. . then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around.In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.An eloquent exploration of what it means to live in a world surrounded by prejudice and racism and to be cast adrift, From the Ashes is, in the end, about how love and support can help one find happiness despite the odds.

    She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political--from overcoming a years-long battle with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft Dinner to how systemic oppression is directly linked to health problems in Native communities.With deep consideration and searing prose, Elliott provides a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

    Beautifully illustrated, these stories are an emotional and enlightening journey through magic realism, serial killings, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

    The highway is known as the 'Highway of Tears', and it has come to symbolize a national crisis.Journalist, Jessica McDiarmid, investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference have created a climate where Indigenous women are over-policed, yet under-protected. Through interviews with those closest to the victims--mothers and fathers, siblings and friends--McDiarmid offers an intimate, first-hand account of their loss and relentless fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada--now estimated to number up to 4,000--contextualizing them within a broader examination of the undervaluing of Indigenous lives in this country.Highway of Tears is a powerful story about our ongoing failure to provide justice for missing, and murdered, Indigenous women, and a testament to their families and communities' unwavering determination to find it.

    In her letter, Jonnie calls out the authorities for neglecting to immediately investigate missing Indigenous people and urges them to not treat me as the Indigenous person I am proud to be if she were to be reported missing. Indigenous artist Neal Shannacappo provides the artwork. Through his illustrations, he imagines a situation in which a young Indigenous woman does disappear, portraying the reaction of her community, her friends, the police, and media.-- "Journal"

    While her family was poor, their lives were rich in the ways that mattered most. Even at a young age, she had an innate sense of justice, which was reinforced by the lessons her parents taught her: Everyone deserves dignity. All people are equal. Those who work hard reap the rewards. Willful, spirited, and unusually intelligent, she discovered in Pincher Creek an extraordinary tapestry of people and perspectives that informed her worldview going forward. Still, life in the rural Prairies was lonely, and gaining access to education—especially for girls—wasn’t always easy. As a young woman, McLachlin moved to Edmonton to pursue a degree in philosophy. There, she discovered her passion lay not in academia, but in the real world, solving problems directly related to the lives of the people around her. And in the law, she found the tools to do exactly that. She soon realized, though, that the world was not always willing to accept her. In her early years as an articling student and lawyer, she encountered sexism, exclusion, and old boys’ clubs at every turn. And outside the courtroom, personal loss and tragedies struck close to home. Nonetheless, McLachlin was determined to prove her worth, and her love of the law and the pursuit of justice pulled her through the darkest moments. McLachlin’s meteoric rise through the courts soon found her serving on the highest court in the country, becoming the first woman to be named Chief Justice of the Supreme Court of Canada. She rapidly distinguished herself as a judge of renown, one who was never afraid to take on morally complex or charged debates. Over the next eighteen years, McLachlin presided over the most prominent cases in the country—involving Charter challenges, same-sex marriage, and euthanasia. One judgment at a time, she laid down a legal legacy that proved that fairness and justice were not luxuries of the powerful but rather obligations owed to each and every one of us. With warmth, honesty, and deep wisdom, McLachlin invites us into her legal and personal life—into the hopes and doubts, the triumphs and losses on and off the bench. Through it all, her constant faith in justice remained her true north. In an age of division and uncertainty, McLachlin’s memoir is a reminder that justice and the rule of law remain our best hope for a progressive and bright future.

    Nor am I an elder, a pipe carrier, or a celebrated traditionalist. I am merely one who has trudged the same path many of this human family has—the path of the seeker, called forward by a yearning I have not always understood.”One Drum draws from the foundational teachings of Ojibway tradition, the Grandfather Teachings. Focusing specifically on the lessons of humility, respect and courage, the volume contains simple ceremonies that anyone anywhere can do, alone or in a group, to foster harmony and connection. Wagamese believed that there is a shaman in each of us, and we are all teachers and in the world of the spirit there is no right way or wrong way.Writing of neglect, abuse and loss of identity, Wagamese recalled living on the street, going to jail, drinking too much, feeling rootless and afraid, and then the feeling of hope he gained from connecting with the spiritual ways of his people. He expressed the belief that ceremony has the power to unify and to heal for people of all backgrounds. “When that happens,” he wrote, “we truly become one song and one drum beating together in a common purpose—and we are on the path to being healed.”

    The historic milestone was celebrated across the nation.About a month earlier, in the lead up to his election, Jagmeet held community meet-and-greets across Canada. At one such event, a disruptive heckler in the crowd hurled accusations at him. Jagmeet responded by calmly calling for all Canadians to act with “love and courage” in the face of hate. That response immediately went viral, and people across the country began asking, “Who is Jagmeet Singh? And why ‘love and courage’?”This personal and heartfelt memoir is Jagmeet’s answer to that question. In it, we are invited to walk with him through childhood to adulthood as he learns powerful, moving, and sometimes traumatic lessons about hardship, addiction, and the impact of not belonging. We meet his strong family, including his mother, who teaches him that “we are all one; we are all connected,” a valuable lesson that has shaped who he is today.This story is not a political memoir. This is a story of family, love, and courage, and how strengthening the connection between us all is the way to building a better world.

    Her findings were shocking: across the country, in big cities and small towns, the system was dismissing a high number of allegations as "unfounded." A police officer would simply view the claim as baseless and no investigation would follow. Of the 26,500 reported cases of sexual assault in 2015, only 1,400 resulted in convictions.The response to Doolittle's groundbreaking Unfounded series was swift. Federal ministers immediately vowed to establish better oversight, training, and policies; Prime Minister Trudeau announced $100 million to combat gender-based violence; Statistics Canada began to collect and publish unfounded rates; and to date, about a third of the country's forces have pledged to review more than 10,000 sex-assault cases dating back to 2010.Had It Coming picks up where the Unfounded series left off. Doolittle brings a personal voice to what has been a turning point for most women: the #MeToo movement and its aftermath. The world is now increasingly aware of the pervasiveness of rape culture in which powerful men got away with sexual assault and harassment for years: from Bill Cosby, Harvey Weinstein, Bill O'Reilly, and Matt Lauer, to Charlie Rose and Jian Ghomeshi. But Doolittle looks beyond specific cases to the big picture. The issue of "consent" figures largely: not only is the public confused about what it means, but an astounding number of police officers and judges do not understand Canadian consent law. The brain's reaction to trauma and how it affects memory is also crucial to understanding victim statements. Surprisingly, Canada has the most progressive sexual assault laws in the developed world, yet the system is failing victims at every stage.Had It Coming is not a diatribe or manifesto, but a nuanced and informed look at how attitudes around sexual behaviour have changed and still need to change.

    Johnson."The night of the decision in the Gerald Stanley trial for the murder of Colten Boushie, I received a text message from a retired provincial court judge. He was feeling ashamed for his time in a system that was so badly tilted. I too feel this way about my time as both defence counsel and as a Crown prosecutor; that I didn't have the courage to stand up in the court room and shout 'Enough is enough.' This book is my act of taking responsibility for what I did, for my actions and inactions." --Harold R. JohnsonIn early 2018, the failures of Canada's justice system were sharply and painfully revealed in the verdicts issued in the deaths of Colten Boushie and Tina Fontaine. The outrage and confusion that followed those verdicts inspired former Crown prosecutor and bestselling author Harold R. Johnson to make the case against Canada for its failure to fulfill its duty under Treaty to effectively deliver justice to Indigenous people, worsening the situation and ensuring long-term damage to Indigenous communities.In this direct, concise, and essential volume, Harold R. Johnson examines the justice system's failures to deliver "peace and good order" to Indigenous people. He explores the part that he understands himself to have played in that mismanagement, drawing on insights he has gained from the experience; insights into the roots and immediate effects of how the justice system has failed Indigenous people, in all the communities in which they live; and insights into the struggle for peace and good order for Indigenous people now.

    When the loss of her husband’s business forces them to move temporarily back to his family’s farm, Leslie is terrified that once Dan is back in the fold of family and the community of Holmes Crossing, her needs will be smothered. Then a near tragedy tests everything they both hold dear.Start your journey to Holmes Crossing with Dan and Leslie’s story and get pulled into Terra’s, a girl with sass, spunk and a haunting secret. Terra has spent the last few years outrunning the darkness of her past. But when she is forced to stay in Holmes Crossing past and present clash in a way that has chilling repercussions for any future she hopes to create.After that you’ll meet Miriam who has a second chance at motherhood when she unexpectedly becomes a joint guardian of the baby she gave up. But can her rekindled relationship with Duncan, co-guardian of her daughter, withstand the accusing secrets of her past?What readers have to say: The Only Best Place “If you cry easily, you may want tissues nearby." “ Keep reading the book. It has an ending we could all live with.” All In One Place “This book, while difficult in subject, has great hope and promise for its subjects as well as it’s readers. Holmes Crossing is a place to get comfy for awhile.” “Thank you, Carolyne, for writing a tough and yet beautiful story of healing and redemption!” This Place “I fell in love with this series and the people are so down to earth! “You really must give this book your attention because it is great!" “The healing and forgiveness and hope were like a warm blanket on a cool night.” Read the rest of the series as well: A Silence in the Heart Any Man of Mine A Place in Her Heart

    It was wrapped in material and weighted down with rocks. Red River Girl is a gripping account of that murder investigation and the unusual police detective who pursued the killer with every legal means at his disposal. The book, like the movie Spotlight, will chronicle the behind-the-scenes stages of a lengthy and meticulously planned investigation. It reveals characters and social tensions that bring vivid life to a story that made national headlines. Award-winning BBC reporter and documentary maker Joanna Jolly delves into the troubled life of Tina Fontaine, the half-Ojibway, half-Cree murder victim, starting with her childhood on the Sagkeeng First Nation Reserve. Tina's journey to the capital city is a harrowing one, culminating in drug abuse, sexual exploitation, and death. Aware of the reality of missing and murdered Indigenous women and girls, Jolly has chronicled Tina Fontaine's life as a reminder that she was more than a statistic. Raised by her father, and then by her great-aunt, Tina was a good student. But the violent death of her father hit Tina hard. She ran away, was found and put into the care of Child and Family Services, which she also sought to escape from. That choice left her in danger. Red River Girl focuses not on the grisly event itself, but on the efforts to seek justice. In December 2015, the police charged Raymond Cormier, a drifter, with second-degree murder. Jolly's book will cover the trial, which resulted in an acquittal. The verdict caused dismay across the country. The book is not only a true crime story, but a portrait of a community where Indigenous women are disproportionately more likely to be hurt or killed. Jolly asks questions about how Indigenous women, sex workers, community leaders and activists are fighting back to protect themselves and change perceptions. Most importantly, the book will chronicle whether Tina's family will find justice.

    On September 11, 2001, 38 planes and 6,579 passengers were forced to land in the provincial town of Gander, Newfoundland. The local residents opened their arms to the displaced visitors, offering food, shelter, and friendship. In the days that followed, cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. Come From Away: Welcome to the Rock is the ultimate companion piece to Irene Sankoff and David Hein's smash-hit musical based on that extraordinary experience. Featuring the complete book and lyrics for the first time in print, a foreword by Canadian Prime Minister Justin Trudeau, and exclusive photos of the company and physical production, this essential companion also includes original interviews with passengers, Gander residents, and the actors who portray them. The narrative by theater historian Laurence Maslon details the events of that memorable and challenging week and also traces the musical's development from the ten-year reunion of residents and airline passengers in Gander, where the idea for the musical was born , to the global phenomenon it is today. Come From Away: Welcome to the Rock gives an unprecedented look behind the curtain and demonstrates why the story has touched so many so deeply: Because we come from everywhere, we all come from away.

    Those who took them in to work as farm laborers or household servants were told they were orphans–but was that the truth?After the tragic loss of their father, the McAlister family is living at the edge of the poorhouse in London in 1908, leaving their mother to scrape by for her three younger children, while oldest daughter, Laura, works on a large estate more than an hour away. When Edna McAlister falls gravely ill and is hospitalized, twins Katie and Garth and eight-year-old Grace are forced into an orphans’ home before Laura is notified about her family’s unfortunate turn of events in London. With hundreds of British children sent on ships to Canada, whether truly orphans or not, Laura knows she must act quickly. But finding her siblings and taking care of her family may cost her everything.Andrew Fraser, a wealthy young British lawyer and heir to the estate where Laura is in service, discovers that this common practice of finding new homes for penniless children might not be all that it seems. Together Laura and Andrew form an unlikely partnership. Will they arrive in time? Will their friendship blossom into something more?Inspired by true events, this moving novel follows Laura as she seeks to reunite her family and her siblings who, in their darkest hours, must cling to the words from Isaiah: “Fear thou not; for I am with thee: be not dismayed; for I am thy God”.

    Within twenty years the Métis proclaimed themselves a nation and won their first battle. Within forty years they were famous throughout North America for their military skills, their nomadic life and their buffalo hunts.The Métis Nation didn’t just drift slowly into the Canadian consciousness in the early 1800s; it burst onto the scene fully formed. The Métis were flamboyant, defiant, loud and definitely not noble savages. They were nomads with a very different way of being in the world—always on the move, very much in the moment, passionate and fierce. They were romantics and visionaries with big dreams. They battled continuously—for recognition, for their lands and for their rights and freedoms. In 1870 and 1885, led by the iconic Louis Riel, they fought back when Canada took their lands. These acts of resistance became defining moments in Canadian history, with implications that reverberate to this day: Western alienation, Indigenous rights and the French/English divide.After being defeated at the Battle of Batoche in 1885, the Métis lived in hiding for twenty years. But early in the twentieth century, they determined to hide no more and began a long, successful fight back into the Canadian consciousness. The Métis people are now recognized in Canada as a distinct Indigenous nation. Written by the great-grandniece of Louis Riel, this popular and engaging history of “forgotten people” tells the story up to the present era of national reconciliation with Indigenous peoples.2019 marks the 175th anniversary of Louis Riel’s birthday (October 22, 1844)

    Miikwan and Dez are best friends. Miikwan is Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape – they’re so close, they even completed their Berry Fast together. However, when Dez’s grandmother becomes too sick, Dez is told she can’t stay with her anymore. With the threat of a group home looming, Dez can’t bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez’s community find her before it’s too late? Will Miikwan be able to cope if they don’t?

    Our elections feel hollow and our legislatures have become toxic. Fierce partisanship, centralized power, distorted election results and rigged systems all contribute to our growing cynicism.Voters are increasingly turning towards the angriest candidates, or simply tuning out completely and staying at home. But as Dave Meslin's career has shown, we can fix things. We can turn elite power structures upside down. We can give a voice to ordinary people. But it means fixing things from the bottom up, and starting locally. It's hard to change the world if you can't change a municipal by-law. Teardown shows readers how to do both. And it will show us that these two challenges are not fundamentally different.From environmental activism to public space advocacy to the ongoing campaign for electoral reform, Dave Meslin has been both out on the street in marches and in the back rooms drawing up policy. With Teardown he reminds us that the future of our species doesn't need to look like a trainwreck. That we're capable of so much more.It's time to raise our expectations: of the system, of each other and of ourselves. Only then can we re-imagine a new democracy, unrecognizable from today's political mess. This book is a recipe for change. A cure for cynicism. A war on apathy.

    He embarked on a social media project to collect archival photos capturing the everyday life of people in First Nations, Métis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on Twitter, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light.Blanket Toss Under Midnight Sun collects into one gorgeous, beautifully designed book some of the most arresting images and untold stories from Paul’s project. While many of the photographs are in public archives, most have never been shown to the people in the communities they represent. As such, Blanket Toss is not only an invaluable historical record; it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present—and future.

    Content to trade with both the French and the British, Catherine is pulled into the Seven Years' War against her wishes when her British ex-fiancé, Samuel Crane, is taken prisoner by her father. Samuel claims he has information that could help end the war, and he asks Catherine to help him escape.Peace appeals to Catherine, even if helping the man who broke her heart does not. But New France is starving, and she and her loved ones may not survive another winter of conflict-induced famine. When the dangers of war arrive on her doorstep, Cathering and Samuel flee by river toward the epicenter of the battle between England and France. She and Samuel may impact history, but she fears the ultimate cost will be higher than she can bear.

    In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught.Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women—sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces—Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.

    The legendary Canadian cartoonist Seth lovingly shows the rituals, hopes, and delusions of a middle class that has long ceased to exist in North America—garrulous men in wool suits extolling the virtues of their wares to taciturn shopkeepers with an eye on the door. Much like the myth of an ever-growing economy, the Clyde Fans family unit is a fraud—the patriarch has abandoned the business to mismatched sons, one who strives to keep the business afloat and the other who retreats into the arms of the remaining parent.Abe and Simon Matchcard are brothers, the second generation struggling to save their archaic family business of selling oscillating fans in a world switching to air-conditioning. At the center of Clyde Fans’s center is Simon, who flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home but is ultimately unable to escape Abe’s critical voice in his head. As the business crumbles, so does any remaining relationship between the brothers, both of whom choose very different life paths but still end up utterly unhappy.Seth’s intimate storytelling and gorgeous art allow urban landscapes and detailed period objects to tell their own stories as the brothers struggle to keep from suffocating in an airless city home. An epic time capsule of a story line that begs rereading.

    But what are the everyday impacts of treaties, and how can we effectively work toward reconciliation if we’re worried our words and actions will unintentionally cause harm?Hereditary chief and leading Indigenous relations trainer Bob Joseph is your guide to respecting cultural differences and improving your personal relationships and business interactions with Indigenous Peoples. Practical and inclusive, Indigenous Relations interprets the difference between hereditary and elected leadership, and why it matters; explains the intricacies of Aboriginal Rights and Title, and the treaty process; and demonstrates the lasting impact of the Indian Act, including the barriers that Indigenous communities face and the truth behind common myths and stereotypes perpetuated since Confederation.Indigenous Relations equips you with the necessary knowledge to respectfully avoid missteps in your work and daily life, and offers an eight-part process to help business and government work more effectively with Indigenous Peoples—benefitting workplace culture as well as the bottom line. Indigenous Relations is an invaluable tool for anyone who wants to improve their cultural competency and undo the legacy of the Indian Act.

    As Whitney French says in her introduction, Black Writing Matters “injects new meaning into the word diversity [and] harbours a sacredness and an everydayness that offers Black people dignity.” An “invitation to read, share, and tell stories of Black narratives that are close to the bone,” this collection feels particular to the Black Canadian experience.

    Another popular movement succeeded in establishing Canada’s public broadcasting system to counter American dominance of the airwaves. And a Canadian doctor created a publicly-owned laboratory that saved countless lives by producing affordable medications, contributing to medical breakthroughs and helping eradicate smallpox throughout the world.In recent decades, however, Canadians have allowed their inspiring public enterprises to be privatized and their vital public programs downsized, leaving them increasingly dominated by the forces of private greed that rule the marketplace.In this provocative book, Linda McQuaig challenges the dogma of privatization that has defined our political age. She argues that, particularly now as we grapple with climate change and income inequality, we need to expand, not shrink, our public sphere.

    Joel Struthers recounts the dangers and demands of military life, from the rigours of recruitment and operational training in the rugged mountains of France, to face-to-face combat in the grasslands of some of Africa’s most troubled nations.Told through the eyes of a soldier, and interspersed with humorous anecdotes, Appel is a fascinating story that debunks myths about the French Foreign Legion and shows it more accurately as a professional arm of the French military. Struthers provides insight into the rigorous discipline that the Legion instills in its young recruits, – who trade their identities as individuals for a life of adventure and a role in a unified fighting force whose motto is “Honour and Loyalty. ”Foreword by Col. Benoit Desmeulles, former commanding officer of the Legions 2e Régiment Étranger Parachutistes.

    Olivia has invited him to Canada for Christmas, not for herself but for the sake of their three-year-old daughter Scarlett. Jack willingly agreed, hoping this is the second chance he’s been looking for.Olivia has been hurt too many times by her soon-to-be-ex-husband and she doesn't trust him anymore. But she has to deal with him for Scarlett's sake, because her child deserves to grow up with both parents.But when Jack joins them in Niagara-on-the-Lake for Christmas and asks Olivia to reconsider the divorce, she is shocked. And more than a little worried that a part of her wants to say yes.Jack promises he’ll give up everything for her and Scarlett, but Olivia is not convinced. Can he really turn his back on his high-flying television career in Australia and the lifestyle that comes with it?Will ten days over Christmas be enough time for Jack and Olivia to mend their broken hearts? Or will it take Jack’s career or an unexpected accident to rip them apart again?

    Back home, she's known as Crow, and everybody suspects that her family is cursed.With her future all but sealed, Crow decides to go down in a blaze of unforgettable glory by writing a memoir that will raise eyebrows and drop jaws. She'll dig up "the dirt" on her family tree, including the supposed curse, and uncover the truth about her mysterious father, who disappeared a month before she was born.But first, Crow must contend with an eclectic assortment of characters, including her gossipy Aunt Peggy, hedonistic party-pal Char, homebound best friend Allie, and high-school flame Willy. She'll also have to figure out how to live with her mother and how to muddle through the unsettling visual disturbances that are becoming more and more vivid each day.Witty, energetic, and crackling with sharp Cape Breton humour, Crow is a story of big twists, big personalities, big drama, and even bigger heart.

    I pray for reprieve. I long for solid ground. And I can‘t help but ask myself, What the hell was I thinking? When Sue Williams set sail for the North Atlantic, it wasn’t a mid-life crisis. She had no affinity for the sea. And she didn’t have an adventure-seeking bone in her body.

    Giant waves up to three storeys high hit the coast at a hundred kilometres per hour, flooding dozens of communities and washing entire houses out to sea. The most destructive earthquake-related event in Newfoundland’s history, the disaster killed twenty-eight people and left hundreds more homeless or destitute. It took days for the outside world to find out about the death and damage caused by the tsunami, which forever changed the lives of the inhabitants of the fishing outports along the Burin Peninsula.Scotiabank Giller Prize–winning writer Linden MacIntyre was born near St. Lawrence, Newfoundland, one of the villages virtually destroyed by the tsunami. By the time of his birth, the cod-fishing industry lay in ruins and the village had become a mining town. MacIntyre’s father, lured from Cape Breton to Newfoundland by a steady salary, worked in St. Lawrence in an underground mine that was later found to be radioactive. Hundreds of miners would die; hundreds more would struggle through shortened lives profoundly compromised by lung diseases ranging from silicosis and bronchitis to cancer. As MacIntyre says, though the tsunami killed twenty-eight people in 1929, it would claim hundreds if not thousands more in the decades to follow. And by the time the village returned to its roots and set up as a cod fishery once again, the stocks in the Grand Banks had plummeted and St. Lawrence found itself once again on the brink of disaster.Written in MacIntyre’s trademark style, The Wake is a major new work by one of this country’s top writers.

    She is the beautiful daughter of an affluent estate manager, he the rebellious son of dispossessed peasants. With her father’s men in pursuit and a sizable price on Jim’s head, they board a ship set for Canada to start a new life and put the troubles of the old country behind them.Thousands of miles away in rural Ontario, they find the feuds and vendettas of Ireland are very much alive. Jim must make a place for his young family not just with his back, but with his fists.Fifteen years later, the Donnelly family have become one of the most powerful in Lucan Township, loved by some and hated by others. Jim and Johannah’s sons are notorious as both fighters and lovers and torment the townspeople, swinging shillelaghs, burning barns and seducing daughters.But certain citizens of Lucan have had enough. At midnight on February 3, 1880, a mob of thirty armed men in women’s clothing and carnival masks ride out for the Donnelly farm. Sustained by whisky and the blessings of the local priest, their goal is to wipe the Donnelly family from the face of the earth. Yet there is an eye witness and during the trial that follows, it becomes clear that in small town Ontario of the late 1800s, order is valued above truth.Eventful and conveyed with cinematic detail, Cursed! Blood of the Donnellys is an engaging and historically enlightening read.

    While Canada's history is filled with darkness, these poems aim to unpack that history to clean the wounds so the nation can finally heal. Powerful and thought-provoking, this collection will draw you in and make you reconsider Canada's colonial legacy. The cover features the art of Kent Monkman, and the interior features work by Joseph Sanchez, a member of the Indian Group of Seven.

    A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling.Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work.Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod?Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.

    It's a must-read for anyone seeking to understand Canada's residential-school saga. Most importantly, it's a touchstone of community for those survivors and their families still on the path to healing."--Waubgeshig Rice, journalist and author of Moon of the Crusted SnowPicking Up the Pieces tells the story of the making of the Witness Blanket, a living work of art conceived and created by Indigenous artist Carey Newman. It includes hundreds of items collected from residential schools across Canada, everything from bricks, photos and letters to hockey skates, dolls and braids. Every object tells a story.Carey takes the reader on a journey from the initial idea behind the Witness Blanket to the challenges in making it work to its completion. The story is told through the objects and the Survivors who donated them to the project. At every step in this important journey for children and adults alike, Carey is a guide, sharing his process and motivation behind the art. It's a personal project. Carey's father is a residential school Survivor. Like the Blanket itself, Picking Up the Pieces calls on readers of all ages to bear witness to the residential school experience, a tragic piece of Canada's legacy.

    A place where, in our increasingly interconnected, digital world, it's still possible to wander for months without crossing a single road, or even see another human being.Between his starting point in Eagle Plains, Yukon Territory, to his destination in Baker Lake, Nunavut, lies a maze of obstacles: shifting ice floes, swollen rivers, fog-bound lakes, and gale-force storms. And Shoalts must time his departure by the breakup of the spring ice, then sprint across nearly 4,000 kilometers of rugged, wild terrain to arrive before winter closes in.He travels alone up raging rivers that only the most expert white-water canoeists dare travel even downstream. He must portage across fields of jagged rocks that stretch to the horizon, and navigate labyrinths of swamps, tormented by clouds of mosquitoes every step of the way. And the race against the calendar means that he cannot afford the luxuries of rest, or of making mistakes. Shoalts must trek tirelessly, well into the endless Arctic summer nights, at times not even pausing to eat.But his reward is the adventure of a lifetime.Heart-stopping, wonder-filled, and attentive to the majesty of the natural world, Beyond the Trees captures the ache for adventure that afflicts us all.

    In particular the book tells of Ottawa’s failure to recognize and confront the efforts by the Chinese Communist Party to infiltrate and influence Canadian politics, academia, and media, and to exert control over Canadians of Chinese heritage.Claws of the Panda gives a detailed description of the CCP’s campaign to embed agents of influence in Canadian business, politics, media and academia. The party’s aims are to be able to turn Canadian public policy to China’s advantage, to acquire useful technology and intellectual property, to influence Canada’s international diplomacy, and, most important, to be able to monitor and intimidate Chinese Canadians and others it considers dissidents.The book traces the evolution of the Canada-China relationship over nearly 150 years. It shows how Canadian leaders have constantly misjudged the reality and potential of the relationship while the CCP and its agents have benefited from Canadian naivete.

    Called “Perception Photo Series,” it confronted common stereotypes of First Nation, Inuit and Metis people to illustrate a more contemporary truthful story. First appearing on billboards, in storefronts, in bus shelters, and projected onto Winnipeg’s downtown buildings, Adam’s stunning photographs now appear in her new book, Perception: A Photo Series.  Meant to challenge the culture of apathy and willful ignorance about Indigenous issues, Adams hopes to unite readers in the fight against prejudice of all kinds.

    She quickly learns that he has been hiding a hundred year old family secret that will change their lives forever. Meanwhile...Ravenwood House watches and patiently waits for them to arrive...

    While this story is comforting, a closer look at the experience of Holocaust survivors in North America shows it to be untrue. The arrival of tens of thousands of Jewish refugees was palpable in the streets of Montreal and their impact on the existing Jewish community is well-recognized. But what do we really know about how survivors' experienced their new community? Drawing on more than 60 interviews with survivors, hundreds of case files from Jewish Immigrant Aid Services, and other archival documents, The Montreal Shtetl presents a portrait of the daily struggles of Holocaust survivors who settled in Montreal, where they encountered difficulties with work, language, culture, health care, and a Jewish community that was not always welcoming to survivors.By reflecting on how institutional supports, gender, and community relationships shaped the survivors''settlement experiences, Abramson and Lynch show the relevance of these stories to current state policies on refugee immigration.

    A truth long sought, but better left unfound. Will two teenagers survive the magical secrets they unearth? Oak Island, Nova Scotia. Breanne Moore blames herself for her mother’s tragic death. So when her archaeologist father is invited on an exciting new dig, she’s determined to tag along and keep him safe. But as the mystery leads them closer to the island’s secret, Breanne’s dreams are filled with visions of a strange boy she’s never met… and a world of flaming carnage.Petersburg, Illinois. Sixteen-year-old Garrett Turek is the unofficial leader of his fellow outcasts. Grappling with a volatile relationship with his stepfather, he avoids his home life by helping an eccentric accountant restore a historic Victorian house. But when he and his crew stumble on a crusty journal in the basement, Garrett uncovers a dead president’s key to a secret world-saving society.As Breanne and her dad seek clues to a treasure hidden deep beneath the surface, they trigger a dangerous magic that should have stayed dormant forever. And when Garrett closes in on the truth, he’ll question everything he thought he knew and find trust in a girl from far away as they prepare to battle a dangerous foe.Can the two would-be heroes fulfill a powerful prophecy and save the planet from destruction?The Secret Journal is the first book in the sensational God Stones YA contemporary fantasy series. If you like unusual pairings, well-researched historical backgrounds, and heated suspense, then you’ll love Otto Schafer’s coming-of-age adventure. Destiny awaits those brave enough to turn the page!

    After the mill was complete, some of the residents, many of Indigenous ancestry, settled there permanently -- including the poet's great-grandmother Amelia Campbell and her daughter, Ella -- and those the locals called the "jackytars," a derogatory epithet used to describe someone of mixed French and Mi'kmaq descent. Many remained there until the late 1970s, when the settlement was forcibly abandoned and largely forgotten.Walbourne-Gough lyrically sifts through archival memory and family accounts, resurrecting story and conversation, to patch together a history of a people and place. Here he finds his own identity within the legacy of Crow Gulch and reminds those who have forgotten of a glaring omission in history.

    Hidden in one of the upstairs rooms of the old man’s house he finds a strange manuscript, a collection of stories that seems to cover the whole of his father’s turbulent life.As his own life starts to unravel, Ethan works his way through the manuscript, trying to find answers to the mysteries that have plagued him since he was a child. What happened to his little brother? Why was his mother taken from him? And why, in the end, when there was no one else left, did his own father push him away?Swinging from the coral cays of the Caribbean to the dangerous deserts of Yemen and the wild rivers of Africa, Turbulent Wake is a bewitching, powerful and deeply moving story of love and loss … of the indelible damage we do to those closest to us and, ultimately, of the power of redemption in a time of change.

    Once a medic in the Canadian Forces and a paramedic in the civilian world, he has a varied and traumatic past. Facing childhood abuse, addiction, suicide ideation, incredible loss, mental illness, he finds himself left rudderless, Matthew chronicles his journey towards a better way of coping.

    Her Number One rule has always been 'No Relationships'. But when she's selected as the lead designer of the Calderone Industries office complex, that rule is put to the test when she must work with the owner's son. He is artistic and gorgeous but why won't he let her do the job she's qualified to do? Charles Calderone is a connoisseur of all fine things and knows there's more to life than just a job. His VP position in the family business has always had its challenges, but this architect is driving him to distraction. She is talented and beautiful but has the infuriating habit of confronting him on every design decision! Tempers flare and sparks fly as their professional and personal lives collide. Can they find a way to navigate through their endless power struggles to complete this project successfully? Or will both their careers end up in ruins? Designing Love, Book Three in the Calderone Family Romance series, is a smart and sassy stand-alone romcom.

    During that time, Pauls encountered the ancestral language of Southern Tutchone. Driven by a desire to help revitalize the language, he created Dakwäkãda Warriors, a bilingual comic about two earth protectors saving the world from evil pioneers and cyborg sasquatches.Pauls’ Elders supported him throughout the creation process by offering consultation and translation. The resulting work is a whimsical young adult graphic novel that offers an accessible allegory of colonialism. Dakwäkãda Warriors also includes a behind-the-scenes view into the making of the comic and a full-colour insert featuring character illustrations by guest Indigenous Canadian artists.

    He’s determined to get her to use her law degree to join the family’s high-powered law firm. She’s determined to do anything but that. And when an unknown-to-her aunt dies in Churchill, Manitoba, leaving her an unbelievable inheritance, Kali’s on the next flight up north to make her dreams a reality. Chef Jake Miller has lived in Churchill for the past ten years, working hard to keep The Great Northern Lodge afloat through some tough times. But then his business partner dies unexpectedly, without telling him that she’d changed her will or that she had a niece who is set to inherit everything. Now, Jake and Kali have thirty days to work together and decide—who will stay and who will go—before Christmas rolls around. Secrets, attempted murder, and a new menu all add up to a Christmas unlike any other.

    This Is How We Disappear is at once an exploration of the physical and emotional disappearance of women and a celebration of the magic of shapeshifting as an act of survival too.The poems sit in conversation with each other in a way that highlights how women survive and thrive in spite of the obstacles often stacked against them.The collection is about our small and large acts of resistance, how we choose life, how we are the architects of our own joy even in the face of death.

    Named for one of literature's least romantic protagonists, Moll Flanders, Molly lives in Edmonton, a city she finds irredeemably unromantic, where she writes university term papers instead of novels, and sells shoes in the Largest Mall on Earth. There she seeks the other half of her young life's own matched pair.Delightfully whimsical, Molly of the Mall: Literary Lass and Purveyor of Fine Footwear explores its namesake's love for the written word, love for the wrong men (and the right one), and her complicated love for her city.

    Based on real-life events in Ontario's Kawartha Lakes region, Cottagers and Indians infuses contemporary conflicts between Indigenous and non-Indigenous sensibilities with Drew Hayden Taylor's characteristic warmth and humour.

    Chartrand’s debut cookbook explores the reawakening of Indigenous cuisine and what it means to cook, eat, and share food in our homes and communities.Born to Cree parents and raised by a Métis father and Mi’kmaw-Irish mother, Shane M. Chartrand has spent the past ten years learning about his history, visiting with other First Nations peoples, gathering and sharing knowledge and stories, and creating dishes that combine his interests and express his personality. The result is tawâw: Progressive Indigenous Cuisine, a book that traces Chartrand’s culinary journey from his childhood in Central Alberta, where he learned to raise livestock, hunt, and fish on his family’s acreage, to his current position as executive chef at the acclaimed SC Restaurant in the River Cree Resort &Casino in Enoch, Alberta, on Treaty 6 Territory.Containing over seventy-five recipes — including Chartrand’s award-winning dish “War Paint” — along with personal stories, culinary influences, and interviews with family members, tawâw is part cookbook, part exploration of ingredients and techniques, and part chef’s personal journal.

    Adrian decides to shed the pounds, no matter what it takes. When he meets and falls for Mel Woods, a confident and sensible girl with a passion for fitness, his motivation to change leads him to take dangerous measures. When Mel confronts Adrian about his methods of weight loss he is left trying to find a balance between the number on the scale and wondering if he'll ever be worthy of love.

    A Lot. Born with congenital anomalies, then called birth defects, in both feet, she was adopted as a toddler by a traditional 1950s family that had no idea how to handle the interwoven complexities of adoption and disability. From repeated childhood surgeries to an activist awakening at university to decades as a feminist teacher, improv coach and unionist, she spent much of her life denying her disability. But now, in this book written with the timing of a comedian, she’s sharing her journey. Palmer takes on adoption, ableism, ageism and childhood sexual abuse as she reckons with her past and with everyone’s future. In Falling for Myself, she allows herself to fall and get up and fall again, knees and hands bloody, but determined to seek disability justice, to insist we all be heard, seen, included and valued for who we are.

    It is the story of four unlikely friends who live in Otter Lake, a reserve north of Toronto. Ralph and his sister, Shelley, live with their parents. On the cusp of becoming teenagers, they and their friend William befriend an odd little girl, from a dysfunctional family. Danielle, a timid 10 year old girl, draws an amazing, arresting image of a horse that draws her loose group of friends into her fantasy world. But those friends are not ready for what that horse may mean or represent. It represents everything that’s wrong in the girl’s life and everything she wished it could be. And the trio who meet her and witness the creation of the horse, are left trying to figure out what the horse means to the girl, and later to them. And how to help the shy little girl.

    Based on the true story of the Caetanis, Italian nobility driven out of their home by the rise in fascism who chose exile in Vernon, BC, Rosnau brings to life Ofelia Caetani, her daughter Sveva Caetani and their personal secretary, Miss Juul. Miss Juul is the voice of the novel, a diminutive Danish woman who enters into employment with the Caetani family in Italy before the birth of Sveva, stays with them through twenty-five years of seclusion at their home in Vernon, and past the death of Ofelia. Little Fortress is a story of a shifting world, with the death of its age-old nobility, and of the intricacies of the lives of women caught up in these grand changes. It is a story of friendship, class, betrayal and love.

    Starting with a ghost story set in Goa, India in the 1950s, the collection weaves through various timelines and perspectives to focus on two children, Aiden and Ally Pinto. These siblings tackle their adventures in a predominantly white suburb with innocence, intelligence and a timid foot in two distinct cultures.In these stories, Derek Mascarenhas takes a fresh look at the world of the new immigrant and the South Asian experience in Canada, as a daughter questions her father's love at an IKEA grand opening; an aunt remembers a safari-gone-wrong in Kenya; an uncle's unrequited love is confronted at a Goan Association picnic; a boy tests his faith amidst a school-yard brawl; and a childhood love letter is exchanged during the building of a backyard deck. Singularly and collectively, these stories will move the reader with their engaging narratives and authentic voices."This charming collection of stories resides between a suburban childhood in Canada and inherited, often mythic, tales from Goa that belong to the elders. Characters decide on love with rings lost at sea and soothe babies with stories of elephants in mountains. The voices in these stories are from people who seem far away and yet are inside us. Prepare to be delighted." —Kim Echlin, author of Under the Visible Life"The stories in Derek Mascarenhas's Coconut Dreams remind one of the high stakes in a child's world, the way that danger looms just fractionally outside safety. Like all proper enchantments, these vignettes are dark, light, strange, and vivid such that they delight and charm in equal portions." —Kathryn Kuitenbrouwer, author of All the Broken Things, Perfecting, and The Nettle Spinner."In this evocative collection, Derek Mascarenhas takes up the fictional Pinto family and turns it gently in his hands, revealing new truths—and new questions—with every shift in point of view. A moving, multifaceted debut." —Alissa York, author of The Naturalist

    Unwilling to return to Toronto and face a looming assault charge, she turns to life on the streets. Living among pickpockets, squatters and graffiti artists in a city she barely knows, she is challenged to reassess her ideas about family, luck and art. With the help of a passionate Catalan separatist who dreams of building a new country from the ground up, Niki realizes that starting her life over from scratch could be an opportunity — if she can just find a way to clear her name.

    Drawing from grade-school vocabulary spellers, literature, history, art, media and pop culture, Chantal Gibson's sassy semiotics highlight the depth and duration of the imperialist ideas embedded in everyday things, from storybooks to coloured pencils, from paintings to postage stamps. A mediation on motherhood and daughterhood, belonging, loss and recovery, the collection WEAVES the voices of Black women, past and present. As Gibson DISMANTLES the grammar of her Queen Elizabeth English, sister scholars talk back, whisper, suck teeth, curse and carry on from canonized texts, photographs and art gallery walls, REINTERPRETING their image, RE-READING their bodies and CLAIMING their space in a white, hegemonic landscape.Using genre-bending dialogue poems and ekphrasis, Gibson reveals the dehumanizing effects of mystifying and simplifying images of Blackness. Undoing the North Star freedom myth, Harriet Tubman and Viola Desmond shed light on the effects of erasure in the time of reconciliation and the dangers of squeezing the past into a Canada History Minute or a single postage stamp. Centrefolds Delia and Marie Therese discuss their naked Black bodies and what it means to be enslaved, a human subject of art and an object of science, while Veronica? tells it like it is, what it means to HANG with the Group of Seven on the walls of the Art Gallery of Ontario amongst the lakes, the glaciers, the mountains and the dying trees. Supported by the voices of Black women writers, the poems UNLOOSE the racist misogyny, myths, tropes and stereotypes women of colour continue to navigate every day.Thoughtful, sassy, reflective and irreverent, HOW SHE READ leaves a Black mark on the landscape as it ILLUSTRATES a writer's journey from passive receiver of racist ideology to active cultural critic in the process of decolonizing her mind.

    This epic, fully authorized graphic novel chronicles the birth of Rush’s classic album “A Farewell to Kings”. Relive the trials and triumphs alongside Alex Lifeson, Geddy Lee, and Neil Peart as they create the masterpiece of progressive rock that gave birth to “Closer to the Heart” & the majestic “Xanadu”. The book features artwork and storytelling from Fantoons, with new input from Alex Lifeson (Rush guitar player) and Terry Brown (the producer of the album).

    Windflower Mysteries comes "Christmas in Newfoundland: Memories and Mysteries," a welcome addition to the Sgt. Windflower family of books. Christmas in Newfoundland is a special time. In the depths of long winter nights memories are made and stories are told. Of Christmas by candlelight and horse and buggy rides to church. Of shopping on Water Street in St. John’s before malls and the Internet. In later years, Sgt. Windflower came to work and then to stay in the quiet town of Grand Bank by the Atlantic Ocean where the salt air froze in the wind and the Mounties were welcomed to warm themselves by every fire. Come and warm yourself by the fire and hear their stories. Some memories and some mysteries. Enjoy some holiday time with Sgt. Windflower and all the familiar characters that you’d come to know and love. Good food, good friends and always another chair at the table.

    The area plays host to a wide range of species, from thousand-year-old western cedars to humpback whales to iconic white Spirit bears.According to local residents, another giant is said to live in these woods. For centuries people have reported encounters with the Sasquatch--a species of hairy bipedal man-apes said to inhabit the deepest recesses of this pristine wilderness. Driven by his own childhood obsession with the creatures, John Zada decides to seek out the diverse inhabitants of this rugged and far-flung coast, where nearly everyone has a story to tell, from a scientist who dedicated his life to researching the Sasquatch, to members of the area's First Nations, to a former grizzly bear hunter-turned-nature tour guide. With each tale, Zada discovers that his search for the Sasquatch is a quest for something infinitely more complex, cutting across questions of human perception, scientific inquiry, indigenous traditions, the environment, and the power and desire of the human imagination to believe in--or reject--something largely unseen.Teeming with gorgeous nature writing and a driving narrative that takes us through the forests and into the valleys of a remote and seldom visited region, In the Valleys of the Noble Beyond sheds light on what our decades-long pursuit of the Sasquatch can tell us about ourselves and invites us to welcome wonder for the unknown back into our lives.

    Working with documentary evidence and original interviews, the authors present an absorbing account of the machinations that got the arena and the adjacent Ice District built, with a price tag of more than $600 million. The arena deal, they argue, established a costly public financing precedent that people across North America should watch closely, as many cities consider building sports facilities for professional teams or international competitions. Their analysis brings clarity and nuance to a case shrouded in secrecy and understood by few besides political and business insiders. Power Play tells a dramatic story about clashing priorities where sports, money, and municipal power meet.

    One extended family, relying on the matriarch’s instincts, flee ahead of the attack to seek refuge at a long-forgotten hunting lodge, hoping the deep isolation will protect them. A former military leader, seeing the impending anarchy as an opportunity to establish a realm of his own, consolidates survivors he deems useful and carves out an existence by looting and pillaging the remnants of civilization.Years later, when a young man’s desperate desire to return home causes these two fledgling and disparate societies to collide, the outcome will determine which world order will reign.

    For more than two years, she drifts around the continent, trying to carve out a life that has nothing to do with her past, before returning to her Northern Ontario home and adopting a rescue dog—a mastiff with a tragic history. As she struggles to help the dog heal and repair her relationship with her brother, Matt, she begins to uncover layers of secrets about her family —secrets that were the fuel for her mother’s actions.This Has Nothing to Do With You is a compulsively readable novel that follows a dynamic cast of characters, revealing the complexity of the bonds that are formed through trauma and grief—with siblings, lovers, friends, and dogs.Advance Praise: “Unflinching and mesmerizing, Lauren Carter's novel explores the daily impact of generational trauma, the need to love unreservedly, and a woman inching toward healing by dredging up the past.”—Emily Pohl Weary“Grommet the Dog is my new favourite character! All his poor, messed-up people held me riveted to the page. Lauren Carter has created a novel for our times: how do we learn to live in a world filled with tragedy? With compassion as big as her talent, Lauren Carter infuses this epic story of the broken-hearted with love, life, and hope. This Has Nothing to Do with You is an antidote to apathy and despair. I'm an instant fan.” - Angie Abdou"I found it tender and devastating. A deep dive into the trauma created by family secrets — and secret-keeping. Also, an ode to Northern Ontario!” - Sarah Selecky

    Cutting yet tender, sorrowful yet angry, these poems touch on death and loss, architecture, alcohol, horse statues, and catalogues of life. Addicted to social media and simultaneously well-versed in feminist theory, My Heart Is a Rose Manhattan “subvert[s] the literary industrial complex,” but it also crashes in like the Kool-Aid meme with all-caps non sequiturs and “overdrawn affluenza.” Pull up a chair, get a drink – a rose manhattan, a quartz gimlet, or a gourmet ginger ale, if you prefer. A rose is a rose is a Rose Manhattan.

    He grew up in a small town, where many of his days were spent hunting in the woods and pursuing his dream of becoming a professional athlete. But when his athletic career ended, he found himself seeking new goals. Spencer returned to school and became a teacher. Realizing he still had much to learn about the world, Spencer set out to explore its most dangerous areas. He traveled to Sierra Leone to volunteer in a local school, followed by trips to the West Bank, Afghanistan, and Haiti. Each time, Spencer returned home a little wiser, a little more emotionally mature, and a little more ready to give back to a world that had given him so much. In Duhok, Kurdistan, Spencer’s journey took a new turn. After stumbling into a local zoo, Spencer formed an unlikely bond with Manno, a young chimpanzee who had been kidnapped from his family in central Africa and sold into captivity. Determined to get Manno back to his home, Spencer began to investigate the shadowy, dangerous world of global animal trafficking. Facing resistance at every turn, and with ISIS closing in on Duhok, Spencer finally set in motion an international effort to get his friend to safety, before it was too late. Bursting with compassion, inspiration, and courage, Saving Manno is a testament to the fact that every one of us has the power to change lives and make the world a better place.

    Sophie, a young working-class girl, falls madly in love with and marries a stable-hand named Jonny. After two difficult childbirths, doctors tell Sophie she shouldn't have any more children, but don't tell her how to prevent it. When Sophie inevitably becomes pregnant again, she faces a grim dilemma. In an unflinching look at love, sex, and fertility, and inspired by real stories of mothers during the Canadian birth-control movement of the early twentieth century, one of Canada's most celebrated playwrights vividly recreates a couple's struggles with reproduction.

    . . until now!Often relegated to the sidelines of history, the women highlighted in this book were performed feats that most people would never even dream of. You may not know their names now, but after reading their stories, you won’t soon forget them.It’s time to hear the stories of Marguerite de la Roque, Ttha’naltther, Catherine Schubert, Charlotte Small, Alice Freeman (AKA Faith Fenton), Lucile Hunter, Ada Annie Jordan (AKA Cougar Annie), Victoria Cheung, Mona Parsons, and Joan Bamford Fletcher!Author Lisa Dalrymple’s riveting writing, combined with rigorous research, makes Fierce: Women Who Shaped Canada as eye-opening as it is thrilling to read!

    John's. The book's more than 160 recipes spotlight the local fare: cod, shellfish, moose, game, wild edibles, and more. Charles has written a story to accompany each recipe, along with essays about the people and landscape that define his remarkable approach to modern coastal cuisine.

    Warming soups and stews, hearty breads, and flavourful preserves fill the pages of this beautiful volume--plus, of course, plenty of recipes for her delicious sweets and desserts--from tourti�re to tarte au fraises, and everything in between. With chapters for breakfast and lunch, French favourites and Quebecois cuisine, dishes for Christmas and special occasions, and even recipes inspired by the produce in Giselle's own garden, this is a cookbook that you'll turn to for inspiration all year long.Every recipe is quadruple tested, and completely achievable for home cooks. Even crafting a croquembouche becomes attainable with Giselle's careful step-by-step instructions, process photos, and templates! Cooks and bakers everywhere will enjoy cooking their way through every one of these 75 mouthwatering French-inspired recipes. With its thoughtful writing, stunning photography and design, and classic, fail-proof recipes, Duchess at Home welcomes you home to Giselle's kitchen--and is sure to become a mainstay in yours for many years to come.

    The recipient of a National Aboriginal Achievement Award and an honorary doctorate from Memorial University, she has been a subject of documentary films, books, and numerous articles. She led the Innu campaign against NATO's low-level flying and bomb testing on Innu land during the 1980s and '90s, and was a key respondent in a landmark legal case in which the judge held that the Innu had the "colour of right" to occupy the Canadian Forces base in Goose Bay, Labrador. Over the past twenty years she has led walks and canoe trips in nutshimit, "on the land," to teach people about Innu culture and knowledge. Nitinikiau Innusi: I Keep the Land Alive began as a diary written in Innu-aimun, in which Tshaukuesh recorded day-to-day experiences, court appearances, and interviews with reporters. Tshaukuesh has always had a strong sense of the importance of documenting what was happening to the Innu and their land. She also found keeping a diary therapeutic, and her writing evolved from brief notes into a detailed account of her own life and reflections on Innu land, culture, politics, and history. Beautifully illustrated, this work contains numerous images by professional photographers and journalists as well as archival photographs and others from Tshaukuesh's own collection.

    A construction worker's future is bound to a feckless and suspicious workmate. A young woman's burgeoning social activism is constrained by hardship and the desperation of selling puppies online. A wedding guest recognizes a panhandler attending the reception. And a man crafts a concealed weapon with which to carry out his nightly circuit of paltry retribution. Through keen-eyed observation, and with an impressive economy of statement, Doyle conveys these characters over a backdrop of private absurdities and confusions--countering the overbearance of a post-tragic age with grit, irony, and infinitesimal signs of hope.

    Ghost's Journey is inspired by the true story of two gay refugees, Rainer and Eka, and their cat Ghost, with the illustrations created from Rainer's photographs.

    An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore.

    Catherine Porter, a newly minted international reporter, was on the ground in the immediate aftermath. Moments after she arrived in Haiti, Catherine found her first story. A ragtag group of volunteers told her about a “miracle child”—a two-year-old girl who had survived six days under the rubble and emerged virtually unscathed.Catherine found the girl the next day. Her family was a mystery; her future uncertain. Her name was Lovely. She seemed a symbol of Haiti—both hopeful and despairing.When Catherine learned that Lovely had been reunited with her family, she did what any journalist would do and followed the story. The cardinal rule of journalism is to remain objective and not become personally involved in the stories you report. But Catherine broke that rule on the last day of her second trip to Haiti. That day, Catherine made the simple decision to enroll Lovely in school and to pay for it with money she and her readers donated.Over the next five years, Catherine would visit Lovely and her family seventeen times, while also reporting on the country’s struggles to harness the rush of international aid. Each trip, Catherine’s relationship with Lovely and her family became more involved and more complicated. Trying to balance her instincts as a mother and a journalist, and increasingly conscious of the costs involved, Catherine found herself struggling to align her worldview with the realities of Haiti after the earthquake. Although her dual roles as donor and journalist were constantly at odds, as one piled up expectations and the other documented failures, a third role had emerged and quietly become the most important: that of a friend.A Girl Named Lovely is about the reverberations of a single decision—in Lovely’s life and in Catherine’s. It recounts a journalist’s voyage into the poorest country in the Western Hemisphere, hit by the greatest natural disaster in modern history, and the fraught, messy realities of international aid. It is about hope, kindness, heartbreak, and the modest but meaningful difference one person can make.

    LGBTQIA Studies. Young Adult. In the heart of Scarborough sits the Nap-Away Motel, a hunched building providing hidden worlds for its occupants. Within its derelict walls, Suleiman longs to rebuild his broken family, Tiffany creates a fantasy world to escape from her mother's neglect and Ori plans a search for their run-away twin brother. While they grapple with the challenges of mental health, addiction, and grief, the three dwellers manage to forge a friendship over a litter of stray kittens. Together, they find joy in ruin, and hope when everything seems lost.

    In honour of the one-hundred-year anniversary of the Group's formation, The Group of Seven Reimagined takes a fresh look at twenty-one paintings from the Group's vast oeuvre, extracting narrative from landscape and uniting Canada's most beloved works of art with some of its most distinguished names in contemporary literary fiction.This gorgeous full-colour art book includes works by the original Group of Seven--Franklin Carmichael, Lawren Harris, A.Y. Jackson, Frank Johnston, Arthur Lismer, J.E.H. MacDonald, and Frederick H. Varley--as well as later members A.J. Casson, L.L. FitzGerald, and Edwin Holgate, plus their contemporaries Tom Thomson and Emily Carr. Each painting is accompanied by a short narrative--or "flash fiction" piece--written by critically acclaimed, award-winning authors, including Carol Bruneau, Waubgeshig Rice, Tamas Dobozy, and JJ Lee. Rather than analyze or interpret the art, these literary masters look deep inside each painting, crafting new layers of plot, setting, and emotion that feel at once entirely fresh and completely at home alongside these early-twentieth-century works. With a foreword by Sue and Jim Waddington, authors of the popular In the Footsteps of the Group of Seven, this innovative take on the Group of Seven is sure to inspire and delight Canadians from coast to coast to coast.

    Mary Harney is a dreamy teenager in Cumberland County, Nova Scotia, whose ambitions are stifled by her tyrannical grandmother and alcoholic father. When Mary's mother becomes ill, an already fragile domestic situation quickly begins to unravel until the October evening when the girl goes missing. Across the water on Prince Edward Island we meet Gilbert Bell, whose son finds a body washed up on the beach below the family farm. As the community is visited first by the local coroner and then by investigators, Glenn Norris paints a fascinating and darkly comic picture of judicial and forensic procedures of the time. At once tightly plotted and pensive, the novel travels back to the circumstances that led to Mary's disappearance and then back further to the circumstances of her parents' marriage, all the while building toward a raucous courtroom finale.

    How well do you REALLY know Canada?  Did you know: Santa Claus is a Canadian citizen?  That hockey is NOT the official national sport of Canada?  The Canadian passport contains hidden images? Canada could have been named Britannia or Borealia?  Parts of Canada are as cold as Mars?  A Canadian pharmacist invented peanut butter? If you're Canadian, know any Canadians, or have ever wanted to know more about Canada, this fun little fact book will help. Inside this TWO-HOUR, easy-to-read book, you'll discover fun nuggets of knowledge and trivia about: The kind people who live there All things maple syrup A list of cool Canadian inventions Famous and amazing Canadians Unique history The breathtaking nature A few words to help you speak Canadian  As a fun bonus and to test how well you and your friends REALLY know Canada, there's a fun short quiz with answers at the end to test your Canadian knowledge.  This is a great gift for family, friends, co-workers and anyone you think would enjoy learning more about Canada.  Check out the "Look Inside" to see more of the topics covered.  SCROLL UP to the Top and hit that BUY BUTTON and we'll see you on the inside..:)

    But when her father suddenly leaves and her mother breaks down, Daisy's old life disappears, and she is set free in the rift created between her parents. Susie Taylor's sharp, quick-witted prose carries Daisy through a family cataclysm, relationships with boys, and her increasingly confusing feelings towards girls, especially Wanda. A refreshingly perceptive and honest debut, Even Weirder Than Before explores the nature of family, friendships, and sexual awakenings--and introduces one of Newfoundland's most exciting new writers.

    John's singer-songwriter and photographer Heather Nolan's characters stomp through smoky downtown bars dragging longing, trauma, illness, confusion, and addiction with them. Fragmented memory is her unreliable narrator, demonstrating how the past continually interrupts the present, asking, "How is one to determine which is memory, and which the dream?"

    This is the history of a gruff and unrecognizable Canada - one of 'swastika clubs' and public bigotry.A homemade swastika flag flown at a public baseball game was the spark that found tinder in these untenable and hateful conditions. What followed was the worst race riot in Canadian history. Archival research and first-hand interviews lend historical depth to an unknown story of resistance against hatred in uncertain times.

    FOUR HISTORICAL ADVENTURES spans over 2,000 action-packed pages. Each epic tale is set in the 19th Century and each has strong romantic themes.White Spirit (A novel based on a true story)Into the Americas (A novel based on a true story)World Odyssey (The World Duology, Book 1)Fiji: A Novel (The World Duology, Book 2)White Spirit (A novel based on a true story):This epic novel is based on the remarkable true story of Irish convict John Graham who escapes the notorious Moreton Bay Penal Settlement on Australia’s east coast to find sanctuary with the Kabi, a tribe of Aborigines who eventually accept him as one of their own. John is torn between two women – one black, one white – and is forced to choose between them.Into the Americas (A novel based on a true story):A gritty, real-life adventure based on one of history’s greatest wilderness survival stories. It’s a tale of two vastly different cultures – North America’s First Nations people and European civilization – colliding head on in the early 1800’s in the Pacific Northwest. One reviewer says the action is relentless. Another describes it as a Romeo and Juliet story set in the wilderness.World Odyssey (The World Duology, Book 1):This novel follows the fortunes of three young travelers. Their adventures span sixteen years and see them engage with Native Americans, Barbary Coast pirates, Aborigines, Maoris and Pacific Islanders as they travel around the world – from America to Africa, from England to the Canary Islands, to Australia, New Zealand and the Pacific Islands. Their adventures continue in Fiji.Fiji: A Novel (The World Duology, Book 2):A continuation of the dramatic adventures of the travelers who feature in book one in the duology, this novel is set entirely in Fiji. English missionary Susannah Drake wants to convert the Fijians while American adventurer Nathan Johnson wants to trade muskets to them. There’s conflict ahead. The unlikely pair soon have to depend on each other for their very survival.

    Along the way she shares with us the lives of these urban trees, from the grackles and cankerworms of the spring, to the flush of mushrooms on stumps in the summer and through to the red-stemmed dogwood of the winter. After grounding us in native elms and ashes, Gordon travels to BC's northern Rockies, to Banff National Park and a cattle farm in rural Manitoba, and helps us to consider what we expect of nature. Whether it is the effects of climate change on the urban forest or foraging in the city, Dutch elm disease in the trees or squirrels in the living room, Gordon delves into our relationships with the natural world with heart and style. In the end, the essays circle back to the forest, where the weather is always better and where the reader can see how to remake even the trees that are lost.With intimacy and humour, award-winning poet Ariel Gordon walks us through the streets of Winnipeg and into the urban forest that is, to her, the city’s heart. Along the way she shares with us the lives of these urban trees, from the grackles and caterpillars of the spring to the red-stemmed dogwood of the winter and helps us to consider what we expect of nature. Whether it is the fogging of mosquitoes, family farms and their futures, or infestations of teenagers at a lake when she is looking for quiet, Gordon delves into our relationships with the natural world with heart and style. In the end, the essays circle back to the forest, where the weather is always better and where the reader can see how to remake even the trees that are lost.

    Like any resource boom, Canada’s oil patch is awash in contrasts and contradictions—between risk and reward, isolation and assimilation, and wilderness and industrial intrusion. Deep in the oil patch, the luxuries of civilization—things like rules and objective facts—sometimes seem in short supply, but Bird’s poems attempt to chart a place where there “isn’t a decent map to be had,” sketching blurry boundaries between truth and talk, reckoning with rumours and half-truths heard around camp.Boom Time shifts from passages of prosaic observation to rhyming word play and witty, imagistic asides. With this range of modes the collection offers contrasting accounts of the disorienting locale. A common thread throughout the collection is people’s uncanny ability to adapt to or resist the environments they throw themselves into—other than Donnie, who fell into a tailings pond and disappeared, becoming “a murmured lunchroom tale.” The characters populating Bird’s poems have both immediacy and inevitability, their complexities presented with little explication, judgment or endorsement, their stories narrated with compassion and humour. While her stance is most often one of amusement, Bird doesn’t shy away from the more troubling aspects of life in camp, touching on subjects like workplace safety, harassment, gendered violence, over-indulgence and infidelity. Many travel to the oil patch in pursuit of prosperity, accepting the demands of the work, the isolation of the job sites and the sometimes stifled living environment in exchange for better wages than they could make at home. While the poems in Boom Time depict this as a world somewhat apart, they also acknowledge there’s something intriguing about this experience that we’ve willfully edited out of our everyday notion of the civilized world, and yet it has remained “just over / the hill this whole time.”

    Forced into service after her father’s death, married at eighteen to a much older man, she’s become as hard as the rocks that line the shores of her island home. Talented, brilliant, and hard-working, she will do anything to make things go her way in the life she’s been forced to live.One November day in 1933, Edmund Taylor stumbles into their lives when he is invited by John Elliott to board with them to write a book on the Commission of Government and finish his final papers for his graduation from Harvard Law School. During the harshest winter in decades, disaster and despair rock the Elliott home and their entire community, and events lead Edmund, overcome with guilt, to want to flee. In love with the formidable Betsy, he invites her to run away with him to Boston.Should Betsy stay in a place where children die of curable diseases and life has a deadening sameness, or go to Boston, the city of her dreams, where adventure and opportunity await? Betsy must choose between duty and the dreams she thought were impossible. But time is running out. Edmund will leave as soon as navigation opens up. Will Betsy be on the boat with him, or will she stay, chained forever to the life she thought she was destined to live?

    As she heads for the Kalahari Desert in search of early human fossils, Zoe embarks on an inner journey into the sense of guilt haunting her people. Meaningful encounters with an aged Bushman, a legendary but troubled writer author and her ancestors’ diaries will reshape her sense of identity.Now also in audiobook format, superbly narrated by Los Angeles-based, South African voice actor Dennis Kleinman (available on all major platforms, from Audible to Google Play, from Apple Books to Kobo and Scribd). ***“Arianna Dagnino’s transcultural novel transports the reader into the complex and potentially dangerous world of its protagonist within sensually rich descriptions of southern Africa. The author’s experiential immersion in her topic is obvious in the detailed and nuanced familiarity she evokes with the various cultural groups that form the basis of her characters. Rarely does one encounter a novelist who can articulate so deftly the multiple perspectives that are at the heart of the changing sociological landscape of a place such as postcolonial South Africa. As one whose forebears were among the first Cape colonists, I found Dagnino’s The Afrikaner to be eerily compelling.”—Dr. Kathryn Pentecost, freelance author, blogger, arts producer.“A clever, fresh and widely resonating novel whose international, globalizing streak rescues us from stale and overly provincial atmospheres.”—Dr. Carlo Testa, The University of British Columbia“Quite amazing and intriguing that I identified with Zoe in so many ways … and have lived parts of her imaginary life for real. Well done with your portrayal of this character. You have the gift, that’s for sure.”—Dr. Saskia Water, South African palaeontologist“The text thoughtfully sharpens our awareness of the mingled yarns that create individual identities.” —Dr. Michael Hattaway, New York University in London***As a reporter, translator and academic lecturer Arianna Dagnino has crossed many borders and lived in many countries, including a five-year stint in South Africa. The author of books on the impact of globalization and digital technologies, Dagnino holds a PhD from the University of South Australia. She now makes her home in Vancouver.

    Many historians argue that the negotiations suffered from cultural misunderstandings between the treaty commissioners and Indigenous chiefs, but newly uncovered eyewitness accounts show that the Canadian government had a strategic plan to deceive over the "surrender clause" and land sharing.According to Sheldon Krasowski's research, Canada understood that the Cree, Anishnabeg, Saulteaux, Assiniboine, Siksika, Piikani, Kainaa, Stoney and Tsuu T'ina nations wanted to share the land with newcomers--with conditions--but were misled over governance, reserved lands, and resource sharing. Exposing the government chicanery at the heart of the negotiations, No Surrender demonstrates that the land remains Indigenous.

    These people, called Cajuns or Acadians, were expelled from their homelands. Persecuted and homeless, they traveled hundreds of miles south in search of a new home and ultimately settled in the Pelican State, where they made new lives for themselves free from their British conquerors. Though not always warmly welcomed, they were accepted, allowing them to practice their different culture amidst their new neighbors. Though their home has changed flags over the centuries, the people themselves have remained, retaining a culture that goes back several centuries. While people continue to assimilate, some have continued to live same lifestyles their ancestors did for generations, and they continue to fascinate outsiders, so much so that they occasionally end up being featured on the History Channel. The Cajuns: The History of the French-Speaking Ethnic Group in Canada and Louisiana profiles the people, from their origins to their history across North America. Along with pictures of important people, places, and events, you will learn about the Cajuns like never before.

    Diana, the eldest, is the light of the little family, the one Alisha longs to emulate more than anyone else. But when Diana doesn’t come home one night and her body is discovered in the woods, Alisha becomes haunted. She thinks she knows who did it, but can’t tell anyone about it.Unable to handle the loss of their daughter and unaware of Alisha’s secret guilt, the family unravels. It’s only through an unusual friendship with Paula, an older woman who volunteers at her school, that Alisha finds reprieve. Once an orphan in the Nova Scotia Home for Coloured Children and estranged from her own sister, Paula helps Alisha understand that the chance for redemption and peace only comes with facing difficult truths.

    She can barely function in the "real" world, partly because, though brilliant, she has an intense, all but all-consuming relationship with language that is English, but mostly an exploded English of her own. For her, oral communication using everyday English with almost anyone other than her sister, is terribly difficult. On the other hand, and a Real Big Other Hand it is, when she comes by a format that disciplines her linguistic rapids just a little, she shows herself to be a virtuoso of written English. The "difficult" writers she exults in reading, and in whose writing family she belongs, are what she calls the "triumvirate" of Samuel Beckett, Gertrude Stein, and James Joyce, he of Finnegans Wake especially. Writing that is a stretch for the normal English-speaking reader comes naturally to Christina Baillie, whether as reader or writer, because, like it or not, she is in that linguistic theatre. It's actually like it and not. Like the triumvirate, she has found ways to produce experimental writing; unlike them, she has only with the utmost difficulty been able to communicate with most other people. Martha's version of all this: "the less medication [Christina] takes, she tells me, the more insistently words decompose. 'Appear' becomes 'app' and 'ear'; seconds later, 'ap' and 'pear' send her thoughts in search of a still life. When every word she hears, or reads, shatters upon contact--her mind a windshield, every word a mess of feather and bone, spray of blood--imposing order exhausts her. 'To shut this down takes enormous energy, which can push me to the edge of passing out.'" So the idea, in setting up the conversation between sisters who can communicate with each other, was to provide a format in which the sister trapped in her own language might find a way to address the larger world. "Bridge" becomes one of the operative words: first between sisters, then between their collaborative text and other readers.

    the Last Ones Were Delicious explores how we respond to the weight of social expectations. From the hidden pressures of wall paint and tarot card predictions, to the burden of phone numbers and the dismembering of saints, Waddleton takes us on a surrealist road trip through the missteps of her vivid characters with honesty and compassion. These are stories of survival. Unafraid, dreamy, and downright weird, these stories cross boundaries of geography, gender, and generation with an eye to the transient nature of human life

    These easy-to-follow, triple-tested recipes put vegetables front and centre, and let meat and fish play a supporting role. Discover delicious, bright dishes popping with colour (tomato and ricotta tartlets), full of comfort (squash and roasted vegetable lasagne), and ready to celebrate (Beauty and the Beet cocktail). With each recipe, Ricardo reinvents what vegetables can mean for the modern family, and always stays true to his philospophy: eat together, keep it simple, and make it tasty.

    While in custody, one of the accused allegedly killed a police officer and a Hudson's Bay Company trader.The Canadian government hastily established an unprecedented court in the Arctic, but the trial quickly became a master class in judicial error. The verdicts were decided in Ottawa weeks before the court convened. Authorities were so certain of convictions, the executioner and gallows were sent north before the trial began. In order to win, the Crown broke many of its own laws.The precedent established Canada’s legal relationship with the Inuit, who would spend the next seventy-seven years fighting to regain their autonomy and Indigenous rule of law.

    In a series of interconnected short stories, Christine Ottoni tells the tale of a highly sensitive caregiver, Naomi, and her relationship with her reclusive, artistic mother, Joanne. From a whirlwind romance with a manic bartender named Marce, to an intense friendship with an ineffectual alcoholic named Jake, Naomi’s search for intimacy and home is marked by urban claustrophobia and loneliness. The characters of Cracker Jacks for Misfits are hungry for human connection. They look for it online, in the unfamiliar bedrooms of Toronto, and in hushed conversations with strangers. Their stories are real—so real that we can all identify with their struggle. A portrait of millennial discontent and overconnectedness, Cracker Jacks for Misfits is about the moment when childhood becomes a new country of adult commitments and responsibilities. These stories are about the strange, intimate worlds we share with others, in dive bars, on road trips, and on the curb outside house parties. Ottoni presents a distinctive look at the struggle of a generation, and asks if we can every truly realise ourselves through our ability or inability to break free. This work of contemporary insight illuminates what is at the core of today's society: how important it is to understand and respect the sensibilities, goodness, strengths and frailties of those who we call friends, family, and the other. Cracker Jacks for Misfits is a moving and engaging narrative of a young person who finds their independence, strength, and power to love.

    From a high-performance Canadian cyclist and transgender woman comes a powerful and inspiring story of self-realization and legal victory that upends our basic assumptions about gender identity.

    Lee relinquished his sword, a band of Union and Confederate veterans dusted off their guns. But these former foes had no intention of reigniting the Civil War. Instead, they were bound by a common goal: to seize the British province of Canada and to hold it hostage until the independence of Ireland was secured.By the time that these invasions--known together as the Fenian Raids--began in 1866, Ireland had been Britain's unwilling colony for seven hundred years. Thousands of Civil War veterans considered themselves Irishmen before they were Americans. They were those who fled rather than perish in the wake of the Great Hunger, and now they took their cue from a previous generation of successful American revolutionaries. With the tacit support of the U.S. government, the Fenian Brotherhood established a state in exile, planned prison breaks, weathered infighting, stockpiled weapons, and assassinated enemies. Defiantly, this motley group, including a one-armed war hero, an English spy infiltrating rebel forces, and a radical who staged his own funeral, managed to seize a piece of Canada--if only for three days.When the Irish Invaded Canada is the untold tale of a band of fiercely patriotic Irish Americans and their chapter in Ireland's centuries-long fight for independence. Inspiring, lively, and often undeniably comic, this is a story of fighting for what's right in the face of impossible odds.

    While he has always kept one foot planted firmly in the arts, as a working photographer his search for adventure took him through the Americas, into the High Arctic, across Europe, on to the Middle East, India, and the Far East. He photographed famous athletes, musicians, actors, politicians, revolutionaries, and more than a few criminals. The sum of these scary, strange, heart-rending, and funny episodes is one man's prescription for how to live in a bizarre and, best of all, never boring world.It is also a book about loss. Mitchell reflects on the invention of photography and its transformative effect on world culture and pays tribute to fellow photographers who led remarkable and frequently obsessive lives.

    A treaty is enduring. A treaty is an act of faith. A treaty at its best is justice. It is a document and an undertaking. It is connected to place, people and self. It is built on the past, but it also indicates how the future may unfold. TREATY # is all of these. In this far-ranging work, Ruffo documents his observations on life as he sets out to restructure relationships and address obligations nation-to-nation, human-to-human, human-to-nature. Now, he undertakes a new phase in its restoration. He has written his TREATY # like a palimpsest over past representations of Indigenous bodies and beliefs, built powerful connections to his predecessors, and discovered new ways to bear witness and build a place for them, and all of us, in his poems.

    The consensus is that Tyler had no enemies. Why would anyone murder him?Detective Sergeant Eva Naslund goes to work with a homicide team from OPP Central. They find no useful blood, print, or DNA evidence. They turn to financial forensics and criminal psychology. Tyler’s paintings are worth millions, yet he’s deeply in debt to banks and his art agent. Just as the investigation opens a new lead, courtesy of Tyler’s friend, J.J. MacKenzie, MacKenzie is murdered. The team is back to ground zero—with two murders to solve.

    Beginning in this setting, The House the Spirit Builds extends to include any region, any place that ignites the human mind and heart.Something astonishing happens when the poems and photos sit side by side and speak to one another in a language that is timeless, lucid and precise: they bring us to a wisdom that might mitigate the damage we do to others and the natural world.While acknowledging the loss and suffering that infuse our days, the poems and photographs invite us to expand our sense of wonder, our sense that all things are connected, no matter where we live. An image of a slice of light falling across a tablecloth, a black beetle on a leaf: these poems speak of moments “when the dragonfly lands and grips the skin / on the back of your hand” or “rain stops falling / but / hangs around / like the shape of lust / in bedsheets.” The impressions and expressions vary, but remind us that if we pay attention, even the smallest things can bring us joy and remind us we are not alone in our brief sojourn on this earth.