Sullivan kept comprehensive journals from age eleven until his AIDS-related death at thirty-nine. Sensual, lascivious, challenging, quotidian and poetic, the diaries complicate and disrupt normative trans narratives. Entries from twenty-four diaries reveal Sullivan’s self-articulation and the complexity of a fascinating and courageous figure.

    When Jackson Bird was twenty-five, he came out as transgender to his friends, family, and anyone in the world with an internet connection. Assigned female at birth and raised as a girl, he often wondered if he should have been born a boy. Jackson didn’t share this thought with anyone because he didn’t think he could share it with anyone. Growing up in Texas in the 1990s, he had no transgender role models. He barely remembers meeting anyone who was openly gay, let alone being taught that transgender people existed outside of punchlines. In this “soulful and heartfelt coming-of-age story” (Jamia Wilson, director and publisher of the Feminist Press), Jackson chronicles the ups and downs of growing up gender-confused. Illuminated by journal entries spanning childhood to adolescence to today, he candidly recalls the challenges and loneliness he endured as he came to terms with both his gender and his bisexual identity. With warmth and wit, Jackson also recounts how he navigated the many obstacles and quirks of his transition––like figuring out how to have a chest binder delivered to his NYU dorm room and having an emotional breakdown at a Harry Potter fan convention. From his first shot of testosterone to his eventual top surgery, Jackson lets you in on every part of his journey—taking the time to explain trans terminology and little-known facts about gender and identity along the way. “A compassionate, tender-hearted, and accessible book for anyone who might need a hand to hold as they walk through their own transition or the transition of a loved one” (Austin Chant, author of Peter Darling), Sorted demonstrates the power and beauty in being yourself, even when you’re not sure who “yourself” is.

    When she suffered the trauma of FGM herself as a young girl at the bidding of her mother, Edna’s determination was set.The first midwife to practise in Somaliland, Edna became a formidable teacher and campaigner for women’s health. As her country was swept up in its bloody fight for independence, Edna rose to become its First Lady and first female cabinet minister.She built her own hospital, brick by brick, training future generations in what has been hailed as one of the Horn of Africa’s finest university hospitalsThis is Edna’s truly remarkable story.

    We’ll look at how gender has been ‘done’ differently – from patriarchal societies to trans communities – and how it has been viewed differently – from biological arguments for sex difference to cultural arguments about received gender norms. We’ll dive into complex and shifting ideas about masculinity and femininity, look at non-binary, trans and fluid genders, and examine the intersection of experiences of gender with people’s race, sexuality, class, disability and more.Tackling current debates and tensions, which can divide communities and even cost lives, we’ll look to the past and the future to ask how might we approach gender differently, in more socially constructive, caring ways.

    Featuring such noted creators as Emil Ferris, Aline Kominsky-Crumb, MariNaomi, Liana Finck, and Ebony Flowers the anthology’s contributors comprise a diverse group of many ages, sexual orientations, and races—and their personal stories convey the wide spectrum of sexual harassment and abuse that is still all too commonplace. With a percentage of profits going to RAINN, Drawing Power is an anthology that stokes the fires of progressive social upheaval, in the fight for a better, safer world. Full list of contributors: Rachel Ang, Zoe Belsinger, Jennifer Camper, Caitlin Cass, Tyler Cohen, Marguerite Dabaie, Soumya Dhulekar, Wallis Eates, Trinidad Escobar, Kat Fajardo, Joyce Farmer, Emil Ferris, Liana Finck, Sarah Firth, Mary Fleener, Ebony Flowers, Claire Folkman, Noel Franklin Katie Fricas, Siobhán Gallagher, Joamette Gil, J. Gonzalez-Blitz, Georgiana Goodwin, Roberta Gregory, Marian Henley, Soizick Jaffre Avy Jetter, Sabba Khan, Kendra Josie Kirkpatrick, Aline Kominsky-Crumb, Nina Laden, Miss Lasko-Gross, Carol Lay, Miriam Libicki Sarah Lightman, LubaDalu, Ajuan Mance, MariNaomi, Lee Marrs, Liz Mayorga, Lena Merhej, Bridget Meyne, Carta Monir, Hila Noam Diane Noomin, Breena Nuñez, Meg O’Shea, Corinne Pearlman, Cathrin Peterslund, Minnie Phan, Kelly Phillips, Powerpaola, Sarah Allen Reed, Kaylee Rowena, Ariel Schrag, M. Louise Stanley, Maria Stoian, Nicola Streeten, Marcela Trujillo, Carol Tyler, Una, Lenora Yerkes, Ilana Zeffren

    Deeply researched and fully illustrated, this book demystifies an intensely personal—yet universal—facet of humanity. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. This book is an essential tool for understanding and contributing to a necessary cultural conversation, bringing clarity and reassurance to the sometimes confusing process of navigating ones' identity. Whether LGBTQ+, cisgender, or nonbinary, Seeing Gender is a must-read for intelligent, curious, want-to-be woke people who care about how we see and talk about gender and sexuality in the 21st century.

    In this groundbreaking book, thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary.The powerful first-person narratives of this collection show us a world where gender exists along a spectrum, a web, a multidimensional space. Nuanced storytellers break away from mainstream portrayals of gender diversity, cutting across lines of age, race, ethnicity, ability, class, religion, family, and relationships. From Suzi, who wonders whether she’ll ever “feel” like a woman after living fifty years as a man, to Aubri, who grew up in a cash-strapped fundamentalist household, to Sand, who must reconcile the dual roles of trans advocate and therapist, the writers’ conceptions of gender are inextricably intertwined with broader systemic issues. Labeled gender outlaws, gender rebels, genderqueer, or simply human, the voices in Nonbinary illustrate what life could be if we allowed the rigid categories of “man” and “woman” to loosen and bend. They speak to everyone who has questioned gender or has paused to wonder, What does it mean to be a man or a woman—and why do we care so much?

    I’m gonna hand them this book and say 'No more horror stories, here are some solutions.'" —Kathleen Hanna, Bikini Kill, Le Tigre, and The Julie Ruin"Never underestimate the tenacity and creativity of Shawna Potter. Here's her badly needed how-to book for people who don't feel they have much power to tap into, nurture, and use ... then help others to do the same. Make a public space safe, without retreating from reality's trigger warnings into a walled off fantasy cocoon." —Jello Biafra, Dead Kennedys and Alternative Tentacles Records“Shawna Potter’s work represents the best of punk and DIY values—an insistence that we don’t need to wait for politicians or anyone else to act. We can lead by example.” —Will Potter, author and TED Senior Fellow“Punk made a promise of a freer, fairer, safer, and saner world, but never fulfilled it. Shawna Potter has written a field manual for how, inch by inch and scene by scene, we get there.” —Spencer Ackerman, The Daily Beast"Making Spaces Safer has so many clear tactics for making shows more inclusive and welcoming, and, as a side effect, more fun for everyone. Whether you book bands, tend bar, want to look out for the wellbeing of your fellow music fans, or own the whole damn club. Great tips that will help you make your space rule.” —Sadie Dupuis, Speedy OrtizShawna Potter, singer for the band War On Women, has tackled sexism and harassment in lyrics and on stage for years. Taking the battle to music venues themselves, she has trained night clubs and community spaces in how to create safer environments for marginalized people. Now she’s turned decades of experience into a clear and concise guide for public spaces of all sorts—from art galleries to bagel shops to concert halls—that want to shut down harassers wherever they show up. The steps she outlines are realistic, practical, and actionable. With the addition of personal stories, case studies, sample policies, and no-nonsense advice like “How to Flirt without Being a Creep,” she shows why safer spaces are important, while making it easier to achieve them. Punk passion, candor, and anger get the job done!

    Jared Yates Sexton alternates between an examination of his working class upbringing and historical, psychological, and sociological sources that examine the genesis of toxic masculinity and its consequences for society.As progressivism changes American society, and globalism shifts labor away from traditional manufacturing, the roles that have been prescribed to men since the Industrial Revolution have been rendered as obsolete. Donald Trump's campaign successfully leveraged male resentment and entitlement, and now, with Trump as president and the rise of the #MeToo movement, it’s clearer than ever what a problem performative masculinity is.Deeply personal and thoroughly researched, The Man They Wanted Me to Be examines how we teach boys what’s expected of men in America, and the long term effects of that socialization—which include depression, suicide, misogyny, and, ultimately, shorter lives. Sexton turns his keen eye to the establishment of the racist patriarchal structure which has favored white men, and investigates the personal and societal dangers of such outdated definitions of manhood.

    Navigating the policy and finding allies is harder than she expected, but she's determined to complete her enlistment period and return to college. Meanwhile, gregarious military kid Sharon Rodriguez knows connections are critical to navigate the unspoken rules of the Marine Corps. She’s confident in her ability to enjoy the casual flings she's accustomed to, while pursuing the 20 year career she desires. When Sharon convinces Cam to attend a party with her, neither realizes their lives are about to become more complicated than they planned for. How hard will they need to fight for a love that must remain in the shadows? A Marine Awakening, a Dal Segno prequel, is a contemporary new adult lesbian romance with a happy ending that shows that no person or policy can stop two Marines fighting for each other.

    In Everything Below the Waist, Jennifer Block asks: Why is the life expectancy of women today declining relative to women in other high-income countries, and even relative to the generation before them? Block examines several staples of modern women's health care, from fertility technology to contraception to pelvic surgery to miscarriage treatment, and finds that while overdiagnosis and overtreatment persist in medicine writ large, they are particularly acute for women. One third of mothers give birth by major surgery; roughly half of women lose their uterus to hysterectomy.Feminism turned the world upside down, yet to a large extent the doctors' office has remained stuck in time. Block returns to the 1970s women's health movement to understand how in today's supposed age of empowerment, women's bodies are still so vulnerable to medical control--particularly their sex organs, and as result, their sex lives.In this urgent book, Block tells the stories of patients, clinicians, and reformers, uncovering history and science that could revolutionize the standard of care, and change the way women think about their health. Everything Below the Waist challenges all people to take back control of their bodies.

    By showing diversity, educating ourselves on anatomy and sexual health and openly talking about our experiences and our insecurities, we can change the way we look at our bodies – and the bodies of others.Let’s celebrate this wonderful part of the human body!—Inside the Book• More than 650 colourful illustrations (all based on real vulvas), and foldout pages with anatomical illustrations• A chapter about anatomy (with colourful & diverse illustrations)• 140 vulva portraits & personal stories• Vulva myths debunked – medical health professionals explain why these myths are false• Wonders of the vulva & vagina• Why? What? How? – All kinds of vulva- and vagina-related questions answered• How to draw a vulva• Vulva names around the world• Positive personal quotes about vulvas from individuals from all around the world—For whom?The book can be used to flip through during open conversations about sexuality, by a parent or with a friend – but it’s also a perfect book to curl up with and read by yourself. With its personal stories and vulva portraits of real people it has a new approach to sexual health education. It can be used as a tool by sexual health providers to talk about body diversity with clients, or in schools during sex education classes. The book uses gender inclusive language and has a positive approach to sexuality and diversity.Additional info• Book dimensions: 19.5 x 24.5 cm• 230 pages• Author: Hilde Atalanta• Illustrator: Hilde Atalanta• Self-published in 2019 (This is us Books)• ISBN: 9789090317137

    women to have more children, and Ross Douthat requested “More babies, please,” they openly expressed what U.S. policymakers have been discussing for decades with greater discretion. Using technical language like “age structure,” “dependency ratio,” and “entitlement crisis,” establishment think tanks are raising the alarm: if U.S. women don’t have more children, we’ll face an aging workforce, slack consumer demand, and a stagnant economy. Feminists generally believe that a prudish religious bloc is responsible for the fight over reproductive freedom in the U.S., but hidden behind this conventional explanation is a dramatic fight over women’s reproductive labor. On one side, elite policymakers want an expanding workforce reared with a minimum of employer spending and a maximum of unpaid women’s work. On the other side, women are refusing to produce children at levels desired by economic planners. With little access to childcare, family leave, health care, and with insufficient male participation, U.S. women are conducting a spontaneous birth strike. In other countries, panic over low birth rates has led governments to underwrite childbearing with generous universal programs, but in the U.S., women have not yet realized the potential of our bargaining position. When we do, it will lead to new strategies for winning full access to abortion and birth control, and for improving the difficult working conditions U.S. parents now face when raising children.

    But is that really true? This important book takes readers behind the closed doors of elite employers to reveal how class affects who gets to the top. Friedman and Laurison show that a powerful ‘class pay gap’ exists in Britain’s elite occupations. Even when those from working-class backgrounds make it into prestigious jobs, they earn, on average, 16% less than colleagues from privileged backgrounds. But why is this the case? . Drawing on 175 interviews across four case studies - television, accountancy, architecture, and acting – they explore the complex barriers facing the upwardly mobile. This is a rich, ambitious book that demands we take seriously not just the glass but also the class ceiling.

    For nearly ten years, the magazine was the premier resource focused on their experiences, celebrations, and imaginations, featuring writing on both playful and political topics like selfies, bathrooms, and safer sex; interviews with queer icons such as Janet Mock, Silas Howard, Margaret Cho, and Ian Harvie; and visual art, photography, and short fiction.In conjunction with the magazine’s ten-year anniversary, this essential collection compiles the best of its twenty-issue run. Selections are reprinted in full color, with an introduction by activist Tiq Milan and a new preface by the founding editors.

    . . a profound game-changer of a book. --Caroline Leavitt, author of Pictures of You Though approximately one in four pregnancies ends in miscarriage, it remains a rarely talked about, under-researched, and largely misunderstood area of women's health. This profoundly necessary book--the first comprehensive portrait of the psychological, emotional, medical, and cultural aspects of miscarriage--aims to help break that silence.With candor, warmth, and empathy, psychotherapist Julia Bueno blends women's stories (including her own) with research and analysis, exploring the effect of pregnancy loss on women and highlighting the ways in which our society fails to effectively respond to it. The result is a galvanizing, urgent, and moving exploration of a too-often-hidden human experience, and a crucial resource for anyone struggling with--or seeking to better understand--miscarriage.

    This version was written and illustrated by Maia Kobabe. It can read for free online here: https://redgoldsparkspress.com/projec...

    But then in 2009 this mother of five had her world turned upside down. Realizing that her definition of community wasn't wide enough for her own child's needs, Patterson forced the world wide open.In The Bold World, we witness a mother reshaping her attitudes and beliefs, as well as those of her community, to meet the needs of her transgender son, Penelope-- and opening the minds of everyone in her family who absolutely, unequivocally refused to conform.As we walk alongside Patterson on her journey, we meet the Southern women who came before her--the mother, grandmothers, and aunts who raised and fortified her, all the while challenging cultural norms and gender expectations. She shares her family's history--particularly incidents within the Black community around sexism, racism, and civil rights. We learn about her children, who act as a vehicle for Jodie Patterson's own growth and acceptance of her diverse family, and her experiences as a wife, mother, and, eventually, activist. The result is an intimate portrait and an exquisite study in identity, courage, and love. Patterson's relentless drive to change the world will resonate with and inspire us all, reflecting our own individual strength and tenacity, our very real fears, and, most of all, our singular ability to transform despite the odds.Praise for The Bold World "In The Bold World, Jodie Patterson makes a case for respecting everyone's gender identity by way of showing how she came to accept her son, Penelope. In tying that struggle to the struggle for race rights in this country during her own childhood, she paints a vivid picture of the permanent work of social justice."--Andrew Solomon, bestselling author of The Noonday Demon and Far from the Tree

    At first they tried to “fix” him, to no avail. But even in the earliest days of their journey, the McDonalds clung to two absolutes: they would love God, and they would love their son. This book follows the McDonald family’s journey over the next twenty years, from a place of grief to a place of gratitude and acceptance that led the McDonalds’ to start one of the first Christian ministries for parents of LGBTQ children. Based on their experience from counseling and coaching hundreds of struggling Christian parents, they offer tools for understanding your own emotional patterns and spiritual challenges. They also help you experience a deeper relationship with God while handling difficult or unexpected situations that are out of your control. You will discover tested principles, patterns, and spiritual lessons that can change the way we all see our families, and help Christians at large think though Christ-like ways to respond to the LGBTQ community. Written in an unvarnished, honest, reassuring, and relatable voice, this is a practical guide for parents and a roadmap to learning to love God, the people He created, and the church, even when they seem to be at odds.

    Explaining how we can think and act in a less rigid manner, this fascinating book shows how life isn't binary.

    The young Americans featured in these pages are united through their proud embrace of gender identity. Both tender and exciting these portraits are evidence of the rapidly expanding conceptions of gender sweeping the country.

    As Brianna Theobald illustrates, the federal government and local authorities have long sought to control Indigenous families and women's reproduction, using tactics such as coercive sterilization and removal of Indigenous children into the white foster care system. But Theobald examines women's resistance, showing how they have worked within families, tribal networks, and activist groups to confront these issues. Blending local and intimate family histories with the histories of broader movements such as WARN (Women of All Red Nations), Theobald links the federal government's intrusion into Indigenous women's reproductive and familial decisions to the wider history of eugenics and the reproductive rights movement. She argues convincingly that colonial politics have always been--and remain--reproductive politics. By looking deeply at one tribal nation over more than a century, Theobald offers an especially rich analysis of how Indigenous women experienced pregnancy and motherhood under evolving federal Indian policy. At the heart of this history are the Crow women who displayed creativity and fortitude in struggling for reproductive self-determination.

    TRANS+ answers all your questions, easy and hard, about gender and covers mental health, physical health and reproduction, transitioning, relationships, sex, and life as a trans or nonbinary individual. It's full of essential information you need -- and want -- to know and includes real-life stories from teens like you!

    Drawn from the Auschwitz-Birkenau State Museum and other collections around the world, they range from the intimate (such as victims’ family snapshots and personal belongings) to the immense (an actual surviving barrack from the Auschwitz III–Monowitz satellite camp); all are eloquent in their testimony. An authoritative yet accessible text weaves the stories behind these artifacts into an encompassing history of Auschwitz—from a Polish town at the crossroads of Europe, to the dark center of the Holocaust, to a powerful site of remembrance. Auschwitz: Not long ago. Not far away. is an essential volume for everyone who is interested in history and its lessons.

    From struggling with sensory processing, managing socially demanding situations and learning social cues and feminine presentation, through to coming out as trans during an autistic meltdown, Laura draws on her personal experiences from life prior to transition and diagnosis, and moving on to the years of self-discovery, to give a unique insight into the nuances of sexuality, gender and autism, and how they intersect.Charting the ups and downs of being autistic and on the LGBT spectrum with searing honesty and humour, this is an empowering, life-affirming read for anyone who's felt they don't fit in.

    These poems seek richer, less hierarchical sets of words to describe ways of being. Punctuated by a sequence of letters to Virginia Woolf’s character Orlando, this immersive collection is about discovering, articulating, and defending—to oneself and to others—what it means to exist outside of the western gender binary, as takatapui. It describes an artist in a state of becoming, moving from Te Kore, through Te Po, and into the light.

    Capturing her own struggles as she emerges from shock in the wake of her son’s unexpected death at age thirty-seven, author and storyteller Sheree Fitch writes lyrically and unabashedly, with deep sorrow, unexpected rage, and boundless love. She discovers that she “dwells in a thin place now,” that she has crossed a threshold only to find herself in “the quicksand that is grief.” The result is a memoir in verse of immense power and pain, a collection of moments, and a journey of resilience.Divided into three parts, like the memorial labyrinth Fitch walks every day, You Won’t Always Be This Sad offers words that will stir the heart, inviting readers on a raw and personal odyssey through excruciating loss, astonishing gratitude, and a return to a different world with new insights, rituals, faith, and hope. Readers, bearing witness to the immeasurable depths of a mother’s love, will be forever changed.

    If you’re looking for body-positive puberty books for girls but aren’t sure where to start—Celebrate Your Body 2 provides the support needed to navigate this whole puberty thing with confidence.From bras and braces to budding romantic feelings, this guide stands out among puberty books for girls as you become an expert on everything from pimples to peer pressure. Of all the puberty books for girls, this one will help you discover how your changing body is beautiful, special, and simply on the way to becoming the number one you.Celebrate Your Body 2 goes beyond other puberty books for girls, including: The shape of you—Explore how and why your body is changing with advice on mysterious hair, period care, and more. Cool and confident—Find calmness during mood swings and increase your self-esteem using creative suggestions and confidence-building tips rarely found in puberty books for girls. Close-knit vs. clique—Learn about choosing the right friends, finding a trusting ear, and the importance of consent. Your body is awesome—now start your journey right with Celebrate Your Body 2, one of the best in puberty books for girls.

    In our electric world, we are everywhere surrounded by effortlessly glowing lights that simply exist, as they should, seemingly clear and comforting proof that human genius means the present will always be better than the past, and the future better still. At best, this is half the story. At worst, it is a lie.From whale oil to kerosene, from the colonial period to the end of the U.S. Civil War, modern, industrial lights brought wonderful improvements and incredible wealth to some. But for most workers, free and unfree, human and nonhuman, these lights were catastrophes. This book tells their stories. The surprisingly violent struggle to produce, control, and consume the changing means of illumination over the eighteenth and nineteenth centuries transformed slavery, industrial capitalism, and urban families in profound, often hidden ways. Only by taking the lives of whalers and enslaved turpentine makers, match-manufacturing children and coal miners, night-working seamstresses and the streetlamp-lit poor--those American lucifers--as seriously as those of inventors and businessmen can the full significance of the revolution of artificial light be understood.

    

    Proceeding chronologically, this book shows how Ukraine's separation from Russia in 1991, at the time called a 'civilized divorce', led to what many are now calling 'a new Cold War'. He argues that the conflict has worsened because of three underlying factors - the security dilemma, the impact of democratization on geopolitics, and the incompatible goals of a post-Cold War Europe. Rather than a peaceful situation that was squandered, D'Anieri argues that these were deep-seated pre-existing disagreements that could not be bridged, with concerning implications for the resolution of the Ukraine conflict. The book also shows how this war fits into broader patterns of contemporary international conflict and should therefore appeal to researchers working on the Russia-Ukraine conflict, Russia's relations with the West, and conflict and geopolitics more generally.

    In today's environment, it's crucial that teens be able to ask hard questions about how to take care of themselves, make decisions that reflect their values, and stay safe. In Sex, Teens, and Everything in Between, veteran teen sex educator and mother of three Shafia Zaloom helps you discuss a wide variety of sex-related topics with your teens, including:How to get and give consentWhat it means to have "good" sexHow to help prevent sexual harassment and assaultHow to stay safe in difficult situationsThe legal consequences of sexual harassment and assault, and what to do if a teen experiences assault or is accused of itStories from survivors of sexual assaultApproachable, engaging, and with real-life scenarios and discussion questions in every chapter, Sex, Teens, and Everything in Between is a must-have resource that gives parents and educators the tools they need to have meaningful conversations with teens about what sex can and should be.

    It is totally normal to be curious and to have questions about relationships, bodies, consent . . . you name it! But where can your average teen go to get all the reliable and accurate answers they need? In Case You’re Curious (ICYC), a text-and-answer program conceived by Planned Parenthood, has been providing this educational service for teens for years. And now In Case You’re Curious: Questions about Sex from Young People with Answers from the Experts is a big book of answers with funny and educational illustrations, to the most popular and most interesting questions young people have about birth control, development, sexually transmitted diseases, and so much more. Within these pages you will find non-judgmental (and fun!) answers meant to educate teens without the uncomfortable silence or weird eye contact often associated with “The Talk.” With questions like “Does masturbating give you a disease?” and “Is the pineapple thing true?” In Case You’re Curious isn’t afraid to tackle the nitty-gritty questions you may think twice about raising your hand to ask in your Sexual Health class or at home.

    The call to follow Christ is a call to costly obedience for all, not just for gay Christians. Far too often, the church has elevated homosexuality above other sins and required a costly obedience from gays that it is unwilling to demand of others. And yet, the answer is not to weaken the demands of obedience. Instead, gay Christians who make the difficult choice to align their lives with the biblical view of sexuality are a gift to the church, reminding all of us that spiritual growth and maturity is costly. There is a price to pay in following Christ and devoting our lives to the call of the gospel, and it is one that we all must pay--gay and straight Christians alike.Through the stories and struggles of gay Christians who are reorienting their lives around the costly obedience required to follow Christ, Mark Yarhouse and Olya Zaporozhets call the church to reorient as well, leaving behind the casual morality that is widespread today to pursue the path of radical discipleship. Unlike any other book on homosexuality and the church, this is a call to examine your life and consider what God is asking you to lay down to take up your cross and follow him.

    Tarot archetypes provide the reader with a window into present circumstances and future potential. But what if that window only opened up on a world that was white, European, and heterosexual? The interpretations of the tarot that have been passed down through tradition presuppose a commonality and normalcy among humanity. At the root of card meanings are archetypes that we accept without questioning. But at what point do archetypes become stereotypes?Humanity is diverse--culturally, spiritually, sexually. Tarot has the power to serve a greater population, with the right keys to unlock the tarot's deeper meanings. In Queering the Tarot, Cassandra Snow deconstructs the meanings of the 78 cards explaining the ways in which each card might be interpreted against the norm. Queering the Tarot explores themes of sexuality, coming out, gender and gender-queering, sources of oppression and empowerment, and many other topics especially familiar to not-straight folks. Cassandra's identity-based approach speaks directly to those whose identity is either up in the air or consuming the forefront of their consciousness. It also speaks to those struggling with mental illness or the effects of trauma, all seekers looking for personal affirmation that who they are is okay.

    Now, to some, we represent the tenacity of women’s struggles under patriarchy and capitalism—that is, at least, the white, straight, cis, able-bodied sex workers who don’t engage in actual sex with clients. These are the workers who get the glossy media profiles and get touted as feminist icons. But the red umbrella is wide and covers so many: escorts, sugar babies, strippers, session wrestlers, cam performers, fetish models, DIY queer porn stars, and the full range of gender, race, and ability. Our work and our identities are as vast and variable as the spectrum of sexuality itself. We do the work. In the streets, in the clubs, in hotel rooms, and in play party dungeons. We make dreams come true so we can afford a place to sleep. We do business in a marketplace that politicians and police are constantly burning down for our “own safety and dignity.” We have high heels and higher anxiety. This isn’t a collection of sob stories of heartbroken whores. This is a testament of life at ground zero of sexual discourse, the songs of canaries in the coal mines of sex, gender, class, race, and disability. We may dance on the table, but we still demand our seat at it. Sex workers of the world unite. This is A Whore’s Manifesto.

    Positioning surveillance as central to our understanding of transgender politics, Beauchamp examines a range of issues, from bathroom bills and TSA screening practices to Chelsea Manning's trial, to show how security practices extend into the everyday aspects of our gendered lives. He brings the fields of disability, science and technology, and surveillance studies into conversation with transgender studies to show how the scrutinizing of gender nonconformity is motivated less by explicit transgender identities than by the perceived threat that gender nonconformity poses to the U.S. racial and security state. Beauchamp uses instances of gender surveillance to demonstrate how disciplinary power attempts to produce conformist citizens and regulate difference through discourses of security. At the same time, he contends that greater visibility and recognition for gender nonconformity, while sometimes beneficial, might actually enable the surveillance state to more effectively track, measure, and control trans bodies and identities.

    Yet there are many potential barriers to actively supporting trans people, including lack of knowledge about the needs of the trans community and lack of funding or institutional support. This book, written entirely by trans library workers, is designed to dismantle some of these barriers.Supporting Trans People in Libraries is relevant for library workers of any background and position. People with little knowledge about trans identities can start with the opening introductory chapters, while those looking for guidance on a specific situation--such as adding all-gender restrooms, interacting respectfully with trans coworkers, deciding what information to require on library card applications, writing inclusive job postings, making collection development decisions, and more--can jump to a particular chapter. For each topic, there are sections on easy fixes, best practices, and example language. Readers can easily adapt the information to benefit their libraries and communities in concrete ways.

    Young gay sex and super mundane details--two things I love, together."--Miranda July, author of The First Bad Man"Stephen van Dyck's meticulous sexual records reveal the true recent histories of America, the Internet, the nearly-defunct nuclear family and the author himself. Surprisingly touching, People I've Met From the Internet is a brilliantly written, taxonomic account of growing up queer in turn-of-the-millennium Albuquerque, Los Angeles, and beyond."--Chris Kraus, author of I Love Dick"This is an impressive work, modern, relevant, powerfully startling in its effect."--John Rechy, author of City of Night "Bold, brave, sexy. . .This annotated bibliography of encounters bridging the virtual and real worlds of desire feels like a nineteenth-century erotic novel transposed onto the present, filled with salacious stories and characters. A truly remarkable adventure."--D. A. Powell, author of Cocktails"A brilliant, deadpan account of sexualized youth. . . If it wasn't so effortlessly funny and wry, People I've Met From the Internet would horrify; as it stands, every sentence--every checked-off box of kissing? oral? anal?--brings on the warm flush a real writer gives you." --Dodie Bellamy, author of When the Sick Rule the World"As the internet transformed the gay world from a limited number of spaces to a virtually unlimited homotopia, things were gained and things were lost, but van Dyck was one of its argonauts. . . There's a new kind of queer text here, one needed for a new queer age." --Matias Viegener, author of 2500 Random Things About Me Too"A glowing diorama that is continuously unfolding with mountains, living, men, cities, and sex. I love the sense of absolute openness in Stephen van Dyck's People I've Met From the Internet, how direct it is, how witty, and at times how sweet." --Amina Cain, author of Creature"Stephen van Dyck's People I've Met From the Internet is a wholly original, brilliant and engrossing book. I couldn't put it down." --Kate Durbin, author of E! Entertainment "This is no ordinary memoir. It's a moving, funny and rigorous attending to technology, desire and community as experienced by a whole generation. . . A tour de force of post-internet life writing." --Janet Sarbanes, author of The Protester Has Been ReleasedStephen van Dyck's PEOPLE I'VE MET FROM THE INTERNET is a queer reimagining of the coming-of-age narrative set at the dawn of the internet era. In 1997, AOL is first entering suburban homes just as thirteen-year-old Stephen is coming into his sexuality, constructing selves and cruising in the fantasyscape of the internet. Through strange, intimate, and sometimes perilous physical encounters with the hundreds of men he finds there, Stephen explores the pleasures and pains of growing up, contends with his mother's homophobia and early death, and ultimately searches for a way of being in the world. Spanning twelve years, the book takes the form of a very long annotated list, tracking Stephen's journey and the men he meets from adolescence in New Mexico to post-recession adulthood in Los Angeles, creating a multi-dimensional panorama of gay men's lives as he searches for glimpses of utopia in the available world.

    That's a lot to pin on a simple molecule.But your testosterone level doesn't actually predict your competitive drive, appetite for risk, sex drive, strength, or athletic prowess. It isn't the biological essence of manliness--in fact, it isn't even a male sex hormone. So what is it, and how did we come to endow it with such superhuman powers? This unauthorized biography pries the much-maligned T free from over a century of misconceptions.Testosterone's story begins long before the hormone was even isolated, when scientists first went looking for the chemical essence of masculinity. Over time, this molecule provided a handy rationale for countless behaviors--from the boorish to the enviable. Today, as competitive athletes turn to testosterone for competitive advantage, and we continue to debate what it means to be a man or woman, it is back in the news again. What we think we know about has stood in the way of an accurate understanding of its surprising functions and effects. Rebecca Jordan-Young and Katrina Karkazis focus on what testosterone does in six domains: reproduction, aggression, risk-taking, power, sports, and parenting. and let us us see the real testosterone for the first time.

    Macharia maintains that to reach this understanding, we must start from the black diaspora, which requires re-thinking not only the historical and theoretical utility of identity categories such as gay, lesbian, and bisexual, but also more foundational categories such as normative and non-normative, human and non-human. Simultaneously, Frottage questions the heteronormative tropes through which the black diaspora has been imagined. Between Frantz Fanon, René Maran, Jomo Kenyatta, and Claude McKay, Machariamoves through genres—psychoanalysis, fiction, anthropology, poetry—as well as regional geohistories across Africa and Afro-diaspora to map the centrality of sex, gender, desire, and eroticism to black freedom struggles. In lyrical, meditative prose, Macharia invigorates frottage as both metaphor and method with which to rethink diaspora by reading, and reading against, discomfort, vulnerability, and pleasure.

    Creative, physical, graphic, urban and controversial, it is full of contradictions – a billion-dollar global industry which still retains its vibrant, counter-cultural heart.Skateboarding and the City presents the only complete history of the sport, exploring the story of skate culture from the surf-beaches of '60s California to the latest developments in street-skating today. Written by a life-long skater who also happens to be an architectural historian, and packed through with full-colour images – of skaters, boards, moves, graphics, and film-stills – this passionate, readable and rigorously-researched book explores the history of skateboarding and reveals a vivid understanding of how skateboarders, through their actions, experience the city and its architecture in a unique way.

    Yet, from a young age, girls around the world are taught the minimum, if anything, about their own bodies and this important function. Instead we are taught to expect periods to be painful and gross, that hormones will turn you hysterical every twenty-eight days, and that good girls definitely don’t talk about menstruation. This book examines the history of period shame and stigma and the far-reaching effects it has had on women’s health and wellness today, while providing a self-care guide to understanding menstrual cycles and reclaiming your fifth vital sign through holistic nutrition, lifestyle advice, and self-advocacy.

    This book, the first in-depth history of the Hijra community, illuminates the colonial and postcolonial governance of gender and sexuality and the production of colonial knowledge. From the 1850s, colonial officials and middle class Indians increasingly expressed moral outrage at Hijras' feminine gender expression, sexuality, bodies and public performances. To the British, Hijras were an ungovernable population that posed a danger to colonial rule. In 1871, the colonial government passed a law that criminalised Hijras, with the explicit aim of causing Hijras' 'extermination'. But Hijras evaded police, kept on the move, broke the law and kept their cultural traditions alive. Based on extensive archival work in India and the UK, Jessica Hinchy argues that Hijras were criminalised not simply because of imported British norms, but due to a complex set of local factors, including elite Indian attitudes.

    The collection spans familial, romantic, spiritual and self-love as well as friendships and ally love, to provide a broad and honest understanding of how trans people navigate love and relationships, and what love means to them.Reclaiming what love means to trans people, this book provokes conversations that are not reflected in what is presently written, moving the narrative around trans identities away from sensationalism. At once intimate and radical, and both humorous and poignant, this book is for anyone who has loved, who is in love, and who is looking for love.

    Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers’ sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. Artist and writer David Wojnarowicz was right in the heart of it, documenting his experiences in journal entries, poems, photographs, films, and large-scale, site-specific projects. In Cruising the Dead River, Fiona Anderson draws on Wojnarowicz’s work to explore the key role the abandoned landscape played in this explosion of queer culture. Anderson examines how the riverfront’s ruined buildings assumed a powerful erotic role and gave the area a distinct identity. By telling the story of the piers as gentrification swept New York and before the AIDS crisis, Anderson unearths the buried histories of violence, regeneration, and LGBTQ activism that developed in and around the cruising scene.

    The pieces offer personal views from both providers and clients, often one and the same, about their experiences. In the anthology, readers will access the inner thoughts of an array of individuals, including: a therapist with dual status who also happens to be transgender and practicing in the Midwest; a lesbian writer and psychotherapist recounting her mother's experience with forced institutionalization, shock therapy, and "conversion therapy" in the 1950s; a queer illustrator presenting unique glyph illustrations that represent a panoply of identity-related questions and answers; an award-winning gay male writer discussing his struggle with depression publicly for the first time; and a trans activist of color writing about surviving madness in the inner city and how his community of mental health and social justice youth activists help each other thrive. Several contributors also document the difficulty of navigating flawed health care systems that limit affordable access to genuinely affirming, effective services.Cultural norms and barriers to accessibility have an enormous impact on the quality of care available to LGBTQ communities. Traversing boundaries of race and ethnic identity, age, gender identity, and socioeconomic status, Headcase should appeal to LGBTQ communities and, specifically, LGBTQ mental health consumers and their friends, families, and comrades.

    I Love Art is an idiosyncratic tour through of 105 artifacts and phenomena—from whale songs and soap operas to Shia LaBeouf and The Bible—tackled with zine pioneer, performance artist, and prolific writer Lisa Carver's inimitable enthusiasm and intelligence.

    There’s magic, mystery, personal drama and an accidentally carnivorous plant.

    Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was the most gorgeous woman in the world, and the two began an affair that lasted over a decade.Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the stories of hundreds of women, like Barbara Kalish, who struggled to balance marriage and same-sex desire in the postwar United States. In doing so, Lauren Jae Gutterman draws our attention away from the postwar landscape of urban gay bars and into the homes of married women, who tended to engage in affairs with wives and mothers they met in the context of their daily lives: through work, at church, or in their neighborhoods.In the late 1960s and 1970s, the lesbian feminist movement and the no-fault divorce revolution transformed the lives of wives who desired women. Women could now choose to divorce their husbands in order to lead openly lesbian or bisexual lives; increasingly, however, these women were confronted by hostile state discrimination, typically in legal battles over child custody. Well into the 1980s, many women remained ambivalent about divorce and resistant to labeling themselves as lesbian, therefore complicating a simple interpretation of their lives and relationship choices. By revealing the extent to which marriage has historically permitted space for wives' relationships with other women, Her Neighbor's Wife calls into question the presumed straightness of traditional American marriage.

    . . everything else? Why is it that heteronormative relationships are embraced everywhere, but others are questioned, challenged, or viewed as sinful? Why do we mold children into what we, as a society, expect them to be through toys, clothes, and life lessons? Our society is undergoing an evolution, and it’s everyone’s duty to become “good sexual citizens,” so that all people, regardless of gender identity, sexual orientation, ability, age, ethnicity, race, religion, social class, location, or origin are treated as humans deserving of respect.Good Sexual Citizenship is a call to action that asks every citizen to break down inherent sexual hostility and build up something a whole lot better. To promote understanding and tolerance, Friedrichs includes a factual and historical backdrop on gender disparities, women’s rights, sexual violence, prevention, and sex education and challenges readers to question their own identity as “good sexual citizens” with guided exercises. Covering many topics like consent, sexual assault, pleasure, double standards, casual sex and hook-up culture, and teen sex, she provides tools to navigate societal messages, sexually hostile climates, stereotypes, and archaic behavior and mentalities.This book is written for anyone—educators, parents, fellow students, coworkers, employers—who have helplessly looked around in the midst of some type of sexual injustice wondering, “What can I do?”

    This short textbook provides an introduction to queer theory, exploring its key genealogies and terms as well as its application across various academic disciplines and to contemporary life more generally.The authors engage with a wide range of developments in queer theory thinking including discussions of identity politics, transgender theory, intersectionality, post-colonial theory, Indigenous studies, disability studies, affect theory, and more.In offering an updated reflection on the present tensions that queer theory must negotiate, as well as its unfolding future(s), Queer Theory Now is an ideal resource for anyone starting out on their queer theory journey; for students who want to get a grasp of the basic concepts, for teachers looking for a textbook for their queer theory course, or for scholars who want a quick go-to resource for key queer theory ideas and terms.

    The two volume report calls for transformative legal and social changes to resolve the crisis that has devastated Indigenous communities across the country.The Final Report is comprised of the truths of more than 2,380 family members, survivors of violence, experts and Knowledge Keepers shared over two years of cross-country public hearings and evidence gathering. It delivers 231 individual Calls for Justice directed at governments, institutions, social service providers, industries and all Canadians.As documented in the Final Report, testimony from family members and survivors of violence spoke about a surrounding context marked by multigenerational and intergenerational trauma and marginalization in the form of poverty, insecure housing or homelessness and barriers to education, employment, health care and cultural support. Experts and Knowledge Keepers spoke to specific colonial and patriarchal policies that displaced women from their traditional roles in communities and governance and diminished their status in society, leaving them vulnerable to violence.

    From Classical Hollywood to alt-Nollywood, mumblegore to J-horror, 1000 Women in Horror considers figures whose work has left a significant mark on the genre, both behind and in front of the camera.

    The raid was met with a series of responses that would go down in history as the most galvanizing period in this country's fight for sexual and gender liberation: a riotous reaction from the bar's patrons and surrounding community, followed by six days of protests.Across 200 documents, Marc Stein presents a unique record of the lessons and legacies of Stonewall. Drawing from sources that include mainstream, alternative, and LGBTQ media, gay-bar guide listings, state court decisions, political fliers, first-person accounts, song lyrics, and photographs, Stein paints an indelible portrait of this pivotal moment in the LGBT movement. In The Stonewall Riots, Stein does not construct a neatly quilted, streamlined narrative of Greenwich Village, its people, and its protests; instead, he allows multiple truths to find their voices and speak to one another, much like the conversations you'd expect to overhear in your neighborhood bar.Published on the fiftieth anniversary of the moment the first brick (or shot glass?) was thrown, The Stonewall Riots allows readers to take stock of how LGBTQ life has changed in the US, and how it has stayed the same. It offers campy stories of queer resistance, courageous accounts of movements and protests, powerful narratives of police repression, and lesser-known stories otherwise buried in the historical record, from an account of ball culture in the mid-sixties to a letter by Black Panther Huey P. Newton addressed to his brothers and sisters in the resistance. For anyone committed to political activism and social justice, The Stonewall Riots provides a much-needed resource for renewal and empowerment.

    For many men growing up in the 1950s and 1960s, these magazines and their images and illustrations of nearly naked men, as well as articles, letters from readers, and advertisements, served as an initiation into gay culture. The publishers behind them were part of a wider world of "physique entrepreneurs" men as well as women who ran photography studios, mail-order catalogs, pen-pal services, book clubs, and niche advertising for gay audiences. Such businesses have often been seen as peripheral to the gay political movement. In this book, David K. Johnson shows how gay commerce was not a byproduct but rather an important catalyst for the gay rights movement.Offering a vivid look into the lives of physique entrepreneurs and their customers, and presenting a wealth of illustrations, Buying Gay explores the connections--and tensions--between the market and the movement. With circulation rates many times higher than the openly political "homophile" magazines, physique magazines were the largest gay media outlets of their time. This network of producers and consumers helped foster a gay community and upend censorship laws, paving the way for open expression. Physique entrepreneurs were at the center of legal struggles, especially against the U.S. Post Office, including the court victory that allowed full-frontal male nudity and open homoeroticism. Buying Gay reconceives the history of the gay rights movement and shows how consumer culture helped create community and a site for resistance.

    The word ratchet has entered into a wider (whiter) American discourse the same way that many words in African American English have—through hip-hop and social media. Generally, ratchet refers to behaviors and cultural expressions of Black people that sit outside of normative, middle-class respectable codes of conduct. Ratchet can function both as a tool for critiquing bad Black behavior, and as a tool for resisting the notion that there are such things as “good” and “bad” behavior in the first place. This book takes seriously the way ratchet operates in the everyday lives of middle-class and upwardly mobile Black Queer women in Washington, DC who, because of their sexuality, are situated outside of the norms of (Black) respectability. The book introduces the concept of “ratchet/boojie cultural politics” which draws from a rich body of Black intellectual traditions which interrogate the debates concerning what is and is not “acceptable” Black (middle-class) behavior. Placing issues of non-normative sexuality at the center of the conversation about notions of propriety within normative modes of Black middle-class behavior, this book discusses what it means for Black Queer women’s bodies to be present within ratchet/boojie cultural projects, asking what Black Queer women’s increasing visibility does for the everyday experiences of Black queer people more broadly.

    Critical phenomenology foregrounds experiences of marginalization, oppression, and power in order to identify and transform common experiences of injustice that render “the familiar” a site of oppression for many. In Fifty Concepts for a Critical Phenomenology, leading scholars present fresh readings of classic phenomenological topics and introduce newer concepts developed by feminist theorists, critical race theorists, disability theorists, and queer and trans theorists that capture aspects of lived experience that have traditionally been neglected. By centering historically marginalized perspectives, the chapters in this book breathe new life into the phenomenological tradition and reveal its ethical, social, and political promise. This volume will be an invaluable resource for teaching and research in continental philosophy; feminist, gender, and sexuality studies; critical race theory; disability studies; cultural studies; and critical theory more generally.

    Helms. Monica’s book details the major events of her life, from childhood through to the book’s publication in 2019. Included are her service in the U.S. Navy as a submariner, and her personal journey to discovering her true self as a trans woman, including the subsequent battles she fought with her civilian employer, Sprint. Helms recalls her creation of the Transgender Pride Flag in 1999, and her donation of the original to the Smithsonian in 2014. Monica details her founding of the Transgender American Veterans Association (TAVA) in 2003, where she went on to serve as president for ten years. Along with numerous other examples of her trans activism, including holding Atlanta’s first TDOR event in 2000, Helms recounts lobbying state legislators in Arizona and Georgia, as well as in D.C., and being elected a delegate to the 2004 Democratic National Convention. At times, funny, at others, necessarily sad, More Than Just A Flag is the story of a leader in the fight for transgender acceptance, at a time when the trans community was just coalescing and finding its voice.

    Johnson, celebrities, game-changers and unsung heroes alike • the essential LGBTQ+ timeline of queer world history • the biggest queer culture festivals and events in the world • classic works of queer art, literature, music, TV and film This cheerful collection shines a light on the rich variety of elements that form The Queeriodic Table.

    But we aren’t alone in our thirst: the essence of divinity is an intense yearning for unity. The meditations contained in these pages will not only change your view of God, they will help you experience God.

    But, as Owen Whooley’s sweeping new book tells us, the history of American psychiatry is really a record of ignorance. On the Heels of Ignorance begins with psychiatry’s formal inception in the 1840s and moves through two centuries of constant struggle simply to define and redefine mental illness, to say nothing of the best way to treat it. Whooley’s book is no antipsychiatric screed, however; instead, he reveals a field that has muddled through periodic reinventions and conflicting agendas of curiosity, compassion, and professional striving. On the Heels of Ignorance draws from intellectual history and the sociology of professions to portray an ongoing human effort to make sense of complex mental phenomena using an imperfect set of tools, with sometimes tragic results.

    This commitment has often meant that patients spend their last days suffering from heroic interventions that extend their life by only weeks or months. Increasingly, this approach to end-of-life care is coming under scrutiny, from a moral as well as a financial perspective. Sociologist Roi Livne documents the rise and effectiveness of hospice and palliative care, and growing acceptance of the idea that a life consumed by suffering may not be worth living.Values at the End of Life combines an in-depth historical analysis with an extensive study conducted in three hospitals, where Livne observed terminally ill patients, their families, and caregivers negotiating treatment. Livne describes the ambivalent, conflicted moments when people articulate and act on their moral intuitions about dying. Interviews with medical staff allowed him to isolate the strategies clinicians use to help families understand their options. As Livne discovered, clinicians are advancing the idea that invasive, expensive hospital procedures often compound a patient's suffering. Affluent, educated families were more readily persuaded by this moral calculus than those of less means.Once defiant of death--or even in denial--many American families and professionals in the health care system are beginning to embrace the notion that less treatment in the end may be better treatment.

    This volume brings together emerging and esteemed researchers from all corners of the academy who are defining new directions for the field.From critical race studies, history, journalism, lesbian feminist studies, literature, media studies, and performance studies to anthropology, education, psychology, sociology, and urban planning, this impressive interdisciplinary collection covers topics such as humanistic approaches to reading, theorizing, and interpreting, as well as scientific appeals to measurement, modeling, sampling, and statistics.By bringing together these diverse voices into an unprecedented single volume, Amin Ghaziani and Matt Brim inspire us with innovative ways of thinking about methods and methodologies in queer studies.

    A series of essays that reads like a critical memoir, this work queries the function and implications of politicized Blackness, Black feminism, and queerness. Bey binds together his personal experiences with social justice work at the New York–based Audre Lorde Project, growing up in Philly, and rigorous explorations of the iconoclasm of theorists of Black studies and Black feminism. Bey’s voice recalibrates itself playfully on a dime, creating a collection that tarries in both academic and nonacademic realms. Fashioning fugitive Blackness and feminism around a line from Lil’ Wayne’s “A Millie,” Them Goon Rules is a work of “auto-theory” that insists on radical modes of thought and being as a refrain and a hook that is unapologetic, rigorously thoughtful, and uncompromising.

    Through detailed histories of how people litigated emotional injuries like dishonour, humiliation, grief, and betrayal before the Quebec civil courts from 1870 to 1950, Eric H. Reiter explores the confrontation between people's lived experience of emotion and the legal categories and terminology of lawyers, judges, and courts. Drawing on archival case files, newspapers, and contemporary legal writings, he examines how individuals narrated their claims of injured feelings and how the courts assessed those claims using legal rules, social norms, and the judges' own feelings to validate certain emotional injuries and reject others.The cases reveal both contemporary views of emotion as well as the family, gender, class, linguistic, and racial dynamics that shaped those understandings and their adjudication. Examples include a family's grief over their infant son's death due to a physician's prescription error, a wealthy woman's mortification at being harassed by a conductor aboard a train, and a Black man's indignation at being denied seats at a Montreal cinema. The book also traces an important legal change in how moral injury was conceptualized in Quebec civil law over the period as it came to be linked to the developing idea of personality rights. By 1950 the subjective richness of stories of wounded feelings was increasingly put into the language of violated rights, a development with implications for both social understandings of emotion and how individuals presented their emotional injuries in court.

    Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett's doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer's fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation's past.In these twenty-six essays--divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West--notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture.By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.

    In Terrorizing Gender Mia Fischer challenges this narrative of progress, bringing together transgender, queer, critical race, legal, surveillance, and media studies to analyze the cases of Chelsea Manning, CeCe McDonald, and Monica Jones. Tracing how media and state actors collude in the violent disciplining of these trans women, Fischer exposes the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them. The heightened visibility of transgender people, Fischer argues, has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state, evident in debates over bathroom access laws, the trans military ban, and the rescission of federal protections for transgender students and workers. Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.

    Von Gleichstein, the famed quantum physicist seen in “The Time Saving Agency” (book 2 in the Quantum Series by Christina Engela) and his little dog, Vluffy… and some mutant cockroaches, violins and a few “ozzer sings”.Dr. Gleichstein is a quantum physicist – and as everyone knows by now, quantum physics is a little like ordinary physics, except that you spend a little more time looking for your eyebrows!Vluffy, the Doktor’s companion, is a little gray dog who wears a flame-proof asbestos doggy jacket, and spends a lot of time hiding under things to avoid being vaporized by the Doktor’s occasional mishaps – and in their home, even the mouse holes have blast-proof doors!But something lurks inside the house with them… something that has grown and changed and mutated from all the latent radiation and funky quantumness that has leaked into the house… nasty, vicious, aggressive two-headed mutant cockroaches…aargh! Even the mice have packed up their mousy things and left for greener pastures… They even chase poor Vluffy down the hall – whatever would the neighborhood dogs say about that if they found out? Oh, the shame!Even the Doktor is dismayed by this new development… after all, not even tinned food is safe anymore! The mutant cockroaches begin to terrorize the Doktor and Vluffy. Something has to be done about this, of course… and the Doktor is just the hombre to do it… and so the Doktor clears his whiteboard for action! Vluffy hopes this can be solved without resorting to violins.Innocent Minds is a “children’s story for adults” – an endearing little illustrated tale set in the Quantum Series universe created by Christina Engela.

    

    As a transformative device, masks are approached historically and cross-culturally to examine how masked rituals intersect with power, ideology and identity. The power of the mask evolves in horror movies, reflecting new contexts and rendering them a persistent and dynamic aspect of horror’s iconography.

     Ellis situates the evolution of this educational innovation in its proper historical context to explore the rise of intelligence testing, the decline of child labour and rise of vocational guidance, emerging trends in mental hygiene and child psychology, and the implementation of a new progressive curriculum. At the core of this study are the students. This book is the first to draw deeply on rich archival sources, including 1000 pupil records of young people with learning difficulties, who attended public schools between 1918 and 1945. Ellis uses these records to retell individual stories that illuminate how disability filtered down through the school system’s many nooks and crannies to mark disabled students as different from (and often inferior to) other school children.  A Class by Themselves? sheds new light on these and other issues by bringing special education’s curious past to bear on its constantly contested present.

    Beginning with the late 1960s as a time when compulsory sexuality intensified and became increasingly tied to feminist, lesbian, and queer notions of empowerment, politics, and subjectivity, Przybylo looks to feminist political celibacy/asexuality, lesbian bed death, the asexual queer child, and the aging spinster as four figures that are asexually resonant and which benefit from an asexual reading—that is, from being read in an asexually affirming rather than asexually skeptical manner.   Through a wide-ranging analysis of pivotal queer, feminist, and anti-racist movements; television and film; art and photography; and fiction, nonfiction, and theoretical texts, each chapter explores asexual erotics and demonstrates how asexuality has been vital to the formulation of intimate ways of knowing and being. Asexual Erotics assembles a compendium of asexual possibilities that speaks against the centralization of sex and sexuality, asking that we consider the ways in which compulsory sexuality is detrimental not only to asexual and nonsexual people but to all.

    From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something "unwatchable": disturbing, revolting, poor, tedious, or literally inaccessible?   With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the "unwatchable" across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.

    It also describes various mentrual product options beyond just tampons and pads.We want all young people to feel comfortable in their bodies thoughout puberty and into adulthood!