Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    Hailing from the Ikon community in Belfast and working closely with its founder, the bestselling writer Pete Rollins, Padraig's poetry interweaves parable, poetry, art, activism and philosophy into an original and striking expression of faith. Padraig's poems are accessible, memorable profound and challenging. They emerge powerfully from a context of struggle and conflict and yet are filled with hope. Full Text - Short

    At the same time, she encourages women to teach and lead in the church in ways that may startle some complementarians. Readers on both sides of this hot-button topic will be challenged by her ministry-tested and thoroughly Scriptural perspective.

    Studying these passages led to radical changes in her life. Too often we put these same passages in the 'too hard basket', or we make up our minds without taking a close look at them for ourselves. But we must let God's word determine these issues, and not the culture in which we live.Claire takes us through the same process she went through herself, looking closely at seven key Bible passages about men and women and how they should relate together in God's purposes. Along the way she deals with many common objections, and applies the teaching of the Bible simply and practically to our relationships at home and in church. The warmth and simplicity of the book means it will benefit every Christian—whether you have looked at these passages a thousand times, or you've never thought about them in your life.About the author...After working for some years as a nurse, Claire Smith spent many years at Moore College closely studying the Bible, completing a BTh, MA (Theology), and a PhD in New Testament. These days she spends her time writing and speaking at conferences. To relax, she writes letters to the paper and talks theology with the two men in her life--her husband, Rob, and their son, Nathanael (both avid musicians). She will also happily watch any sport on TV (although her favourite is rugby).

    From www.radicaldoula.com:"In August 2012 I published The Radical Doula Guide, a 52 page political primer that addresses the political context of supporting people during pregnancy and childbirth.The guide provides an introduction to full spectrum doula work—supporting people during all phases of pregnancy, including abortion, miscarriage, birth and adoption—as well as a discussion of how issues like race, class, immigration, gender and more affect our work as doulas."Purchase a copy here: http://radicaldoula.bigcartel.com/

    Through images, poetry and prose, Clementine Morrigan examines the processes of destruction and creation which are fundamental to healing.

    Abdur-Rahman interrogates and challenges cultural theorists' interpretations of sexual transgression in African American literature. She argues that, from the mid-nineteenth century through the twentieth, black writers used depictions of erotic transgression to contest popular theories of identity, pathology, national belonging, and racial difference in American culture. Connecting metaphors of sexual transgression to specific historical periods, Abdur-Rahman explains how tropes such as sadomasochism and incest illuminated the psychodynamics of particular racial injuries and suggested forms of social repair and political redress from the time of slavery, through post-Reconstruction and the civil rights and black power movements, to the late twentieth century.Abdur-Rahman brings black feminist, psychoanalytic, critical race, and poststructuralist theories to bear on literary genres from slave narratives to science fiction. Analyzing works by African American writers, including Frederick Douglass, Pauline Hopkins, Harriet Jacobs, James Baldwin, and Octavia Butler, she shows how literary representations of transgressive sexuality expressed the longings of African Americans for individual and collective freedom. Abdur-Rahman contends that those representations were fundamental to the development of African American forms of literary expression and modes of political intervention and cultural self-fashioning.Aliyyah I. Abdur-Rahman is Assistant Professor of English at Brandeis University."Against the Closet is an important and much-needed book, a significant contribution to African American literature, cultural studies, sexuality studies, and critical race theory. Aliyyah I. Abdur-Rahman's close readings of fictional representations of race and sex are nuanced and illuminating, and the history of racial thought and sexual science that she presents is indispensable."—Maurice O. Wallace, author of Constructing the Black Masculine: Identity and Ideality in African American Men’s Literature and Culture, 1775–1995"In this significant and timely text, Aliyyah I. Abdur-Rahman complicates and expands our understanding of the queerness of blackness, making a welcome contribution to black cultural studies, black queer studies, literary studies, and work on lynching and the making of post-slavery whiteness."—Christina Sharpe, author of Monstrous Intimacies: Making Post-Slavery Subjects

    The collection is edited by leading scholars in the field and presents:individual introductory notes that situate each work within its historical, disciplinary and theoretical contextsessays grouped by key subject areas including Genealogies, Sex, Temporalities, Kinship, Affect, Bodies, and Borderswritings by major figures including Eve Kosofsky Sedgwick, Judith Butler, David M. Halperin, Jose Esteban Munoz, Elizabeth Grosz, David Eng, Judith Halberstam and Sara Ahmed.The Routledge Queer Studies Reader is a field-defining volume and presents an illuminating guide for established scholars and also those new to Queer Studies.

    The title reflects an understanding that decolonizing actions must begin in the mind, and that creative, consistent decolonized thinking shapes and empowers the brain, which in turn provides a major prime for positive change. Included in this book are discussions of global collapse, what to consider in returning to a land-based existence, demilitarization for imperial purposes and re-militarization for Indigenous purposes, survival strategies for tribal prisoners, moving beyond the nation-state model, a land-based educational model, personal decolonization, decolonization strategies for youth in custody, and decolonizing gender roles. As with For Indigenous Eyes Only, the authors do not intend to provide universal solutions for problems stemming from centuries of colonialism. Rather, they hope to facilitate and encourage critical thinking skills while offering recommendations for fostering community discussions and plans for purposeful community action. For Indigenous Minds Only will serve an important need within Indigenous communities for years to come.

    This optimistic book challenges advocates for LGBT rights in the U.S. to aspire beyond the narrow framework of equality. It outlines a more substantive politics with race, class, and gender at its foundation, and suggests that such a politics will produce greater and more meaningful change for a larger number of people.Irresistible Revolution is intended for a broad and general audience. The book turns an experienced and thoughtful lens onto many common controversies, rhetoric, and strategic questions that face contemporary social change movements: pursuit of broad or narrow agendas, integration of economic and racial justice, integrating sexual orientation and gender identity in human rights frameworks, the persistence of sexism, the dilemmas of bipartisanship, and the challenge of seeing beyond the short term to secure gains made for the long run.

    Like Gerard de Nerval, David Foster Wallace, Ann Quin and Virginia Woolf before him, Unger was not merely a writer who chose to end his life, but a writer whose work appeared forged from the knowledge of that event's temporary postponement. And while to the uninitiated these literary suicides would most likely appear completely unrelated to the suicide behaviors of insects parasitized by entomopathogenic fungi or nematomorpha, within the pages of this short study we are frequently presented with details that allow us to see the parallels between their terminal choreographies. He investigates what he believes are the essentially binary and contradictory motivations of his suicide case studies: where their self-dispatch becomes an instance of necro-autonomy (death as solution to an external thraldom, or the zombification of everyday life as something requiring the most extreme form of emancipation), while in addition being an instance of necro-equipoise (death as solution to an internal thraldom, or the anguish of no longer being able to slip back comfortably inside that very everydayness). The deadening claustrophobia of human life and achieving a stance outside of it: both barbs on the lines that can only ever detail the sickness, never cure it. Through extracts and synopses of Unger's books, marginalia and underscorings selected from his extensive library, and a brief itinerary of his movements in that last month of exile, a picture of the writer's suicidal obsession begins to form, and it forms at the expense of the man, the idea eating through his brain like a fungal parasite, disinterring the waking corpse to flesh its words.

    While there are plenty of other books out there that explain how to give a spanking or tie a half-hitch, Playing Well With Others is the first book that explains kink *culture* -- the munches, parties, leather bars, conferences, workshops, fetish nights, exploratoriums and all the other gatherings of kinksters that turn BDSM and leather from a bedroom predilection to a lifestyle and a community.You'll learn to:* Examine your own motivations, needs, wants and desires* Ease your way into established communities* Understand etiquette in different adventurous sex communities* Familiarize yourself with the many types of events available to you* Care for your relationships as you explore new territory* Negotiate for play and aftercare* Go back to the "world at large" without ruffling feathers* ...and, of course, answer the all-important question: What do you wear?!The team of Harrington and Williams offers 30-plus years of experience in diverse kink communities: top, bottom and switch; gay, bi and straight; female, male and trans; white and POC. Both former titleholders and international educators, they are an unbeatable pair of "sexual sherpas" with an inimitable voice and a great deal of wisdom.Playing Well With Others is an unprecedented and essential guidebook for anyone who wants to explore or understand the "community" aspect of the kink lifestyle.

    The two main characters, best friends since they were teenagers, are Clara, a workaholic, feminist TV producer and Jo, a sad, deserted wife. They come together in a cosmetic make-over programme which will test their beliefs - and their friendship - to the hilt. Pete Street, rock star recluse, blunders into this mesmerising, haunting and very contemporary tale about self-esteem, identity and transformation.

    It brings together academic writings, political analysis, life testimonies, conversations, and artistic works by Africans that engage with the struggle for LGBTI liberation. The book aims to engage the audience from the perspective that various traits of identity—such as gender, race, and class—interact to contribute to social inequality. Including experiences from diverse African contexts, this work breaks away from the homogenization of Africa as the homophobic continent to highlight the complexities of LGBTI lives and experiences through their own voices.

    Working from the premise that transgender is both material and cultural, the contributors address such aspects of the university as administration, sports, curriculum, pedagogy, and the appropriate location for transgender studies.Combining feminist theory, transgender studies, and activism centered on social diversity and justice, these essays examine how institutions as lived contexts shape everyday life."Transfeminist Perspectives in and beyond Transgender and Gender Studies is a very worthwhile book. Enke is knowledgeable about the field, and frames the issues nicely, explicitly addressing some of the core problems in feminism and women’s studies. This anthology shrewdly demonstrates how transgender studies can do feminist work, and it goes a long way toward furthering that important critical/political task."—Susan Stryker, Professor of Gender & Women's Studies at the University of Arizona, and author of Transgender History

    Using rich archival sources and oral interviews, historian Leigh Ann Wheeler shows how the private lives of women and men in the American Civil Liberties Union shaped their understanding of sexual rights as they built the constitutional foundation for the twentieth-century's sexual revolutions. Wheeler introduces readers to a number of fascinating figures, including ACLU founders Crystal Eastman and Roger Baldwin; nudists, victims of involuntary sterilization, and others who appealed to the organization for help; as well as attorneys like Dorothy Kenyon, Harriet Pilpel, and Melvin Wulf, who pushed the ACLU to tackle such controversial issues as abortion and homosexuality. It demonstrates how their work with the American Birth Control League, Planned Parenthood Federation, Kinsey Institute, Playboy magazine, and other organizations influenced the ACLU's agenda. Wheeler explores the ACLU's prominent role in nearly every major court decision related to sexuality while examining how the ACLU also promoted its agenda through grassroots activism, political action, and public education. She shows how the ACLU helped to collapse distinctions between public and private in ways that privileged access to sexual expression over protection from it. Thanks largely to the organization's work, abortion and birth control are legal, coerced sterilization is rare, sexually explicit material is readily available, and gay rights are becoming a reality. But this book does not simply applaud the creation of a sex-saturated culture and the arming of citizens with sexual rights; it shows how hard-won rights for some often impinged upon freedoms held dear by others.

    Drawing on extensive qualitative research, Amy Steinbugler examines the racial dynamics of everyday life for lesbian, gay, and heterosexual Black/White couples. She disputes the notion that interracial partners are enlightened subjects who have somehow managed to get beyond race.Instead, for many partners, interracial intimacy represents not the end, but the beginning of a sustained process of negotiating racial differences. Her research reveals the ordinary challenges that partners frequently face and the myriad ways that race shapes their interactions with each other aswell as with neighbors, family members, co-workers and strangers. Steinbugler analyzes the everyday actions and strategies through which individuals maintain close relationships in a society with deeply-rooted racial inequalities-what she calls racework. Beyond Loving reveals interracial intimacyas an ongoing process rather than a singular accomplishment. This analytic shift helps us reach a new understanding of how race works-not just in intimate spheres, but across all facets of contemporary social life.

    When these metal monsters collide or go off the rails, their destructive power becomes clear. In this book, George Bibel presents riveting tales of trains gone wrong, the detective work of finding out why, and the safety improvements that were born of tragedy.Train Wreck details 17 crashes in which more than 200 people were killed. Readers follow investigators as they sift through the rubble and work with computerized event recorders to figure out what happened. Using a mix of eyewitness accounts and scientific explanations, Bibel draws us into a world of forensics and human drama.Train Wreck is a fascinating exploration of• runaway trains• bearing failures• metal fatigue• crash testing • collision dynamics• bad rails

    From Idla Martines de Souza organizing with the Landless Workers Movement in Brazil, to Emem Okon building peace in middle of a resource war in Nigeria, to Juana Ferrer and Via Campesina turning towards food sovereignty to end gender violence, each of these women have important wisdom and vision to share with us all.

    In the last few decades, the place and practice of activism has shifted from a physical "headquarters" where activists convene to plan and strategize, to the reality where planning happens at various desks and kitchen tables across the country (or world) and activists then convene at one site for an action (the prime example of this being the WTO protest in Seattle in 1999). So much of the work is taking place in the digital environment and/or within smaller do-it-yourself (DIY) and anarchist subcultures where ideas are often shared via zines and other ephemeral materials. The challenge of the archivist and the scholar, whose work is traditionally paper-based, is to keep up with the changing modes of communication of these individuals and organizations and to make sure these activists' work is not left out of the historical record. Activists, archivists, librarians, and scholars address the following issues and topics: the practical material challenges of documenting and archiving contemporary activism; theoretical perspectives and conversations; online communities and communications; "third wave" feminism/youth and queer cultures/subcultures; the move from paper to digital archives and documents; zines; and the work of activists who employ creative/artistic/cultural approaches to work for social justice.

    The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.

    For the first time in history, read the story of the first four Deities of the Tetrad]+--Panpsyche, Panhyle, Paneros, and Pancrates--four transgender or gender-variant Deities, who have come into being in our time as divine figures whose living myth reflects the realities of twenty-first century gender diversity.

    The truth about this mind-altering chemical cocktail is far more complex--and less controversial--than generally believed."Psychedelic Psychiatry" is the tale of medical researchers working to understand LSD's therapeutic properties just as escalating anxieties about drug abuse in modern society laid the groundwork for the end of experimentation at the edge of psychopharmacology. Historian Erika Dyck deftly recasts our understanding of LSD to show it as an experimental substance, a medical treatment, and a tool for exploring psychotic perspectives--as well as a recreational drug. She recounts the inside story of the early days of LSD research in small-town, prairie Canada, when Humphry Osmond and Abram Hoffer claimed incredible advances in treating alcoholism, understanding schizophrenia and other psychoses, and achieving empathy with their patients.In relating the drug's short, strange trip, Dyck explains how concerns about countercultural trends led to the criminalization of LSD and other so-called psychedelic drugs--concordantly opening the way for an explosion in legal prescription pharmaceuticals--and points to the recent re-emergence of sanctioned psychotropic research among psychiatric practitioners. This challenge to the prevailing wisdom behind drug regulation and addiction therapy provides a historical corrective to our perception of LSD's medical efficacy.

    In classic and original essays, renowned scholars from a range of disciplines think through a broad array of information and technology philosophies and practices. Conceiving of “information” in a broad sense, the contributors reevaluate conventional methods and topics within Information Studies to examine encounters with information phenomena and technology that do not lend themselves easily to the scientific and behaviorist modes of description that have long dominated the field. A Foreword, Introduction, and Afterword provide helpful context to the reader’s 27 essays, arranged around topics that include information as gendered labor, cyborgs and cyberfeminism, online environments, information organization, information extraction and flow, archives, and performance.

    Due to the diseases they carry and inject, mosquitoes are responsible for more human deaths than any other animal. The most deadly of these diseases is malaria, which although eradicated from much of the northern hemisphere, continues to pose a mortal threat in developing countries. Two billion people a year are exposed to malarial infection, of which over 350 million succumb, and nearly 700,000 die, the majority in sub-Saharan Africa. In Mosquito, Richard Jones recounts the history of mosquitoes’ relationship with mankind, and their transformation from a trivial gnat into a serious disease-carrying menace. Drawing on scientific fact, historical evidence, and literary evocation, the book provides a colourful portrait of this tiny insect and the notorious diseases it carries. Mosquito offers a compelling warning against the contemporary complacency surrounding malaria and other diseases in western society, whilst also exploring the sinister reputation of the insect in general. Written in an accessible style for a broad readership, this book will appeal to all those with an interest in tropical medicine and disease, as well as anyone pestered in the night by the annoying, familiar whine of this diminutive airborne adversary. Richard Jones is a Fellow of the Royal Entomological Society of London and the Linnean Society of London, and was President of the British Entomological and Natural History Society 2001–02. He has published a number of books on insects and wildlife including Nano Nature (2009) and Extreme Insects (2010).

    As a transgender woman who was inspired to write her book while serving prison time for a prostitution conviction, Ceyenne might not seem like the most likely representative of home cooked family values. But her book, which is peppered with good humor and begins with the story of her life, shows that food and love are the ties that bind, and family is what you make it.

    This set of six volumes covers 2800 years of the human body as a physical, social, spiritual and cultural object. Volume 1: A Cultural History of the Human Body in Antiquity (1300 BCE - 500 CE) Edited by Daniel Garrison, Northwestern University. Volume 2: A Cultural History of the Human Body in The Medieval Age (500 - 1500) Edited by Linda Kalof, Michigan State University Volume 3: A Cultural History of the Human Body in the Renaissance (1400 - 1650) Edited by Linda Kalof, Michigan State University and William Bynum, University College London. Volume 4: A Cultural History of the Human Body in the Enlightenment (1600 - 1800) Edited by Carole Reeves, Wellcome Trust Centre for the History of Medicine, University College London. Volume 5: A Cultural History of the Human Body in the Age of Empire (1800 - 1920) Edited by Michael Sappol, National Library of Medicine in Washington, DC, and Stephen P. Rice, Ramapo College of New Jersey. Volume 6: A Cultural History of the Human Body in the Modern Age (1900-21st Century) Edited by Ivan Crozier, University of Edinburgh, and Chiara Beccalossi, University of Queensland. Each volume discusses the same themes in its chapters: 1. Birth and Death 2. Health and Disease 3. Sex and Sexuality 4. Medical Knowledge and Technology 5. Popular Beliefs 6. Beauty and Concepts of the Ideal 7. Marked Bodies I: Gender, Race, Class, Age, Disability and Disease 8. Marked Bodies II: the Bestial, the Divine and the Natural 9. Cultural Representations of the Body 10. The Self and Society This means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on the human body through history.

    Each chapter pairs an oral history excerpt with an essay in which the oralhistorian addresses his or her methods and practices. With an afterword by John D'Emilio, this collection enables readers to examine the role memory, desire, sexuality, and gender play in documenting LGBTQ communities and cultures.The historical themes addressed include 1950s and '60s lesbian bar culture; social life after the Cuban revolution; the organization of transvestite social clubs in the U.S. midwest in the 1960s; Australian gay liberation activism in the 1970s; San Francisco electoral politics and the career ofHarvey Milk; Asian American community organizing in pre-AIDS Los Angeles; lesbian feminist sex war cultural politics; 1980s and '90s Latina/o transgender community memory and activism in San Francisco; and the war in Iraq and Afghanistan.The methodological themes include questions of silence, sexual self-disclosure and voyeurism, the intimacy between researcher and narrator, and the social and political commitments negotiated through multiple oral history interviews. The book also examines the production of comparative racial andsexual identities and the relative strengths of same-sexuality, cross-sexuality, and cross-ideology interviewing.

    The Arse event is an exploration of future, current, and past technology as it is used in regards to erotic human relations. The 2009 Arse Elektronika was centered around biotechnology and body modification. Besides lively interviews and fiery panel discussions, Of Intercourse and Intracourse includes personal essays and anecdotes, project descriptions the reader can actually build, research bibliographies, and lots of information on historical and speculative theories and practices. Interesting, entertaining, and mentally stimulating, its wide-reaching topics, are well thought-out and thought-provoking in turn.Some of the subjects and projects included: trans-species and extraterrestrial pornography, tantric sex, “joydick” and “pussypad” project instructions, polyamory + technology, W.S. Burroughs’s Naked Lunch, latex, intimacy, biometrics, and the future of sex —just to name a few. This is an amusing and mind-expanding foray into technology with a purpose. Of Intercourse and Intracourse is replete with fun and funny ways to use electronics for pleasure and self-control, and keeping the multitude of unusual ideas afloat, there is plenty of information on the psychologies behind them. The participant-contributors, besides being “far-out” thinkers in their respective fields, are also deep thinkers on the state of humanity now and in decades to come. These are refreshingly un-self-conscious viewpoints, brainstorming, and theoretical fantasies on the topic of sex in the 21st century and beyond.Features, essays and projects by Eleanor Saitta, R.U. Sirius, Jack Sargeant, Annalee Newitz, Katrien Jacobs, Christian Heller, Bonni Rambatan, Kyle Machulis, Saul Albert, Tatiana Bazzichelli, Johannes Grenzfurthner, Violet Blue, Carol Queen, Douglas Spink, Rose White, Rainer Prohaska, Thomas Ballhausen, Uncle Abdul, Elle Mehrmand (Echolalia Azalee), Micha Cárdenas (Azdel Slade), Ani Niow, Monika Kribusz, Noah Weinstein, Randy Sarafan, Allen Stein, Kim De Vries, Pepper Mint, Robert Glashuettnencr, Jonathon Keats.

    While this period saw the emergence of portraiture as a major field of representation in Western art, "slave" and "portraiture" as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. The essays in this volume address this apparent paradox of "slave portraits" from a variety of interdisciplinary perspectives. They probe the historical conditions that made the creation of such rare and enigmatic objects possible and explore their implications for a more complex understanding of power relations under slavery.

    This new art book pushes the "BUTCH" definition beyond its seams. Packed with fashion forward pictures that are vivid, dramatic and provocative. These gender-bending bois will make your heart skip a beat. It is a feast for the eyes and the coffee table. You will fall in love and never again judge a butch by her cover.

    Stereotypical views of Middle Eastern women today maintain that they are without legal rights, do not attend universities or have jobs outside their homes, and are not full citizens of their countries because they cannot vote or hold public office. Similar misinformation circulated in the eighteenth century when European male travelers to Egypt, documenting their observations, depicted harem women as sexual objects, deprived of autonomy, and held captive by their husbands. Fay’s Unveiling the Harem offers a persuasive corrective to this distorted view of Middle Eastern women.Instead of the odalisque of nineteenth-century painting and the fevered imaginings of European travelers, historical research reveals that elite women in powerful, wealthy households exercised their rights under Islamic law, property rights in particular, to become owners of lucrative real estate in Cairo as well as influential members of their families and the wider society. One such woman, Sitt Nafisa, who was literate in several languages, commissioned a public water fountain and a Qur’ anic school that still stands today. She played a pivotal role as the intermediary between French officials and her husband, who was leading the revolt against the French from Upper Egypt. Based on documents from various archives in Cairo, including records of women’ s property ownership, repeated visits to eighteenth-century palaces and their family quarters, and textual reconstructions of the elite residential neighborhoods of the city, Unveiling the Harem presents a lucid and historically grounded portrait of Egyptian women, stripped of the powerless victim narrative that is still with us today.

    Today, some estimates are over fifty percent, a tenfold increase. Is this dramatic rise evidence of a real medical epidemic? In All We Have to Fear, Allan Horwitz and Jerome Wakefield argue that psychiatry itself has largely generated this "epidemic" by inflating many natural fears into psychiatric disorders, leading to the over-diagnosis of anxiety disorders and the over-prescription of anxiety-reducing drugs. American psychiatry currently identifies disordered anxiety as irrational anxiety disproportionate to a real threat. Horwitz and Wakefield argue, to the contrary, that it can be a perfectly normal part of our nature to fear things that are not at all dangerous--from heights to negative judgments by others to scenes that remind us of past threats (as in some forms of PTSD). Indeed, this book argues strongly against the tendency to call any distressing condition a "mental disorder." To counter this trend, the authors provide an innovative and nuanced way to distinguish between anxiety conditions that are psychiatric disorders and likely require medical treatment and those that are not--the latter including anxieties that seem irrational but are the natural products of evolution. The authors show that many commonly diagnosed "irrational" fears--such as a fear of snakes, strangers, or social evaluation--have evolved over time in response to situations that posed serious risks to humans in the past, but are no longer dangerous today. Drawing on a wide range of disciplines including psychiatry, evolutionary psychology, sociology, anthropology, and history, the book illuminates the nature of anxiety in America, making a major contribution to our understanding of mental health.

    Prior research on sex work has focused primarily on prostitutes and most studies of BDSM absorb pro-domme/client relationships without exploring what makes them unique. Lindemann satisfies our curiosity about these paid encounters, shining a light on one of the most secretive and least understood of personal relationships and unthreading a heretofore unexamined patch of our social tapestry. Upending the idea that these erotic laborers engage in simple exchanges and revealing the therapeutic and analytic nature of their work, Lindemann makes a major contribution to cultural studies, anthropology, and queer studies with her analysis of how gender, power, sexuality, and hierarchy shape all of our social experiences.