how they all come together to form an amazingly coherent whole. This lively story of a university campus is a veritable microcosm of American architectural experience.